Holbein Hendley, ThomasBiblio.com
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310069-KK16Delhi : Low Price Publications n.d. Hardcover. Good. Original gilt letterd cloth ribbon marker illustrations in colour and b/w reprint of the 1909 edition 4to. Delhi : Low Price Publications hardcover
In-4 gr. (mm. 353x245), mz. pelle con ang. coeva (lievi abras.), dorso a cordoni con ricca decoraz. e tit. oro, tagli dorati, cc.nn. 71, intervallate da 84 magnifiche tavole di ritratti inc. in rame e colorati a mano, ad imitazione dei disegni originali di Holbein. In Indice ne sono indicati solo 80, gli altri 4 sono: di Holbein e sua moglie, di Henry e Charles, figli di Charles Brandon, Duke of Suffolk. In questa splendida collezione, le illustrazioni sono stampate su carta pesante bianca o color rosa (come gli originali), sempre precedute da un foglio bianco di protezione, e sono accompagnate da una biografia del personaggio. I disegni originali si devono al grande artista tedesco Hans Holbein il Giovane (1497-1543) che divenne pittore aulico di Enrico VIII (dopo il 1532) e “nei suoi ritratti mostra una finezza di indagine psicologica e una precisione tecnica superiori a quelle che si riscontrano nel padre, Hans il Vecchio”. Così Diz. Treccani,V, p. 787. A distanza di due secoli, l’iniziativa di raccogliere i magnifici ritratti di importanti personaggi della corte di Enrico VIII e di trarne delle tavole incise fu di John Chamberlaine, antiquario inglese vissuto tra il XVIII e l’inizio del XIX secolo, mentre le note biografiche sono a firma di Edmund Lodge. "Seconda edizione" con le tavole della prima del 1812. I ritratti su carta bianca hanno il bordo del margine bianco annerito per ca. 15 mm. (non quelle su carta rosa); solo 1 tav. con fiorit., altrimenti esemplare ben conservato.
58528Uttweil am Bodensee Conrad Uhler 1845. 8°. VIII mit 48 getönt. Holzst.-Tafeln OLwd. d. Zt. mit Deckeltitel gold- u. blindgepr. Deckel etwas fleckig Rücken sauber verstärkt innen durchgehend fingerfleckig Nicht in Pfister/Oppermann u. Massmann.- Seltene Ausgabe mit 48 Wiedergaben inkl. Titel nach den Radierungen von Christian de Mechel aus "Le Triomphe de la mort" Basel 1780. Die letzten beiden Blätter zeigen die zwei Seiten einer Dolchscheide mit dem Totentanz-Motiven in der Art eines Resumées. 010 Uttweil am Bodensee, Conrad Uhler, [1845] unknown
1912200WGMFR10Deutsches Verlags-Anstalt 1912. Hardcover. Good. in x in x in. Klassiker der Kunst in Gesamtausgaben Vierter Band DURER Stuuttgart und Leipzig 1904 - DURER Des Meisters Gemmalde Kupferstiche und Holzxchnitte in 447 Abbildungen. PublisherDeutsche verlags-anstalt 1904. Hardcover. Book Condition: Very Good. No Jacket. quorto xxxiii 2 424pages. Red cloth with bevelled edges. a Art nouveau title and decorative emblem gilt blocked on front board and spine. Top edge gilt. Grey-green art nouveau endpapers. Deutsches Verlags-Anstalt hardcover
192054865Berlin: Verlag für Jüdische Kunst und Kultur Fritz Gurlitt 1920. First edition. Softcover. Good condition. Small Octavo. Unpaginated 24pp. Original string-bound decorative stiff wraps with white lettering on cover. Title page with publisher's device. Excerpts from the Book of Numbers and Deuteronomy the German edition of the fourth and fifth book of Moses published in 1538 with Holbein woodcut on title page and eight woodcuts in text. Two pages of Gurlitt publisher's releases at rear. Text in German and Latin. Minot wear along edges of wraps. Block lightly age-toned. Verlag für Jüdische Kunst und Kultur Fritz Gurlitt unknown
0366724894.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1951739Köln: Verlag E. A. Seemann 1951. 101 5p. plus 70 full-page b/w plates original black cloth ex libris. Verlag E. A. Seemann unknown books
