568 résultats
This is a very good hardcover 4 volume set with almost no wear. Bound uniformly in gray cloth with color plates tipped-on to the front covers. Each volume very clean outside and completely clean inside. Text in French. Published in 4 parts between 1958 and 1961, this is the standard catalogue of the Louvre's collection of 19th Century French paintings. Edited by Charles Sterling. Volume I (A-C): 496 black & white reproductions followed by 36 pages of catalogue descriptions. Volume II (D-G): 549 black & white reproductions + 8 full-page color plates, followed by 44 pages of descriptions. Volume III (H-O): 406 black & white reproductions + 8 full-page color platess followed by 33 pages of descriptions and an errata slip for the first 3 volumes. Volume IV (P-Z): 575 black & white reproductions + 8 full-page color plates, followed by 135 pages of text including descriptions, errata for all volumes, indices, concordences, addenda, etc. The volumes were published between 1958 and 1961. 11" high X 8" wide. A beautiful set. Large heavy books, foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking.
133 pages. Undated. Text in French and English. Appears to be several decades old. Lovely colour illustrations tipped in. Above-average wear. Back strip missing from spine. Binding weak but holding. Contents yellowed. A somewhat frail but nice reference copy. Book
A clean, unmarked book with a tight binding. 157 pages. Large format: 9 7/8"w x 12 3/4"h. Full cream-colored cloth boards. In Poor slipcase with several tears. Many full-page b&w and color illustrations.
cm. 17 x 24, 18 pp. con 6 ill. 0 gr. 18 p.
21x28.5 cm. 124 pages. Softcover. Cover slightly rubbed. Else in good condition.
Alexandre Iolas - 1973 - In-8 - Broché - Couverture illustrée - Un des 1000 ex. tiré sur papier aquarelle Arches - 20 illustrations en NB et en couleurs HT - Bon exemplaire
30x27.5cm. Unpaginated. Hardcover with nylon jacket. Ex-library copy with usual marks. Cover edges and corners slightly worn. Spine edges worn. Pages slightly water stained - no damage to text. Pages slightly wavy and slightly yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
28x26.5 cm. 107 pages. Hardcover. Cover and spine slightly yellowing. Cover corners slightly rubbed and bumped. Spine corners cracked and worn. Spine bottom edge bumped. Stamp on inner cover and title page. First page slightly age stained. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Green paper cover with pasted -down illustration on front. 9"w x 11 7/8"h. 32 pages.
No marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. 112pp. Catalogue of sale room goods sold in 1984/5 with colour photographs and prices of each across the complete range of items put up for auction.
21x28.5 cm. 104 pages. Softcover. Ex-Library copy with the usual marks. Else in good condition.
Book in mint condition. 256pp. Concise biography and the paintings of Pablo Picasso. Very well illustrated with colour plates of his work throughout. All text in Spanish.
A clean, unmarked book with a tight binding. 96 pages. 8 7/8"w x 9 7/8"h. Includes tipped-in flyer from exhibition of sculpture, as well as drawings and paintings
IN HEBREW. 26.5x19 cm. 338 pages. Hardcover. In good condition.
94p. Hardcover Very good condition good
A clean, unmarked book. Sewn binding is a bit loose, but all pages are intact. 8 1/2"w x 11"h. 160 pages.
cm. 20,5 x 31, 40 pp. 231 gr. 40 p.
No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket price clipped but not marked or torn with slight creasing/rubbing to upper edge. 128pp. A textual and highly pictorial account of a young artist's journey across Asia in 1966 to the high plateau of Tibet. The attractive pictures are watercolours which accompany the story of his travels.
cm. 17 x 24, iv-412 pp. con 109 ill. f.t. Fondazione Giorgio Cini - Civilt? veneziana - Saggi 1057 gr. iv-412 p.
225pp + cxii tavv. VG/none Prima (unica) edizione, solida rilegatura in tutta tela rossa con scritte ed emblema dorati al piatto anteriore, lievi tracce di uso in copertina, ex-libris privato sulla sguardia, in ottime condizioni, quasi nuovo internamente. Monografia dedicata al pittore Pisanello (1395 circa - ottobre 1455) con 112 tavole in b/n in fine al volume.
24x33 cm. 95 pages. Gilt hardcover with dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Undated. Circa 1980? "You can paint almost any subject or kind of decoration on porcelain. My personal interest has always been the study of flowers and fruit, so I have not attempted to cover other possibilities here. The tools and techniques which are described are those which I find most helpful." - the author. Jean Sadler is internationally recognized by porcelain artists for her paintings of flowers and fruit. She captures their beauty with an unusual combination of subtle shadows, strong contrast and graceful line arrangement. All colour. Moderate wear. Clean and unmarked. Nice copy. Book
Contains b&w plates. 21X27 cm. 80 pages. Hardcover with dust jacket. In good condition.
New English Paperback. Pbo. 4to. (33 x 24 cm). In English. Color ills. 155 p. Throughout the ages, the Orient has attracted the interest of the West. European intellectual and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by travelling themselves or by travelling in their imaginations, sought to discover the essence of the Orient, and depicted or expressed in their works either the real Orient or their own visions of it. The movement known as Orientalism in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman Empire. Even long before the rise of Orientalism in European art, many European artists, fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new relations with the Ottoman world. For nearly two hundred years, starting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world ib its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Almost sixty paintings selected from the Suna and Inan Kiraç and Sevgi and Erdogan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign, in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.
160 pages. Light wear. Unmarked. Artworks in both colour and black and white are supplemented by considerable text. Book
