695 résultats
1978SKU2020021419American Wildlife Art Galleries 1978. First Edition. Hardcover. Like New/Very Good. Signed by Author. In Near Fine condition in price clipped dustjacket with some light edgewear. Signed on title page signature only by Walter Bush Les Kouba and Jim Robinson. Copies signed by all three contributors are quite scarce. "Never before has so much information on how to hunt ducks and geese been contained in one book. All phases of the sport are covered in detail by two men who have had more than a century of experience between them from the market hunting days to the present.This is a post graduate course in wildfowl hunting leading to a masters degree.Guns gun fit decoys duck and goose calling duck identification and pages of useful information.". Bush shot trap with and hunted each year with Jimmy Robinson at the Duck Camp on the Delta Marsh and other fine waterfowling destinations for over 50 years. He was a National Trustee of Ducks Unlimited for many years and a long time member of the Outdoor Writers Association. Jimmy Robinson was one of the world’s most famous hunting writers and sportsmen editor for Sports Afield magazine and the hunting partner of some of the biggest names in entertainment politics and business. He was also a close friend of Ernest and Mary Hemingway and hunted with Hemingway's son Pat. Robinson was one of the original members of Ducks Unlimited a waterfowl conservation organization. Jimmy joined the Amateur Trapshooting Association as a statistician in 1922 an association that he maintained for the next fifty years. In 1926 he began writing for Sports Afield magazine with his first article about his good friend Annie Oakley. Renowned as a hunter fisherman and conservationist his writing career spanned 45 years. He wrote fourteen books on shooting and hunting. Each year since 1935 his duck survey of Western Canada was awaited eagerly by hundreds of newspapers all over North America. His contributions in building Ducks Unlimited were so great that they named him an honorary trustee in 1970 along with Bing Crosby and Andrew Mellon. Several times he tried to retire but could not — his editors would not accept his resignation and no one could replace him. Sometimes called the “Sportsman of the Century” Jimmy is the only man inducted into five Halls of Fame: Fishing Minnesota Skeet Trapshooting and Waterfowl. Jimmy founded his first lodge at Delta Marsh in 1935 in a farmhouse near Portage Creek. Its more luxurious successor dubbed the “Sports Afield Lodge” in honor of Jimmy’s long-time employer was built in 1958 on the east side of the marsh south of St. Ambroise. The “Sports Afield Duck Club” had numerous well-heeled members from a broad cross section of the American business community. Les Kouba 1917-1998 was Internationally known as one of the world’s foremost master painters of wildlife. He is recognized as the founder of the wildlife art revival in the 1970s and as such inspired many other wildlife artists. His deep understanding of wildlife stems from growing up on a Minnesota farm which afforded him ample opportunity to observe and study wildlife in their natural habitat. Kouba said “Because I actually hunted and fished I developed an early understanding of all of the background skills necessary for my future career as a wildlife artist.” Kouba gained fame as the painter of over 20 Conservation Stamps including two Federal Duck Stamps 1958 and 1967 as winner of the 1982 Wildlife Heritage Foundation Artist of The Year and for his Canadian Ducks Unlimited 50 Year Commemorative Stamp. “Ducks Unlimited is the world’s largest and most effective private waterfowl and wetlands conservation organization. In no small way we are able to say that because of Les Kouba and his art. He raised many millions of dollars for DU and played an integral role in our growth. His 1976 DU print Bluebills in Lifting Fog established a new record for fundraising. Because his images of waterfowl and habitat are so authentic they instantly capture the atmosphere of what Ducks Unlimited is all about.” American Wildlife Art Galleries hardcover