1949133539Paris: GLM 1949. Softcover. Umschlag minim angestaubt aufgeschnitten. kl.8°. mit insgesamt 48 Abbildungen davon 41 nach den Holzschnitten der ersten Ausgabe sowie 7 weiteren zu verwandten Themen. Or.br. fadengeheftet mit mont. Deckelillustration Coron 297. - Nummerierte Ausgabe gedruckt auf vélin du Renage. Eines der 25 von Guy Lévis Mano im Kolophon eigenhändig signierten und nummerierten Exemplare "reservé aux Amis de GLM". Das Exemplar "K" . Die Gesamtauflage betrug 1120. Frankreich; 20. Jahrhundert; Totentanz Der Tod GLM, paperback
1960652München Deutscher Kunstverlag, 1960. 122 S. 348 Abb. 8° Oln mit goldgepr. Deckel- und Rückentitel
1572117<p>A rare complete copy of de Jost de Negker's Dance of Death well described by the British Museum.</p><p>From A. Brölemann's library.</p><p>The <i>Dance of Death's </i>description by theBritish Museum :<br /></p><p>" A series of 40 woodcuts by Jost de Negker which are free and enlarged copies after Hans Holbein the Younger's " Dance of Death " series with exception of the first two leaves all leaves with woodcuts on verso and German letterpress on recto both text and images in decorative woodcut borders the woodcuts with traces of colour and with a titlepage mutilated the text partly cut up and rearranged mounted and in modern binding ; fourth edition published in Leipzig by David de Negker. 1572</p><p>Woodcut and letterpress.</p><p>According to Hollstein there were four editions of Jost de Negker's 'Todtentantz' after Holbein : Augsburg 1544 n.p.; n.d; Augsburg 1561 and Leipzig1572 the last two by David de Negker.</p><p>The BL holds an imperfect coloured copy of the 1544 Jobst Denecker Jost de Negker edition C.43.d.3. A comparison of that and the 1572 edition would confirm that the woodcuts are by Jost de Negker as stated by Hollstein and not by David de Negker as stated by Paisey. The 1544 edition appears to have two woodcuts with inscriptions fol.F2 verso with date '1542' and fol.D3 verso with monogram 'HVE' see Dodgson II.207 which however this edition does not have.</p><p>The original woodcuts for Holbein's Dance of Death series were cut by Lützelberger. " B.M.</p><p>Engraved title with an engraved border illustrated withfaces animals vegetal 10 pages of text 2 blank pages and 40 full page engravings with border text in Latin gothic.</p><p>Jost de Negker c. 1485-1544 was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century mostly in Augsburg Germany. He was a leading "formschneider" or blockcutter of his day but always to the design of an artist. He is "closely tied to the evolution of the fine woodcut in Northern Europe". For Adam von Bartsch although he did not usually design or draw the quality of his work along with that of Hans Lützelburger and Hieronymus Andreae was such that he should be considered as an artist.</p><p>Some prints where the designer is unknown are described as by de Negker but it is assumed there was an artist who drew the design although it has been suggested that de Negker might fill in a landscape background to a drawing of a figure…</p><p>On Maximilian's death in 1519 the large teams assembled for his projects dispersed and de Negker became as much a publisher as a cutter retaining many blocks by Burgkmair Hans Weiditz and others and infringing many works such as the Dance of Death by Holbein Lützelburger's masterpiece as a cutter. Negker's edition of this was published in 1544 and is his last known work. </p><p><b>A rare complete copy of this very interesting Dance of Death</b><b>.</b></p> Durch David de Necker Formschneider hardcover
122234Paris Boussod Valadon & Cie Éditeurs 1886. xliij. 51 planches. 55x42 Cm. Demi-toile rouge à coins. Déchirures au dos. Coins et coiffes émoussés. Taches. Cet ouvrage de 1886 présente sous forme de fac-similé en photogravure un ensemble de motifs décoratifs attribués à Hans Holbein le Jeune peintre et dessinateur de la Renaissance nordique né à Augsbourg vers 1497 et mort à Londres en 1543. Le texte dÉdouard His inscrit cette publication dans le goût du XIXe siècle pour la redécouverte et la reproduction des arts du livre et de lornement. Holbein est surtout connu pour ses portraits de cour mais son uvre graphique témoigne aussi dun intérêt constant pour la composition la ligne et les usages décoratifs. Cet ouvrage éclaire la réception savante de son travail et la place durable de son langage formel dans lhistoire de lestampe et des arts décoratifs. Très belles planches en bon état. Mouillures sur les premiers feuillets de texte. Quelques rousseurs et eptits accrocs dans les marges des planches. Exemplaire nº 152 / 325 imprimé sur papier de Hollande. Paris, Boussod, Valadon & Cie, Éditeurs, 1886. unknown
