DE BAERE Paul Chr.MareMagnum
272 résultats
pp.163-246 + 4pp.buitentekstills., voornaamste bijdrage in "Verschaeviana" deel II afl.2 (pp.161-253), onopengesneden, als nieuw
356 p., très nbr. ill. coul. Inv. Th 156
xvi + 63pp., with some bl/w ills., 25cm., softcover, good condition, S108246
Mm 250x280 Brossura editoriale di pp. 263, con 110 illustrazioni a colori. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
AA. VV. AA. VV. Rubens e Genova. Palazzo Ducale - Genova. 1977. Genova, Palazzo Ducale - Genova 1977 italiano, in ottavo pp. 308 14165 AA. VV. Rubens e Genova. Palazzo Ducale - Genova. 1977. In-8. Brossura. pp. 308. Con tavole b/n e a colori. Catalogo della mostra "Rubens e Genova" tenutasi dal 18 dicembre 1977 al 12 febbraio 1978 presso Palazzo Ducale (Genova). A cura di Biavati G., Botto I.M., Doria G., Frabetti G., Poleggi E., Tagliaferro L. Il volume si presenta in condizioni molto buone.
160pp.geïll. + buitentekstplaten, 26cm., in de reeks "Mededelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Letteren" jg.48 nr.1, goede staat, [bijdragen in het Nederlands; bevat o.a. BAUDOIN F., Dr. Ludwig Burchard (1886-1970) en zijn betekenis voor de studie van Rubens en van de Vlaamse kunst van de 17de eeuw, pp.67-100 & HUYS B., Historiek van de Brabançonne. Haar editio princeps en andere vroege uitgaven, pp.119-160], B72144
Issued as a supplement to the full catalogue of the exhibition. With 40 black and white plates.
240pp. avec illustrations + planches hors-texte, brochure originale, 24cm., bon état, [contient e.a. SCHOUTEDEN-WERY J., Tervuren en Brabant : histoire de la région de la localité et de ses chateaux (pp.5-128 avec 64 ills.), LEBEER Louis, Pierre-Paul Rubens et l'art de la gravure (pp.181-212 avec 36 ills.), …], B50426
240pp.avec illustrations + planches hors-texte, belle reliure cart. (plats marbrés, dos en cuir brun à 4 nerfs et titre doré), 25cm., [contient e.a. SCHOUTEDEN-WERY J., Tervuren en Brabant : histoire de la région de la localité et de ses chateaux (pp.5-128 avec 64 ills.), LEBEER Louis, Pierre-Paul Rubens et l'art de la gravure (pp.181-212 avec 36 ills.), etc.], B96245
Fredlund, Björn: Arkitektur i Rubens maleri : form och funktion. Göteborgs universitet, 193pp, 46 monochrome illustrations. Wrappers. Presented as the author's dissertation Gothenbourg University 1974. Text in Swedish with English summary. Presented as the author's dissertation Gothenbourg University 1974. Text in Swedish with English summary
In 4°, (16cc), 202 pp, (6cc), prima edizione, legatura in pergamena, frontespizio calcografico disegnato da Pieter Paul Rubens e inciso da Theodor Galle, marca editoriale (compasso tenuto da una mano: Labore et Constantia) in fine. Il Mascardi fu assiduo della corte degli Este a Modena, andò a Roma per laurearsi in legge e, grazie alle raccomandazioni del conte Camillo Molza, che Mascardi ringraziò dedicandogli il Discorso sopra un componimento poetico intorno alla cometa,[3] nel 1618 fu assunto in qualità di segretario dal cardinale Alessandro d'Este (1568-1624). A Roma cominciò a comporre un poemetto fantastico, il Tiburno, per celebrare la fondazione della città di Tivoli, la casata e la sfarzosa villa che gli Este possedevano nella cittadina laziale. Il lavoro venne interrotto per la morte di papa Paolo V, nel 1621.Per celebrare l'apertura del conclave, il Mascardi compose l'Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Ad esso seguì, dopo l'elezione del cardinale Alessandro Ludovisi - papa con il nome di Gregorio XV - l'anonima Scrittura intorno alla elezione a sommo pontefice del cardinal Ludovisio, forse scritta da Alessandro d'Este o composta dal Mascardi su sua diretta commissione e ispirazione, nella quale erano esposte critiche nei confronti di diversi cardinali, suscitando così la reazione della famiglia Ludovisi, in