568 résultats
208p. Numerous photo illustrations. 8vo. Original orange cloth. Spine soiled. Bookseller label. EROS2
Two volume set in slipcase. Slipcase shows wear and smudges. Books are Near Fine. Each volume is 8 1/8"w x 7 3/4"h. Exhibition catalogs.
No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards, minor traces of storage and no bumping to corners. 44pp. Features include Picture Making, Elusive Models (animals) - a Waiting Game, Brass Rubbings, A Dalesman's Approach to Water Colour - Angus Rands, Then & Now in an Oxfordshire Garden - WC Wilder, Juliet Pannett and her drawings of such as Churchill.
No marks or inscriptions to contents. Crease to lower corner of front cover. A very clean very tight copy with bright boards, tiny mark to front and no bumping to corners. 44pp. Features include Drawing with Oil Crayons, Why not Start your own Gallery?, Amateur Artist Antics - Barbara Hucker, Tinto's Palace of Art, Rembrandt in our Midst, Enamelling and Take a Few Related Objects.
280X220 mm. 118 pages. Gilt hardcover with dust jacket. Jacket slightly rubbed. Cover slightly curved. Else in good condition.
Presentation signatures from a group of people on front end paper. Otherwise 'fine'. No other marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 215pp. Gallery paintings in Leningrad from Russian artists. Colour representations of 179 paintings, one per page. All text in French.
SIGNED BY AUTHOR. 310X250 mm. 152 pages. Gilt hardcover with dust-jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
SIGNED BY PAINTER. 34x24 cm. 10 pages. Hardcover with slipcase. In good condition.
285x265mm. 106 pages. Hardcover. Cover corners slightly bumped. Spine edges slightly worn. Pen inscription on front whitepage. Else in good condition.
In-folio, pp. 142, senza legatura, pieni margini. Rare fioriture.
83pp.texte + 96pp.planches, reliure cart., 29cm., qqs. cachets, bon état, S56627
363pp VG/none Presumably first edition, not dated, ca 1900. Editorial strong red cloth with gilt medal and lettering on front board and spine, spine lightly creased and with tiny label and attractive private ex-libris on pastedown, paper age-browned, overall a VG nice copy. Volume from the series La Peinture en Europe, with a hundred b/w photos and six maps of Venice boroughs. Probabilmente prima edizione, ca 1900, in francese. Copertina editoriale tutta tela rossa con decorazione e scritte dorate al piatto e al dorso, dorso lievemente increspato con minuscola etichetta, ex-libris privato alla sguardia, carta lievemente brunita, nel complesso un buon esemplare. Volume della serie La Pittura in Europa, con cento riproduzioni fotografiche in b/n e sei mappe dei quartieri di Venezia.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, slight tanning around edges of front end papers and no bumping to corners. 201pp. A critical study of the paintings of the Byzantine age - from Greece, Rome, Constantinople, Venice, Yugoslavia etc. With 105 reproductions in colour. All text in French.
This is a near fine softcover copy of this important exhibition catalog and major reference for Italian still life painting, with almost no wear. Completely clean inside and just a few light tiny marks to the outside rear cover, otherwise a fine copy. Text in Italian. This exhibition was held at the Palazzo Reale in Naples in 1964. 371 paintings in the exhibition. Descriptive catalog with short biographical sketches for each artist. Bibliography. Index of the artists, over 150 artists represented. Hundreds of black & white illustrations + a number of color plates. 4to, 10" high X 6" wide, 158 pages of text, indices and notes + plate section. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
cm. 21,5 x 31, xvi-130 pp. con 121 figg. f.t. di cui 37 a colori. Rilegato. Fondazione Carlo Marchi - Studi Viene ricostruita la collezione e l?attivit? mecenatizia di Gustavo Sforni (1888-1939), pittore fiorentino vicino agli ambienti della prima ?Voce?, offrendo delle sue scelte (Fattori, Ghiglia, C?zanne, van Gogh, Degas, Medardo Rosso) una lettura in parallelo al mercato d?arte e al dibattito critico delle riviste fiorentine del primo Novecento. Il triplice profilo del mecenate-collezionista-pittore si articola intorno alla sua raccolta, letta come un frammentario ?diario pittorico?, seguita nel suo carattere di esperienza in formazione e insieme di acuta e consapevole operazione critica. Gustavo Sforni (1888-1939) was a Florentine painter, art collector and benefactor. The choices he made as a collector (Fattori, Ghiglia, Cezanne, van Gogh, Degas, Medardo Rosso) are viewed against the background of the art market of the period and the critical debates in the Florentine journals in the early 20th century. Based on the analysis of his collection, which serves as a sort of ?pictorial diary?, the author reconstructs a triple portrait of this artist-collector-benefactor and reveals his pioneering critical judgment. He was among the earliest collectors of Cezanne. 1105 gr. xvi-130 p.
