518 résultats
1982155Paris Maeght éditeur, 1982. In-folio (380 x 280 mm) broché, 116 pages. Couverture rempliée illustré d'une lithographie. 25 LITHOGRAPHIES ORIGINALES de Steinberg, Chagall, Miro, Palazuelo, van Velde, Rebeyrolle, Tàpies, Tal Coat, Alechinsky, Ubac, Bury, Klapheck, Titus-Carmel, Monory, Adami, Arakawa, Riopelle, Takis, Gardy-Artigas, Fiedler, Chillida, Kelly, Bazaine, Garache, certaines à double-page. DLM édité en août 1982 en hommage à Marguerite et Aimé Maeght alors récemment disparus. Tous les précédents numéros de DLM y sont décrits. Reproductions.
1957797Paris, Maeght éditeur, 1957. In-folio (380 x 280 mm) en feuilles, 12 pages. 6 LITHOGRAPHIES EN COULEURS D'APRÈS LES TABLEAUX DE KANDINSKY dont 2 en double page (56 x 28 cm). Textes de Jean Cassou "La Musique de Kandinsky" et Pierre Volboudt "Prestiges et reflets d'une création". Exposition de 62 peintures de 1910 à 1935 de KANDINSKY à la Galerie Maeght. Tirage original.
19482245Maeght Editeur, Paris 1948. Un volume petit in-folio (385 X 285 mm) en feuilles, 54 feuillets non paginés, couverture illustrée en couleur rempliée + supplément de 20 feuillets pour la période 1947-1955. Portfolio toilé à lacets sérigraphié en couleurs sur le premier plat. Édition originale pour l'ensemble. La couverture est une lithographie originale en couleur. Texte autographe Georges BRAQUE enluminé page à page d'environ 110 compositions de l'artiste imprimées en lithographie par Mourlot Frères. Tirage à 95 ex sur Arches et 750 exemplaires sur Marais non numérotés, celui-ci l'un des 750 sur vélin du Marais. Ensemble très rare dans le superbe portfolio illustré. Un document essentiel pour la compréhension des choix et de l'évolution artistiques de Georges Braque tout au long de sa vie. Parfait état.
1914BTETM0001372London: Constable and Company 1914. 1st Edition. Hardcover. Very Good/No Jacket. Octavo Standard 8vo 6 נ9 in 152 נ229 mm . Wassily Kandinsky. Please email for Photographs or further information. Very Good - Extremely rare presentation copy. Cloth spine/marbled boards. Gilt on spine a bit faded. Price stamped on title page slightly foxing. French note inserted between pages 16 and 17. 112 pages 9 plates 3 diagrams 23 cm Publisher's blue leather spine over marbled boards maroon leather lettering piece gilt edges rough-cut. Collation: pp. 112 Please see Photos as part of condition report. 1914 1st Edition THE ART OF SPIRITUAL HARMONY By Wassily Kandinsky Author Bio: Wassily Wassilyevich Kandinsky Vasiliy Vasilyevich Kandinskiy; 16 December O.S. 4 December 1866 13 December 1944 was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Kandinsky was similarly influenced during this period by Richard Wagner's Lohengrin which he felt pushed the limits of music and melody beyond standard lyricism. He was also spiritually influenced by Madame Blavatsky 18311891 the best-known exponent of theosophy. Theosophical theory postulates that creation is a geometrical progression beginning with a single point. The creative aspect of the form is expressed by a descending series of circles triangles and squares. Kandinsky's book Concerning the Spiritual in Art 1910 and Point and Line to Plane 1926 echoed this theosophical tenet. Illustrated By: Wassily Kandinsky Illustrator Bio: Synopsis: Wassily Kandinsky was a great modernist painter and is considered by many to be the father of abstract art and a leader in the movement. 'T he Art Of Spiritual Harmony' offers Kandinsky's provocative thoughts on colour theory nature of art as well as his thoughts on Picasso Matisse and other earlier masters. A key document in the history of modern art pioneering the movement to free painting from material reality by one of the first artists to create a completely abstract painting the non-objective Russian painter Wassily Kandinsky. First published in Munich in 1912 as Uber das geistige in der kunst. Divided into two parts About General Aesthetic including an examination of geometrical forms encourages artists to express their inner lives in abstract nonmaterial terms Kandinsky was deeply influenced by Wagner's Lohengrin which he felt pushed the limits of music and melody beyond standard lyricism and About Painting discussion of the psychology of colour and the language of form and colour. Sadler is best remembered by bibliophiles for his remarkable collections and bibliographies. Format: Hardcover Octavo Standard 8vo 6 × 9 in 152 × 229 mm Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Language: English Published By: Constable and Company London Condition Report: Dust Jacket: No Jacket Dust Jacket Condition: No Jacket Very Good - Extremely rare presentation copy. Cloth spine/marbled boards. Gilt on spine a bit faded. Price stamped on title page slightly foxing. French note inserted between pages 16 and 17. 112 pages 9 plates 3 diagrams 23 cm Publisher's blue leather spine over marbled boards maroon leather lettering piece gilt edges rough-cut. Collation: pp. 112 Please see Photos as part of condition report. SKU: BTETM0001372 Shipping Info: Approximate Package Dimensions H: 12.5 L: 30 W: 25 Units: cm W: 2Kg Tracked Shipping Insurance Coverage as per Customer Request Constable and Company hardcover