1973625698London / Chichester: Phillimore & Co. LTD 1973. 6 18 4 pp. booklet 40 color plates. 44 x 28 cm. Portfolio with green paper covered boards containing a booklet and 40 large color plates. Uneven toning and some staining to paper of portfolio. The three staples of the booklet have rusted the rust bleeding through the cloth tape of the booklet's spine. Faint soil to cover of booklet. All 40 plates present. Plate Number 1 has rust offsetting from the booklet. Small bumps to upper right corner and lower left corner of plates. . Portfolio. Very Good. Phillimore & Co. LTD
19742090502125400932Iwasaki shoten 1974. Soft Cover. Fine. Volume: 1 Iwasaki shoten paperback
1929014644Paris Galerie E. Druet 1929 In-12 Agrafé
198759707Madrid: Ministerio de Defensa 1987. 42x32 343p 2h láminas e ilustraciones. Tela editorial ilustrada. Buen estado. Edición facsímil de la impresa en 1888 por Sucesores de Ramírez y Cía. Edición limitada de 500 ejemplares numerados siendo el presente el número 368. Ministerio de Defensa hardcover
1954010806Paris Plon 1954 In-12 Broché
198915090SAN FRANCISCO: CHRONICLE. 1989. Fine. 1989. First Edition. Hardcover. 0877017018 . First Trade Edition. SIGNED by John Register on the title page. Fine in a fine dj. ; Signed by Authors . SAN FRANCISCO: CHRONICLE. 1989 hardcover
1993RFORPER00TWFourth Estate 1993. Very Good. Ford Emma. Peregrine. Rhodes paintings Antony; Cavendish photographs Piers. London: Fourth Estate 1993. 1st edition. 160pp. Illustrated. Oblong folio. Book condition: Very good with tiny abrasions on endsheets which are hard to see. Slipcase is very good. Fourth Estate unknown books
19852090202118108766first law 1985. Soft Cover. Fine. The book is in fine condition. first law paperback
19422091502135500017Great Japan Oratorical Society Kodansha 1942. Soft Cover. Fine. Number of pages: 64p Size: 19x26cm Great Japan Oratorical Society Kodansha paperback
196115330East Grinstead Sussex England: New Knowledge Books 1961. First edition. Hardcover. Very Good/Good. First of this edition 1961. A beautiful copy of this edition very good in good illustrated dust jacket with minor chipping. First 3 stanzas in both Norwegian and English. This edition contains the full poem the music of the ancient Norwegian meolodies; 13 full colour plates tipped in from water colour paintings by Eleanor C. Merry. Also notes on the music and the singing of the "Dream Song" by Benedict Wood. The Dream Song of Olaf Asteson is a folksong which only came to light in 1850 when a clergyman called Landstad heard it in a lonely valley of Telemark Norway. No one knows how long it has existed but it's an epic narrative telling the story of a young man who slept for twelve nights in the depths of winter then awoke to share the wondrous sights he had seen. Steiner noted that it was known to seers that vision penetrates most deeply during this period of the Thirteen Hold Nights. New Knowledge Books hardcover
19811886DOUBLEDAY. NY 1981. Fine in Very Good dust jacket. 1981. First Edition; First Printing. Hardcover. 0385157568 . First edition. SIGNED by Isaac Bashevis Singer on half-title page. Fine in very good dust jacket. A few edge tears & light touches of edge-wear. Mild spots of shelf-soiling at edges of jacket. . DOUBLEDAY. NY 1981 hardcover
1996016968Dunedin New Zealand: Longacre Press 1996. Cloth. Fine/Near Fine. Signed elegantly by the artist. An attractive copy with beautiful full page art reproductions. Bright tight and clean in all respects. Top corner lightly bumped. Excellent folded edge jacket bright and fresh looking. Jacket has some shallow ripples toward side edge as only flaw. Very heavy and overlong. Please note reflection on scan is only because this book was too long to fit into my scanner! <br/> <br/> Longacre Press hardcover
198713661Fribourg, Office du livre, 1987. Fort volume in-4 de 486-[2] pages, pleine toile bleue avec titre à froid au premier plat, argenté au dos, jaquette couleurs.
