Jean ClairLivre Rare Book
274 résultats
2001ART1307MEdité par Flammarion, Paris, 2001. (22x30,5cm.) 495pp. Relié. Couverture rigide avec jaquette. La jaquette est déchirée à l’avant (voir photo). L’intérieur est en très bon état.
1978126099Skira Skira 1978. In-Folio carré relié toile sous jaquette illustrée rempliée et éui. 15 feuillets non chiffrés pour le texte, 48 planches couleurs (vignettes contrecollée) et 15 planches de dessins en noir, table. Très bon état
Skira 1978. In-Folio carré relié toile sous jaquette illustrée rempliée et éui. 15 feuillets non chiffrés pour le texte, 48 planches couleurs (vignettes contrecollée) et 15 planches de dessins en noir, table. Très bon état
1956WRCLIT84018New York: Museum of Modern Art 1956. 342pp. Small quarto. Printed wrappers. Black & white illustrations. Bibliography. With the small bookplate of Wilmarth S. Lewis bearing tiny deaccession stamp. Small creases very good and bright. First edition. Bulletin Vol. XXIV No. 3 1956- 1957 published to coincide with an exhibition of the artist's work held at MOMA. Museum of Modern Art unknown books
199622784La Martinière 1996 In-4, pleine toile verte sous jaquette illustrée en coul., 160 pp. Plus de 100 reproductions d’oeuvres en coul. toutes légendées + qqes photos en n & b. Très bon état.
27505PARIS, ed. de la Martinière - 1996 - Grand In-4 - Cartonnage éditeur, sous jaquette illustrée - Frontispice & Photographies de Balthus - 107 reproductions couleurs PP - 160 pages - Comme neuf
Skira Classiques, 1990, 159 p., broché, illustrations, très légères traces d'usage, bon état.
1993124558Leipzig: Verlag E. A. Seemann, 1993. 158 S. ; 28 x 24 cm ; Pp. ;
200482717Ediciones Poligrafa. New. 2004. Hardcover. 8434310538 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 64 pages 72 illus. 59 in color. -- with a bonus offer-- . Ediciones Poligrafa hardcover
16032Musée des Arts décoratifs, Paris, 1966. In/8 broché (24 x 19 cm), couverture rempliée illustrée d'une vignette couleurs, 49 illustrations en noir et en couleurs, 61 pages.
1984146776New York: The Metropolitan Museum of Art / Harry N. Abrams Inc 1984. First edition. Hardcover. 176 pages. Exhibition catalog for a show that ran November 5 1983 through January 23 1984 in Paris and then February 29 through May 13 1984 at The Metropolitan Museum of Art. Includes numerous color and black and white illustrations. A tight close to near fine copy with some bumping to the top corners in a close to near fine dust jacket with some bumping to the top corners and a small tear to the top of the spine. The Metropolitan Museum of Art / Harry N. Abrams, Inc unknown books
1984141114New York: The Metropolitan Museum of Art / Harry N. Abrams Inc 1984. First edition. Softcover. 176 pages. Exhibition catalog for a show that ran November 5 1983 through January 23 1984 in Paris and then February 29 through May 13 1984 at The Metropolitan Museum of Art. Includes numerous color and black and white illustrations. A tight near fine copy in wrappers. The Metropolitan Museum of Art / Harry N. Abrams, Inc unknown books
198477767New York: Metropolitan Museum of Art 1984. First Edition; First Printing. Softcover. Very Good in wrappers. ; 11.70 X 9 X 0.40 inches. Metropolitan Museum of Art unknown
200282724Harry N. Abrams. New. 2002. Paperback. 0810921197 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. 116 illus. 108 in color 4to. -- with a bonus offer-- . Harry N. Abrams paperback
1996028247Paris GALLIMARD / MONOGRAPHIES 1996 un volume in-4°, 269 pp. Reliure éditeur en toile noire à la Bradel, jaquette. Riche iconographie en noir & blanc et en couleurs.
