Jean Marc NattierBiblio.com
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326489Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1744. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
326465Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1753. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
326477Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century 1738. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
03-0801Paris: Braun 18th cent. Color gravure print. 32 x 23 cm. Wide margined paper. Paris: Braun, 18th cent. unknown
2006445903SAB. New. 2006. Still in Shrink Wrap. Hard Cover. Q88 . SAB hardcover
50-0527Early 20th cent. reproduction. Photogravure mounted on rag paper. Signed. 20 x 15.5 inches on 30 x 22 inches. Early 20th cent. reproduction. unknown
Salmon, Xavier: Jean-Marc Nattier 1685-1766. Exhibition: Versailles, Château de Versailles, 1999. 352pp with 92 colour and 265 monochrome illustrations. Very good condition. Paperback. 30 x 24cms. First retrospective of the celebrated French portrait painter (1685-1766), bringing together 87 catalogued paintings and setting his work in the context of art in France in the late 18th-century and at the court of Louis XV. Including a chronology, catalogue of sales, bibliography and exhibitions listing. Text in French. First retrospective of the celebrated French portrait painter (1685-1766), bringing together 87 catalogued paintings and setting his work in the context of art in France in the late 18th-century and at the court of Louis XV. Including a chronology, catalogue of sales, bibliography and exhibitions listing. Text in French
05-075118th cent. Engraving measuring 45 x 33.5 cm. A little marginal wear and tear verso covered in adhesive residue else very good. 18th cent. unknown
19100463Paris, Goupil & cie, 1910. Édition originale. Un épais volume in-8 de 224 x 148 mm, (XI) 263 pp., relié demi-maroquin bleu roi avec dos à nerfs soulignés pointillés, titre et nom d'auteur en doré dans un caisson, doubles caissons filetés et richement ornés aux entrenerfs, bandeaux floraux en tête et en queue. Plats jaspés bleutés, gardes colorées marbrées avec ex-libris. Blason du Château de Vertcoeur frappé or en haut à droite du premier plat. Tranches supérieures dorées. Signet tricolore. Couverture originale conservée, dos conservé en fin d'ouvrage, richement illustré de reproductions couleur et noir et blanc des peintures de Nattier collées sur les pages du livre avec par-dessus un papier de soie avec mention de la ou des personnes peintes. Précieux exemplaire ENRICHI d'une lettre manuscrite de l'auteur datée du 20 octobre 1920, avec l'enveloppe originale, adressée au comte René Philipon (1870-1936), châtelain de Vertcoeur à Milon-la-Chapelle, ancien propriétaire de ce volume et y ayant placé son ex-libris à la licorne signé "J. de Andrada 1917". La lettre et son enveloppe sont reliées avec les premières pages. "Depuis qu'il est à la mode de posséder un Nattier, comme il l'était autrefois d'avoir un Téniers ou un Raphaël, les Nattier se sont multipliés et courent le monde. Le moindre vente de tableaux présente au catalogue ce nom devenu fameux... On ne lutte par contre le plaisir qu'il nous donne, on ne se défend point contre les séductions de ce pinceau adroit et nonchalant, qui connaît toutes les ruses d'un métier charmant et quelques-unes des ressources de la grande maîtrise... [T]outes les fois que Nattier a travaillé consciencieusement et suivant son génie propre, il a réalisé des portraits qui nous font pleinement partager la joie qu'il eut à les peindre." (Préface, pp. i-iii)
#[61062]Portrait of the engraver Bernard Picart in an interior. The artist is represented as dressed in a costly robe with a floral motive. He's leaning agains a table on which is a print that he himself made in 1709. This mezzotint is so amazingly detailed that all the inscriptions in it are readable from those reproduced in the print on the table to the titles of the books in the shelves in the background. On the table also the tools of the engraver. French-born Picart was an extremely refined engraver and his work has been much appreciated by his contemporaries. As demonstrated in this fine portrait he was on the one hand an erudite - among the titles of the books are 'Raphael et la Sveve' and 'COREGE' - and a wealthy artist. Lettered on the bottom: 'NEC VETERA ASPERNERE NEC INVIDEAS HODIERNIS. / BERNARDUS PICARTUS Delineator & Sculptor Stephani Picarti cui / Romano cognomen Filius natus Lutetiae 11 Junii anni MDCLXXIII a J. Marc / Nattier pictus anno MDCCIX & á N. Verkolje l. m. aere expressus Amstelodami MDCCXV'. This is an advanced state; for first state see at the Rijksmuseum cat. RP-P-1911-185. Inscription on the print on the table: 'CORNALINE connue sous le nom de cachet de Michel Ange. ' On the verso collector's mark not in Lugt. l Mezzotint on paper with some margin; plate mark: 332 x 242 total: 346 x 254; in outstanding conditions; Wurzbach 7 Nagler 7 unknown
16-632718th Century. Drawing. heightened in white. 18 x 19 cm. Attribution verso with pencil numeric number 10 recto. Signed in red ink. Tear wiih loss in lower right corner. .Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. 18th Century unknown
170026181A Paris, chez Limosin, s.d. [circa 1700]. Dimensions (à vue) : 349 x 287 mm.
