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Signed by E.J. Hughes upon title page. 226 pages. Index of works. Chronology. Selected bibliography. Oblong 11" x 12". "Lavishly illustrated with 100 full colour and 25 black-and-white reproductions of prints, drawings and paintings, this is the first full-scale volume to honour the artistic life and work of E.J. Hughes from the start of his long career in the 1930s to the present... His unique talent for depicting the landscape in a way that both he and viewers believe it should be, rather than the way it actually is, enables us to experience and understand place and nature in new and deeper ways." - from dust jacket. Clean, bright and unmarked with very light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A marvelous gift for any devotee of E.J. Hughes and his magnificent art. Book
6 vols., 8vo., First Edition thus, with 3 engraved frontispieces (original tissue guards present) and 87 engraved plates, some very light and inoffensive spotting; contemporary full vellum BY MACMILLAN & BOWES, bevelled boards, backstrips lettered in black, all edges gilt, marbled endpapers heightened with gilt, gilt doublures, a near fine set. The binding is signed on front free endpaper verso. A MOST ELEGANT SET AND VERY SCARCE INDEED IN THIS CONDITION.
ix, [1], 523 pages. Two-sided colour frontispiece. Black and white illustrations in text. Kurelek [1927-1977] remains one of Canada's most revered artists. Here, in the true first edition of his life story, he describes his depression and the central role religion played in his cure. 17.5" x 11.5" Two-sided colour poster laid-in features the grisly paintings I Spit on Life and The Maze (1972 version). Gift greetings inside front cover, otherwise unmarked with moderate wear. Binding intact. A sound copy of this special work which is a must for any Kurelek devotee. Book
In-4°; pp. 399, (1) una tavola ripiegata con la Genealogia della famiglia Allegri Correggio . Edizione originale. Legatura in mezza pele con tassello e titolo in oro al dorso. Piatto inferiore parzialmente lacunoso nel cartonato.Piccolo timbro a inchiostro al frontespizio. Schlosser pp. 459,499: “il primo copioso dizionario di artisti dello stato estense, dovuto nientemeno che al celebre storiografo della letteratura italiana”. modena bologna emilia artisti correggio allegri dizionario arte art pittura scultura architettura incisione engravers painters architects musicisti storiografia artistica locale italia
pp. 80. "Although paintings by members of the Group of Seven have been included in all major exhibitions of Canadian painting, there has been only one important exhibition devoted exclusively to their work since 1933, when the Group of Seven was merged into the larger Canadian Group of Painters: this was held at the National Gallery of Canada in 1936. The present exhibition, then, may be regarded as the second such survey. It differs from the first by the addition of works by Franz Johnston, who was a member of the Group for a short time, and Tom Thomson, who was never a member, but who has been included in this exhibition on grounds of style and association. This is certainly the first time that any major collection of the work of the Group of Seven has been seen in Vancouver." - Introduction. Includes article by Lawren Harris entitled "The Story of the Group of Seven" and an article by R.H. Hubbard entitled "The National Movement in Canadian Painting". Catalogue proper begins on page 19 and includes colour and black and white reproductions of thirty-one works. Unmarked with moderate wear. 23 x 15cm. Lerner & Williamson 1747 Book
(xii), 43 pages. "William Kurelek's paintings of Toronto not only portray a great city, but convey a powerful and prophetic vision of modern man as cynical and sympathetic; powerful yet frightened of a few dark thunder clouds; butcher, saviour and producer. The twenty-one paintings, twenty in colour, are accompanied by an introduction by James Bacque (who went on to write "Other Loses"), with expansive notes to each plate by the painter." - from dust jacket. Oblong 11.25" x 8.75". Moderate wear to clean and unmarked book. Binding intact. Above-average wear to dust jacket now preserved in glossy new archival-grade Brodart. A sound copy of this special Kurelek work. Bibliographic reference: Bishop p.1019. Book
First and only edition. A dictionary of 150 late-19th century painters, 125 from France and the remainder from elsewhere (including John Singer Sargent, still in his mid-20s). Although considered major artists at the time of this book's publication, virtually all of the subjects have been largely or utterly forgotten (none of the Impressionists or Post-Impressionists are included). Each entry comprises 2-3 pages of text, providing a short biography of the artist and enumerating his major works and accomplishments, as well as a full-page self-portrait. 512 pp. A LARGE-PAPER COPY ON JAPAN PAPER, and extremely rare as such. 4to. Bound in publisher's Japan-paper covered decorated boards. Minimal wear to extremities of binding, else FINE AND BRIGHT.
