390 résultats
19822090502128600707Bijutsu shubbansha 1982. Soft Cover. Fine. Number of pages: 286p Size: 22cm Bijutsu shubbansha paperback
197020096AB1970. Cologne DuMont-Schauberg 1970. 30 : 28 cm. 504 pages 203 partly coloured plates 106 b/w illustrations on plates. Illustrated original clothe original coloured illustrated dust-jacket original slip-case. The relevant ouevre-catalogue of the printed works of Vasily Kandinsky. hardcover
193033147-396Paris Cahiers d'Art 1930. With 1 orig. woodcut in color by Wassily Kandinsky 7 illus. in the text and 74 illus. on 58 plates. XXXVII 5 leaves. 4to 285 x 225 mm. Orig. yellow wrappers. Paris Cahiers d'Art 1930. "Les Grand Peintres D'Aujourd'Huis vol. 6". One of 500 numbered copies printed on "Vélin de Torpes" from an edition of 610. This early and important monography presents Kandinsky's 1866-1944 watercolors and paintings from 1909-1929. Contributions by Grohmann Däubler Dreier Raynal Tériade Zervos a.o. Contains a bright color woodcut monogrammed by the artist on the stone.- Internally clean copy. - Thieme/Becker XX 361; Bolliger Cat. 2 no. 369; Röthel 193. ART - GENERAL & APPLIED ; Paris, Cahiers d'Art unknown
64861Musée des Beaux-Arts Nantes 1988 In-8 23 cm 79pp. 25 illustr. hors-texte photos Nb-0137 unknown
9876170104.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195824117Milano: Il Saggiatore 1958. Rilegato sovracoperta custodia hard cover dust jacket slip-case. Ottimo Fine. Numerose illustrazioni in nero e 41 tavole a colori applicate. Diverse foto dell'Artista. 4to. pp. 428. Ottimo Fine. Prima edizione italiana First Italian Edition. Il Saggiatore, hardcover
195814341AB1958. Köln DuMont 1958. 305 : 215 cm. 428 Seiten mit 1014 Abbildungen davon 41 Farbtafeln und 761 Abbildungen im Werkverzeichnis. Illustrierter Original-Leinenband mit farbig illustriertem Original-Schutzumschlag. Die grosse umfassende Monographie über Kandinsky mit einem vollständigen Katalog der von Kandinsky verzeichneten Bilder in chronologischer Reihenfolge sowie der kurz vor Redaktionsschluss des Buches hinzugefundenen Bilder und Studien aus der Sammlung von Gabriele Münter heute in der Lenbachgalerie in München sämtliche Werke reproduziert. Mit einer Würdigung des schriftstellerischen Werkes von Kandinsky einer umfassenden Bibliographie von Bernhard Karpel einem Verzeichnis der Ausstellungen etc. unknown
1951B-2022-0744Maeght November 1951. 3 woodcuts in color and 9 reproductions in B/W text by Kandinsky from Regard sur le passé 1913.<br />Very good. Please ask for complete conditions report. Maeght Editeur paperback
0892070498.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
lom-SU000105In Russian. Short description: V.V. Kandinsky. The Artist's Text. 25 Reproductions from Paintings 1902-1917. Moscow 1918. The first publication in the Russian language of the autobiographical essay by the renowned Russian artist of the 20th century and the pioneer of abstractionism Vasily Kandinsky. This work can be characterized as a 'biography of the soul.' The development and formation of the creative principle the most vivid impressions of childhood and youth and a profound understanding of the essence of the Russian people are reflected in this work by the author. The edition includes 25 reproductions of Kandinsky's paintings integral parts of the narrative. Please feel free to contact us for a detailed description of the copies available. SKUSU000105 unknown
1970025477Basel: Editions Beyeler 1970. Cloth. Very Good/Very Good Dust Jacket. Folio - over 12" - 15" tall. 83 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Shows some foxing to end paper. NOTE: Contains two supplements that have the text in English and the second one with the text in French. <br/> <br/> Editions Beyeler hardcover
3752341599.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19732091202133208947Benteli Verlag 1973. Soft Cover. Fine. Number of books: 3 Benteli Verlag paperback
ria9783752395938_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
191262248München Piper & Co 1912. Small 4to. Original illustrated full cloth stating Dritte Auflage - i.e. third issue. Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page Fjeltofte. 8 104 pp. 8 plates 3 unnumbered leaves of tables Tabelle I-III advertisement leaf. Illustrated with original woodcuts in the text 10 in all. <br/><br/><em>The scarce first edition first printing of Kandinsky’s landmark theoretical work of art â€A seminal text in the history of modern art†Guggenheim curiously bound in the third issue binding. The first issue is easily distinguishable from the second and third that also appeared in 1912 as they are both expanded and have 124 pp. whereas the first has 104. The present copy has small remains of stitching towards the inner margins so perhaps someone had this first issue printing inserted into the third issue binding which is sturdy as opposed to the wrappers of the first issue. “In Concerning the Spiritual in Art Wassily Kandinsky one of the most famous abstract painters of all time urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work he calls for a spiritual revolution in painting arguing that artists much like musicians should be allowed to express their own inner lives in abstract non-material terms. Investigating form and colour spirituality and tradition Kandinsky explores art's resonance with the soul its purpose and nature and its power to inspire us to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.