52 résultats
200568438Weidenfeld & Nicolson 2005 1 vol. relié fort vol. in-8, cartonnage sous jaquette de l'éditeur, VIII-644 pp., quelques planches en couleurs et illustrations en noir. Très bon état général.
200568438Weidenfeld & Nicolson 2005 1 vol. relié fort vol. in-8, cartonnage sous jaquette de l'éditeur, VIII-644 pp., quelques planches en couleurs et illustrations en noir. Très bon état général.
2002Q-0870700316The Museum of Modern Art New York 2002-07-15. Hardcover. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York hardcover
200282724Harry N. Abrams. New. 2002. Paperback. 0810921197 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. 116 illus. 108 in color 4to. -- with a bonus offer-- . Harry N. Abrams paperback
2004244192004 Paris, fayard / Léo Scheer ,2004, In douze, 154 pp, souple, avec la bande de librairie,
2008124193Frankfurt, M. ; Wien ; Zürich : Büchergilde Gutenberg 2008. 167 S. : zahlr. Ill. 32*27,5 cm. OPappband, OSchu.
200769824München : Schirmer Mosel 2007. 167 S. : zahlr. Ill. ; 33x27 cm Pappe 0
201334897München, Schirmer / Mosel, 2013. 176 S., 171 Abbildungen, davon 137 Farbtafeln. 26 x 23,4 cm. Orig.-Leinen mit farbig illustriertem Orig.-Umschlag.
2007171703Koln and Munchen: Museum Ludwig and Schirmer/Mosel 2007. Softcover. 167 pages. Exhibition catalog. Text in German. Includes numerous illustrations. A fine copy in wrappers. As new and still in the publisher's shrinkwrap. Museum Ludwig and Schirmer/Mosel unknown books
200482717Ediciones Poligrafa. New. 2004. Hardcover. 8434310538 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 64 pages 72 illus. 59 in color. -- with a bonus offer-- . Ediciones Poligrafa hardcover
200253589Ecco / Harpercollins. As New. 2002. Hardcover. 006621260X . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 239 pages -- with a bonus offer-- . Ecco / Harpercollins hardcover
2001ART1307MEdité par Flammarion, Paris, 2001. (22x30,5cm.) 495pp. Relié. Couverture rigide avec jaquette. La jaquette est déchirée à l’avant (voir photo). L’intérieur est en très bon état.
2004LFA-126749105Un ouvrage de 96 pages, format 190 x 235 mm, illustré, relié cartonnage couleurs, publié en 2004, Editions Taschen, bon état
2008894392008 Editions Fondation Gianadda. 2008. 1 vol in-8 , broché, couverture illustrée. 271 pages. Illustrations en couleurs en et hors texte
200885004Foundation. New. 2008. Hardcover. 2884431101 .IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 272 pages. -- with a bonus offer . Foundation hardcover
200885003Foundation. New. 2008. Paperback. 2884431098 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 272 pages. -- with a bonus offer-- . Foundation paperback
2010835371Mandragora. New. 2010. Paperback. 8874611528 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 258 pages; 235 illus. -- with a bonus offer-- . Mandragora paperback
200489057Skira 2004 In-8 broché 21 cm sur 15. 90 pages. Bon état d’occasion.