19 vols., oblong 4to., First Edition, with very numerous coloured and monochrome plates, and illustrations in the text; original printed wrappers, wire-stitched as issued, covers mildly dust- and age-soiled as usual else a very good, clean set. Complete set of the famous series edited by Sir Kenneth Clark. The artists featured are: Edward Bawden, Georges Braque, Edward Burra, Duncan Grant, Ivon Hitchens, Frances Hodgkins, Edward Hopper, David Jones, Paul Klee, Henry Moore, Paul Nash, Ben Nicholson, William Nicholson, Victor Pasmore, John Piper, Ben Shahn, Matthew Smith, Stanley Spencer and Graham Sutherland. COMPLETE SETS ARE SELDOM OFFERED FOR SALE
2 p.l., 1, 5, [3] p. 13 col. pl., 13 port. 29 1/2 cm. Descriptive text by various writers on versos of leaves accompanying the plates; artists' portraits by Orozco Romero, on rectos. Hardcover Ex-library, Very good condition, portfolio flaps repaired Limited edition of 400 copies "The new school of painting in Mexico by Jos´e Gorostiza," tr. by Pablo Mart´inez del Campo: p. 1-[6] Issued in portfolio.
A clean, unmarked book with a tight binding. Full beige cloth boards. Limited edition, number 463/1000. 11 1/8"w x 11 1/4"h. Unpaginated. Previous owner's name inside. A history of the organization and its founders, followed by reproductions by members. "It must be noted that by no means all of the members who ever belonged to the group are represented here. Selection was made primarily with an eye to highlighting those qualiteis which are truly unique to the Northwest art scene." Each artist included is represented with a color reproduction, a paragraph biography, and small b&w photo portrait of the artist. Signed or inscribed by the following artists on their pages: Frank R. Bigford, Lymon W. Bosserman, Roger Broer, Rudolph Bundas, Irwin Caplan, Herbert E. Carlson, Jess Dan Cauthorn, David M. Checkley, Robert Dexter Coe, Harold Craig, Sam Dimico, Jack Fellows, Byron Fish, Philip N. Flash, Ray H. Gerring, Marlowe Hartung, John R. Holmes, Ernest Horswill, Frank Kendrickson, Joseph Kilpatrick, Keith A. Kinsman, John Lee, Manfred Lindenberger, Robert T. Matthiesen, Warren McCallister, Alden Metcalf, Kenneth S. Miller, Eric W. Pardy, Henry Thos. Platz III, William F. Reese, James G. Scott, Richard F. Sewell, Gary L. Shinn, James T. Smith, Robert H. Wandesforde, Charles D. Webster, Thomas W. Wells, William Harold Werrbach, Brom Wikstrom, Robert C. Wikstrom, Glenn Wilson, Obituary clipping of James Edward Peck taped to his page.
5 vols., roy. 8vo., Fourth Edition, with 5 frontispieces in photogravure (original tissue guards present) and numerous plates, fore-edges lightly spotted; original brown boards, red buckram backs lettered in gilt, gilt tops, joints mildly rubbed else a very good, bright, clean copy. Volume I: A-C; Vol. II: D-G; Vol. III: H-M; Vol. IV: N-R; Vol. V: S-Z. First appearance of the fourth edition. It is the largest single revision (from two volumes to five) and was several times reissued over the following two decades. A nice set of this invaluable standard reference.
160 pages. Index. Bibliography. Chronology. "Provides insights into the artist's imagination and mastery of his medium. In three essays, and the quotations that accompany the paintings, we learn about Morrisseau's approach to his work and the important historical and cultural influences that shaped his art. He tells us, in his own words, about his travels to the dream-like House of Invention, his source of inspiration for both content and colour... Contains some of the most complex and colourful paintings the artist has ever produced... The exceptional volume stands as a testament to both Morrisseau's incredible talent as a painter and his inspiring depth as a man." - from dust jacket. Clean, bright and unmarked with negligible wear. Superb copy. Book
Galerie Contemporaine. Non daté. In-4 Carré. Relié demi-cuir. Bon état. Couv. convenable. Dos à nerfs. Quelques rousseurs. Env. 150 pages. Texte sur 2 colonnes. Illustré nombreuses gravures en noir et blanc dans et hors texte, et de photographies en noir et blanc encollées sur planches cartonnées hors texte. Titre, date, caissons, fleurons, filets et roulettes dorés sur le dos. Grand In-4°. Bords des plats légèrement frottés. De Vasselot. Ballavoine. Aimé Perret. Carolus Duran. Chartousse. Chaplin. Hamon...
