(after)Pierre-Auguste RenoirBiblio.com
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74773<p>After Pierre-Auguste Renoir<br />Pinning the Hat Le Chapeau épinglé<br />Numbered 191/200 lower left<br />Stamped with the Arts Litho Paris blindstamp <br />Signed in the plate<br />Image size: 59.5×48.5cm<br />Sheet size: 75 x 55.5 cm<br />Published by Arts Litho Paris</p><p>Pinning the Hat one of Renoir's largest most elaborate prints is among the lithographs he published in the 1890s when color lithography finally began to shed its commercial associations and became a vehicle for original expression</p>
187571161Paris: Bingham 1875. Fine. Bingham Paris s. d. circa 1875 6.20 x 10.20 cm une photographie Photographic medallion portrait of a young Auguste Renoir Bingham Paris n.d. circa 1875 62 x 102 cm photographAn extremely rare original medallion photograph on albumin paper in visiting card format laid down on card from the Studio Bingham Paris. Manuscript annotations to verso including the note Collection Romi. Robert Miquel journalist and French chronicler of the unusual kept a shop at 15 rue de Seine immortalized by Robert Doisneau in his series La Vitrine de Romi. We have not been able to find any copies of this photograph in any of the international public collections. Bingham unknown
011606various: various 0. 1st Edition. Hardcover. Very Good/Very Good. Tay Garnett 1894-1977 was one of the great American film directors of Hollywood's Golden Age. His six-decade career spanned silents for Mack Sennett Hal Roach and Pathé to major studio blockbusters like China Seas 1935 Mrs. Parkington 1944 A Connecticut Yankee in King Arthur's Court 1949 and the MGM film noir masterpiece The Postman Always Rings Twice 1946. At the end of his career he set out compiling views on directing from the greatest in the American film industry and international cinema. This collection of correspondence and books was assembled by him in the course of research. His book "Directing: Learn from the Masters" Scarecrow Press 1996 published posthumously ultimately presented the views of 43 of the world's greatest directors. In the mid 1970s Garnett sent a questionnaire of 21 key questions about the specifics of film directing and their careers to directors around the world. The correspondence dated between 1974 and 1977 consists of the following: 1 page TLS from ELIA KAZAN; 5 page TLS from ELIA KAZAN responding to the questionnaire in detail; TLS from director Leopoldo Torre Nilson; 1 page TLS from LOUIS MALLE; 1 page TLS from ALAIN RESNAIS; 1 page TLS from BRYAN FORBES; 2 page TLS with handwritten annotations from DINO RISI; 1 page ANS from ALLAN DWAN; four 1-page TLSs from FRANCOIS TRUFFAUT who authored the preface to Garnett's book; two 1 page TLSs from RENE CLAIR; 2 page TLS from FRED ZINNEMAN; 1 page ANS from Mary Walsh wife of RAOUL WALSH; five 1 page ALSs and one 2 page ALS from ALBERTO LATTUADA who advises the best address for Fellini ".in the middle of work on 'Casanova'.". Also included are carbon copies of Garnett's letter requesting participation in the project to Clair Truffaut Lattauda Stanley Kubrik Luchino Visconti Franco Zefferelli Claude Lelouche and business letters to prospective publishers. The books consist of 17 titles by or about 14 directors each inscribed by the director to the Garnett. LUIS BUNUEL inscribed "Luis Bunuel" by Raymond Durgnat University of California Press 1968 trade paperback. FRANK CAPRA inscribed his autobiography "Frank Capra - The Name Above the Title" Macmillan 1971 ". with fond memories of . those cockeyed Mac Sennett days.". RENE CLAIR inscribed in French his own book "Cinema Yesterday and Today" Dover 1977 trade paperback. GEORGE CUKOR inscribed Gavin Lambert's biography of him "On Cukor" W. H. Allan 1973. ALAN DWAN inscribed "Allan Dwan - The Last Pioneer" by Peter Bogdanovitch Praeger Film Library softcover 1968. HOWARD HAWKS inscribed "Focus on Howard Hawks" edited