Ingres - Gautier (Theophile)Biblio.com
490 résultats
5222Couverture rigide. Bon/1867. in-8. Paris drouot 1867 in-8 30pp reliure demi-chagrin tabac Superbe exemplaire de ce rare catalogue accompagné d'une ""préface"" de 7 pages par théophile Gautier en édition originale. unknown
14119Nogent-le-Roi, Editions Jacques Laget, 2001. In-4, 330 pp., broché, jaquette illustrée. Bon exemplaire.
1926WRCLIT47200London: William Heinemann 1926. Large quarto. Tan polished buckram stamped in gilt t.e.g. Gravure frontis and seventy- nine gravure plates each with captioned tissue-guard. First edition in English translated by Maude Valerie White. Spine ends somewhat worn and chipped some sizing flecking to lower cover fore-tips rubbed lower inner hinge cracked but sound ink ownership inscription on free endsheet but a good sound copy. William Heinemann hardcover books
199940607New Haven: Yale University Press 1999. First Edition. Quarto 29cm.; publisher's simulated cloth in pictorial dust jacket; 4259pp.; illus. throughout mostly in color. Light edge wear to jacket extremities else Very Good to Near Fine. Yale University Press unknown books
741024 pp. 8vo 212 x 135 mm. orig. green printed wrappers stitched as issued. Autun: Dejussieu & L. Villedey 1856.<br /> Scarce critical essay on Ingres's painting Le Martyre de saint Symphorien which has been housed in the Cathédrale Saint-Lazare d'Autun since 1834. The painting was originally ordered by Roch-Etienne de Vichy the bishop of Autun in 1824. Ingres finally completed it in 1834 and selected it for that year's Salon where it was received negatively leading to Ingres never again participating in the event. The anonymous author of this critique provides the historical context for the picture and meticulously describes it. Over the years despite Ingres considering this one of his greatest achievements critics have always been derisive.<br /> Near fine copy of a rare work; some minor foxing. unknown books
4663The letter is significant because it reveals the working artist considering the affect of light on a subject. He draws two lines of light as they might contact the figure as he describes. Ingres would occasionally use pen and ink to sketch first ideas but in this instance it would seem that he used the pen to write the letter and illustrated his meaning with the drawing. The text suggests he may have been giving advice to another artist or student rather than sketching a preliminary drawing for his own work. <br/><br/>Condition: Docketing in upper left corner in red in another hand sunning around margins likely from prior framing slight chipping on right margin and slight soiling at center fold. The illustrated letter measures 5.25 x 8 inches and floats on a dark gray mat overlaid with a white mat framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/inch black satin wood. Frame measures 12.5 x 15.75. unknown books
lc_68864La Jeune Parque (1 janvier 1947)
27638Paris, La Jeune Parque, 1947. Gr. in-8°, XV-86p. Broché, couverture illustrée rempliée.
32675Paris, La Jeune Parque, 1947. Gr. in-8°, XV-86p. Broché, couverture illustrée rempliée.
194713419La Jeune Parque, 1947. Grand in-8 carré broché, couverture rempliée illustrée, 82 pages, illustré de planches hors-texte par Ingres. Ce volume, le quatrième de la collection "Ecrits d'artistes", a été tiré à 3000 exemplaires numérotés, celui-ci sur Vélin. Bon exemplaire, sans rousseurs.
16-4674Bremen: Kunsthalle 1961. 83 x 59 cm. Printed in blue-green and black.Loss at lower right. From the collection of Frederic Gale Ruffner Jr. the founder of Gale Research Detroit. Bremen: Kunsthalle, 1961 unknown
194779536GenÂve : Pierre Cailler 1947 1948. 195x135mm. 199Êpages brochÂŽ. Tome 1 bon ÂŽtat. Tome 2 trÂs bel exemplaire non coupÂŽ. Exemplaire de chapelle numÂŽrotÂŽ n.¡ CH 11 / 120. 647 Pierre Cailler unknown
33479Pierre Cailler éditeur, collection : Les grands artistes vus par eux-mêmes et par leurs amis, dirigée par Pierre Couthion avec la collaboration de Pierre Cailler. 1948, in/8 broché, 200 pages - Ses contemporains, sa postérité. Illustrations en noir.
Genève, Pierre cailler, Collection" Les grands Artistes racontés par eux-mêmes et leurs amis", 1947. 2 vol. in-8 brochés, 270-199 pp. non coupées pour la plupart. Illustrations en noir. Bon état.
