Ulrich HolbeinBiblio.com
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2008BN150199Zürich : Ammann Verlag 2008. 2008. Narratorium : 255 Lebensbilder. Ulrich Holbein <br/><br/>Narratorium : 255 Lebensbilder. Ulrich Holbein Ulrich Holbein Zürich : Ammann Verlag unknown
19791367073CAN. New. 1979. Soft Cover. This is a reprint edition. . CAN paperback
8287171 x 37 cm beschnitten 70 x 32 cm Etwas stockfleckig schönes Exemplar. Lith. von Schmidt aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
8287375 x 36 cm beschnitten 71 x 32 cm Etwas stockfleckig schönes Exemplar. Gedruckt von S. Leuthe aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
8287269 x 33 cm am Bildrand beschnitten 67 x 32 cm Etwas stockfleckig schönes Exemplar. Lith. de A. Merian aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
8287470 x 33 cm am Bildrand beschnitten 69 x 32 cm Kleine Randläsuren schönes Exemplar. Lith. de A. Merian aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
178072088Basle Basel: Chez Guillaume Haas 1780. Fine. Chez Guillaume Haas Basle Basel 1780-1794 31 x 40 cm 4 parties reliées en un volume First edition of these four suites of engravings uncut proofs etched and aquatint in sepia entitled ""The Triumph of Death"" 12 plates containing 4 views each as well as 2 full-page ""The Passion of Our Lord"" frontispiece and 12 plates ""Costumes of men and women of the sixteenth century"" frontispiece and 15 plates including 2 on double page and ""Portraits"" 10 plates. Modern Bradel binding in full pebbled paper smooth spine decorated with a red morocco label. Armorial bookplate of the Taets van Amerongen library remounted on the front pastedown. The first part is preceded by twelve pages of explanation of the plates the other three contain none like the other copies we have been able to consult. The engravings of great delicacy are the work of Chrétien de Méchel after drawings by the German Renaissance master Hans Holbein. Chez Guillaume Haas unknown
17805688Part One: The Dance of Death including 49 engravings on 14 plates of which the final two are folio: "Triumphus divitiarum" & "Triumphus paupertatis" Part Two: The Passion of Christ comprising 13 folio plates including engraved title. Hinges professionally reinforced; chip to head of spine peripheral foxing and thumbing. Chretian de Mechal hardcover
178077640Basle:: Chez Guillaume Haas 1780. First edition. old quarter leather and pebbled boards. Small old ink signature and gilt armorial small bookplate; text leaves foxed; some very slight occasional marginal foxing to the plates which generally are clean unworn and very attractive. Edges of binding worn; scuffs to binding; tight and sound. Folio. 61 engraved plates two double-page. Chez Guillaume Haas, hardcover
178072088Chez Guillaume Haas | Basle 1780-1794 | 31 x 40 cm | 4 parties reliées en un volume
193399104Pot Cassé Antiqua Antiqva 1933 A l'Enseigne du Pot Cassé, Coll. Antiqva, 1933, 204 p., broché, environ 20x13cm, pages non rognées, exemplaire numéroté CXCIII (l'un des 300 sur vergé teinté de Rives), couverture composée par Albert Puyplat, frontispice dessiné par André Deslignères d'après le tableau de Holbein, vignettes d'après Hans Holbein qui les crayonna vers 1523 sur les marges d'un exemplaire de l'Eloge de la Folie conservé au Musée de Lille. Débuts de fente sur les mors, dos un peu aplati vers le premier plat, des rousseurs sur le second plat et les pages.