1934011303Paris Editions Surréalistes 1934 In-8 Broché Edition originale
19263048Munchen: Albert Langen 1926. Square octavo 190 pages. 102 text illustrations. Second edition. Bauhausbucher 9 edited by Walter Gropius L Moholy-Nagy. 25 full-page abstract drawings illustrating Kandinsky's geometric theories. Text in German. Yellow cloth stamped in red. Cloth lightly soiled. Albert Langen hardcover books
197020096AB1970. Cologne DuMont-Schauberg 1970. 30 : 28 cm. 504 pages 203 partly coloured plates 106 b/w illustrations on plates. Illustrated original clothe original coloured illustrated dust-jacket original slip-case. The relevant ouevre-catalogue of the printed works of Vasily Kandinsky. hardcover
197020096ABCologne, DuMont-Schauberg, 1970. 30 : 28 cm. 504 pages, 203 partly coloured plates, 106 b/w illustrations on plates. Illustrated original clothe, original coloured illustrated dust-jacket, original slip-case.
1962ABE-1623891427504Galerie Maeght 1962 Wraps folio. Galerie Maeght Paris. Very fine in slipcase. #82/150 copies printed on arches paper. Double page color lithograph by Franz Marc Wassily Kandinsky and full page color lithograph by Henri Rousseau. Additional illustrations in black & white throughout. Limited Edition. Hardcover. Fine. Galerie Maeght hardcover
193411343France: Le Comite de l'Aasociation Abstraction Creation 1934. First edition. Paperback. Very Good. Third issue of four of this magazine devoted to abstract art. Text in French. Soiling to covers and wear to lower spine area. A very good copy of one of the scarcer issues of this magazine. Containing a who's who of the major players in the field. <br/><br/> Le Comite de l'Aasociation Abstraction Creation paperback books
1930208824Paris France: Cahiers d'Art 1930. Softcover. Good transluscent plastic sunned and torn in several places wraps good with minor wear. Dent along bottom textblock some foxing on top textblock pages otherwise excellent. Minor penciling inside cover. White wraps with transluscent plastic covering black and red text. xxxvii pp. 58 bw plates one original color woodcut. #381/610 copies. "This work the sixth in the collection 'The Great Painters of Today' was printed in 610 copies namely: 8 copies on Japanese Imperial paper with a gouache and an engraving numbered from 1 to 8; 8 copies on Japanese Imperial paper with an original drawing and an engraving numbered from 9 to 16; 4 copies on Japanese Imperial paper h. c.; 24 copies on Arches paper with an original engraving numbered from 17 to 40; 6 copies on Arches paper h. c.; 500 copies on Torpes vellum numbered from 41 to 540; 60 copies on Torpes vellum h. c.; a few copies were also printed for the collaborators and friends of 'Cahier d'art'"--Title page verso. Cahiers d'Art paperback
1930208823Paris France: Cahiers d'Art 1930. #281/610 copies. Softcover. Good transluscent plastic sunned and torn in several places wraps good with minor wear. Dent along bottom textblock some foxing on top textblock pages otherwise excellent. Minor penciling inside cover. White wraps with transluscent plastic covering black and red text. xxxvii pp. 58 bw plates one original color woodcut. "This work the sixth in the collection 'The Great Painters of Today' was printed in 610 copies namely: 8 copies on Japanese Imperial paper with a gouache and an engraving numbered from 1 to 8; 8 copies on Japanese Imperial paper with an original drawing and an engraving numbered from 9 to 16; 4 copies on Japanese Imperial paper h. c.; 24 copies on Arches paper with an original engraving numbered from 17 to 40; 6 copies on Arches paper h. c.; 500 copies on Torpes vellum numbered from 41 to 540; 60 copies on Torpes vellum h. c.; a few copies were also printed for the collaborators and friends of 'Cahier d'art'"--Title page verso. Cahiers d'Art paperback
1958B-2022-1111Derrière le miroir N.107-108-109 June-July 1958 "Sur quatre murs" Paris. With 4 original lithographs by Miró Chagall Giacometti Tan-Coat. Texts by Léger Kandinsky Matisse Miró and Bazaine.<br />In very good conditions. Maeght Editeur
1956970Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages. DEUX EAUX-FORTES ORIGINALES rayées de Joan Mirò et Alberto Giacometti. DEUX LITHOGRAPHIES ORIGINALES À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. Catalogue général des éditions Maeght de 1946 à 1956. Parfait état. 2 original etchings by Alberto Giacometti and Joan Miro. 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1956971Paris, Maeght éditeur, 1955. In-folio (380 x 280 mm) broché, 78 pages + catalogue. 2 SUPERBES EAUX-FORTES DE MIRO ET GIACOMETTI tirées avec les cuivres rayés. LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE de Joan Miro et de Marc Chagall. Lithographie de Jean Bazaine et bois gravé original de Raoul Ubac en couverture. DLM publié en décembre 1956. Texte de Georges Limbour. Nombreuses illustrations et reproductions en noir. Complet. ENGLISH : 2 original lithographs in color by Marc Chagall and Joan Miro on double-pages. Photographs and reproductions in back. A beautiful and complete copy.
