Holbein, HansBiblio.com
679 résultats
1015905943.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265167329.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
101537879X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
biblio15<p>This book an original publication not the reproduced one. A major attraction is its hardcover which has beautiful coat of arms designs ornamentation on border and text printed in gold with red color background and the same have been shown engraved on the back hardcover.</p><p>For the promotion of Indian art this book had been written after examining the collections of most of the native princes and especially their libraries pictures and portraits.</p><p>The book is soiled. Hardcover has wears tears on edges and corners and some color fade marks. The pages are slightly detached from the spine but binding not loose.</p><p>The pages have foxing marks. Some initial pages have slight wears on edges whereas next few pages are in fine condition. The pages of black and white illustrations are fine.</p><p>Some colored illustration pages have wears and tears which were pasted with brown tape and some with white tape. A few pages have many cracks tears light stains and some part of the page is missing. One colored page in last has a few stains and very damaged which have been repaired by a back up sheet. The head for edge and tail have rubbed edges and foxing marks.</p><p>Pages are not loose.</p> hardcover
1877190547London: Arundel Society for Promoting the Knowledge of Art 1877. Hardcover. Fair heavy shelfwear to boards internal hinges broken with pages loose all plates are present foxing spots throughout volume 2 has possible water damage to thegreen cloth of the bottom front cover volume 1 has some damp staining to top edge of beginning pages. Two oversized volumes bound in 3/4 brown leather and green cloth boards 5 raised bands on spines with gilt lettering top edge gilt marble illustrated end papers. Volume 1 contains an 8 pp preface followed by a list of the plates and plates numbered 1-40. Volume 2 contains a list of the plates followed by plates 41-80. Each plate has an accompanying text page. "Under the Sanction of the Science and Art Department of the Committee of Council on Education." title page. 18x13x3" Arundel Society for Promoting the Knowledge of Art hardcover
43844217-nnew. unknown
1913167716New York: Brentano 1913. hardcover. very good. Illustrated with 252 b/w plates. Short 4to gilt-stamped red cloth front inner hinge just a bit weak. New York: Brentano's 1913. A very good copy.<br/><br/> Brentano unknown books
pp. 16 con 252 tav.
67988°: A-G 8 H 4 H4 chi gepag.: 120 2 pp. Papieren omslag laatste bladzijden van de tweede druk uit 1836 zijn voorin bijgebonden verder aantekeningen en schrappingen in de tekst. Lit.: Van Aken II p.33; CBMNL 2424; Saalmink I p.867Special edition with manuscript notes. Inscription of former owner Gustave Roelofs. Stamp on titlepage dated 1888. unknown
179354841IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman who was a favourite of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 26 x 35.5 cm. 10 x 14 inches unknown
181273583London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
0348-25London um 1630. Radierung. 27 5 x 20 2 cm. Plattengr. Mit schmalem Rand. Auf Trägerkarton montiert. Sonst gut erhalten. Gestochenes Portrait des britischen Adeligen und Staatsmannes Thomas Howard 3. Duke of Norfolk 1473-1554 nach dem Gemälde von Hans Holbein d. J. 1497-1543 aus dem Jahr 1539. Lucas Vorsterman 1595-1675 dürfte das Gemälde Holbeins in einem der Anwesen der Earls of Arundel gesehen und studiert haben. In der Platte mit gestochenem Vermerk: Visitur in Aedibus Arondelianis Londini Vorsterman fecit". London?, um 1630. unknown
17813811781. Fine. Folio by J. H. Lips copper engraving after Holbein on fine chain-linked paper; from Lavater Physiognomie first French edition. unknown
181273612London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
179558204IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the courts of Edward VI and Elizabeth I. Stipple engraving. Very good condition. Printed colour. Size: 17.5 x 24 cm. 7 x 9½ inches unknown
200728Prestel, ohne Jahr. XXVII., 56 schwarz/weiß Tafeln gebundene Ausgabe
2926354Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926356Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926355Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926353Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
190336293München, Georg Hirth, 1903. Small 4to. Uncut in orig. printed wrappers. Woodcuts.
