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This is a fine softcover copy with no wear at all. Completely clean. The spine is not creased, binding firm and tight. Feels unread. This catalog was prepared to accompany the exhibition at the Art Institute of Chicago from October 17 to December 14, 1985. Essays by Richard R. Brettell and Steven Starling. Text by Jose Ortega y Gasset 'Meditations on the Frame'. Illustrated in black & white, some color. Bibliography. Checklist with 73 frames catalogued. 12" high X 8" wide, 124 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1987119292The Art Institute of Chicago, Chicago - Harry N. Abrams Publishers, New York, 1987. 119 S. ; 29 x 23 cm ; kart. ;
1920126079Couverture rigide. Cartonnage de l'éditeur. 128 pages. Une page réparée.
4to., First Edition, with 54 fine coloured and monochrome plates (a number folding); original printed wrappers, a near fine copy. The catalogue lists and describes 54 fine paintings.
Mm 255x290 Volume in copertina rigida con sovracoperta, custodia editoriale, xi-405 pagine con centinaia di illustrazioni in nero e a colori nel testo tradotto dall'originale in lingua inglese da Robert Erich Wolf. Ampia cronologia, bibliografia ed indice dei nomi in chiusura. Weighing over 2 Kg international orders may need extra shipping, Thanks. Opera in perfetto stato di nuovo-new, spedizione in 24 ore dalla conferma dell'ordine.
197661240Flagstaff: Northland Press 1976. Hardcover. x 212p.11.5x9.75 inches landscape layout personal inscription signed by Briggs on endpaper paintings charts foreword bibliography index lightly-used and soiled first edition stated in white cloth boards and price-clipped worn dj with closed tears. Northland Press hardcover books
199313366BBMünster, Lit (= Kunstgeschichte, Bd. 12), 1993. 8°, 247 S. plus 30 Abbildungen auf Tafeln, darunter 3 farbige, farbig illustr. original Pappband (Hardcover), Erstausgabe der helle Einband ein wenig nachgedunkelt, sonst aber ein sehr gutes, sauberes Exemplar.
8vo., on laid paper, with a frontispiece and one plate in photogravure; buckram, gilt top, a very good, clean copy. EDITION LIMITED TO 500 COPIES. A comprehensive catalogue providing full details of the collection.
2015124720Gingko Press, Berkeley - Quint Gallery, La Jolla - Library Street Collective, Detroit, 2015. 219 S. ; 28,5 x 25 cm ; Pp. ;
1983122442Smithsonian Institution Press, Washington, D.C., 1983. 240 S. ; 30,5 x 23 cm ; kart. ;
2005928909London: Black Dog Publishing, 2005. 189 S. Broschiert.
2801, Antwerpen, Mercatorfonds, 2004**, Gebonden, originele uitgeversomslagwikkel geillustreerd in kleur, 24,5x29,5cm, 159pp, geillustreerd. ISBN 9789061535430.
165216628Ulmæ, Johannem Görlinum, 1652. In-12 de [542] pages non numérotées, plein vélin ivoire à rabats, titre manuscrit au dos et plats frappés des armes dorées de Louis-Henri de Loménie de Brienne.
2003Q-8495986477Editorial Edinumen S.L 2003-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Editorial Edinumen, S.L paperback
1980WOC-141230 planches de tableaux reproduites de la: Delage (grand prix 1925) à la Ferrari 1980. Lausanne, Maurice Garnier éditeur, 1985. In-4 (23,5x30,5cm) cartonnage éditeur noir orné d'une voiture rouge. Ouvrage non paginé. Bon état.
1390617602.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
186812840London: Longmans Green and Co 1868. First Edition. Leather bound. Near fine. Decorated with two fore-edge paintings first edition of A Memoir of Baron Bunsen as collected by his wife Frances Baroness Bunsen. Octavo two volumes 8 1-637pp; 8 1-616pp. Three-quarter dark green leather with marbled paper boards and matching endpapers. Silk bookmarks. All edges gilt. Gilt-ruled trim on covers title within a double gilt-ruled border on spines. No additional printings listed on copyright page. Solid text blocks light rubbing to corners joints and marbled boards. Previous owner's name on front flyleaf of Volume I. Complete with three lithographs and two woodcuts in Volume I five lithographs and three woodcuts in Volume II. Each volume with frontispiece portrait and tissue guard. Volume I has fore-edge painting of Strand-on-the-Green Volume II of Kew Bridge. Strand-on-the-Green is a medieval village in Chiswick England that still stands today previously used as a trading location for businesses due to its access to the River Thames. Kew Bridge crosses the Thames and connects the districts of Kew and Chiswick. The bridge depicted in the fore-edge of Volume II is the second of three bridges at this location. This one being opened in 1789 and demolished in 1899. Longmans, Green, and Co unknown
1947122451Avalon Press & Central Institute of Art and Design, London, 1947. 40 S., 45 Taf. ; 25,5 x 19 cm ; Pp. ;
17209London, & Co. . Half-Leather, Folio -Hardcover over, 290mm x 230mm tall. Ill.: Four books bound as one comprising different editions: Folio, 73, 31, vi-45 + 64 pp. Profusely illustrated with bl/white and (hand)coloured ills.,a very good copy of the large paper edition on India Proofs. Fine.24 b/w plates and 8 colour plates (vol iv)
198889308Amsterdam and London: Suzanne Biederberg Gallery / The October Gallery 1988. First Edition. Slim octavo 20.5cm; original printed card wrappers; 24pp with color illustrations reproducing 16 paintings by Burroughs. Inscribed by the author to legendary English bookseller Bernard Stone owner of The Turret Bookshop: "For Bernard Stone / James W. Grauerholz." Light wear to extremities a few tiny spots to left edge of front cover; Near Fine. Catalog for a two gallery show of Burroughs paintings with a lengthy essay by Grauerholz "On Burroughs' Art". Stone's Turret Bookshop was a hub for literary life in London drawing many counterculture and Beat generation figures including Burroughs. 89308. Suzanne Biederberg Gallery / The October Gallery unknown