particolare del cardinale Ludovico, contro il cardinale d'Este. A fare le spese del conflitto tra le due potenti famiglie fu così il Mascardi, che nel giugno del 1621 si ritrovò licenziato e allontanato da Roma. Si rifugiò allora a Genova dove fu favorito dalla conoscenza di personaggi importanti delle famiglie gentilizie quali Marcantonio Doria e Giacomo Lomellini, e da poeti di successo come Ansaldo Cebà e Gabriello Chiabrera. Poté così recitare pubblicamente, il 26 settembre 1621, l'orazione Per la coronazione del serenissimo Giorgio Centurione,[8] e in dicembre divenne membro dell'«Accademia degli Addormentati». Qui pronunciò altri discorsi, tra i quali uno per la monacazione di Margherita Doria, figlia di Marcantonio e di Isabella della Tolfa, e l'orazione Intorno al furor poetico, dedicata al patrizio Tommaso Grimani, tutti raccolti nelle Orazioni, pubblicate nel 1622 dall'editore genovese Giuseppe Pavoni. Una sua commedia, Le metamorfosi d'amore, composta per il carnevale del 1623, è invece rimasta manoscritta. Nella speranza di poter rientrare a Roma e di essere ripreso al servizio degli Este, il Mascardi aveva dedicato al cardinale Alessandro i Silvarum libri IV, pubblicati nel 1622 ad Anversa da Balthasar Moretus, ma senza ottenere risposta. In 4 °, (16cc), 202 pp, (6cc), first edition, vellum binding, title designed by Pieter Paul Rubens and engraved by Theodor Galle, publishing mark (compass held by one hand: Labore et Constantia) in fine. Mascardi was a regular at the Este court in Modena, went to Rome to graduate in law and, thanks to the recommendations of Count Camillo Molza, whom Mascardi thanked for dedicating his Discourse on a poetic composition around the comet, in 1618 he was hired in as secretary to Cardinal Alessandro d'Este (1568-1624). In Rome he began to compose a fantastic poem, the Tiburno, to celebrate the foundation of the city of Tivoli, the house and the sumptuous villa that the Este owned in the Lazio town. The work was interrupted by the death of Pope Paul V in 1621. To celebrate the opening of the conclave, Mascardi composed the Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Following it, after the election of Cardinal Alessandro Ludovisi - pope with the name of Gregory XV - followed the anonymous Scripture around the election as supreme pontiff of Cardinal Ludovisio, perhaps written by Alessandro d'Este or composed by Mascardi on his direct commission and inspiration, in which criticisms of several cardinals were exposed, thus provoking the reaction of the Ludovisi family, in particular of Cardinal Ludovico, against Cardinal d'Este. To pay for the conflict between the two powerful families was so Mascardi, who in June 1621 found himself fired and removed from Rome. He then took refuge in Genoa where he was favored by the knowledge of important personalities of the noble families such as Marcantonio Doria and Giacomo Lomellini, and by successful poets such as Ansaldo Cebà and Gabriello Chiabrera. He was thus able to publicly recite the prayer On September 26, 1621, for the coronation of the most serene Giorgio Centurione, and in December he became a member of the "Accademia degli Addormentati". Here he gave other speeches, including one for the monk of Margherita Doria, daughter of Marcantonio and Isabella della Tolfa, and the prayer Around the poetic fury, dedicated to the patrician Tommaso Grimani, all collected in the Orations, published in 1622 by the Genoese publisher Giuseppe Pavoni. One of his comedies, The Metamorphoses of Love, composed for the carnival of 1623, has instead remained handwritten. In the hope of being able to return to Rome and be resumed in the service of the Este, Mascardi had dedicated IV books to Cardinal Alessandro the Silvarum, published in Antwerp by Balthasar Moretus in 1622, but without getting an answer.