1914185376London: Constable and Company Limited 1914. First edition in English of Kandinsky's seminal theoretical publication. In this volume the artist explores theosophy outlines his theories of the artist as a "prophet" p. 15 and argues for expression and spirituality in the place of naturalistic representation. Extracts from this translation were published in Wyndham Lewis's Blast magazine later in 1914 quickly establishing Kandinsky's reputation in Britain. The work was published in German in 1911 as Über das Geistige in der Kunst. This copy has the bookplate of George H. Green likely the cartoonist and renowned xylophone player 1893 - 1970 who played on behalf of Steamboat Willie in the Disney cartoon and was an early adopter of the vibraphone which became a popular jazz instrument in the 1930s. This is a lovely provenance given Kandinsky's claim that the power of art is to cause "vibrations of the soul" p. 104. The first edition was issued in grey boards as here and also in quarter cloth with marbled boards Small quarto. With 9 plates after paintings 4 by Kandinsky 3 diagrammatic plates in red and black woodcut chapter headpieces by Kandinsky. Original grey boards paper label to spine lettered in black top edge untrimmed. Binding rubbed spine lightly toned foot bumped short split to rear joint corners lightly bumped offsetting to endpapers and outer leaves: a very good copy. hardcover
193033147-396Paris Cahiers d'Art 1930. With 1 orig. woodcut in color by Wassily Kandinsky 7 illus. in the text and 74 illus. on 58 plates. XXXVII 5 leaves. 4to 285 x 225 mm. Orig. yellow wrappers. Paris Cahiers d'Art 1930. "Les Grand Peintres D'Aujourd'Huis vol. 6". One of 500 numbered copies printed on "Vélin de Torpes" from an edition of 610. This early and important monography presents Kandinsky's 1866-1944 watercolors and paintings from 1909-1929. Contributions by Grohmann Däubler Dreier Raynal Tériade Zervos a.o. Contains a bright color woodcut monogrammed by the artist on the stone.- Internally clean copy. - Thieme/Becker XX 361; Bolliger Cat. 2 no. 369; Röthel 193. ART - GENERAL & APPLIED ; Paris, Cahiers d'Art unknown
196091440Paris Maeght, N° spécial de la revue "Derrière le miroir", n° 119 1960 1 vol. Broché in-folio, en feuilles, sous couverture illustrée d'une lithographie en couleurs de Raoul Ubac, 36 p. avec 12 lithographies de Braque, Chagall, Léger, Kandinsky, Miro, Giacometti, Ubac, Bazaine, Chillida, Palazuelo, Tal-Coat et Fiedler. Textes de René Char, Blaise Cendrars, Pierre Volboudt, Joan Brossa, Raymond Queneau, Léna Leclercq, André Frénaud, Jean Tardieu, Miguel Hernandez, Jorge Guillen, André Du Bouchet et Jacques Dupin. Petites traces de colle à deux pages, sinon bonne condition.
