390 résultats
19264352DB1926. Breslau 1926 28 x 223 cm. 1 ½ S. Brief an Waldemar Eckertz 1878-1947 deutscher Maler und Grafiker. Eckertz sucht eine Anstellung und Kandinsky möchte ihm dabei helfen. Er wendet sich dabei an den deutschen Archidekt Adolf Behne 18851948 der ihm einige Kontakte angibt wo sich Eckertz bewerben könnte. Papier mit Einriss. unknown
1i7603Woldemar Klein Verlag Baden-Baden 1955. 46 S. mit 8 Farbtafeln Leinen mit Schutzumschlag quart. unknown
0866220062.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1953197847Paris France: Editions Pierre à Feu 1953. Paperback. AS IS SOLD WITH ALL FAULTS This is not a complete issue of this magazine; wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned. White illustrated portfolio w/ colorful design and black lettering; one folded sheet with color lithograph on one side and text on the other. Text in French. Editions Pierre à Feu paperback
1997323927Paris: Editions Hazan 1997. unbound. Wassily Kandinsky. Poster. Pochoir. Measures 28" x 20".<br/> <br/> Poster of Wassily Kandinsky's Sinthesi Stencil. Published in conjunction with Le Pompidou this is a vibrant beautiful reproduction of the original work. Printed in Italy. In excellent condition.<br/> <br/> Editions Hazan unknown
1960197849Paris France: Maeght Editeur 1960. Paperback. AS IS SOLD WITH ALL FAULTS This is not a complete issue of this magazine; wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned. White illustrated portfolio w/ colorful design and blue lettering; 15 pp.; six lithographs. Text in French. Includes the following lithographs: Kandinsky "Violet Dominant"; Giacometti "Peinture"; Rudolphe Raoul Ubac "Paysage d'Ete"; Pierre Tal-Coat "Peinture"; Francois Fielder "Peinture" and Pablo Palazuelo "Onde." Maeght Editeur paperback
19819940890Yale University Press 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item550grams ISBN:0300025106 Yale University Press hardcover
32753109like new. unknown
1981mon0000186267Yale University Press 9/10/1981 12:00:01 A. hardcover. Very Good. 0.6614 in x 8.4606 in x 7.5512 in. very clean hardcover with jacket. no marks. clean text. solid binding. dj has very light edge wear and corner chipping. very light wear. ISBN matches listing Yale University Press hardcover
1981Q-0300026641Yale University Press 1981-09-10. Paperback. New. In shrink wrap. Looks like an interesting title! Yale University Press paperback
0300025106.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1848616074.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1848616066.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
4716195-20Yale University Press. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Yale University Press unknown
1933190263Anvers: Éditions Sélection 1933. Inscribed to the founder of Britain's first abstract art journal during the Paris visit that inspired it First edition presentation copy inscribed by Kandinsky to Myfanwy Evans on the title page "Mlle. M. Evans Comme souvenir de sa visite à mon atelier Kandinsky Paris 8 IX 34" "as a souvenir of her visit to my studio". In the summer of 1934 Evans visited Paris where she met avant-garde artists including Kandinsky Giacometti Arp Mondrian and Brancusi. The meetings were decisive: on 26 September Evans wrote to Kandinsky "I'm going to start an English magazine on abstract art but abstract only not surrealism" Barnett p. 44. The first issue of Axis published in January 1935 drew heavily on Kandinsky's Concerning the Spiritual in Art a foundational text of abstraction. The issue also reproduced Kandinsky's "Drawing 1924"; the reproduction was made directly from this copy as shown by pencil annotations on page 43 in the hand of Evans's future husband John Piper directing the printer to retain Kandinsky's signature. Evans maintained her connection with Kandinsky - the second issue of Axis also included a Kandinsky illustration and Evans's article "Kandinsky's vision" and in 1937 Kandinsky contributed the essay "Empty Canvas etc" to her anthology The Painter's Object. Sélection was founded in 1920 and from 1928 its numbers became single-artist monographs. This Kandinsky number published in July 1933 was the last of the series. Edited by Kandinsky's close friend and early champion Will Grohmann it includes essays and tributes by Zervos Baumeister Seuphor Rivera de Ridder Cary and Galka Scheyer. It illustrates Kandinsky's prints from 1902 to 1932 and drawings from 1910 to 1932. Kandinsky assisted with the publication. Small quarto. Portrait and 15 full-page half-tones after Kandinsky 48 full-page line blocks vignettes and title page ornament. Original brown wrappers printed in dark brown. Wrappers a little worn with book block loosening light soiling and toning: a good copy. Vivian Endicott Barnett Kandinsky in Paris 1985. unknown
