Wassily KandinskyLivre Rare Book
1 016 résultats
19540161Paris, Berggruen et cie, 1954. Plaquette au format vertical de 220 x 117 mm. Non paginé (27 pp.). Plat avant illustré d'une lithographie, suivi d'une couverture et de pages imprimées bleues. Préface de Will Grohman. 18 illustrations. Trois lithographies de peintures de jeunesse, trois gravures (deux xylographies et une eau-forte), puis une réimpression du catalogue à douze planches "Kleine Welten: Zwölf Blatt Originalfraphik" imprimé pour le Propyläen Verlag à Berlin en 1922 lors d'une exposition au Bauhaus, ce catalogue comprenant quatre lithographies en couleurs, quatre bois dont deux en couleurs et quatre gravures sur cuivre.
1998Ku1324Zürich/Berlin/New York, Dumont, 1998. In dt., franz. und russ. Sprache. Hrsg. von Jessica Boissel. - Pappband ohne Schutzumschlag. - Ebd. etwas berieben und bestossen, Kleiner Riss am Rücken. Schnitt minimal gebräunt und mit geringfügigen Gebrauchsspuren. 4° Buch Hardcover
191262248München, Piper & Co, 1912. Small 4to. Original illustrated full cloth (stating Dritte Auflage - i.e. third issue). Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page (Fjeltofte). (8), 104 pp. + 8 plates + 3 unnumbered leaves of tables (Tabelle I-III) + advertisement leaf. Illustrated with original woodcuts in the text, 10 in all.
81190Bern, Benteli 1952, 215x155mm, 142Seiten, broschiert.
530711Bern, Benteli, 2004 In-8, broché, 176 p., VIII planches, figures en noir.
191219706München, Pieper, 1912. 6 Bll., 104 S., 1 Bl. mit 10 Original-Holzschnitten von Wassily Kandinsky im Text. 8 Tafeln. 8°. OKart. (kl. Randeinrisse, etw. beschabt und leicht fleckig).
530574Bern, Benteli, 1970 pet. in-8, br., couv. illustrée rempliée, 144 p., VIII planches en noir
ria9783752395938_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
191262248München Piper & Co 1912. Small 4to. Original illustrated full cloth stating Dritte Auflage - i.e. third issue. Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page Fjeltofte. 8 104 pp. 8 plates 3 unnumbered leaves of tables Tabelle I-III advertisement leaf. Illustrated with original woodcuts in the text 10 in all. <br/><br/><em>The scarce first edition first printing of Kandinsky’s landmark theoretical work of art â€A seminal text in the history of modern art†Guggenheim curiously bound in the third issue binding. The first issue is easily distinguishable from the second and third that also appeared in 1912 as they are both expanded and have 124 pp. whereas the first has 104. The present copy has small remains of stitching towards the inner margins so perhaps someone had this first issue printing inserted into the third issue binding which is sturdy as opposed to the wrappers of the first issue. “In Concerning the Spiritual in Art Wassily Kandinsky one of the most famous abstract painters of all time urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work he calls for a spiritual revolution in painting arguing that artists much like musicians should be allowed to express their own inner lives in abstract non-material terms. Investigating form and colour spirituality and tradition Kandinsky explores art's resonance with the soul its purpose and nature and its power to inspire us to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.†From the Penguin Classics edition. “In this remarkable book anticipating “the spiritual turning-point†Kandinsky reflects on his understanding of progress in this direction. This is not a process that would happen automatically. It requires a lot of work and implies a great responsibility of both artist and viewer. The task of the artist is to find “the principle of the innermost necessity†that he or she can use through expressive means to achieve the goal “vibration of the human soul.†Using captivating analogies Kandinsky dwells at length on the artistic means: the psychology of color the compositional interrelation of forms etc. However the main goal of an artist still remains to find that very innermost necessity†that is based on the spiritual foundations of the individual. In his or her turn the work of the viewer is to find within him- or herself the purity of perception which at this level does not relate to the beauty of nature. The ideal imitation of nature as the summit point of artistic mastery has remained in the past. The impressions of impressionists the emotions of expressionists the experiments of cubists - all these stages have long been passed and now the task of the viewer is to see the beauty of pure color and pure shape. Kandinsky anticipates the emergence of abstract art as the purest form of influence on the human soul and views the future optimistically foretelling the upcoming emergences of the epoch of great spirituality.†from Sadler’s English translation </em> hardcover
19123732218R. Piper & Co 1912. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN: R. Piper & Co hardcover
3752395931.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B197521-1Bern Benteli-Verlag 1980. 144pp. 8 plates. 10 facsimile woodcut illus. by Kandinsky in text. Sm. 4to. Wraps. protected by glassine. Bern (Benteli-Verlag), [1980]. paperback