1849013644Koln Bonn Brussels: J.M. Heberle JH. Lempertz and Comp 1849. Marbled boards. Green endpapers. Spine titled in gilt. Top edge gilt. Front joint weak but intact. Text in German. Title translated roughly " Holbein's pictorial alphabet from his "Dance of Death" from the Dresden originals for the first time replicated in 24 woodcuts by H. Lodel in Gottingen with marginal drawings by the painter Georg Osterwald and accompanying sayings from the Scriptures". Quite a clean copy throughout. . First By this Publisher. Quarter Brown Calf. General Cover and Corner Wear/No Jacket. Small Thin Octavo. J.M. Heberle ( JH. Lempertz and Comp) Hardcover books
1856014556Paris: Edwin Tross 1856. Original front wrapper bound-in. Quite a clean copy. Text bordered by engravings of illustrations from "The Dance of Death". Blank pages follow the text block to allow for a better size for binding. Purple cloth covers. Spine lettered in gilt. . French Edition. 1/4 Brown Leather. Light General Cover Wear/No Dust Jacket. Thin Octavo. Edwin Tross hardcover books
185637923Paris: Edwin Tross 1856. 8vo 21.8 cm 8.625". 96 pp.; illus. <br><br>Tross's careful and elegant 19th-century edition: The Dance of Death concept experienced a revival in French Romantic literature of the era and the main text here in French and Latin is prefaced by Anatole de Montaiglon's introduction in French. The reproductions of Holbein's initials were done by Heinrich Loedel and each page is given an => exquisite death-themed wood-engraved border by Léon le Maire after designs from a Book of Hours printed by Simon Vostre. The alphabet is represented excluding J and U by magnificent engraved historiated letters five of which are repeated.<br>Â Â Â Â Binding: Chocolate brown morocco covers framed and panelled in blind with gilt-tooled corner fleurons and gilt strapwork central medallions; spine with blind-ruled raised bands and gilt-stamped title and date and cover fleurons repeated in compartments; turn-ins with wide composite gilt rolls. All edges gilt; striking and distinctive marbled endpapers. => Signed by binder L. Claessens with tiny stamp in roll on lower front turn-in.<br>Â Â Â Â Provenance: From the library of American collector Albert A. Howard small booklabel "AHA" at rear. Bound as above and in lovely condition; extremely minor spots of rubbing and scraping to boards one raised band with a short cut and a sliver of leather lost. => An overall wonderful copy of this beautiful reprint. Edwin Tross hardcover books
182844152London: William Bulmer and Co. Shakespeare Printing-Office 1828. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. Contemporary 3/4 red morocco panelled spine elaborately gilt with brown morocco lettering-piece a.e.g. original spine neatly laid down. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. A handsome collection of portraits many printed on toned paper with letterpress commentaries on the subjects' lives. In addition to the 80 portraits called for in the printed "List of Plates" there should also be 4 plates which that list omits: the portrait of Holbein himself that of his wife and the portraits of Henry and Charles sons of Charles Brandon Duke of Suffolk. William Bulmer and Co., Shakespeare Printing-Office unknown books
1912108656Paris 1912. hardcover. Over 252 Illustrated. Small 4to gilt-stamped cloth g.t. Paris 1912.<br/><br/> Les Classiques de l'Art.<br/><br/> unknown books