226 pages. Index of works. Chronology. Selected bibliography. Illustrated endpapers. Oblong 11" x 12". "Lavishly illustrated with 100 full colour and 25 black-and-white reproductions of prints, drawings and paintings, this is the first full-scale volume to honour the artistic life and work of E.J. Hughes from the start of his long career in the 1930s to the present... His unique talent for depicting the landscape in a way that both he and viewers believe it should be, rather than the way it actually is, enables us to experience and understand place and nature in new and deeper ways." - dust jacket. Clean, bright and unmarked with light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A nice copy of this wonderful tribute. Book
117 unnumbered pages. Fifty-two glossy full-page colour reproductions of paintings by William Tull. Each painting accompanied by a brief description. "There are those who would vainly try to categorize William Tull as a Southwestern painter - or even as a contemporary classical impressionist. It is true that many of his paintings use the southwest as subject and background; and many do evoke the architecture and spirit of the Pueblo Indian as man in harmony with the earth. On very broad terms he belongs to the school of American Impressionists. But still, you can't categorize Tull, nor his paintings. So critics and laymen alike are left, quite simply, with this: the sheer, unadulterated joy of experiencing the vitality and robustness of life in a Tull painting." - Bill Byron. Light wear to clean and unmarked book which is bound in attractive cream-colored cloth. Slight bow to front board. Binding tight. Average wear to dust jacket which is now preserved in archival-grade Brodart. A quality copy. Laid-in is a photo-illustrated 1991 magazine article about Tull's village of desert homes, Adobes de la Tierra, at The Boulders in Carefree, Arizona. Book
This is a very good hardcover copy in the publisher's brown cloth boards with titles and front cover decoration in gilt still bright in a very good dust jacket, not price-clipped, some rubbing. Completely clean inside and out. The standard reference on Baciccio. The catalogue raisonne of his work. 139 black & white plates. Bibliography. Index. 11" high X 9" wide, 200 text pages + plates. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket. Completely clean. This monograph was prepared to accompany the exhibition at the Ordrupgaard in Copenhagen from August 15 to October 19, 1997. The exhibition then traveled to the Musee d'Orsay in Paris and finally the Guggenheim Museum in New York. Essays by Poul Vad and Robert Rosenblum. Illustrated in color and sepia. Exhibition history. Bibliography. 11" high X 9" wide, 191 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
With plates, portraits, frontispieces: 91 Illustrations in two Volumes. Vol. I xxxii, 156 pages. Vol.II xii, 158-363 paginated. 395mm tall. Blue cloth covers with gilt title on spine and front cover. Soiling and marking on covers. All pages have deckled edges. Covers of both volumes worn to extremities, spine bumped top/tail. Some foxing to end pages in Vol.I and browning to free endpapers. Vol. II has occasional foxing. This book is extra heavy, and may involve extra shipping charges to some countries
Features: Couteuse, mais indispensable - la grande voirie - Quebec a mis au point un programme d'un quart de siecle - l'avenir industriel - autant que l'Expo - exige un reseau routier coherent; Quel sort faisons-nous aux vieux? - une enquete sur la vie faite aux vieillards de Montreal, et les politiques que Quebec elabore pour ameliorer leur sort; La Jean-Baptiste De Montreal est Dechiree - des rebelles fondent une nouvelle societe nationale, que veut etre democratique, non confessionnelle, et autre chose qu'une compagnie de gestion...; Les Canadiens que ont choisi L'Europe; La Mode est aux peintres Folkloriques; Mon Ami Raymond Levesque - with photos; Mon Chalet D'ete. Text in French. Average wear. A sound copy. Book
Draeger. 1969. In-4 Carré à l'italienne. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 369 pages. Illustré de nombreuses photos héliogravées en noir et blanc et en couleur, hors texte. Préface de René Huyghe. Arp. Braque. Chagall. Zadkine. Miro. Magritte. Herbin. Dali. Calder. Moore. Giacometti. Bacon. Vasarely. César...
ISBN : 2908853612. FUS-ART. 1995. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 119 pages augmentées de nombreuses photos en couleur dans et hors texte.
NATHAN.. 1978 - 1982. In-4 Carré. Relié plein cuir, Jaquette, Sous emboîtage. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 322 + 312 + 319 + 324 + 321 + 326 + 330 + 324 pages. Nombreuses illustrations en couleurs dans le texte et hors texte. Adaptation française de RAOUL WILLEMENOT. Préface de RENE HUYGHE.
This is a fine softcover copy with no wear at all. Completely clean inside and out. Text mainly in JAPANESE, but a preface and List of Works in English. This monograph was prepared to accompany the exhibition at the Kyoto National Museum in the fall of 2007. Kano Eitoku (1453- 1590) was a Momoyama period painter. Illustrated throughout in color with a number of fold-outs. 12" high X 9" wide, 314 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
4 vols., 8vo., First Edition; cloth, gilt back, a fine set. Includes over 8,000 artists who exhibited at the Club's annual exhibitions.
In-4°; pp. 571. legatura in tela con tassello e titolo in oro al dorso. Con una lettera di Corrado Ricci. dizionario dictionary pittori painters italian artists artisti history of art arte biografie biography