cm. 17,5 x 25, 56 pp. con 72 ill. f.t. Rilegato. 426 gr. 56 p.
cm. 21,5 x 30, xvi-442 pp. con 141 tavv. f.t. di cui 18 a col. Fondazione Carlo Marchi - Studi Discepolo del Verrocchio e compagno a Roma, sui ponteggi della Sistina, di Perugino, Ghirlandaio, Botticelli e Signorelli, Bartolomeo ? uno dei massimi esponenti della cultura figurativa tardoquattrocentesca ? per quanto di natali e di formazione fiorentini, svolse la sua attivit? prevalentemente ad Arezzo. In questa citt?, per i molteplici incarichi ricevuti, fu ben presto coadiuvato da una bottega, il cui pi? fecondo rappresentante, Domenico Pecori, continu?, anche dopo la morte del maestro, a soddisfare la committenza cittadina e dei suoi dintorni. Apprenticed to Verrocchio and companion of Perugino, Ghirlandaio, Botticelli and Signorelli on the scaffolding in the Sistine Chapel of Rome, Bartolomeo was one of the major exponents of figurative art of the late 15th century. Florentine by birth and education, he was chiefly active in Arezzo. Following the numerous commissions which he received there he was soon backed by a workshop whose most prolific member, Domenico Pecori, continued to execute the commissions given him after the master?s death by the city of Arezzo and its neighbouring communities. 2330 gr. xvi-442 p.
cm. 17 x 24, vi-264 pp. con 20 tavv. f.t. Fondo di studi Parini-Chirio - Universit? degli Studi di Torino. Arti La ?Storia pittorica della Italia? di Luigi Lanzi, uno dei capolavori della 'Kunstliteratur' settecentesca, ? ancora oggi un riferimento imprescindibile per gli storici della produzione figurativa italiana. Attraverso la fascinosa ricostruzione dei dibattiti sull?arte che segnarono l?Italia del tardo Settecento, il saggio propone di interpretare la Storia pittorica come il risultato complesso di un serrato confronto tra antiquaria e enciclopedismo, territorio e musei, lingue e arti, geografia e storia, modelli europei e identit? italiana. Luigi Lanzi?s ?Storia pittorica della Italia?, one the masterpieces of Italian Kunstliteratur, is yet today an essential source of reference for art historians. Through the fascinating reconstruction of discussions and controversies on art that left their mark on Eighteenth Century Italy, Chiara Gauna proposes an interpretation of Lanzi?s ?Storia pittorica? as the complex result of the close comparison between antiquity and encyclopaedism, territory and museums, language and art, geography and history, European culture and Italian identity. 536 gr. vi-264 p.
No marks or inscriptions. A very clean very tight copy with bright unmarked cream boards and very minor bump to upper front corner. Dust jacket not price clipped or marked with some repaired tears to upper and lower edges. 96pp. A study of the letter in painting, writing the letter, reading the letter, letters on a desk and more - all as tipped in colour representations from famous artists of the 17th, 18th and 19th centuries. All text in French.
In -8°, pp. (4), VIII, 364; mezza pelle verde e tela. Ottava edizione stampata a Lione di questo manuale molto popolare nella Francia di fine Settecento. Questa lionese sembra l’ultima edizione priva di interpolazioni di autori successivi: nello stesso anno a Parigi veniva pubblicato un testo molto più lungo e integrato da Henri Roch.
RARE LIMITED EDITION OF 435 COPIES - COPY No.236 of a book set in British-ruled Palestine, written by Goncourt prize winners - the brothers Jérome (1874-1953 ) and Jean Tharaud (1877-1952). The exquisite illustrations are by two eminent French artists: the Orientalist painter and illustrator André Suréda (1872-1930) and the graphic artist Georges Beltrand (1881-1969). 300x215mm. 164 pages. Red leather Hardcover with gilt spine. Cover slightly curved. Cover and spine stained, rubbed/scratched and fading/yellowing. Cover corner bumped and peeling. Cover upper edge rubbed. Spine hinges upper part cracked and glued. Spine edge bumped and peeling/tattered. Pages slightly yellowing and rough-cut as published. [SUMMARY]: This extremely rare deluxe edition of a lavishly illustrated book about the Holy Land is in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
21x25.5cm. Unpaginated. Hardcover. Cover slightly rubbed. Cover edges and corners slightly bumped. Spine edges slightly bumped. Else in good condition.
22x28 cm. 112 pages. Ex library book - with the usual marks. Gilt hardcover. Cover corners slightly chafed. Inner cover slightly stained. Else in good condition.
19.5x16.5 cm. 156 pages. Softcover. Cover slightly chafed. Else in good condition.
A clean, unmarked book with a tight binding. Full black cloth boards. Light wear and smudges to dust jacket. 9 5/8"w x 11 1/4"h. 160 pages. Many illustrations.