19963117669Santa Monica: Smart Art Press. Fine with no dust jacket. 1996. First Edition; First Printing. Softcover. First edition. Exhibitiion catalogue for the show presented at the Beramot Station in Santa Monica in conjuntion with Track16 Gallery and the Robert Berman Gallery. Fine in pictorial wrappers with 3 punch holes simulating buckshot on front cover. Unpaginated 7" X 9" Texts by Timothy Leary and Benjamin Weissman catalogue design by Marika van Adelsberg. Color & b&w images throughout. ; 8vo 8" - 9" tall; 50 pages . Smart Art Press paperback
1978SKU2020021419American Wildlife Art Galleries 1978. First Edition. Hardcover. Like New/Very Good. Signed by Author. In Near Fine condition in price clipped dustjacket with some light edgewear. Signed on title page signature only by Walter Bush Les Kouba and Jim Robinson. Copies signed by all three contributors are quite scarce. "Never before has so much information on how to hunt ducks and geese been contained in one book. All phases of the sport are covered in detail by two men who have had more than a century of experience between them from the market hunting days to the present.This is a post graduate course in wildfowl hunting leading to a masters degree.Guns gun fit decoys duck and goose calling duck identification and pages of useful information.". Bush shot trap with and hunted each year with Jimmy Robinson at the Duck Camp on the Delta Marsh and other fine waterfowling destinations for over 50 years. He was a National Trustee of Ducks Unlimited for many years and a long time member of the Outdoor Writers Association. Jimmy Robinson was one of the world’s most famous hunting writers and sportsmen editor for Sports Afield magazine and the hunting partner of some of the biggest names in entertainment politics and business. He was also a close friend of Ernest and Mary Hemingway and hunted with Hemingway's son Pat. Robinson was one of the original members of Ducks Unlimited a waterfowl conservation organization. Jimmy joined the Amateur Trapshooting Association as a statistician in 1922 an association that he maintained for the next fifty years. In 1926 he began writing for Sports Afield magazine with his first article about his good friend Annie Oakley. Renowned as a hunter fisherman and conservationist his writing career spanned 45 years. He wrote fourteen books on shooting and hunting. Each year since 1935 his duck survey of Western Canada was awaited eagerly by hundreds of newspapers all over North America. His contributions in building Ducks Unlimited were so great that they named him an honorary trustee in 1970 along with Bing Crosby and Andrew Mellon. Several times he tried to retire but could not — his editors would not accept his resignation and no one could replace him. Sometimes called the “Sportsman of the Century” Jimmy is the only man inducted into five Halls of Fame: Fishing Minnesota Skeet Trapshooting and Waterfowl. Jimmy founded his first lodge at Delta Marsh in 1935 in a farmhouse near Portage Creek. Its more luxurious successor dubbed the “Sports Afield Lodge” in honor of Jimmy’s long-time employer was built in 1958 on the east side of the marsh south of St. Ambroise. The “Sports Afield Duck Club” had numerous well-heeled members from a broad cross section of the American business community. Les Kouba 1917-1998 was Internationally known as one of the world’s foremost master painters of wildlife. He is recognized as the founder of the wildlife art revival in the 1970s and as such inspired many other wildlife artists. His deep understanding of wildlife stems from growing up on a Minnesota farm which afforded him ample opportunity to observe and study wildlife in their natural habitat. Kouba said “Because I actually hunted and fished I developed an early understanding of all of the background skills necessary for my future career as a wildlife artist.” Kouba gained fame as the painter of over 20 Conservation Stamps including two Federal Duck Stamps 1958 and 1967 as winner of the 1982 Wildlife Heritage Foundation Artist of The Year and for his Canadian Ducks Unlimited 50 Year Commemorative Stamp. “Ducks Unlimited is the world’s largest and most effective private waterfowl and wetlands conservation organization. In no small way we are able to say that because of Les Kouba and his art. He raised many millions of dollars for DU and played an integral role in our growth. His 1976 DU print Bluebills in Lifting Fog established a new record for fundraising. Because his images of waterfowl and habitat are so authentic they instantly capture the atmosphere of what Ducks Unlimited is all about.” American Wildlife Art Galleries hardcover
1953American Wildlife Galleries Minneapolis 1978. Signed by both Bush and Kouba on the title page -- 4to 223pp grey cloth b&w and color illustrations -- Very good condition Quantity Available: 1 Category: Art; Pictures of this item not already displayed here available upon request Inventory No: 001953. American Wildlife Galleries, Minneapolis, (1978) hardcover
1977S56598Wiesbaden, Busse 1977 72 + 1403pp.+ some plates out-of-text, 30cm., red binding (plastified, small library label on spine), else VG, [texts in 5 languages; german, french, english, italian & spanish]