196091440Paris Maeght, N° spécial de la revue "Derrière le miroir", n° 119 1960 1 vol. Broché in-folio, en feuilles, sous couverture illustrée d'une lithographie en couleurs de Raoul Ubac, 36 p. avec 12 lithographies de Braque, Chagall, Léger, Kandinsky, Miro, Giacometti, Ubac, Bazaine, Chillida, Palazuelo, Tal-Coat et Fiedler. Textes de René Char, Blaise Cendrars, Pierre Volboudt, Joan Brossa, Raymond Queneau, Léna Leclercq, André Frénaud, Jean Tardieu, Miguel Hernandez, Jorge Guillen, André Du Bouchet et Jacques Dupin. Petites traces de colle à deux pages, sinon bonne condition.
1965187037Paris: Maeght Éditeur 1965. First edition number 69 of 150 copies printed on vélin de Rives. This issue of Derrière le miroir No. 154 was published to coincide with Kandinsky's exhibition in Maeght Gallery in November 1965. The text is by German art historian Werner Haftmann with typography by the renowned Parisian studio Fequet et Baudier. Folio. With 8 lithographs 7 in colour in 3 sizes: cover 38 x 57 cm full-page 38 x 28.5 cm or double-page 38 x 55.5 cm 8 pages of monochrome photographs. Original lithographed wrappers lettering to front cover in black sheets loosely inserted as issued. All housed in the publisher's grey boards with lettering to spine in black with matching slipcase paper label to front lettered in black. Light toning to edges of a few leaves a fine copy. hardcover
1914005794London: Constable and Company Limited 1914. First Edition in English . Cloth Spine/Marbled Boards. Very Good/No Dustwrapper as Issued. 8 3/4" Tall. 9 Plates. Xxvii 112. First English Edition Preceding The American Issue. Finely Printed By The Chiswick Press. Blue Cloth Over Patterned Boards Morocco Spine Label With Title And Author As Issued With Gilt Lettering Complete And Bright. Fragile Boards Worn At Edges Marbled Paper Which Covers The Boards Is Worn Through On Each Board Right Along Edge For Several Inches But Spine Cloth Shows Only Slight Rubbing At Top And Bottom And Book Is Near Fine Internally. No Stains Or Other Marks Internally Or Externally. A Scarce Book In Collectible Condition. <br/> <br/> Constable and Company Limited hardcover
1970405744Cologne: M. DuMont Schauberg 1970. One small indentation at top of jacket spine panel otherwise a very fine copy. Text in German. Thick 4to 11.75 x 10.25 inches. 504 pages errata slip laid-in Plates some in color and some folding. Original blue cloth gilt; pictorial dust jacket; publisher's board slipcase; publisher's protective outer slipcase. FIRST EDITION LIMITED ISSUE number 975 of 1500 copies. The definitive reference exhaustively detailing Kandinsky's prints. A very well preserved copy including the original slipcase and the publisher's plain board protective slipcase. <br/><br/> M. DuMont Schauberg hardcover books
1913ABE-1650069324856Berlin The Storm 1913 Berlin The Storm 1913. With 64 panels of paintings and a portrait. Original blue wraps; Title and title vignette gold stamped. Covers lightly sunned at edges with no significant wear other than small corner creases. First edition of this important early monograph with an overview of the painted work from the figurative early period to the abstract eruptions of 1911 / 1913. In the appendix are two important writings and notes by Kandinsky. The dedication poem is by Albert Verwey. 242: 270 cm. 67 1 leaves XXXXI 1 pages. Dokumentations-Bibliothek I 128 Of the utmost rarity and VI 551. 1st Edition. Soft cover. Very Good. Berlin, The Storm paperback
1970201267Koln: Verlag M. DuMont Schauberg 1970. Number 1006 of 1500 copies printed. Hardcover. VG Slipcase is sunned and lightly shelfworn; DJ has moderate smudging; boards have very light edgewear; interior is clean; binding is solid. Red slipcase; white DJ with color illustration and black lettering; blue boards with gilt lettering and illustration; xxix 504 pp. some folded; richly illustrated some color; errata slip inserted. Text in German. Verlag M. DuMont Schauberg hardcover
191905068St. Petersburg: Magazine of the fine arts department of the commissariat of people's education 1919. Soft cover. Fair/Poor. cover by D. Shterenberg. 355 x 265 cm - 87 pgs table of content - original soft cover the cover is professionally restored - illustations in b/wh: works by Altman Malevitch Punin Rozanova Tatlin and articles by Punin Malevitch Kandinsky previously printed in Der Blaue Reiter - condition the cover is restored pictures and the edges of a lot of the pages are dusty the back has not survived the Stali Revolution but it is complete and the texts and illustrations are fine - rare OCLC 1 copy - Getty 276 - Bollger D.B. VI 675 gives as cover illustration a collage of Altman - MOMA 248 - Compton pg 46-47with image <br /> Magazine of the fine arts department of the commissariat of people's education paperback