by Joseph McBride Prentice Hall 1972 trade paperback. ELIA KAZAN inscribed "Kazan on Kazan" by Michel Clement Viking Press 1974. ALBERTO LATTUADA inscribed three books: F.M. de Sanctis' "Alberto Lattuada - Premier Plan" Revue Mensuelle De Cinema circa1965 paperback Edoarda Bruno's "Lattuuda o la Proosta Ambigue" Luglio 1968 paperback and Angelo Zanallato's "L'uomo Cattiva Sorte: Il Cinema di Lattuada" Livania 1973 trade paperback. MERVYN LEROY inscribed his autobiography "Mervyn LeRoy; Take One" Hawthorne Books 1974 - "for Tay whose 'take one' was always his best and so was his last." JEAN RENOIR inscribed his autobiography "My Life and My Films" Collins 1974. FRANCOIS TRUFFAUT inscribed two books his own novelization of his film "Small Change" Grove Press 1977 paperback and Don Allen's book on him "Truffaut" Viking Press 1974. KING VIDOR inscribed his own book "King Vidor on Film Making" David McKay 1972. RAOUL WALSH inscribed his own book "Each Man in His Time" Farrar Straus and Giroux 1974 - ". my good old pal in the golden days of Hollywood.". WILLIAM WYLER inscribed his autobiography. Taped-in is a ANS from Wyler. Most books are hardcover first editions unless otherwise noted in used but presentable dustrjackets. various 0 hardcover
1948518136Paris: Librairie des Arts Decoratifs A. Calavas Editeur 1948. Hardcover. Near Fine. First edition. Folio. Introduction by Jean Leymarie text in French. 54 black and white plates laid into a portfolio of paper covered boards. Also laid in are three bifolia making 12 pages printing the title page introduction and list of plate titles. Bifolia and plates toned around the edges else near fine in a good or better portfolio with soiling and toning particularly along the spine edgewear and the hinges starting. Black and white reproductions of some of the most celebrated pieces by the Impressionists. Librairie des Arts Decoratifs, A. Calavas, Editeur hardcover
1947stela1456New York: Reynal & Hitchcock 1947. 1947. folio. pp. 43. 18 double-sided b/w plates 48 illus. cloth stained along top edge & spine. dw. stained chipped & torn. First Edition. 1st Edition. Hardcover. Very Good/Dust Jacket Included. New York: Reynal & Hitchcock, 1947. Hardcover
218846Lausanne: Editions Durand-Ruel 1971. Copy XII of 150 "imprimé spécialement pour Madame Charles S. Payson. 624 illustrations. 429 3 pp. 1 vols. 4to. Red cloth. Very fine in dust jacket and cloth slipcase. Copy XII of 150 "imprimé spécialement pour Madame Charles S. Payson." 624 illustrations. 429 3 pp. 1 vols. 4to. Editions Durand-Ruel unknown
28244-Pierre Tisné 1955-. First edition 1955. Text in French. 175 pages of text and 144 pages of plates either tipped-in colour or black and white. Cloth with tipped-in colour plate. Very good indeed still with original now damaged with loss glassine wrapper. As usual from this period the colour plates are crisp and faithful. A snip! We are specialists in Artists Monographs & Catalogues with a picture of the cover available on request. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 35 years experience you may order with confidence. Renoir French artist -Pierre Tisné (1955)- hardcover
114751New York French and European Publications nd.c.1930. c.150pp 4to. Original portfolio of cloth backed boards with ribbon ties containing 8 page biographical text and 72 loose b/w reproductions. Bookplate. A few minor marks. A very good copy. New York, French and European Publications nd.[c.1930.] hardcover
1958144342Paris: Tele-Magazine 1958. Archive of five vintage borderless photographs of Jean Renoir on the set of a 1958 television show in which he speaks about his father the renowned impressionist Pierre-Auguste Renoir. With a Tele-Magazine stamp on the verso.<br /> <br /> 7 x 9.5 inches. Identical wide bottom margin on each. Near Fine. Tele-Magazine unknown
1975166145London: Studio Vista 1975. First UK Edition. <br /> <br /> Slight lean overall Very Good plus in a Near Fine dust jacket. Studio Vista unknown
