27 résultats
18671801Paris: Imp. Pillet 1867. First edition. In publisher’s half cloth with printed title on front panel. Endpaper and first leaves discolored due to the acidic paper. Notes in ink on front panel by a contemporary neat hand. Prices added by the same hand in ink to each item. In fine condition. First edition. In publisher’s half cloth with printed title on front panel. 3 IV–V 4 10–23 1 p. <p><br /> Scarce catalogue of on of the earliest posthumous sale of Ingres’s works.<br /> <p><p><br /> The sale was held on April 27 1867 and included sixteen works belonging to Ingres’s widow as well as the Odalisque with a Slave owned by Charles Marcotte d’Argenteuil's heirs. All prices indicated in ink by a contemporary hand. <br /> <p>. [Imp. Pillet] unknown
186323678Didier & Cie | Paris 1863 | 14 x 22 cm | broché
1863670211 brochure in-8, Librairie Académique Didier et Cie, Paris, 1863, 20 pp.
186323678Paris: Didier & Cie 1863. Fine. Didier & Cie Paris 1863 14 x 22 cm broché First edition. A pale dampstain at foot of the text block light foxing affecting mainly the edges. Complete with the publisher's catalogue at rear. Didier & Cie unknown
186711163Paris Bureau de la Revue des Deux Mondes 1867 -in-8 demi-Maroquin un fort volume, reliure demi-maroquin cerise grand in-octavo à coins (binding half morocco with corners), reliure d'époque signée "PETIT" successeur de "SIMIER", dos 4 nerfs (spine with raised bands) décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaison frappés "or" (gilt title and volume numbering) dans un encadrement d'un double filet fin "or", triple filets fins "or" en place des nerfs avec un filet à froid de part et d'autre des nerfs, plats décorés or (gilt decoration on the cover) avec 3 filets fins "or" aux mors et aux coins (joints and corners with three gilt line), papier marbré aux plats (cover with marbled paper), toutes tranches lisses (all edges smoothes) peignées (painting edges) rouge et bleu, sans illustrations (no illustration), 1056 pages, 1867 Paris Bureau de la Revue des Deux Mondes Editeur,
186026570Paris Bureau de la Revue des Deux Mondes 1860 -in-8 demi-Maroquin un fort volume, reliure demi-maroquin cerise grand in-octavo à coins (binding half morocco with corners), reliure d'époque signée "PETIT" successeur de "SIMIER", dos 4 nerfs (spine with raised bands) décoré "or" et à froid (gilt and blind stamping decoration), titre et tomaison frappés "or" (gilt title and volume numbering) dans un encadrement d'un double filet fin "or", triple filets fins "or" en place des nerfs avec un filet à froid de part et d'autre des nerfs, plats décorés or (gilt decoration on the cover) avec 3 filets fins "or" aux mors et aux coins (joints and corners with three gilt line), papier marbré aux plats (cover with marbled paper), toutes tranches lisses (all edges smoothes) peignées (painting edges) rouge et bleu, sans illustrations (no illustration), 1024 pages, 1860 Paris Bureau de la Revue des Deux Mondes Editeur,
1863107181863 un volume, broché (paperback) grand in-octavo, dos muet (spine without title), couverture crème imprimée (cover printed) ornée de la marque de l'imprimeur gravé sur Bois (engraving-wood), légèrement défraîchie (lightly faded), tranches non rognées (edges no smooth) gouttière en partie non coupée (fore-edge partly uncut), long papier (fore-edge - great paper), sans illustration (no illustration), excepté la marque de l'imprimeur gravé sur Bois (engraving-wood) sur la page de titre, naissances de rousseurs (beginning of the redness marks), 20 pages + 30 pages de catalogue de la Librairie Académique Didier et Cie, 1863 Paris Librairie Académique Didier et Cie Editeurs pour Ingres et 1864 pour le Catalogue,
186084083Paris: Eugène Disdéri 1860. Fine. Eugène Disdéri Paris 1860 6 x 10.50 cm une feuille Full-length carte-de-visite albumen photograph of the painter Ingres. Taken by Disdéri who himself developed this carte-de-visite process in 1854. Photograph mounted on card bearing the name of Disdéri et Cie. Photographer's advertisement on verso at the address on boulevard des Italiens. Fine print. This sitting at Disdéri's studio produced several photographs of the painter with slightly different poses. This same photograph can be found at the Ingres Museum in Montauban and at the Musée d'Orsay. Eugène Disdéri unknown
182382956s. d. [jeudi 9] | 13.50 x 20.80 cm | une feuille
1823829561823. Fine. s. d. jeudi 9 13.50 x 20.80 cm une feuille Autograph letter signed by painter Jean-Auguste-Dominique Ingres about his pupil Albert Magimel with whom he worked in close collaboration. Magimel published a catalogue raisonné of his master's artworks. Handsome signature of Ingres in the lower part of the letter. unknown
186287911862 Paris : bureaux du journal le Siècle, (s. d.1862?)1 vol. in-4,demie reliure époque, 20 portraits,en lithographie ht, 320p ;textes et portrait sur:PIE X,GARIBALDI;COBDEN,VICTOR EMMANUEL, PALMERSTON,CAVOUR,LAMARTINE,ABD-EL-KADER,ROSSINI,INGRES,LEOPOLD,roi des Belges,Cardinal ANTONELLI,L'empereur d'Autriche,O'DONNELL,l'Empereur de Russie,KOSSUTH,MICHELET,LE Roi de PRUSSE,Eugene DELACROIX,Georges SAND,
1862151721862 Paris : bureaux du journal le Siècle, (s. d.1862?)1 vol. in-4,demie reliure époque, 20 portraits en lithographie ht, 320p ;textes et portrait sur:PIE X,GARIBALDI;COBDEN,VICTOR EMMANUEL,PALMERSTON,CAVOUR,LAMARTINE,ABD-EL-KADER,ROSSINI, INGRES, LEOPOLD,roi des Belges,Cardinal ANTONELLI,L'empereur d'Autriche,O'DONNELL,l'Empereur de Russie,KOSSUTH,MICHELET,LE Roi de PRUSSE,Eugene DELACROIX,Georges SAND,
1862227921862 Paris : bureaux du journal le Siècle, (s. d.1862?)1 vol. in-4,demie reliure époque,dos orné de caissons dorés, 20 portraits,en lithographie ht, 320p ;textes et portrait sur:PIE X,GARIBALDI;COBDEN,VICTOR EMMANUEL, PALMERSTON,CAVOUR,LAMARTINE,ABD-EL-KADER,ROSSINI,INGRES,LEOPOLD,roi des Belges,Cardinal ANTONELLI,L'empereur d'Autriche,O'DONNELL,l'Empereur de Russie,KOSSUTH,MICHELET,LE Roi de PRUSSE,Eugene DELACROIX,Georges SAND,
1855222261855 Paris Michel Lévy Frères,1855-1856, 11x18cm, 2 volumes reliés Edition originale pour chacun des volumes. Reliures signées TERQUEM en demi maroquin , dos à quatre nerfs sertis de doubles filets à froid, plats de papier marbré, gardes et contreplats de papier à la cuve, tetes dorées. Agréable exemplaire. Pleasant copy.