2026285298Musées nationaux 2026. Etat Correct 1er dessin manquant Mesdemoiselles Harvey cartonnage abîmée charnière fendue au 3/4 très défraîchie qq tâches sur la chemise feuillets en bon état de conservation quant à eux propre rares tâches circa 1900. in8. 2026. Non relié. J.D. Ingres 1780-1867 --- Quatorze dessins publiés par Jean Alazard - musée du Louvre collection de reproduction de dessins publiée sous la direction de Gabriel Rouchès Musées nationaux unknown
1900285298Musées nationaux 1900 in8. 1900. Non relié. J.D. Ingres 1780-1867 --- Quatorze dessins publiés par Jean Alazard - musée du Louvre collection de reproduction de dessins publiée sous la direction de Gabriel Rouchès
196768425Couverture rigide. 18 documents dans une enveloppe. Il manque le portrait de Marie d'Agoult.
1983feb08473Meridiane 1983. Used. 1983; Romanian Edition of Scrisorimaxime si marturii Biblioteca de Arta Nr.354; For more details please contact me Meridiane unknown
7695Librairie Hachette, collection "Classiques Hachette de l'Art", Paris, 1928. In-8, reliure pleine toile éditeur, titre doré sur le plat supérieur et le dos, 125 pp. J.-A.-D. Ingres, par Louis Hourticq - Bibliographie sommaire - Planches commentées - Table chronologique desœuvres.
2518Paris, le vendredi 21 juin 1929. In-4, broché, 44 pp. - pl. Catalogue des tableaux et dessins par J. A. D. Ingres composant la collection de M. Henry Lapauze et dont la vente aux enchères publiques aura lieu Hôtel Drouot, le vendredi 21 juin 1929 [68 n°] : Dessins - Tableaux - ...
190357259Chez J.-E. Bulloz | à Paris 1903 | 37 x 48 cm | en feuilles sous chemise
190357259à Paris: Chez J.-E. Bulloz 1903. Fine. Chez J.-E. Bulloz à Paris 1903 37 x 48 cm en feuilles sous chemise Les Portraits dessinés de J.-A.-D. Ingres Ingres's portraits Chez J.-E. Bulloz à Paris 1903 37 x 48 cm loose leaves with custom slipcase The very rare first edition consisting of only 100 numbered copies the text on Arches paper with 100 charcoal portraits laid down on thick grey-blue paper margins slightly soiled gilt listel frame to each portrait Bulloz stamp to lower right. This copy has a half red morocco chemise with flaps spine soiled double gilt fillet to covers title giltstamped on upper cover cloth and paper flaps heavily damaged lower flap lacking headpieces rubbed with lacks to head and foot of joints corners rubbed ties lacking. Portraits of political and intellectual figures from the 19th century. The majority of the illustrations are signed and dated in the plate. These reproductions were mostly done after works in private collections. A noted specialist on Ingres Henry Lapauze 1867-1925 notes in his introduction «Thus these fantastic portraits most of which are jealously guarded as family heirlooms or are the pride of private collections become a national treasure that all may look upon.» Lapauze's main goal was to allow a broader public to become better acquainted with Ingres' work at a time when culture was elevated into the ranks of the French national heritage by the Third Republic. It was thus that Jean-Auguste-Dominique Ingres' 1780-1867 work once more awoke the interest of art historians and the general public at the turn of the 20th century. These one hundred portraits make up a visual gallery of Ingres' circle. Lapauze thinks it is of little importance whether or not readers are familiar with the people portrayed since the painter's genius is enough to get across the «master's glorious talent» and to ensure «the delight of people of good taste». Ingres is thus elevated into a genius of 19th century French painting. A very rare copy of the first edition of one hundred portrait drawings by Ingres. Chez J.-E. Bulloz hardcover
2012LFA-126746036Un ouvrage de 143 pages, format 145 x 250 mm, illustré, broché couverture couleurs, publié en 2012, Larousse, collection "Reconnaître, Comprendre", bon état
ill., br. Il grande disegno del direttorio e dell'impero, che per molti aspetti è politico, ha anche una ricaduta estetica di grandissima importanza. Ne deriva infatti una straordinaria mescolanza delle diverse tendenze che componevano la modernità europea a partire dalla rottura estetica di cui per noi David, Canova e Ingres sono ancora i fari. Oggi, per designare quel momento di oscillazione che non ebbe solo Parigi come radioso focolaio, non parliamo più di neoclassicismo. Benché riabilitato dal grande Mario Praz, il termine conserva un'eco peggiorativa che ha effetti negativi. Ingres e la vita artistica al tempo di Napoleone vuole, al contrario, rendere alla pittura e alta scultura degli anni 1780-1820 la sua forza innovativa e, volendo osare, il suo romanticismo precursore.
1991014877Paris Editions du seuil 1991 In-8 Broché