200772840Prestel-Verlag. New. 2007. Hardcover. 3829603215 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 160 pp. With 165 ills. 76 col. . 32 x 27 cm. -- with a bonus offer-- . Prestel-Verlag hardcover
2002Q-006621260XEcco 2002-12-03. Hardcover. New. In shrink wrap. Looks like an interesting title! Ecco hardcover
200292929NY:: Ecco HarperCollins. Fine in Fine dust jacket. 2002. Hardcover. 006621260X . As told to Alain Vircondelet. Translated from the French by Benjamin Ivry. Introduction by Joyce Carol Oates. First printing thus. Fine in a fine dust jacket. . Ecco (HarperCollins), hardcover books
2001SKU1046137Adam Biro Editions 2001. hardcover. Very Good. 11x1x12. Societe Nouvelle Adam Biro; Sevigne 1998. Hardcover. A Very Good tan cloth binding with navy blue lettering on spine binding sturdy and intact dent bottom rear board edge some scattered foxing to board buckram some age toning to pages scattered foxing to text block edges in a Very Good some handling/scuff marks to panels bit of edge/corner wear some scattered foxing to verso panels and flaps bottom rear panel corner with slightly peeling publishers protective laminate Dust wrapper. A nice overall clean and unmarked copy. 4toquarto or approx. 11.75 x 11.75 inches 143pp. credits color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Adam Biro Editions hardcover
2001BN144689Éditions Noir sur Blanc 2001. 2001. Softcover. Balthus a` contre-courant : Entretiens avec Costanzo Costantini <br/><br/>Balthus a` contre-courant : Entretiens avec Costanzo Costantini Balthus Costanzo Costantini Éditions Noir sur Blanc paperback
200185583New York: ECCO An imprint of HarperCollinsPublishers 2001. First Edition Stated First Printing Stated. Hardcover. Very good/Good. xxvii 1 237 5 pages. Illustrated endpapers. Illustrations some in color. Publisher's Note. A Note to the Reader by Alain Vircondelet. Foreword by Paul Lombard. Introduction by Joyce Carol Oates. DJ has a tear at the top front near the spine. This was originally published in French as Memoires de Balthus by Editions du Rocher. Balthasar Klossowski de Rola February 29 1908 - February 18 2001 known as Balthus was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls but also for the refined dreamlike quality of his imagery. Throughout his career Balthus rejected the usual conventions of the art world. He insisted that his paintings should be seen and not read about and he resisted any attempts made to build a biographical profile. Towards the end of his life he took part in a series of dialogues with the neurobiologist Semir Zeki conducted at his chalet at Rossinière Switzerland and at the Palazzo Farnese French Embassy in Rome. They were published in 1995 under the title La Qûete de l'essentiel and in it he gives some of his views on art painting and some painters. Balthus was one of the few living artists to be represented in the Louvre when his painting The Children 1937 was acquired from the private collection of Pablo Picasso. The painter Balthus whose tenacity and cultivated taste for secrecy have enveloped him in an aura of forbidding mystery wrote this memoir at the end of his long life. A man who for decades opted to "give expression to the world" rather than to "express" himself speaks for the first and only time about his life family work his theory of art and how it intersects with history literature and spirituality. Balthus was born Balthasar Klossowski in 1908 to Polish art historian Erich Klossowski and his wife the painter Elisabeth Dorothea Spiro. The family lived in Germany France and Switzerland. In this memoir Balthus describes his childhood with his mother and her lover -- the poet Rainer Maria Rilke -- who became Balthus's own spiritual mentor. He evokes la vie de boheme in Paris during the 1920s his friendships with Picasso Derain Artaud Giacometti Saint-Exupéry René Char Pierre Jean Jouve and Albert Camus. He discusses his paintings offers glimpses into his marriage and expresses his passion for Chinese art and the Swiss chalets and Italian villas that he helped to restore. He recalls touching moments with his beloved daughter Harumi and the inspiration he drew from his cats. Also in a kind of final lesson Balthus shares his thoughts about painting and creation denounces contemporary art as being illusory and deceitful and talks candidly about his Catholic faith and how it inspired his work. "We are most charmed by the memoir's ease of expression as if Balthus were confiding in us as individuals" writes Joyce Carol Oates in her introduction to Vanished Splendors. "We are brought into a startling intimacy with genius." ECCO [An imprint of HarperCollinsPublishers] hardcover
20021168166Berlin : Ullstein, 2002. 263, [20] S. : Ill. ; 22 cm Silberner Originalpappband mit Schutzumschlag