1947009782Buenos Aires: Laclaustra Y Compania. Very Good. 1947. First Thus. Full-leather. One of eighty copies. This is a facsimile edition of Hans Holbein Le Jeune's 1549 edition as a set of two volumes in a marbled slipcase. The text volume with illustrations is full leather with five bands. Leather along the bands and edges is rubbed with a small crack at the head of the spine. Front endpapers are marbled and rear endpapers are brown suede. The second volume is a folder with a leather spine with spine ends rubbed off over marbled boards. It contains an etched copperplate with image and text. A unique presentation of the work of Hans Holbein the Younger a famous 16th century artist and supporter of the Reformation. ; 10 3/4" x 7 1/2" . Laclaustra Y Compania hardcover books
1858294860London: Bohn 1858. hardcover. very good. Illustrated with 90 wood engravings. 474 pages uncut 38 pages of advertisements small 8vo blind stamped olive cloth spine faded and neatly repaired at ends. London: Bohn 1858. Very good.<br/><br/> Bohn unknown books
34434Basel: Schwabe & Co. AG 1997. Hardcover. Green cloth in green dust jacket. Ownership signature on ffep; blind stamp on title page. Otherwise clean and unmarked. Like New. ISBN: 3796510442. . LikeNew. Hardcover . Schwabe & Co. AG 1997 hardcover books
1832233834München 1832. 53 lithographs on tissue tipped in. 1 vols. 8vo. Bound in full brown morocco a.e.g. Very good. Bookplate of Van Nest. 53 lithographs on tissue tipped in. 1 vols. 8vo. unknown books
1978UHOLHOL00HMRThe Queen's Palace Buckingham Palace 1978. Good. Holbein Hans. Holbein and the Court of Henry VIII. London: The Queen's Palace Buckingham Palace 1978. 143pp. Illustrated. 8vo. Paperback. Book condition: Good with spotted cover and rubbed corners. A specially published exhibition guide and commentary. The Queen's Palace, Buckingham Palace paperback books
18301260367London: William Pickering 1830. 8vo unpaginated; VG; paneled black spine with gilt tooling and lettering; some wear on edges head and tail of spine; 90 engravings; paneled gilt tooling on border of boards; gilt tooling on board edges and turn-ins; textclear; text block gilt; red ribbon; translations into 5 languages of passages; marbled endpapers; some shelfwear; GP consignment; shelved case 7. 1260367. Shelved Dupont Bookstore. William Pickering unknown books
179265216ìThis Magnificent Work Is Surely The Finest Early Example Of English Color Printing." A Majestic Large Folio Volume Of More than 80 Beautiful Color Stipple-Engraved Portraits Of The Court Of Henry VIII HOLBEIN Hans artist. CHAMBERLAINE John. Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty for the Portraits of Illustrious Persons of the Court of Henry VIII. With biographical tracts. Published by John Chamberlaine Keeper of the King's Drawings and Medals and F.S.A. London: W. Bulmer & Co. 1792. First edition of ChamberlaineÃs magnificent volume of 86 color stipple-engraved plates rarely found complete. Large folio 21 1/4 x 16 1/2 inches; 540 x 415 mm. Complete with the 80 listed plates all of which are mounted frontispiece portraits of Holbein and Holbein's wife and a third frontis of a group portrait two hand-colored miniatures and an additional plate of Henry Howard Earl of Surry engraved by Scriven. An impressive collection of full-page engravings after HolbeinÃs legendary portraits of Jane Seymour Anne Boleyn Sir Thomas More a young Edward VI Anne of Cleves and other court figures with frontispiece portraits of Holbein and his wife. Of the listed plates all but four portraits are engraved by the great Bartolozzi. In total eighty-two plates are in color with four on lavender paper sixty-three on pink thirteen on white/buff inclusive of one sheet with double portrait of Henry and Charles Brandon finished by hand. With one leaf of publisher's advertisements. 