†From the Penguin Classics edition. “In this remarkable book anticipating “the spiritual turning-point†Kandinsky reflects on his understanding of progress in this direction. This is not a process that would happen automatically. It requires a lot of work and implies a great responsibility of both artist and viewer. The task of the artist is to find “the principle of the innermost necessity†that he or she can use through expressive means to achieve the goal “vibration of the human soul.†Using captivating analogies Kandinsky dwells at length on the artistic means: the psychology of color the compositional interrelation of forms etc. However the main goal of an artist still remains to find that very innermost necessity†that is based on the spiritual foundations of the individual. In his or her turn the work of the viewer is to find within him- or herself the purity of perception which at this level does not relate to the beauty of nature. The ideal imitation of nature as the summit point of artistic mastery has remained in the past. The impressions of impressionists the emotions of expressionists the experiments of cubists - all these stages have long been passed and now the task of the viewer is to see the beauty of pure color and pure shape. Kandinsky anticipates the emergence of abstract art as the purest form of influence on the human soul and views the future optimistically foretelling the upcoming emergences of the epoch of great spirituality.†from Sadler’s English translation </em> hardcover
19123732218R. Piper & Co 1912. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN: R. Piper & Co hardcover
3752395931.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19759989De Donato 1975; 1968; 1976. Very Good. 1975. Softcover. TEXTS IN ITALIAN. 210 & 152pp. plus 4 b&w plate reproductions; Cavaliere Azzurro 335pp.; b&w plates and text illustrations. All 8vo; black wrappers with pictorial white jackets showing light soil the last title with a touch of foxing to foredge . De Donato 1975; 1968; 1976 paperback
200558041Kerber Verlag. New. 2005. Hardcover. 3938025395 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 296 pp. With 352 ills. 259 col. . 31 x 25 cm. -- with a bonus offer-- . Kerber Verlag hardcover
199167997Rizzoli Distribution. New. 1991. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 186 pp. With 90 ills. 70 col. . 29 x 25 cm. -- with a bonus offer-- . Rizzoli (Distribution) hardcover
1979Q-0933920008Hudson Hills 1979-10-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Hudson Hills hardcover
1993BN149239Stuttgart : Hatje 1993. 1993. Kandinsky. Jelena Hahl-Koch <br/><br/>Kandinsky. Jelena Hahl-Koch Hahl-Fontaine Jelena und Wassily Kandinsky Stuttgart : Hatje unknown
196536516Paris: Maeght 1965. First edition. Paperback. vg. Folio. 15 15pp. This issue of DLM was published on the occasion of a Kandinsky exhibition at the Maeght gallery in 1965 where 25 of his paintings from the Bauhaus period 1927-1933 were shown. Seven of them had been chosen to be lithographed especially for this volume. This work is complete with its 7 lithographs in color after original works by Wassily Kandinsky of which 2 are double-page and 5 full-page including front wrap. Also includes 26 reproductions in black and white of Kandinsky's paintings and 4 b/w photographs of the artist at work. Ex-library copy Museum of Fine Arts Houston with stamp and sticker on front cover. Minor shelf wear. Text in French. Wrappers and interior in overall very good condition. 'Derrière le Miroir' accompanied each exposition at the Galerie Maeght in Paris France. The first issue appeared in 1946 The last #253 of the collection in 1982. DLM is born out of the passion of Aime and Marguerite Maeght. The first issues were intended by Aime Maeght to be spread among a large public with original lithographs. 10000 Copies were printed and distributed through kiosks. This failed completely and the remaining copies were sold by weight to finance the printing of issue 4 which was printed at only 1500 copies and was the catalog for the George Braque exhibition at the Galerie. Jacques Kober and Rene Char wrote the texts. This concept was continued in later issues combining great writers with great artists. In 1947 Adrien Maeght joined the firm of his parents and assisted his father in the layout and execution. The artists created original lithographs to illustrate DLM. Mourlot did the lithographic printing and the text was printed by Union in issues 4-115. From 116-148 DLM was shot in the studios of Aime Maeght. Since 1960 an edition 'deluxe' was issued on Arches paper limited to 150 copies. Maeght paperback
OTF-S-9783037786239Lars Mller Publishers. New. BRAND NEW GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER! Lars M?ller Publishers unknown
1930208824Paris France: Cahiers d'Art 1930. Softcover. Good transluscent plastic sunned and torn in several places wraps good with minor wear. Dent along bottom textblock some foxing on top textblock pages otherwise excellent. Minor penciling inside cover. White wraps with transluscent plastic covering black and red text. xxxvii pp. 58 bw plates one original color woodcut. #381/610 copies. "This work the sixth in the collection 'The Great Painters of Today' was printed in 610 copies namely: 8 copies on Japanese Imperial paper with a gouache and an engraving numbered from 1 to 8; 8 copies on Japanese Imperial paper with an original drawing and an engraving numbered from 9 to 16; 4 copies on Japanese Imperial paper h. c.; 24 copies on Arches paper with an original engraving numbered from 17 to 40; 6 copies on Arches paper h. c.; 500 copies on Torpes vellum numbered from 41 to 540; 60 copies on Torpes vellum h. c.; a few copies were also printed for the collaborators and friends of 'Cahier d'art'"--Title page verso. Cahiers d'Art paperback