1700261811700. A Paris chez Limosin s.d. circa 1700. Dimensions ˆ vue : 349 x 287 mm. Ensemble de deux dÂŽlicieuses eaux-fortes signÂŽes dans la plaque Jean-Marc Nattier et Jean Audran. Elles mettent en scÂne PsichÂŽ PsychÂŽ. Epreuves lÂŽgÂrement oxydÂŽes prÂŽsentant de discrÂtes piqžres ainsi que pour l'une d'entre-elles une petite dÂŽchirure marginale. Du reste belle condition. Rare. b42961 unknown
199952287Saint-remy-en L'eau France: Editions Monelle Hayot. New. 1999. Hardcover. 2903824266 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in French. 240 page monograph with many lovely color and black and white illustrations. -- with a bonus offer-- . Editions Monelle Hayot hardcover
17102672<p>Engraving with etching. B.N.I. 30 Jean Audran. Plate 7 from the series of 24 after the paintings of Rubens in the Louvre .Trimmed to the platemark. 19 1/8 x 13 1/8. A beautiful impression in fine condition.</p> books
17102672<p>Engraving with etching. B.N.I. 30 Jean Audran. Plate 7 from the series of 24 after the paintings of Rubens in the Louvre .Trimmed to the platemark. 19 1/8 x 13 1/8. A beautiful impression in fine condition.</p>
17101411564Paris: Chez de Sr. Duchange 1710. Early Printing. Hardcover. Elephant folio unpaginated 24 engraved plates including 3 double plates plus the title page and "avertissement" 29 leaves in total. Lacking the engraved frontispiece titled "Pierre Paul Rubens". In Good condition. Bound in full brown leather with gilt ornamentation to edges. Paneled spine with a black label and gilt ornamentation. Spine has a loss of leather to the head and tail edges significant chipping throughout impacting the legibility of the label and cracking to joints. Boards have bumping to corners primarily to the rear bottom fore corner the leather is tearing and beginning to separate from the board along the front bottom fore corner moderate chipping to edges rubbing wear and discoloration to surfaces and cracking to leather throughout. Textblock has an archival repair to the bottom corner of the first double spread plate leaf 16 a small ink drawing to leaf 23 minor splitting to the gutter throughout occasional closed tears and wear to edges not impacting illustrations light foxing to some pages and age toning throughout. Some plates have tissue guards present. Contains a loose engraved plate reproduction of the painting "The Denial of Saint Peter" originally by Gerard Seghers laid in along the rear free end pages c. 17th century. Text in French. Shelved in Room A Oversized. "La Gallerie Du Palais Du Luxembourg Peinte Par Rubens" is a famous 18th-century illustrated book documenting Peter Paul Rubens' 24-painting cycle of Marie de' Medici's life. This volume presents engraved reproductions of Peter Paul Rubens's works by 11 different artists. The eleven engravers are: I.B. Massé; G. Edelinck; Lud. de Chatillon; G. Duchange; A. Loir; J. Audran; A. Trouvain; B. Audran; B. Picart; C. Simonneau and C. Vermeulen. 1411564. Special Collections - Upstairs. Chez de Sr. Duchange hardcover
