367 résultats
198481057München, Verlag C.H.Beck, 1984. Original Leinenband, gr.4°, 1118 Seiten.
1982107371München, Beck 1982 - 1984. 1982. 4°, 1118 S. mit 1177 teils farbigen Abbildungen, Orig.-Leinen mit Orig.-Umschlag und Kartonschuber.
1970022273Köln: M. DuMont Schauberg. Original blue cloth in Dust Jacket in Slipcase. First Edition. No. 1040 of 1500 copies. Impressive catalogue raisonne of Kandinskys graphical work. Contains the graphical work and bibliographic information about Kandinskys Über das Geistige in der Kunst. Fine in Very Good Dust Jacket with two edge tears and some edge wear in Near Fine Slipcase. . Fine. Hardcover. 1st Edition. 1970. M. DuMont Schauberg hardcover
1950168598Paris: Editions de Beaune 1950. Softcover. First French Edition. Text in French.<br /> <br /> Binding moderately worn else Near Fine in perfect-bound wrappers with French flaps. Editions de Beaune unknown
1958213379New York: Harry N. Abrams 1958. First edition and first printing. Hardcover. 428 pages. Features text by Will Grohmann translated from the German by Norbert Guterman. Includes 920 illustrations with 41 in color a biographical summary catalogue of works classified catalogue a bibliography and an index of names. A clean and tight near fine copy in illustrated yellow cloth boards in a very good dust jacket with some chipping to the top of the spine some other small edge tears and some creasing to the flaps. Despite the flaws a pleasing copy. Please note that this is a heavy book and will require extra shipping. Harry N. Abrams unknown
1970025477Basel: Editions Beyeler 1970. Cloth. Very Good/Very Good Dust Jacket. Folio - over 12" - 15" tall. 83 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Shows some foxing to end paper. NOTE: Contains two supplements that have the text in English and the second one with the text in French. <br/> <br/> Editions Beyeler hardcover
1970201267Koln: Verlag M. DuMont Schauberg 1970. Number 1006 of 1500 copies printed. Hardcover. VG Slipcase is sunned and lightly shelfworn; DJ has moderate smudging; boards have very light edgewear; interior is clean; binding is solid. Red slipcase; white DJ with color illustration and black lettering; blue boards with gilt lettering and illustration; xxix 504 pp. some folded; richly illustrated some color; errata slip inserted. Text in German. Verlag M. DuMont Schauberg hardcover
1997mon0000018784Mazzotta 1997. Softcover. VeryGood. Covers and edges show some light scuffing and shelf wear. Mazzotta unknown
1983Q-0892070447Solomon R Guggenheim Museum 1983-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! Solomon R Guggenheim Museum paperback
197242981Basel Switzerland: Galerie Beyeler Basel 1972. Book. Very Good. Paperback. 84 pages Folio. Out of Print. Scarce. German text. Profusely illustrated with large color prints many tipped-in plates. Includes clear acetate dust-jacket with green title along spine: some chipping along edges of DJ. Minor shelfwear: light rubbing along cover edges very light tanning along page edges. Tightly bound with very clean and crisp pages. No marks. Volume is in Very Good condition. Galerie Beyeler Basel Paperback
199568507Skira Editore. New. 1995. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian German and French. 310 pp. With 139 ills. 85 col. . 28 x 25 cm. -- with a bonus offer-- . Skira Editore paperback
196959580New York: Knoedler & Co. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 60 pp. With 58 ills. 7 col. . 22 x 18 cm. -- with a bonus offer-- . Knoedler & Co. paperback
1964170858Bern: Benteli 1964. paperback. fine. Beitrag zur Analyse der Malerischen Elemente. Mit einer Einfuhrung von Max Bill. Illustrated in b/w with 103 in-text figures and 25 plates. 211pp. Thin 8vo original printed wrappers and glassine overwrap. Bern-Bumpliz: Benteli-Verlag 1964. 5th printing. A fine copy with the small ownership signature of art historian Meyer Schapiro.<br/> <br/> Benteli unknown