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
1994Q-1858135362Shooting Star Press 1994-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Shooting Star Press hardcover
19854833JParis: Edilig 1985. First Edition. Film director Peter Bogdanovich’s copy with autograph signature and ownership stamp. Text in French. Fine in wrappers. Illustrated. Study of the great French film director’s work. Edilig unknown
1931403364Paris: Bernheim-Jeune 1931. 2 volumes folio. Numerous plates and illustrations throughout. Contemporary cloth red leather spine labels original wrappers bound-in. Some minor soiling to cloth labels worn. LIMITED EDITION number 224 of 425 copies on "papier velin" from a total edition of 500. Bernheim-Jeune unknown
1969mon0003484966Wildenstein 1969T. paperback. Good. 0.7283 8.4291 5.8504. Wildenstein paperback
1883Double-page autograph postcard written in ink. Dated on September 28 1910. Addressed to Claude Monet in Giverny. Notes on recto in pencil. Otherwise in fine condition. Double-page autograph postcard written in ink. Dated on September 28 1910. Addressed to Claude Monet in Giverny. <p><br /> Autograph postcard by Renoir to Monet.<br /> <p><p><br /> Renoir informs Monet that he’d like to visit him at his house in Giverny together with his wife and with Paul Durand-Ruel one of the most important French art-dealers of the time or Durand-Ruel’s son Joseph.<br /> <p>. unknown
19-8354Milan Italy: Roberto Hoesch ca. 1940s. Large format color reproduction print poster 15†x 20â€. Very Good. Printed in Italy by Roberto Hoesch. Milan, Italy: Roberto Hoesch, [ca. 1940s?]. unknown
1996BN254119Köln : DuMont 1996. 1996. Renoir : Kunsthalle Tübingen 20. Januar bis 27. Mai 1996 ; das Buch erscheint als Katalog der Ausstellung Renoir - Gemälde 1860 - 1917. Red.: Karin Thomas <br/><br/>Renoir : Kunsthalle Tübingen 20. Januar bis 27. Mai 1996 ; das Buch erscheint als Katalog der Ausstellung Renoir - Gemälde 1860 - 1917. Red.: Karin Thomas Adriani Götz Auguste Renoir und Karin Thomas Köln : DuMont unknown
199612011DuMont 1996. large hardback in near fine condition with near fine dust jacket. Hardcover. Fine/Fine. DuMont Hardcover
ria9780367206994_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Originally published in 1967 The Poetry of John Lydgate presents a broad discussion of John Lydgate's secular poetry and provides a unique perspective on John Lydgate as a poet that will be of interest to medievalist and liter paperback
ria9780367206970_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Originally published in 1967 The Poetry of John Lydgate presents a broad discussion of John Lydgate's secular poetry and provides a unique perspective on John Lydgate as a poet that will be of interest to medievalist and liter hardcover
B9780367206994Paperback / softback. New. paperback
A9780367206970Hardback. New. Originally published in 1967 The Poetry of John Lydgate presents a broad discussion of John Lydgate's secular poetry. It reassesses much of the poetry through critical examination and suggests that Lydgate was not necessarily the master that the medieval ages proclaimed him to be nor the plain poet that he is often seen as in modern analysis. Instead the book suggest that he was a competent poetic craftsman that presents substantial literary form in his poetry. The analysis in the book looks at Lydgate as atypical of the Middle Ages instead exhibiting traits currently linked to the Renaissance. The book provides a unique perspective on John Lydgate as a poet and will be of interest to medievalist and literary historians alike. hardcover
17-5083New York NY: Hammer Galleries 2003. 4to. 32 pp. Softcovers. Very Good with minor creases on cover. Color Plates. New York, NY: Hammer Galleries, 2003. paperback
2004Q-0520242270University of California Press 2004-12-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of California Press paperback