Mm 215x275 Brossura editoriale, 144 pagine con illustrazioni in nero. Catalogo della mostra presso il North Carolina Museum of Art, Raleigh, 7 luglio - 2 settembre 1984. In ottimo stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
140pp., met ills., 26cm., gebroch., goede staat, S108259
Book is in excellent condition with very very light shelf wear as the only flaw. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. No jacket, as issued. 172 pages with about 30 contributors, including Rubens Azevedo; Marco Baravalle; Shumon Basar; Baukuh; Dario Benedetti; Massimo Bartolini; Stefano Boeri; Bonnie Champlin; Nina Canell; Javier Castanon; Luca Celardo; Amanda Chatten; Dave Clemens; Peter Coles; Christian Von During; Shin Egashira et al.
130pp.rijkelijk geïll., 24cm., Catalogus van tentoonstelling (Brussel, 1 juli-7 september 1977), mooie staat, S79750
567pp.ills.avec ills.hors-texte, br.orig., 25 cm., bel état, contient e.a. 7 contributions du "Colloque Rubens - Italia e Belgio all'epoca di Rubens (1577-1640)", en français et italien
grand in-8°, 245 pp., nombreuses illustrations et figures, broche, couverture illustree. Tres bel exemplaire. [NV-7] Nombreux articles consacrés aux oeuvres de P.-P. RUBENS (Textes en français et néerlandais).
Perez Sanchez, Alfonso E.: Catalogo de los Dibujos. Madrid: Real Academia de Bellas Artes de San Fernando, 1967. 208 pages of text 24 pages of black and white illustrations. Paperback. 19.5 x 13cms. Text in Spanish. Text in Spanish
The auction catalogue of an excellent private collection of autgraph letters. Includes outstanding letters by La Fontaine, Beethoven, Bernini, Rubens, Sully, Descartes, Diderot, Calvin, La Rochefoucauld, Rousseau, Charles V, Robespierre, Richelieu, Machiavelli, Racine, Louis XIV, and many other prominent literary, artistic, and political figures. 90 pp., 482 items described. Printed on fine wove paper. Tall 8vo. Original wraps. Entirely uncut. Wraps worn at spine. Internally bright and fine. Early auction catalogues of autograph collections, like this one, are quite rare.
64pp., 26cm., br.orig., avec ex-libris de Lode Monteyne, signé avec brève dédicace par l'auteur, bon état, rare, S90750
Meulen, Marjon van der: Copies after the Antique. 3 vols. London: Harvey Miller, 1994. Series: Corpus Rubenianum Ludwig Burchard. Part XXIII (i, ii & iii). Volume I: Introduction. Volume II: Catalogue. Volume III: Plates with 575 illustrations. Cloth. 26.5x19cms. First publication to catalogue in detail Rubens' drawings after the Antique, produced largely at the beginning of his career. First publication to catalogue in detail Rubens' drawings after the Antique, produced largely at the beginning of his career. Text in English
Complete in 2 volumes: together 600pp. with 378 bl/w illustrations and 21 colour illustrations, 27cm., hardcovers (publisher's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" vol.26-1, ISBN 978-1-905375-38-7, S79987
Belkin, Kristin: Copies and Adaptations from Renaissance and Later Artists. German and Netherlandish Artists. 2 vols. Turnhout: 2009. Series: Corpus Rubenianum Ludwig Burchard. Part XXVI. Vol. 1 (in 2 vols). 475pp with 21 colour and 378 monochrome illustrations. Cloth, 26.5x18cms. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. Text in English
Complete in 2 volumes: together 717pp. with 295 bl/w illustrations and 16 colour illustrations, 27cm., hardcovers (editor's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" vol.26-2, ISBN 978-1-905375-39-4, S79986
Wood, J: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Titian and North Italian Art. 2 vols. 2010. Series: Corpus Rubenianum Ludwig Burchard.