42 résultats
1900164294No date. circa1900. 11 original hand painted fan designs approximately 40 x 15cm laid down on archival sheets 51 x 38cm. Each design is unique some are brightly coloured whilst others are more sombre and some have a lacquer or metallic overprinting and silver flecking. Each of the designs has been backed with Japanese paper. Undated and in very good condition apart from some very minor spotting to the backing sheets not affecting the image they appear to be early 1900s. The collection is housed in a custom-made clamshell case. The earliest recorded sighting of the Japanese fan was in the 6th century CE where burial tombs were adorned with pictures of fans. Drawing on the fan began around the Heian period 794-4485 and became such a hit that laws were created to restrict their use to particular social classes. Historically Japanese hand fans were tools of aristocrats and the samurai class. They were a way to signify social standing and even communicate messages. Japanese fan designs enchanted westerners when they first became exposed to them. Those influenced include the Australian artist Charles Conder who in the 1890s inspired by Japanese fan designs made a speciality of painting them on silk. <br> <br>Various images painted on these fans have symbolic or seasonal meanings. One shows an array of golden origami cranes on a red background symbolizing long life. Another is decorated with peonies symbols of fertility and nobility whose flowering marks the end of spring and beginning of summer. A third is decorated with images of pine bamboo and plum blossom - a combination representing health and longevity because all three plants can withstand cold weather. Others have more abstract images based on the flow of rivers the sheen of silk and other themes. . unknown
18822092902138300026Junzaburo Morimoto Edition 1882. Soft Cover. Fine. The book is in fine condition. Junzaburo Morimoto Edition paperback
18522111902158903354Bunkado 1852. Soft Cover. Fine. The book is in fine condition. Bunkado paperback
1830ST20481-05London: John Murray 1830. FIRST EDITION. 220 x 130 mm. 8 5/8 x 5 1/8". 2 p.l. ii v-xix 1 411 1 pp. <br/> Agreeable contemporary black morocco covers with an elaborate border in gilt and blind of numerous straight and decorative rules and scrolling foliate cornerpieces raised bands gilt in compartments with a central ornament in blind turn-ins tooled in gilt all edges gilt. Carefully rebacked retaining original spine hinges neatly reinforced with buckram. WITH A FORE-EDGE PAINTING DEPICTING A LANDSCAPE WITH A VERY LARGE CASTLE AND LAKE. With 13 pages of charts. Corners bumped and exposed a handful of scratches to the front cover; occasional spots and soiling internally other trivial defects but still quite a good copy the bulk of the text extremely clean and fresh with a well-preserved fore-edge painting.<br/> <br/> This is a pleasing copy with an attractive fore-edge painting of the final work of Scottish mathematician and economist Robert Hamilton 1743-1829. A professor at the University of Aberdeen and one of the founders of Edinburgh's Royal Society Hamilton wrote this work of political economy shortly before his passing and it was published posthumously. It treats of the relationship between economic principles and the development of social life and is considered perhaps second in importance only to his "Essay on the National Debt" issued in 1813. The fore-edge painting depicts a serene landscape with sailboat gliding across a smooth lake in front of a castle and tree-studded hills. The artist has rendered the details with subtlety for example the castle is faintly reflected in the lake and the scene as a whole is brigher and richer in color than might be expected. John Murray unknown
1900SW476-7260perhaps early 1900s. Hardcover. Very Good. Dark grey mottled cloth backed in black leather; oblong 178 x 124 mm; contains 8 highly skilled watercolor paintings plus a few hasty pencil sketches. Watercolors are dense haunting richly colored images of forest scenes tree branches boats ashore. Two of the paintings extend beyond the gutter and onto the facing page. Binding is shabby and broken happily so as these are begging to be displayed. <br/><br/> hardcover
18832092902138300078Tsunashima kame kichi-ban 1883. Soft Cover. Fine. The book is in fine condition. Tsunashima kame kichi-ban paperback
18832092902138300077Tsunashima kame kichi-ban 1883. Soft Cover. Fine. The book is in fine condition. Tsunashima kame kichi-ban paperback
18622110502150908883Kato kiyoshi-ban 1862. Soft Cover. Fine. Number of books: 1 Kato kiyoshi-ban paperback
188859708Barcelona: Tipo-Litografía de los Sucesores de N. Ramírez y Cía 1888. 42x32 XIp 343p 1h láminas e ilustraciones leve mancha de humedad en esquina de las primeras hojas ver foto. Tela editorial ilustrada. Buen estado. Tipo-Litografía de los Sucesores de N. Ramírez y Cía hardcover
187454483New York: Stroefer and Kirchner 1874. First English edition. Hardcover. vg- to vg. Folio. 148 1pp. Brown-burgundy illustrated cloth boards over leather spine. The front cover and spine are lavishly tooled and ruled in gilt with landscape imagery and period floral designs. Glossy textured endpapers.<br /> <br /> This is the English version of the original German work Rhododendron: Bilder aus den Schweizer Alpen Pictures from the Swiss Alps first published in 1872. The text of the original work was written by German political activist writer and publisher Hermann Alexander von Berlepsch 1813-1883. Here the English text is written by British geologist and mountaineer Thomas George Bonney 1833-1923 who doesn't so much translate from the original German text but rather uses it solely for reference. As stated in the preface Bonney mainly used his own notes and recollections from his experiences in these locations as the basis to create a mostly original text.<br /> <br /> Like the German edition accompanying and inspiring the text are a total 24 plates of mounted albumen photographs reproducing original paintings of various locations and landscapes of the Swiss Alps by Gustav Paul Closs 1840 – 1870 and Otto Frölicher 1840-1890. Also included are numerous smaller in-text engraved images including historiated initials and tailpieces by artist Gustave Roux 1828-1885. Table of contents at the back.<br /> <br /> Binding with minor rubbing to corners. Spine lightly rubbed with minor cracking to the front hinge. Minor scratches to the back cover. Book block tight overall with starting at p.33. Interior mostly clean with only minor age toning to the very edges of pages as well as a few sporadic instances of minor to light water staining and/or smudges. Images all clean throughout. Period inscription to a previous owner in pen at the top of the front free endpaper. Binding in very good- interior in very good condition overall. Stroefer and Kirchner hardcover
18642092902140400734Not Available 1864. Soft Cover. Fine. The book is in fine condition. Not Available paperback
18642092902140401025Not Available 1864. Soft Cover. Fine. The book is in fine condition. Not Available paperback
18642092902140400971Not Available 1864. Soft Cover. Fine. The book is in fine condition. Not Available paperback
18391001611839. Lille L. Jacqué 1839. Titlepage 231pp. pp. 3-6 loose. 8vo. Original yellow decorated wrappers dam. & dogeared some foxing throughout and a few pages loose. unknown
185837182BBParis, Furne, 1858. 4° IV, 57 Bl. zahlr.Ill. OLwd. Stärker berieben und bestossen, an den Kapitalen leicht eingerissen, Textbräunung, leicht fleckig.
184614853Genève/Paris: Mmes Beroud et Guers/M. L.-R. Delay 1846. Relié. Etat satisfaisant. in-12. 418 pp. Seconde édition revue et corrigée par l'auteur. Long envoi inconnu sur la page de garde. Reliure plein cuir frottée usée. Petits accrocs sur le dos insolé. Ornements dorés sur les plats. Tranches dorées une tache sur la tranche supérieure. Plats intérieurs et pages de garde salis. Jointure intérieure du 1er plat fendue. Mmes Beroud et Guers/M. L.-R. Delay unknown