1863LFCL4Paris, E.Dentu éditeur, 1863. In-12 br., 346p., 6p. catalogue. Sous couverture illustrée éditeur sur laquelle on reconnait quelques portraits d'auteurs. Anecdocte biographique notamment sur Balzac, Beaumarchais, Beranger, Boïeldieu, comte Jules de Castellane, M. et Mme Girardin, Guizot, Ingres, Lurine, Auguste Maquet, les de Rothschild, Saïd-Pacha, Saint-Beuve, Thiers...
1843boz_002840Jean-Auguste-Dominique INGRES. Gravure de Molière de 1843 Peintre Gravure de Molière gravée par Henriquel Dupont 1843 Dimensions totale : 32,1 x 24,3 cm Dimensions à la cuve : 26,1 x 19,7 cm État : Voir photos pour plus de détails. Nombre de pages : 1 page
1900285298Musées nationaux 1900 in8. 1900. Non relié. J.D. Ingres 1780-1867 --- Quatorze dessins publiés par Jean Alazard - musée du Louvre collection de reproduction de dessins publiée sous la direction de Gabriel Rouchès
1870C91898Plon. As New. 1870. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Description: "Orné d'un portrait gravé par Morse et du facsimilé d'un autographe." / "Decorated with an engraved portrait by Morse and a facsimile of a signature. " Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Plon paperback
187091898Plon. As New. 1870. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Description: "Orné d'un portrait gravé par Morse et du facsimilé d'un autographe." / "Decorated with an engraved portrait by Morse and a facsimile of a signature. " Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . Plon paperback
18298938615 mai 1829 | 18.5 x 24 cm | Deux pages sur une feuillet
1829893861829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Parisselecting episodes from the romantic and scandalous life of Aretino: By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode. Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an Exhibition in support of the fund for the eradication of begging held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 2021. Ingres sends them here to the respected art dealer Charles Pailletwhile noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited togetheralthough a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: There said the satirist is a very small gift for such great folly. Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. Ah Jacopo cried the frightened poet what are you doing Taking your measurements replied Tintoretto gravely. And after measuring him he added in the same tone: You are two and a half of my pistols high and let him go. unknown
1855264551855 broché in-12 (paperback duodecimo), dos et couverture jaunes (yellow spine and cover), long papier (fore-edge great papier), illustrations : frontispice-portrait d'INGRES en noir (portrait frontispiece) + 1 fac-similé d'autographe - replié in-fine (folding facsimile of autograph at rear), 95 pages, 1855 Paris Gustave Havard Editeur,
1856264571856 broché in-12 (paperback duodecimo), dos et couverture jaunes (yellow spine and cover), long papier (fore-edge great papier), illustrations : frontispice-portrait d'HENRY MURGER en noir (portrait frontispiece) + 1 fac-similé d'autographe - replié in-fine (folding facsimile of autograph at rear), 96 pages, 1856 Paris Gustave Havard Editeur,
18675222Paris, drouot, 1867, in-8, 30pp, reliure demi-chagrin tabac, Superbe exemplaire de ce rare catalogue accompagné d'une "préface" de 7 pages par théophile Gautier en édition originale. 30pp
185139407Paris 1851. An outstanding signed autograph letter from celebrated painter Jean Auguste Dominique Ingres 1780-1867 to Jean-Jacques Berger 1790-1859 prefect of the Seine in which Ingres recommends the services of his notable student Pierre-Auguste Pichon 1805-1900 who would go on to become rather well known. About a hundred words written neatly in brown ink on fine wove writing paper. Signed by Ingres and dated April 2 1851. Ingres and Pichon had collaborated on the famous portrait of Ferdinand-Philippe the Duke of Orléans in the Château de Fontainebleau. Pichon would go on to decorate many French public buildings both civil and religious with his paintings. With the red stamp denoting reception by the prefecture. AN IMPORTANT LETTER IN EXCELLENT CONDITION. <br/><br/> unknown
