6 résultats
741024 pp. 8vo 212 x 135 mm. orig. green printed wrappers stitched as issued. Autun: Dejussieu & L. Villedey 1856.<br /> Scarce critical essay on Ingres's painting Le Martyre de saint Symphorien which has been housed in the Cathédrale Saint-Lazare d'Autun since 1834. The painting was originally ordered by Roch-Etienne de Vichy the bishop of Autun in 1824. Ingres finally completed it in 1834 and selected it for that year's Salon where it was received negatively leading to Ingres never again participating in the event. The anonymous author of this critique provides the historical context for the picture and meticulously describes it. Over the years despite Ingres considering this one of his greatest achievements critics have always been derisive.<br /> Near fine copy of a rare work; some minor foxing. unknown books
4663The letter is significant because it reveals the working artist considering the affect of light on a subject. He draws two lines of light as they might contact the figure as he describes. Ingres would occasionally use pen and ink to sketch first ideas but in this instance it would seem that he used the pen to write the letter and illustrated his meaning with the drawing. The text suggests he may have been giving advice to another artist or student rather than sketching a preliminary drawing for his own work. <br/><br/>Condition: Docketing in upper left corner in red in another hand sunning around margins likely from prior framing slight chipping on right margin and slight soiling at center fold. The illustrated letter measures 5.25 x 8 inches and floats on a dark gray mat overlaid with a white mat framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/inch black satin wood. Frame measures 12.5 x 15.75. unknown books
199940607New Haven: Yale University Press 1999. First Edition. Quarto 29cm.; publisher's simulated cloth in pictorial dust jacket; 4259pp.; illus. throughout mostly in color. Light edge wear to jacket extremities else Very Good to Near Fine. Yale University Press unknown books
1926WRCLIT47200London: William Heinemann 1926. Large quarto. Tan polished buckram stamped in gilt t.e.g. Gravure frontis and seventy- nine gravure plates each with captioned tissue-guard. First edition in English translated by Maude Valerie White. Spine ends somewhat worn and chipped some sizing flecking to lower cover fore-tips rubbed lower inner hinge cracked but sound ink ownership inscription on free endsheet but a good sound copy. William Heinemann hardcover books
1980173128Bern: Benteli 1980. Hardcover. VG slight foxing spots on outer edges interiors clean and tight. 5 volumes navy rexine boards gilt lettering on front and spine blue/gray illustrated dust jacket with black and white lettering Vol I 585 3 pp Vol II 587 3 pp Vol III 547 3 pp Vol IV 470 pp Vol V 547 2 pp profusely illustrated with bw illustrations. This 5 volume set is written in German and includes text in English French and Italian. These works show more than 450 illustrations of artwork. Includes bibliographical references and index. Benteli hardcover books
2008133211Paris / Quebec / Montauban: Somogy ; Musee national des beaux-arts du Quebec ; Musee Ingres 2008. Softcover. As New. White wraps with color illustration with mounted lenticular image. 335 pp. Profuse illustrations in color and monotone. Text in French. Catalog of an exhibition held at Musee National des beaux-arts du Quebec Feb. 5-May 31 2009 and Musee Ingres Montauban July 3-Oct. 4 2009. Shows many interpretations and re-working of paintings by Ingres by over 50 artists. Somogy ; Musee national des beaux-arts du Quebec ; Musee Ingres paperback books