19916rfiaEskom 1991. Limited . Hardcover. Very Good/No Jacket. Signed. Signed by the Author Paul Semark December 1991 on the Dedication page and Signed by Austin Brown Paintings by. Limited edition of 100 copies this is number 24. Rare in a Slip case. Publication of 49 pages. Landscape large book. There is Bright Gold Gilt on the front cover. The boards are in near fine condition. Internally the pages are clean and complete. The binding is excellent. Placed in a slip case small chipped piece in the case. Lovely copy. GK. Our orders are shipped using tracked courier delivery services. Eskom hardcover
19592961jNational Publications Trust 1959. First Edition. Hardcover. Very Good/No Jacket. In a full deluxe leather binding with a matching slipcase. The front and rear boards feature a bushman design beautifully integrated with the leather. The boards are a touch rubbed but remain otherwise strong and sturdy. Internally there are no markings or inscriptions and the pages within are crisp clean and complete. Tightly bound and handsome. JK. Our orders are shipped using tracked courier delivery services. National Publications Trust hardcover
1970021701Girard Bank 1970. First edition. Near Fine. Signed by both Michener and Wyeth on title page. Tiny scuff to the paper covered boards. Near fine in a fine slipcase. In original red box in fine condition. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed. Girard Bank unknown
197188716New York: Winchester Press 1971. First Limited Edition. Edition limited to 975 signed hand-numbered copies of which this is no.859. Tall quarto 15"; original morocco-backed gray cloth titled in gilt on spine and front cover; slipcase with printed paper title label; 54 unnumbered pages of descriptive text with b/w text illus; 24 color plates reproducing the text illustrations on heavy art paper unbound housed in facing pocket. A very fine example free of wear or markings. In the original slipcase fine but for an unobtrusitve scratch to upper edge of front board. A nearly new-appearing copy. Winchester Press unknown
19702091202132802334Suzuki Publishing Co. Ltd. 1970. Soft Cover. Fine. Number of pages: 19 pages each Size: B5 size Number of books: 9 Suzuki Publishing Co., Ltd. paperback
19091342354New York: Frederick A. Stokes Company 1909. Hardcover. Quarto 358 pages; VG-; bound in publisher's black cloth with embossed gilt pink light blue and blue color; some rubbing and shelfwear including to the color; interior clean; "with seven full-page illustrations in colour after paintings by George Alfred Williams"; Each plate preceded by guard-sheet with descriptive letterpress. scarce; shelved case 14. 1342354. Shelved Dupont Bookstore. Frederick A. Stokes Company hardcover books
1901241609London ; New York ; Bombay : Longmans Green and Co. 1901. First Edition. Hardcover. Near fine copy bound in full aniline calf with gilt-blocked label to the spine. Spine starting with wear to the spine and panel edges. Remains well-preserved overall; tight bright clean and sharp-cornered. Physical description; viii 355 p. 23 leaves of plates : ill. ports. ; 23 cm. Notes; Prize inscription to the frontis and dated 1910. Title page printed in red and black. Includes bibliographical references. Subjects; Haggard Henry Rider 1856-1925 — Travel. Voyages and travels. Israel — Description and travel. Italy — Description and travel. Cyprus — Description and travel. Palestine — Description and travel. Italy. Cyprus. Description and Travel. Genre; Illustrated. London ; New York ; Bombay : Longmans, Green, and Co. hardcover
197785163Dublin Ireland: Dolmen Press 1977. Limited Edition 1/650 copies. Limited edition 1/650 copies. Quarto. Black cloth over boards 10 5/8 in. x 7 1/4 in. with striking painting by Louis le Brocquy of a rook in flight to front board. White lettering to spine. Housed in Black and Red on White dustjacket. 78 pp with red and black lettering to dustjacket spine. <br /> <br /> It is interesting to note that while creating the images for this book the artist le Brocquy was healing from an injury which encased his primary drawing/painting hand in plaster. He writes: "In my present task I have not had the use of my right hand which is immobilised in plaster. With my available left hand I cannot write nor do any precise operation at all. It is encouraging therefore to note that this clumsy left hand produces illustrations as well as paintings which are not less articulate than those formerly made with my right. It would seem to show that no predictable skill whatever is involved and that images emerge not by imnposition on my part but as it were automatically -- jerked into coherence by a series of vaguely directed accidents discovered rather than executed. In illlustrating THE GODODDIN I discovered nothing but rooks. This would be less disconcerting were I preoccupied with Ted Hughes's CROW. As it is I have had to accept their persistent presence in THE GODODDIN as a kind of counterpoint to its own repetitive and compassionate insistence and in renewed irony as a recurrent image of the unscathed victor" "Aneirin the sixth-century Welsh poet is reputed to have been one of a handful of survivors from the battle of Catraeth which inspired his epic poem THE GODODDIN.Desmond O'Grady's belief is that what Aneirin wrote of his war is true of all wars and informs the purpose of his version which is to give a 'reading' of the poem as one way in which it might have been written today."<br /> <br /> Louis le Brocquy executed magnificent brush drawings for Thomas Kinsella's version of the Irish epic THE TAIN.has provided a series of ink paintings to accompany Desmond O'Grady's text. Dolmen Press unknown
1933014115Paris Etude Bellier 1933 In-4 Agrafé
1977S56598Wiesbaden, Busse 1977 72 + 1403pp.+ some plates out-of-text, 30cm., red binding (plastified, small library label on spine), else VG, [texts in 5 languages; german, french, english, italian & spanish]
193416294Paris, Editions "Le Document", 1934. In-folio de 194-[20] pages, pleine toile bleue d'éditeur, étiquettes de titre au dos et sur le premier plat.