Ingres

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(INGRES).Biblio.com

Dessins et peintures des maÂ”tres du XIXe siÂcle Âˆ nos jours. Un choix de dessins de Jean-Dominique Ingres.

(L' ARETIN) - Jean Auguste Dominique INGRESBiblio.com

Ingres presents two of his paintings about Pietro Aretino

1829893861829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Parisselecting episodes from the romantic and scandalous life of Aretino: By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode. Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an Exhibition in support of the fund for the eradication of begging held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 2021. Ingres sends them here to the respected art dealer Charles Pailletwhile noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited togetheralthough a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: There said the satirist is a very small gift for such great folly. Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. Ah Jacopo cried the frightened poet what are you doing Taking your measurements replied Tintoretto gravely. And after measuring him he added in the same tone: You are two and a half of my pistols high and let him go. unknown

Rare Books Le Feu Follet - Edition-Originale.com · France3 450,00 €

Blom, Eric, 1888-1959 [art & music, Hogarth, I Faber, Baldassari Galuppi, Jean-Jacques Rousseau, Ingres, Kietz, Rosenberg, SamueBiblio.com

Stepchildren of Music. An offshoot of the Beggar's opera; Rousseau Mme. Favart Mozart; Niccolo Piccinni; An error of Rossini's youth; Small Beethoven; Early Mendelssohn; Liszt's travels; Wagner's French songs; Cesar Franck's weakness; etc

19254482London : G. T. Foulis & Company 91 Great Russell Street c1924-1925 1925. 1st Edition . Hardcover. Very Good. 1st edition ; 301 pp. ; frontispiece plate portraits facsimiles including music ; 20 cm. ; LCCN: 25-17032 ; LC: ML60 ; OCLC: 1970008 or OCLC: 59780161; red cloth with faux-vellum spine and gold lettering and designs ; no dustjacket ; "The work s dealt with are.linked together by the pathetic circumstance of having come into the world to be Music's stepchildren ignored by the public at large and scarcely likely to be made the subject of special study by the professional critic.This collection of desultory essays may it is hoped give the reader a taste for exploring the byways of musical history." ; Contents: An offshoot of the Beggar's opera The dragon of Wantley--"Brave Galuppi."--The philosopher the actress and the boy Rousseau Mme. Favart Mozart--"Tom Jones" on the French stage.--A misjudged composer Niccolo Piccinni--An error of Rossini's youth.--Cherubini in church.--Small Beethoven.--Three specimens of early Mendelssohn.--The musical diary of Liszt's travels.--Wagner's French songs.--A German precursor of Sullivan Albert Lortzing--A victim of his popularity Alexander N. Serov--The early Tchaikovsky symphonies.--Cesar Franck's weakness.--The tragedy of a comic opera Le roi malgré lui--Imitation Handel Samuel Butler--The father of Spanish music-drama Felipe Pedrell--Max Reger at the organ.--The chamber music of Albert Roussel.--Elgar's most neglected masterpiece.--Bela Bartok as quartet writer.--A musical novel by Frederick Delius.--A late Strauss opera.--The carol revived. ; slight foxing else VG <br/> <br/> London : G. T. Foulis & Company, 91 Great Russell Street, [c1924-1925?] hardcover

Joseph Valles - Books · États-Unis69,00 $US≈ 58,38 €

Henry LAPAUZE - Jean Auguste Dominique INGRESBiblio.com

Les portraits dessinés de J.-A.-D. Ingres Ingres's portraits

190357259à Paris: Chez J.-E. Bulloz 1903. Fine. Chez J.-E. Bulloz à Paris 1903 37 x 48 cm en feuilles sous chemise Les Portraits dessinés de J.-A.-D. Ingres Ingres's portraits Chez J.-E. Bulloz à Paris 1903 37 x 48 cm loose leaves with custom slipcase The very rare first edition consisting of only 100 numbered copies the text on Arches paper with 100 charcoal portraits laid down on thick grey-blue paper margins slightly soiled gilt listel frame to each portrait Bulloz stamp to lower right. This copy has a half red morocco chemise with flaps spine soiled double gilt fillet to covers title giltstamped on upper cover cloth and paper flaps heavily damaged lower flap lacking headpieces rubbed with lacks to head and foot of joints corners rubbed ties lacking. Portraits of political and intellectual figures from the 19th century. The majority of the illustrations are signed and dated in the plate. These reproductions were mostly done after works in private collections. A noted specialist on Ingres Henry Lapauze 1867-1925 notes in his introduction «Thus these fantastic portraits most of which are jealously guarded as family heirlooms or are the pride of private collections become a national treasure that all may look upon.» Lapauze's main goal was to allow a broader public to become better acquainted with Ingres' work at a time when culture was elevated into the ranks of the French national heritage by the Third Republic. It was thus that Jean-Auguste-Dominique Ingres' 1780-1867 work once more awoke the interest of art historians and the general public at the turn of the 20th century. These one hundred portraits make up a visual gallery of Ingres' circle. Lapauze thinks it is of little importance whether or not readers are familiar with the people portrayed since the painter's genius is enough to get across the «master's glorious talent» and to ensure «the delight of people of good taste». Ingres is thus elevated into a genius of 19th century French painting. A very rare copy of the first edition of one hundred portrait drawings by Ingres. Chez J.-E. Bulloz hardcover

Rare Books Le Feu Follet - Edition-Originale.com · France6 900,00 €