638 résultats
1991ART5722MRelié, 329 pages, paru le 1er août 1991 chez RMN, très bon état général, quasi neuf.
Paris: Editions de la Revue Verve, 1940. In-folio - Reliure editeur à la bradel en Velin - Volume 2 : N° 5/6 - Consacrée à la figure humaine - Couverture illustrée en couleurs par Aristide MAILLOL - Textes de J. PAULHAN, J. SUPERVIIELLE, J. GRENIER, A. JARRY, M. JOUHANDEAU, J. GIRAUDOUX, ALAIN, G. ROUAULT, A. SUARES, etc.. - Peintures en quadrichromie par MARINUS, RUBENS, CORNEILLE de Lyon, COROT, etc, - Enluminures (Héliogravure couleurs & or) St-Grégoire-le-Grand, Les Echecs Amoureux, Les Dames de Renom de Boccac, les Fouquet de Chantill, livre d'Heures d'Etienne, chevalier, XV è siècle - Lithographies de Constantin GUYS, G. BRAQUE, G. ROUAULT, A. DERAIN, F. LEGER, P. BONNARD, H. MATISSE, P. KLEE - Dessins, Peintures, Scultures de GOYA, MIRO, A. GIACOMETTI, etc.. - Photographies en Héliogravure par DISDERI, H. LIST, EGER-TERMET, BRASAI, etc..- 181 pages. N° 7 - Les très riches Heures du duc de Berry 12 enluminures, reproduction très fidèle de l’intégrale du calendrier. N° 8 - couverture illustrée de MATISSE - Texte de REVERDY, J. GIRAUDOUX, A. MONNIER, A. MALRAUX, etc - Peintures de MATISSE, MIRO, etc - Calendriers de Charles d'ANGOULEME, André DERAIN TRES BEL EXEMPLAIRE
84746Les Éditions Braun & Cie, Paris. 16 cm ; kart.
In-8, brossura, pp. 205, con 107 illustrazioni in bianco e nero e a colori nel testo. Catalogo della mostra. In buono stato (good copy).
In-8 (cm. 27), brossura illustrata, pp. 67, (1), con illustrazioni in bianco e nero e a colori nel testo. Minime, millimetriche macchie; peraltro, volume in ottimo stato (nice copy).
198086761ABRoma, Armando Curcio 1980. 4°. 16, (2) S. Text mit Abbildungen + 26 Farbtafeln, farb. illustr. OKt. Gutes Exemplar. farb. illustr. OKt. Gutes Exemplar.
In-4 (cm. 28.20), brossura illustrata, pp. 111, (3), con numerose illustrazioni in bianco e nero, ed alcune a colori (applicate alla pagina) fuori testo. Catalogo della vendita all’Asta tenutasi in Roma dal 25 Aprile al 6 Maggio 1932. Segnatura a matita. Fioriture alle carte. Minime tracce d’uso alla brossura; peraltro, volume in buono stato (good copy).
1964394Recklinghausen, Aurel Bongers Verlag, 1964. Geb, Pappbd., 167 Seiten, Großformat, ca. 25x25 cm
1942129335Berlin: Wolfgang Krüger Verlag, 1942. 125 S., 128 Taf. ; 26 x 22 cm ; Halbleinen.
Boston, Bates & Guild Co., Publishers, 1901, in-8, br. edit., pp. (4), da 21 a 40, (4). Con 10 tavv. in b.n. Vol. 2 della collana "Masters in Art - A Series of Illustrated Monographs", ad uscita mensile.
139Relié - 13x19 - 188 pp - sans date - Louis MICHAUD, Paris - 54 gravures et portraits.
Paris, Braun, 1950, 16mo brossura originale con copertina illustrata, pp. (60) completamente illustrato da tavole (Les Maitres) .
1997ART1088C115GAR30 Avril - 9 Juillet 1997. Galerie Schmit. Non paginé environ 100 pages.
199652143Èdit.de la Réunion de musées nationaux, 1996. origi.Pappband, quer 8°, 59 Seiten.
24509Paris, Tisné, 1956. 20 x 24, 151 pp., nombreuses illustrations couleurs, cartonnage + jaquette, bon état (jaquette défraîchie).
192478001924 NILSSON. 1924. In-12 Carré.broché128 pages. Portrait vignette en noir et blanc sur le premier plat. Frontispice et nombreuses planches Collection "Maîtres anciens et modernes"
I Classici della Pittura - Jean-Baptiste Camille Corot. Qualche segno del tempo, qualche traccia d'uso. Numerose tavole a colori. cm 23 x 29. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Soft cover. Worldwide delivery.
19527307Fernand Nathan 1952 40 pages in12. 1952. Broché couverture rempliée. 40 pages. Monographie consacrée au peintre Camille Corot (1796-1875) analysant sa carrière et son style. L'auteur Maurice Sérullaz conservateur et historien de l'art met en lumière le goût de Corot pour le rythme et l'harmonie l'apparentant aux maîtres classiques et opposant sa recherche du permanent à celle du fugace chez les Impressionnistes
pp.26 + 24 tav. a col. f.t. Bibliothèque aldine des arts. N. 19. Testo in francese.
194893192ABBern, Scherz 1948. 31 S. Text u. 52 (darunter einige farb.) Tafeln, OPp. mit farb. ill. OUmschl. (dieser etw. nachgedunkelt u. angestaubt). Das Buch ansich sehr gut erhalten. EA. OPp. mit farb. ill. OUmschl. (dieser etw. nachgedunkelt u. angestaubt). Das Buch ansich sehr gut erhalten. EA.
The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and pl ates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could not do without" -- Elbert Hubbard, 'Epigrams' (1911)BOOE
194830150Scherz, Bern, 1948. Erste Auflage, 31 Seiten Text + 52 ganzseitige, teils farbige Bildtafeln; 8°, ca. 20 x 14 cm, Pappeinband mit Schutzumschlag
In-4 (cm. 28.10), brossura illustrata, con alette, pp. 149, (3bi.), con illustrazioni in bianco e nero ed a colori nel testo. In ottimo stato (nice copy). Il volume, realizzato per accompagnare la mostra di Brescia (dicembre 1998 aprile 1999), propone una panoramica sull'impressionismo attraverso un'ottantina di capolavori provenienti dai principali musei e collezioni d'arte francesi. I saggi analizzano la pittura "en plein air", gli influssi della pittura giapponese, la teatralità urbana, l'immagine della donna e l'idea dello spazio nella pittura impressionista.
in-8°, 240 pages, ill. hors texte N&B, broche, couverture illustree Bel exemplaire. [AR-1]
pp. 88 con 12 ill. in b/n e 48 tav. di cui una a col. Catalogo della mostra con dettagliate schede illustrate e un saggio di Denys Sutton.