157486Boston: Bulfinch Press 0-8212-2345-3 1996. 4to 269pp. Near fine in near fine dust jacket. Photographs black & white and color illustrations bibliography. Art of Balthus & Balthazar Klossowski. Art. Bulfinch Press Hardcover
2000ABE-1625966647595COLLECTION LES TRESORS DES ARCHIVES DE PARIS MATCH-168 PAGES-23 CM X 29 CM-EN COUVERTURE KEES VAN DONGEN ET BRIGITTE BARDOT-PREFACE DE ROGER THEROND-HENRI MATISSE-SALVADOR DALI-FRANCIS BACON-PABLO PICASSO-MARC CHAGALL-GEORGES BRAQUE-KEES VAN DONGENJOAN LIRO-PAUL DELVAUX-FERNAND LEGER-BALTHUS-(100B)
2001ABE-1770750267272COLLECTION LES TRESORS DES ARCHIVES DE PARIS MATCH-168 PAGES-22,5 CM X 28,6 CM-(E226)
1960ABE-123856158948 PAGES-LES DÉCEPTIONS AFRICAINES RESSERRENT LES LIENS DE L'EUROPE-M. DELOUVRIER N'A PAS DISSIPÉ LES INQUIÉTUDES DES OFFICIERS S.A.S.-BOURGUIBA POUSSE SA CHANSONNETTE MAIS NE VEUT PAS DE LA TUNISIE ALGÉRIENNE-LE "RÉFÉRENDUM" BRETON, 1P-UNE CAMPAGNE DE DIFFAMATION VEUT COMPROMETTRE LE PÈRE DE M. KENNEDY-FASTES ET ÉVOCATIONS DU GRAND SIÈCLE À SAINT-JEAN-DE-LUZ, COMTE DE PARIS-LES OFFICIERS DU BLED:"NOUS N'ABANDONNERONS PAS"-PARIS LA NUIT.À VICHY-REPRISE AU SARAH-BERNHARDT "L'AIGLE À DEUX TÊTES", DESSIN DE SISS (EDWIGE FEUILLÈRE, GUY TRÉJEAN, GÉRARD BARRAY, NADINE BASILE, YVES VINCENT)-"LA PETITE DATCHA" AU THÉÂTRE DAUNOU, GEORGES SORIA, DESSIN DE SISS (MARISE PAILLET, OLIVIER HUSSENOT, DANIÈLE LEBRUN, ANDRÉ THORENS, GUY MICHEL, MICHEL ROUX, GIB GROSSAC)LA IIÈ SYMPHONIE D'HENRI DUTILLEUX-L'AVVENTURA, MONICA VITTI-GRÉGORY CHMARA, PAR JACQUES BALTUS, PHOTO-
1946ABE-17503506879678 PAGES-43 CM X 60 CM-L'ART TURC, SES ORIGINES SON EVOLUTION, PAR NOUROULLAH BERK, PEINTURES D'AUJOURD'HUI, PAR MADELEINE DAVID, 4 PHOTOS-A LA GALERIE DES BEAUX ARTS BALTHUS, PAR JACQUES LASSAIGNE, PHOTO-VINCENT D'INDY ET CHABRIER, PAR MARC PINCHERLE-WALT DISNEY ET SES SOURCES D'INSPIRATION, PAR DENYS CHEVALIER-LE BONJOUR DE PARIS A VERTES, PAR JEAN COCTEAU-TOUT EST MIS EN OEUVRE EN AMERIQUE POUR FAIRE MIEUX CONNAITRE LES OEUVRES D'ART, DIT LIPSCHITZ, PHOTO-LE SOUVENIR DE BERTRAND GUEGAN-A LONDRES FEMMES PEINTRES, PAR DENYS SUTTON-A BRUXELLES, DU COTE DE LA FRANCE, PAR JACQUES PUTMAN, PHOTO (BORES)-TOUTES LES EXPOSITIONS, SUR 2 PAGES-LE THEATRE: L'INAUGURATION DE LA SALLE DU LUXEMBOURG-MORTS SANS SEPULTURE, JEAN PAUL SARTRE-A PERIGUEUX, LES TRETEAUX DE JACQUOU-LA GRANDE PITIE DU THEATRE LYRIQUE, PAR ANDRE BOLL-A L'UNESCO: FRANCAIX ET STRAVINSKY, PAR RAYMOND CHARPENTIER
182114760Dimensions : (238 x 182 mm).
