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274 résultats
197417289Aurora, Leningrad, 1974. ca. 152 Seiten. 4to. Leinen.
1920007670Paris: Galerie Simon 1920. Limited Edition. Wraps. Fine/Very Good. No. 19 of 100 copies signed by both Vlaminck and Vanderpyl. Folio. 32.5 by 23 cm. Unpaginated 16 pages. With Vlaminck woodcut of varying size on every page except limitation page. Glassine shows minor wear. Galerie Simon unknown
192553220Paris France: Les Editions Bernheim-Jeune. As New. 1925. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 5 page introductory essay by Werth followed by black and white images of 21 works by Vlaminck. -- with a bonus offer-- . Les Editions Bernheim-Jeune paperback
192865608Paris, Seheur 1928. 1928. 4° 205, (1) S., 1 Bl. mit zahlr. (10 farbigen) Tafeln. Orig.-Leinen m. goldgeprägtem Titel.
1975175578Chicago IL: R.S. Johnson International Gallery 1975. First edition. Softcover. Exhibition catalog. Includes numerous illustrations in black and white. A very good copy in wrappers with some rubbing to the edges and some minor wear. Internally a clean copy. R.S. Johnson International Gallery unknown books
1993Q-1856272192Park Lane 1993-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Park Lane paperback
1987RVLAVLA00fpEaston Press 1987. Fine. Vlaminck Maurice de. Vlaminck. Selz Jean. Norwalk Connecticut: Easton Press 1987. 94pp. Illustrated. 4to. Full blue leather with gilt lettering. Book condition: Near fine. Easton Press hardcover
1958LIQ-400Monte-Carlo, Sauret et New York, Universe Books 1958. Petit in-4° broché, sous jaquette illustrée en couleurs.
196834233Le musée personnel 1968 Le musée personnel 1968. In-4 reliure beige éditeur, non paginé, illustré en noir et en couleurs, dans et hors texte. Très bon état
1987ART7285M1987, Musee Des Beaux Arts De Chartres Fabbri. In-4, relié avec jaquette, 389pp. Nombreuses illustrations en couleurs. Texte en français et italien.
1987232991987 Fabbri Editori. 1987.1 volume in-4° relié pleine toile sous jaquette illustrée, 391 p. + illustrations. Comme neuf
1928012627Paris Marcel Seheur - Collection "L'Art et la vie". 1928 In-4 Broché, couverture illustrée rempliée
1923000440Paris Collection "Les Contemporains", Librairie Stock 1923 In-12 Broché Ed. originale
195628504Genève Pierre Cailler 1956
192580359Éditions Bernheim-jeune 1925 In-folio, broché. non coupé
19521387Paris, Bernard Klein éditeur,1952. In-folio,en feuilles, 200 pages, couverture illustrée en couleurs, étui-chemise de l'éditeur. Édition originale et premier tirage des illustrations de Jacques Villon, Raoul DUFY (2), SEGONZAC (3), Max JACOB (2), André DERAIN (2), Jean COCTEAU, Gen Paul (2), FOUJITA, KISLING (2), UTRILLO (2), VLAMINCK, mises en couleurs par Daniel Jacomet. Avec des textes de Textes de Duhamel, Jacob, Vitrac, Ponchon, Derème, Louis Juvet, Colette, Mac Orlan, Héron de Villefosse, Fleuret, Fombeure et Valéry et une partition de Honegger. Ex. sur papier du Japon nacré non numéroté, enrichi d'une suite sur papier de Chine, d'une SUITE EN NOIR et une SUITE EN COULEURS sur papier d'Arches, 4 épreuves sur papier du Japon et une gravure aquarellée par Jacques Villon et signée au premier plat de couverture. Véritable édition originale et premier tirage des illustrations et gravures rehaussées aux pochoirs.
19213193Paris, Ed. de la Nouvelle Revue Française, 1921. 1 vol. br. in-4 de 79 p., [1 f.] Couverture illustrée à rabats. Manque en queue sur 5 cm.