19th-century full red morocco rebacked with original spine laid down. Boards elaborately stamped with floral devices and with thirteen gilt rules. Spines elaborately stamped in blind and gilt lettered in gilt. With one-inch gilt dentelles. All edges gilt. Green coated endpapers. Plates exceptionally bright and clean with only very minor instances of foxing. Most foxing is to leaves and not engravings. Title-page with 11/2-inch x 1/2 piece torn from fore-edge and a 2-inch closed tear at fore-edge neither affecting text. Many of the plates are a somewhat wrinkled. The plate of Lord Clinton with a small tear to the pink paper not affecting engraving. Occasional marginal closed tears professionally repaired. Binding a bit rubbed and bumped. Overall a very good copy of a magnificent work. German artist Hans Holbein the Younger ranks ìas one of the best portrait-painters in the world. He combined artistic beauty and precision of technical execution with extraordinary truth to nature and power of interpretation of character.î Holbein born in 1497 first ìarrived in England in the 18th year of the reign of Henry VIII. Sir Thomas More was then Chancellor of the Exchequer and Warham. was Archbishop of Canterbury. Through them Holbein obtained easy access to the leading men of the courtî painting portraits of Moore Warham and many others before returning home. He journeyed back to England in 1532 where by 1536 he was in service as ìëthe kingÃs painterà and in that year he painted the new queen Jane Seymour.î In 1539 as a New YearÃs gift to the king ìhe gave ëa table of the pictour of the princeÃs graceà possibly the portrait of the infant Edward VI at Hanover. His portrait of Anne of Cleves perhaps the one now in the Louvre was sufficiently attractive to decide the king in her favourî DNB. The majestic portraiture of Holbein who died in London in 1543 ìremains unsurpassed for sureness and economy of statement penetration into character and a combined richness and purity of styleî Waterhouse. At the end of the 18th century John Chamberlaine in the court of George III sought to bring together a work to pay tribute to HolbeinÃs magnificent artistry. There had been previous unsuccessful attempts to publish the portraits in engraved reproductions such as a 1792 volume containing 33 plates of poor quality titled The Court of Henry the Eighth. Yet Chamberlain succeeded where others failed for as the kingÃs Keeper of the Drawings he assembled in this Imitations of Original Drawings by Hans Holbein 84 splendid color stipple-engraved full-page portraits of Edward VI Anne Boleyn Thomas More Jane Seymour the Archbishop of Canterbury Anne of Cleves and other major figures of the age. ìOne of the most magnificent books that we have ever seen and whether we consider the genius of the painter or the talents of the engravers reflects high honor on the age and nation which produced itî London Monthly Review. Sir Walter Scott praised it as ìa collection which at once satisfies the imagination and the understanding showing us. how the most distinguished of our ancestors looked moved and dressed and. how they thought acted lived and diedî Allibone 1120. Color-inked on the plates these intricate stipple-engraved portraits comprise ìinestimable examples of English color printing at its bestî Joan Friedman. ìThis magnificent work is surely the finest early example of English color printing. The reduced reissue of 1812 reprinted in 1828 gives no idea of the bookÃs qualityî Ray English 19. ìIn every way a splendid bookî Abbey Life 205. Initially issued serially in 14 parts from 1792-1800.†This volumeÃs 86 beautiful portraits were achieved with techniques that admirably succeed in honoring HolbeinÃs portraiture. The plates were etched or engraved in gray or sepia ink with additional colored inks applied a la poupee two hand-colored. Text by Edmund Lodge. Abbey Life 206. Lowndes 1381. Abbey Life 205 206. HBS 65216. $17500 W. Bulmer & Co. hardcover books
1913167716New York: Brentano 1913. hardcover. very good. Illustrated with 252 b/w plates. Short 4to gilt-stamped red cloth front inner hinge just a bit weak. New York: Brentano's 1913. A very good copy.<br/><br/> Brentano unknown books
1960651Basel, 1960. 352 S. 113 Taf. u. Abb im Text 8° Obrosch