157288<p>The <i>Dance of the Dead</i> described in the British Museum as follows:<br /></p><p>" A series of 40 woodcuts by Jost de Negker which are free and enlarged copies after Hans Holbein the Younger's " Dance of Death " series with exception of the first two leaves all leaves with woodcuts on verso and German letterpress on recto both text and images in decorative woodcut borders the woodcuts with traces of colour and with a titlepage mutilated the text partly cut up and rearranged mounted and in modern binding ; fourth edition published in Leipzig by David de Negker. 1572</p><p>Woodcut and letterpress.</p><p>According to Hollstein there were four editions of Jost de Negker's 'Todtentantz' after Holbein : Augsburg 1544 n.p.; n.d; Augsburg 1561 and Leipzig1572 the last two by David de Negker.</p><p>The BL holds an imperfect coloured copy of the 1544 Jobst Denecker Jost de Negker edition C.43.d.3. A comparison of that and the 1572 edition would confirm that the woodcuts are by Jost de Negker as stated by Hollstein and not by David de Negker as stated by Paisey. The 1544 edition appears to have two woodcuts with inscriptions fol.F2 verso with date '1542' and fol.D3 verso with monogram 'HVE' see Dodgson II.207 which however this edition does not have.</p><p>The original woodcuts for Holbein's Dance of Death series were cut by Lützelberger. " B.M.</p><p>Engraved title framed by a large woodcut frieze depicting faces animals and plant decorations 10 pages of text 2 blank pages and 40 full-page engravings framed by a large frieze 4 types repeated text in Latin gothic characters framed by identical friezes opposite.</p><p>Jost de Negker c. 1485-1544 was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century mostly in Augsburg Germany. He was a leading "formschneider" or blockcutter of his day but always to the design of an artist. He is "closely tied to the evolution of the fine woodcut in Northern Europe". For Adam von Bartsch although he did not usually design or draw the quality of his work along with that of Hans Lützelburger and Hieronymus Andreae was such that he should be considered as an artist.<br /></p><p>Some prints where the designer is unknown are described as by de Negker but it is assumed there was an artist who drew the design although it has been suggested that de Negker might fill in a landscape background to a drawing of a figure…</p><p>On Maximilian's death in 1519 the large teams assembled for his projects dispersed and de Negker became as much a publisher as a cutter retaining many blocks by Burgkmair Hans Weiditz and others and infringing many works such as the Dance of Death by Holbein Lützelburger's masterpiece as a cutter. Negker's edition of this was published in 1544 and is his last known work. </p><p><b>Rare complete copy of this very interesting Danse des Morts.</b></p> Durch David de Necker Formschneider hardcover
1572117<p>A rare complete copy of de Jost de Negker's Dance of Death well described by the British Museum.</p><p>From A. Brölemann's library.</p><p>The <i>Dance of Death's </i>description by theBritish Museum :<br /></p><p>" A series of 40 woodcuts by Jost de Negker which are free and enlarged copies after Hans Holbein the Younger's " Dance of Death " series with exception of the first two leaves all leaves with woodcuts on verso and German letterpress on recto both text and images in decorative woodcut borders the woodcuts with traces of colour and with a titlepage mutilated the text partly cut up and rearranged mounted and in modern binding ; fourth edition published in Leipzig by David de Negker. 1572</p><p>Woodcut and letterpress.</p><p>According to Hollstein there were four editions of Jost de Negker's 'Todtentantz' after Holbein : Augsburg 1544 n.p.; n.d; Augsburg 1561 and Leipzig1572 the last two by David de Negker.</p><p>The BL holds an imperfect coloured copy of the 1544 Jobst Denecker Jost de Negker edition C.43.d.3. A comparison of that and the 1572 edition would confirm that the woodcuts are by Jost de Negker as stated by Hollstein and not by David de Negker as stated by Paisey. The 1544 edition appears to have two woodcuts with inscriptions fol.F2 verso with date '1542' and fol.D3 verso with monogram 'HVE' see Dodgson II.207 which however this edition does not have.</p><p>The original woodcuts for Holbein's Dance of Death series were cut by Lützelberger. " B.M.</p><p>Engraved title with an engraved border illustrated withfaces animals vegetal 10 pages of text 2 blank pages and 40 full page engravings with border text in Latin gothic.</p><p>Jost de Negker c. 1485-1544 was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century mostly in Augsburg Germany. He was a leading "formschneider" or blockcutter of his day but always to the design of an artist. He is "closely tied to the evolution of the fine woodcut in Northern Europe". For Adam von Bartsch although he did not usually design or draw the quality of his work along with that of Hans Lützelburger and Hieronymus Andreae was such that he should be considered as an artist.</p><p>Some prints where the designer is unknown are described as by de Negker but it is assumed there was an artist who drew the design although it has been suggested that de Negker might fill in a landscape background to a drawing of a figure…</p><p>On Maximilian's death in 1519 the large teams assembled for his projects dispersed and de Negker became as much a publisher as a cutter retaining many blocks by Burgkmair Hans Weiditz and others and infringing many works such as the Dance of Death by Holbein Lützelburger's masterpiece as a cutter. Negker's edition of this was published in 1544 and is his last known work. </p><p><b>A rare complete copy of this very interesting Dance of Death</b><b>.</b></p> Durch David de Necker Formschneider hardcover
200320236Wiesbaden, fourier verlag, 2003. Neugesetzte Fassung der Urausgabe, mit neuem Vorowrt u. deutschen Übersetztungen der lateineischen Bibelverse versehen, Lizenzausgabe, 8°, 142 S., mit zahlreichen Abbildungen Holzschnitte von Hans Holbein dem Jüngeren), illustr. Halleinen-Einband gebunden mit Goldprägung
34010Paris, Flammarion (coll. "Les classiques de l'art"), (1972). In-4°, 112p. Cartonnage d'éditeur, sous jaquette illustrée.