192119049Paris, Ed. de la Nouvelle Revue Française, 1921. In-4 broché de 79-[3] pages. Couverture illustrée à rabats.
1920009587Paris Bernheim Jeune 1920 In-12 Agrafé Edition originale
1930WRCLIT60365Paris: Librairie Stock Delamain et Boutelleu 1930. Quarto. Original printed wrappers. Illustrated with six full-page original lithographs as well as ornaments and letters by the author. Foxing at edges and a few places in text wrapper lightly dusty a few small nicks to wrappers and a short tear at top of lower joint otherwise a very good copy. First deluxe edition of the artist's memoirs. From a total edition of 295 copies this is one of 235 on vélin d'Arches. MONOD 11355. Librairie Stock, Delamain et Boutelleu unknown books
1930007660Paris: Librairie Stock. Delamain et Boutelleau 1930. Limited Edition. Wraps. Slipcase. Chemise. Near Fine/Slipcase chemise: Fair. No. 220 of a total of 320 copies issued this one in a lower tranche on Velin d'Arches paper. 4to. 203 2 pp. Six plates of Vlaminck artwork. Plates counted in pagination. The book has a few stray fox marks including on the fore-edge. The ones on the fore-edge encroach onto the far edge of the flat part of the page as a slight rounded stain. But for the small number of fox marks anywhere and because the fox marks that are present in total seem relatively minor to us the book proper is in fine condition. Indeed with the wax paper dust jacket the book looks virtually untouched. The slipcase and chemise are another matter. The slipcase has fallen apart completely. We have all the pieces -- there is no loss whatsoever but the slipcase needs to be rebuilt. The chemise is intact having been repaired along its edges somewhat amateurishly. The tape used is visible along its outer edges for example and the marbled paper along these edges needs some attending to to secure it back onto the chemise boards. Librairie Stock. Delamain et Boutelleau unknown
1930000199<p><strong>Limited edition of Maurice de Vlaminck's autobiographical text this being no. 133 from a total edition of 320.</strong></p><p><strong>Description:</strong> Publisher's wrappers titled in black. Quarto: 28.5 × 23 cm; pp. 202 2. With initials ornaments and 6 original lithographs by Vlaminck.</p><p><strong>Condition:</strong> Binding in very good condition despite some minor creases. Internally quite fresh and clean some foxing as usual to margins and edges. Overall a well-preserved copy.</p><p><strong>Notes:</strong> Maurice de Vlaminck 1876–1958 was probably as great a writer as he was an artist. In his most important autobiographical work <em>Tournant Dangereux</em> Dangerous Corner he describes his path and his relationship to art in evocative texts based on a car journey. His credo was: "If you are a painter look only at yourself". What counts for him is reality in its historical moment. For him painting is the language of feelings. "I struck all the notes and translated all the feelings I could perceive into an orchestration of pure colours. I was a tender barbarian full of violence". The French poet and art critic Guillaume Apollinaire once described Vlaminck as "one of the most talented painters of his generation. His simple and intense technique" Apollinaire wrote "allows the lines their full freedom the volumes their full relief and the colours their full clarity their full beauty". Vlaminck illustrated <em>Tournant Dangereux</em> with six beautiful lithographs characteristic of the Fauvist landscape painter.</p> Librairie Stock paperback
192931544Paris Stock 1929 In-12 Dédié par l'auteur à Berte Combe et à ses filles (Madeleine, Yolande, Edwige et Godeliève) - 275 pp
192932396Un des 25 exemplaires sur Hollande Van Gelder numérotés, 1 vol. in-12 reliure cartonnage à la bradel moucheté, Librairie Stock, Delamain et Boutelleau, Paris, 1929, 275 pp.
192967786Un des 445 exemplaires sur alfa satiné Outhenin Chalandre numérotés (n° 368), 1 vol. in-12 reliure demi-chagrin à coins rouge, dos à 5 nerfs, couverture conservée, Librairie Stock, Delamain et Boutelleau, Paris, 1929, 275 pp.