1912022272München: R. Piper & Co. Rebound in tan cloth with the author and title on the spine preserving in pristine condition the front wrapper and text body rear wrapper not bound in. First Edition with 104 pp. plus 2 pp. ads. This work is one of the most important manifestos of modern art and a classic of German Expressionism. A fine copy. . Fine. Hardcover. 1st Edition. 1912. R. Piper & Co. hardcover
52917Bern Benteli 1973. 8° 144 S. Textabb. 8 Taf.; 252 S. Abb. tlw. a. Taf.; 209 S. Abb. Brosch. m. OU u. Transp.-OU. OUs an den Kapitalen etw. knittrig bzw. randrissig jew. Prägeexlibris in Schmutztitel sonst tadellos. Nachauflagen. Einführung bzw. Kommentar sowie Gestaltung von Max Bill. 010 Bern, Benteli, 1973 unknown
14948Bern Benteli 1952. 8° 144 S. 10 Abb. Broschur m. Transp.-OU. Kapitale etw- gebrauchsspurig Transp.-OU am Rücken etw. gebr$äunt innen tadellos. 4. Auflage. Gestaltung und Einführung von Max Bill. 010 Bern, Benteli, 1952 unknown
19122068Munich: R. Piper & Co 1912. Hardcover. Very Good. Very Good professional recover in vellum hardcover containing original intact volume including original softcover and text. 125 pages. Pictures on request R. Piper & Co hardcover
198033518paris Lachenal & Ritter 1980 In-8 carré Fort illustrations, d'André Masson, entre autres, un cahier de reproductions de tableaux dont il est question dans ce livre, reproductions en noir et en couleurs
1934028887New York: Brentano's 1934. 1st Edition 1st Printing. Hardcover. Good/Good. V 155 Pp Plates At End. Yellow Dust Jacket Printed In Black Attached Over Plain Boards. Light Wear But Spine Browned And With Tears At Corners. With The Original Slipcase Well Worn At Edges. Inscribed By Ramiel Mcgehee To Photographer Sonya Noskowiak "To Sonya In Remembrance Of A Most Important Event! In Gratitude Ramiel Mcgehee May 25Th 1936". Mcgehee Provided Research And Revisions For Danz's 1941 Book. Noskowiak - 1975 Was An American Photographer And Member Of The Famous San Francisco Photography Collective Group F/64 That Included Ansel Adams And Edward Weston. While In San Francisco She Began Working For Photographer Johan Hagemeyer And He Taught Her The Basics Of The Trade. Through Hagemeyer She Met Edward Weston And From 1929 To 1935 She Lived With Him As A Lover Student Model Printer Of His Commercial Photographs And Surrogate Mother To His Children. While With Weston She Developed A Strong Vision Of Her Own And She Quickly Became Known For Her Portraits And Artistic Images. In 1932 Noskowiak Became An Organizing Member Of The Short-Lived Group F/64 Which Included Such Important Photographers As Ansel Adams Imogen Cunningham Willard Van Dyke Weston And His Son Brett. Members Of F/64 Believed That Photography Was An Art Form In Itself And So Photography Did Not Need To Follow The Norms Of The Fine Arts In Order To Be Defined As Art. Noskowiak's Works Were Shown At Group F/64'S Inaugural Exhibition At San Francisco's M. H. De Young Museum; She Had Nine Photographs In The Exhibit - The Same Number As Weston.She Continued Taking And Selling Photographs Through The 1950'S. Her Archives Including 494 Prints Hundreds Of Negatives And Many Letters To Edward Weston Are Now Housed At The Center For Creative Photography In Tucson Arizona. Source: Wikipedia. <br/> <br/> Brentano's hardcover
02-0605Paris: XXème Siècle 1975. With four woodcuts by Kandinsky. 20 India ink drawings. 165 illustrations 22 in color. Paris: XXème Siècle, 1975. unknown
16-4071Paris: XXe Slècle 1938. 4to . 32 x 4.5cm. Original wraps. .Duthuit - La fin d'und budget; Guegeun - Esthétique de l'Identité; Kandinsky - L'Art Concret; Pascin - Le Chaperon rouge; Courthion - Les Veuves de Pascin; G de Chirico - J'ai été à New-York; Cogniat - E'Exposition du Surréalisme; Dali - Le Spectre du Sex-Appeal; Le Corbusier - La peinture; Eéchéance de l'arbre; Carrieri - Mémoires apocryphes du Peintre Arcimboldi; Parades d'autrefois; Tibiis Canere; Parures. Première série n°1 mars 1938. Textes de Duthuit Guéguen Kandinsky Courthion Chirico Cogniat Le Corbusier R. Carrieri Arp San Lazzaro.Provenance: Galerie Kornfeld Bern. Paris: XXe Slècle, 1938, paperback
1966124361966 Paris 1966 in4, reliure cartonnage éditeur , plat illustré d'un tableau de Kandinsky , environ 150 pp illustrées, et deux bois gravés de Kandinsky
51-2696Paris: Editions de Chroniques du Jour 1938. 4to. Original wraps. Front cover mainly detached. spine defective. Lacking the woodcuts by Kandinsky. Paris: Editions de Chroniques du Jour, 1938. paperback
68-5037Paris France: Editions Des Chroniques Du Jour 1938. Folio. Wraps. Good with small tears loose pages. 55 pp. Mostly B&W Plates.Missing the original woodcuts by Kandinsky. Paris, France: Editions Des Chroniques Du Jour, 1938. paperback
1463Société Internationale d'Art XX Siècle, Paris, 1966. Un volume relié (24,5x31 cm) de 170-11 pp. Reliure cartonnage d'éditeur illustrée par Kandinsky.Ouvrage en très bon état.Deux gravures sur bois de Kandinsky.
1463Société Internationale d'Art XX Siècle, Paris, 1966. Un volume relié (24,5x31 cm) de 170-11 pp. Reliure cartonnage d'éditeur illustrée par Kandinsky.Ouvrage en très bon état.Deux gravures sur bois de Kandinsky.