PR120946-049Portret van schilder Holbein door Franquinet naar Holbein. Tiré du cabinet du Roi d'Angleterre.Portrait - 19th century - lithograph -kunstenaar - artist<dl></dl> Original lithograph 50 x 33 cm. With creases and foxing on the edges illustration in reasonable good condition. unknown
029759Journal of Indian Art and Industry Ex-Library. Good. Cloth. First Separate. Folio - over 12" - 15" tall. Complete article "Persian and Indian Bookbinding" by Hendley extracted from The Journal of Indian Art and Industry bound in burgundy cloth lettered in gilt issued thus as a limited edition off-print. Ex-library typically marked/stamped rubbed at corners and spine extremities dried glue residue along joints cloth moderately soiled and/or darkened by age with institutitional book plate mounted on front pastedown. Text block essentially disbound housed in case that now functions more as a portfolio to protects its edges; binding could be restored but due to fragility of paper we would not recommend it. First leaf of article pp.51-52 with color decorated border chipped with loss along fore-edge not affecting text subsequent leaf pp. 53-54 with fore-edge loss. Text occupies pp. 52-54 followed by 13 full page color chromolitho plates numbered 65-77 all suitable for extraction and framing if desired bound loosely by cord some partially detached also facsimile MS. sheet in the hand of Charles Wilkins Librarian East India House 1807. All plates complete and intact without edge chipping or loss though somewhat toned by age and all showing small library stamp along bottom edge: 65 Persian ornament from the Shah Jehan Nameh; 66 The Koran Harun Ben Bayazid A.D. 1613; 67 Specimen of Persian Drawing and Penmanship XVII Cent.; 68 Inside of Cover of No. 67; 69 Shah Jehan Nameh MS; 70 Shah Nama by Firdusi XVII Cent. MS.; 71 Ganjinah i La'ali Shahwar Khakan i Namdar al Sultan Padishah Fath 'Ali Kajar; 72 Two Book Covers; 73 - 75 Book Cover 3 examples; 76 Ulwar and its Art Treasures cover; 77 Three Backs of Books. Approx. 14 3/4" x 10 3/4". Exceptionally scarce. Journal of Indian Art and Industry Hardcover
179254842IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1792. Conrad Martin Metz was an eminent engraver in the chalk manner and aquatint. He received his education in art under the celebrated Bartolozzi. Bartolozzi the main engraver of this collection developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Metz also specialized in imitations and facsimiles of old masters such as Hans Holbein. Engraved by METZ C. Stipple engraving. Good condition despite some very slight scratching at top. Printed colour. Size: 23 x 26.5 cm. 9 x 10½ inches unknown
181273601London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1951739Köln: Verlag E. A. Seemann 1951. 101 5p. plus 70 full-page b/w plates original black cloth ex libris. Verlag E. A. Seemann unknown books
GF18997Lithographie d'après Mauraisse - format 49 x 31 cm marges comprises - quelques piqures en marge -
1798P4402London: John Chamberlaine c.1798. Very Good. Notes: A pair of rare Stipple Engravings based on the self portrait of the famous Dutch painter Hans Holbein and of his wife during the late 18th century. <br>Hans Holbein the Younger c. 1497 – 1543 was a German and Swiss artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art satire and Reformation propaganda and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder an accomplished painter of the Late Gothic school. Image Size : 512x392 mm 20.16x15.43 Inches Platemark Size : Paper Size : 540x403 mm 21.26x15.87 Inches Coloring: Printed in Color Medium: Stipple Engraving Categories: Portraits Others; John Chamberlaine unknown
18-3048London: Harding Triphook & Lepard 1824. Original engraving on rag paper. Very Good. Minor foxing on top edge in margin. 12 x 9 inches sheet size accompanied by 12 pages of letterpress description. From the collection of the Right Honourable the Earl of Morton at Dalmahoy. London: Harding, Triphook & Lepard, 1824. unknown
18-3116London: Harding & Lepard 1828. Original engraving on rag paper. Very Good. 12 x 9 inches sheet size accompanied by 6 pages of letterpress description. From the collection of His Grace the Duke of Northumberland at Northumberland House. London: Harding & Lepard, 1828. unknown
18-3046London: Harding Mavor & Lepard 1823. Original engraving on rag paper. Good. Some foxing around left edge of engraving and a stain in top margin not affecting image. 12 x 9 inches sheet size accompanied by 13 pages of letterpress description. From the collection in Mercer’s Hall London. London: Harding, Mavor & Lepard, 1823. unknown
18-3108London: Harding & Lepard 1827. Original engraving on rag paper. Very Good. Minor spot of foxing in margins not affecting image. 12 x 9 inches sheet size accompanied by 11 pages of letterpress description. From the collection of the Most Noble the Marquis of Exeter at Burghley House. London: Harding & Lepard, 1827. unknown
18-3098London: Harding & Lepard 1827. Original engraving on rag paper. Very Good. 12 x 9 inches sheet size accompanied by 11 pages of letterpress description. From the collection of the Right Honourable the Earl of Egremont at Petworth. London: Harding & Lepard, 1827. unknown
18-3100London: Harding & Lepard 1836. Original engraving on rag paper. Good. Some foxing in top and left edges not affecting image. 12 x 9 inches sheet size accompanied by 7 pages of letterpress description. From the collection of His Grace the Duke of Norfolk at Norfolk House. London: Harding & Lepard, 1836. unknown
18-3109London: Harding Mavor & Lepard 1823. Original engraving on rag paper. Good. Some spots of foxing including at edges of engraving. 12 x 9 inches sheet size accompanied by 7 pages of letterpress description. From the collection of the Most Noble the Marquis of Anglesea. London: Harding, Mavor & Lepard, 1823. unknown