1914198053Boston New York: Houghton Mifflin Company 1914. First Edition. Hardcover. VG/G ex-library bookplate front pastedown corners are sharp and solid binding is tight so label or marking on spine or rear cover. Overall a very desirable copy. Small 4to. Gardcover. Wheat cloth spine with title tag over green paper boards. 112pp. With 9 illustrative plates. First English-language Edition of this manifesto for abstract art translated and with an introduction by Michael Sadler. Houghton Mifflin Company hardcover
1914211488Boston New York: Houghton Mifflin Company 1914. First Edition. Hardcover. VG. Some bumping to board corners with paper fraying. Title tag is a little rubbed. Front end paper has Previous owners name penciled in and a small pen notation. A few pages of the primary text have passages marked in the margins. Otherwise clean and unmarked. Small 4to. Gardcover. Wheat cloth spine with title tag over green paper boards. 112pp. With 9 illustrative plates. First English-language Edition of this manifesto for abstract art translated and with an introduction by Michael Sadler. Houghton Mifflin Company hardcover
1914185375London: Constable and Company Limited 1914. First edition in English of Kandinsky's seminal theoretical publication. Kandinsky explores theosophy outlines his theories of the artist as a prophet and argues for expression and spirituality in the place of naturalistic representation. Extracts from this translation were published in Wyndham Lewis's Blast magazine later in 1914 quickly establishing Kandinsky's reputation in Britain. The work was published in German in 1911 as Über das Geistige in der Kunst. The first edition was issued in quarter cloth with marbled boards as here and also in grey boards. Small quarto. With 9 plates after paintings 4 by Kandinsky 3 diagrammatic plates in red and black woodcut chapter headpieces by Kandinsky. Original blue quarter cloth brown paper label to spine lettered in gilt marbled paper boards edges untrimmed. A few spots of wear to extremities occasional foxing to contents a few gatherings roughly opened: a very good copy. hardcover
1914185376London: Constable and Company Limited 1914. First edition in English of Kandinsky's seminal theoretical publication. In this volume the artist explores theosophy outlines his theories of the artist as a "prophet" p. 15 and argues for expression and spirituality in the place of naturalistic representation. Extracts from this translation were published in Wyndham Lewis's Blast magazine later in 1914 quickly establishing Kandinsky's reputation in Britain. The work was published in German in 1911 as Über das Geistige in der Kunst. This copy has the bookplate of George H. Green likely the cartoonist and renowned xylophone player 1893 - 1970 who played on behalf of Steamboat Willie in the Disney cartoon and was an early adopter of the vibraphone which became a popular jazz instrument in the 1930s. This is a lovely provenance given Kandinsky's claim that the power of art is to cause "vibrations of the soul" p. 104. The first edition was issued in grey boards as here and also in quarter cloth with marbled boards Small quarto. With 9 plates after paintings 4 by Kandinsky 3 diagrammatic plates in red and black woodcut chapter headpieces by Kandinsky. Original grey boards paper label to spine lettered in black top edge untrimmed. Binding rubbed spine lightly toned foot bumped short split to rear joint corners lightly bumped offsetting to endpapers and outer leaves: a very good copy. hardcover
1914186514London: Constable 1914. First Edition. Hardcover. VG/G ex-library bookplate fep spine has been tape repaired not well but covers are intact. Pages are clean except for the first few which have slight toning. Text block is solid. Excellent repair candidate. Grey boards. Small 4to 112pp. With 9 illustrative plates. First English-language Edition of this manifesto for abstract art translated and with an introduction by Michael Sadler. Constable hardcover
1443755478.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1432602462.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1163200131.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1494135965.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1497967414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback