61 résultats
18907155525 mars 1890 | 11.10 x 17.50 cm | une feuille
19017165923 octobre 1901 | 9.80 x 15.50 cm | une feuille
19017153528 octobre 1901 | 11.30 x 18 cm | une feuille rempliée
18907166230 novembre 1890 | 11.40 x 17.80 cm | une feuille
18967166017 mars 1896 | 11.40 x 17.70 cm | une feuille
18907155631 octobre 1890 | 11.10 x 17.40 cm | une feuille
18937154123 février 1893 | 13.80 x 9.50 cm | une carte
1890715523 février 1890 | 11.20 x 17.40 cm | une feuille rempliée
18937153823 mars 1893 | 13.40 x 7.80 cm | une carte
189071543s. d. [circa 1890] | 13.80 x 9.50 cm | une feuille rempliée
18977154429 octobre 1897 | 12.90 x 14.60 cm | une feuille rempliée
190071546s. d. | 12.90 x 14.60 cm | une feuille rempliée
1890715551890. Fine. 25 mars 1890 11.10 x 17.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1901716591901. Fine. 23 octobre 1901 9.80 x 15.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret requesting his correspondent's assistance in finding a position for a young clerk. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1901715351901. Fine. 28 octobre 1901 11.30 x 18 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret requesting his correspondent's assistance for a young man from Vesoul. One folded sheet. unknown
1890716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
1896716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
1890715561890. Fine. 31 octobre 1890 11.10 x 17.40 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret transmitting a missive from one of his cousins the painter Emile Deshayes curator of the Guimet museum and founder of the Ennery museum. One sheet. Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1893715411893. Fine. 23 février 1893 13.80 x 9.50 cm une carte Autograph card from painter Pascal Dagnan-Bouveret to painter Lucien Monod. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Je vous envoie pour la Société de sauvetage de l'Enfance . une eau-forte de ma Madone épreuve sur Japon avant la lettre signée du graveur et de moi. . Nous aurons grand plaisir mon ami Courtois et moi à vous montrer dimanche les tableaux que nous comptons exposer pour le Salon du champ de Mars"" I am sending you for the Society for Child Welfare . an etching of my Madonna proof on Japan paper before letters signed by the engraver and myself. . My friend Courtois and I will have great pleasure in showing you on Sunday the paintings we intend to exhibit at the Salon du champ de Mars unknown
1890715521890. Fine. 3 février 1890 11.20 x 17.40 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter offers his apologies following the refusal to nominate two friends of painter Monod as associates of the newly created Société nationale des beaux-arts. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. « . Neither Mr Burgers nor Jules Girardet could pass as Associates. They were both named associate members. We wanted to limit ourselves to one hundred associates for the moment. . » unknown
1893715381893. Fine. 23 mars 1893 13.40 x 7.80 cm une carte Autograph card from painter Pascal Dagnan-Bouveret congratulating his colleague on receiving a distinction. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1900715461900. Fine. s. d. 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod thanking him for the assistance he provided to his friend painter Gustave Courtois. Dagnan-Bouveret had married Courtois's cousin whom he also immortalized in his studio private collection. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1897715441897. Fine. 29 octobre 1897 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod inviting his colleague to see his painting The Pilgrims of Emmaus now in the Pittsburgh Carnegie Museum of Art in Pennsylvania. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Vous plairait-il cher Monsieur Monod de voir avant que je ne l'envoie en Angleterre mon tableau ""Les pèlerins d'Emmaüs"" ."" ""Would it please you dear Monsieur Monod to see before I send it to England my painting 'The Pilgrims of Emmaus' ."". unknown
1890715431890. Fine. s. d. circa 1890 13.80 x 9.50 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret to the painter Lucien Monod declining an invitation in order to work on a new painting Un vieux breton now preserved at Chaalis in the museum of the royal abbey. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and from the New York Frick family. His visits to Brittany inspired numerous canvases: ""Je vais en Bretagne pour travailler beaucoup aussi vite que je le pourrai à une figure de vieux breton que je ne trouverai certainement que dans un village et pas en ville et il me faut aussi toujours pour un travail une installation à la campagne ."" ""I am going to Brittany to work hard as quickly as I can on a figure of an old Breton whom I will certainly only find in a village and not in town and I also need always for work a countryside installation ."" unknown
6746Chez Maurice Rousseau, Librairie du Bulletin de l'Académie des Beaux-Arts, Paris, 1930. In-8, broché, 30 pp. - pl. P. A. J. Dagnan-Bouveret (1852-1929), par J. Dampt - Regards sur l'œuvre de Dagnan, par André-Charles Coppier - Notes biographiques - Liste desœuvres de peinture -Œuvres de peinture dont la date est incertaine.