120236aafSkira, 1982, in-4to, 155 + 94 p., richement ill. par des peintures de Balthus, brochure originale.
193487415Paris 1934. Fine. 'Balthus's painting is topical enough to dispense with topicality' Paris 27 Avril 1934 21 x 27 cm une feuille Autograph letter dated and signed by Antonin Artaud on Le Dôme brasserie letterhead addressed to Maurice Martin du Gard founder and director of Nouvelles Littéraires. 29 lines in blue ink in a nervous handwriting. Traces of folds and small marginal tears inherent to postal dispatch and handling. Minor stains at the beginning of the letter. Antonin Artaud fought to have his article on Balthus's painting exhibited for the first time in France published. He fiercely defended the artist he considered his 'double' so similar were they physically and intellectually. During Balthus's first gallery exhibition in 1934 his depictions of pubescent young women veering towards voyeuristic dreamscapes scandalised the Parisian public. Artaud recognised himself in the strange atmosphere of Balthus's paintings and was among the first writers to acknowledge the importance of his work. The two men had met by chance at the Café de Flore two years earlier. ""A strange bond united them Balthus believed especially as he owed it to him to be still alive. In July 34 the poet narrowly saved the painter who was suffering from intense depression from suicide. 'Curiously he rushed into my studio that day just as I was at my worst. He immediately understood perhaps because he himself had taken many drugs in his life.' Zoé Balthus quoting Balthus"". A few months before this crisis Artaud sought to reclaim the manuscript he had written for his friend's first solo exhibition at La Galerie Pierre which opened on April 13 1934 at 6 Rue des Beaux-Arts Paris. The author of Héliogabale ou l'anarchiste couronné published the same year was surprised and a little annoyed at the lack of interest shown by the magazine: « Je vous ai adressé il y a quinze jours un article sur l'exposition Balthus dont tout le monde parle. Il me semblait que les Nouvelles littéraires se devaient d'en parler. » ""A fortnight ago I sent you an article on the Balthus exhibition that everyone is talking about. It seemed to me that Les Nouvelles Littéraires was obliged to address it."" His poetic and enigmatic prose repeatedly extolled the virtues of Balthus his alter ego who also rejected the dogmas of Surrealism. The editors of Nouvelles Littéraires even seemed to neglect Balthus's work which irritated him to no end: « Bien que les manuscrits non insérés ne soient pas rendus on me rend toujours mes manuscrits et en général après les avoir publiés. » ""Although unpublished manuscripts are not usually returned mine are always sent back to me and usually after they have been published."" He insisted on retrieving his manuscript and railed against the silence of the magazine regarding the work of the great painter: « Je vous serai donc reconnaissant de me dire ce que vous comptez en faire car la peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité. Un article sur lui peut donc paraître en tout temps. Si vous pensiez ne pas devoir le publier je vous demande de vouloir bien me le renvoyer. » ""I would be grateful if you could tell me what you intend to do with it because Balthus's painting is topical enough not to need to be in the news. An article about him can therefore be published at any time. If you think you should not publish it please send it back to me."" This article is likely the one Artaud eventually published in the Mexican newspaper El Nacional two years later once again celebrating his friend's painting. A handwritten letter from the fiery and irascible Antonin Artaud defender and champion of Balthus's art. unknown
5536REVUE D'ESTHETIQUE, n° 1, Paris, Librairie C. Klincksieck, 1968. In-8, broché, 4 planches hors-texte.