19709307Koln: Verlag M. DuMont Schauberg. Very Good/No Jacket. 1970. Limited/Numbered. Hardcover. 3770104501 Catalogue Raisonné Stout 4to 504 pp VG in gilt-stamped blue cloth lacking the dust jacket ex-inst library: light label remnant to heel of spine; covers moderately soiled with lightly bumped corners; ink stamp to top edge; card pocket with card to rear pastedown; extremely clean and minimally handled internally. TEXT IN GERMAN. #783/1500 copies. The catalogue raisonné of the prints of Kandinsky with 203 works on paper illustrated in b&w and color with detailed descriptions. Includes numerous appendices. Rare and well-done. An essential work on one of the masters of twentieth century German printmaking. . Verlag M. DuMont Schauberg hardcover
1973240202005The Pace Gallery 1973. Paperback. Like New. 0x0x0. LIKE NEW. Very Clean. No writing or tears. The Pace Gallery paperback
198219368Boston: G. K. Hall and Co. 1982. cloth hard covers in dust jackets. two volumes complete. vol. 1 has not for sale stamp to bottom edge. minor signs of use and age. no names writing or text markings. no bumps tears chips. strong bindings. djs whole.; 924pp. over 2 vols. some b/w illustrations. part of the documents of 20th century art. First Edition /First Printing. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set. G. K. Hall and Co. Hardcover
1999Q-0500092893Thames & Hudson 1999-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thames & Hudson paperback
1982195238Massachusetts: G. K. Hall & Company 1982. First Edition; First Printing. Hardcover. Near Fine in a Very Good dust jacket. G. K. Hall & Company hardcover
192446222Tokyo.: Idea-Shoin. 1924 Tai Sho 13. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover. 4to. 258 x 198 mm. Printed title in Japanese and Western characters on glossy paper monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece Kandinsky's translated text in Japanese with occasional insertions in Western characters illustrated with 9 monochrome text vignettes 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks 9 in colour and 48 in monochrome several with multiple images on the same sheet including the 'Abbildungen' at rear final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924.Although Reinhard Piper feared that Kandinsky's treatise on abstraction would not sell well the book required three editions in the first year it was published. This Japanese edition published nearly 15 years after the original incorporates the text and woodcuts of the earlier editions as well as Kandinsky's later introductions to the first and second editions as well as illustration from 'Klänge'. The majority of the plates depict work by Kandinsky but works by Dürer Raphael Cézanne and others are also included.The Japanese translation is by Obara Kuniyoshi 1887 - 1977 the publisher translator and educational theorist and president of Tamagawa University which he founded. His Idea-Shoin publishing house later the Tamagawa University Press was established in 1923 and aimed to produce teaching material educational work for children Obara published the first encyclopedia for Japanese children as well as the complete works of the Swiss educator Johann Heinrich Pestalozzi. Obara's translation of the present work is not only an indication of the importance of Kandinsky's text and theories but also casts light on the emergence of Japan's own avant-garde and its international influences.'The book which he Kandinsky claimed had been gestating for nearly a decade elucidated his artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions improvisations and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes. For Kandinsky abstraction was a weapon for transforming what he perceived to be a corrupt materialist society.' see MOMA catalogue.'One of the most important manifestos of modern art. Written in 1910 and first published in 1912 Kandinsky's book is anti-materialistic and anti-naturalistic calling for painting that goes beyond a recording of the visible world. The non-objective woodcuts are historically important as early graphic demonstrations of the artist's thesis.' The Artist and the Book.Obara's translation is scarce and we can trace only the copies at the Metropolitan Museum and the Phillips collection outside Japan for which OCLC list copies at the National Diet Library and Waseda University Library.see Roethel 82 - 92; see The Artist and the Book 137 for the first edition of 1912. Idea-Shoin. hardcover
19592092902138101950Berggruen & Cie 1959. Soft Cover. Fine. Size: 22cmx11.5cm Number of books: 1 Berggruen & Cie paperback
