ZANNONI UGO - MURARO GIACOMOMareMagnum
YRIARTE CharlesLivre Rare Book
Paul Véronèse
18883156De la série “Les artistes célèbres”. Broché. Paris Librairie de l’Art 1888 1 volume grand in-8°.
Librairie Seigneur · Voingt, France20,00 €
507 résultats
Cm.25; pp. 350. Tela editoriale, titoli in oro al piatto e al dorso. Ottimo ed unico studio sulla poesia dialettale veronese, con biobibliografie dei poeti dialettali veronesi. Ottimo esemplare. (23 / 195) 155 / 30
24x17 cm; 114, (2) pp. Brossura editoriale illustrata con un disegno di Bruno Zago. Introduzione di Dino Monicelli. Dedica autografa dell'autrice alla prima carta bianca. Prima edizione di questa raccolta di poesie in dialetto veronese della poetessa Lucia Zago Fratton. Ottimo esemplare raro, nessun esemplare censito in ICCU.
1 Vol. In-8 gr p.tela, oro al dorso. Leggere fioriture pag. 80 varie ill. in tavv. f.t PROG 28633 CATT_ATT 40
55305Paris:: J. Rothschild Editeur no date. publisher's gilt and decorated cloth. Inner hinges slightly cracked; spine darkened; cloth a little soiled. . Small folio. Reproductions des monuments du temps et des Fresques de Paul Veronese. J. Rothschild Editeur, hardcover
18883156De la série “Les artistes célèbres”. Broché. Paris Librairie de l’Art 1888 1 volume grand in-8°.
4792Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
4793Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
4790Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
4791Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93755Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century 1585–90. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93754Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century 1585–90. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93753Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century 1585–90. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93756Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century 1585–90. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
PR120946-090Etching with platemark and broad margins after the painting of Paolo Veronese.Veronese's painting is currently at the National Gallery in London. It was purchased in the late nineteenth century after a long and difficult negotiation between the previous owner Count Vettore Pisani and the first director of the National Gallery Sir Charles Lock Eastlake. The negotiation started on 16th November 1856 and ended on the 1st of March of the year thereafter. It was brought on by the director's assistant Otto Mündler who wrote heartfelt notes on his diaries and kept Eastlake updated on the constant changing of mind of the count. The day Mündler could finally see the painting taken down in the Pisani palace in Venice he noted: 'There was one cry of admiration when the picture came down and recieved light from above which it had never had .'. Finally the painting left for London the 2nd of April 1857. At Palazzo Pisani is now a replica an almost conteporary copy of the original by Francesco Minorelli.The original composition for this etching is yet another anonymous copy after Veronese at the Gemäldegalerie Alte Meister in Kassel GK 509 as the scene is slightly narrower than the London canvas.The etcher William Unger was in Kassel between 1869 and 1870 when he realized printed copies of the paintings in the Old Master gallery.Alexander de Grote - Darius - klassieken - classical antiquity - Darius III Alexander. Etching on thick paper total 265 x 305 mm. In good condition edges of the paper with some smudges and foxing. unknown
A CURA DI Pompeo Giannantonio, Francesco Pugliese Carratelli LIGUORI 1969 673 PP. FONDO DI MAGAZZINO: NEL CELLOPHANE EDITORIALE
180645778Paris, Treuttel et Würtz, , 1806. Contemp. hcalf. Gilt spine. Titlelabel with gilt lettering. Lower right corner of boards defective. Stamp on titlepage. (80) pp. and 17 engraved plates (Works of Veronese) of which 4 are folded. Halftitle: Manuel du Muséum Francais. Neuvieme Livraison).
Book is in excellent condition. Binding is solid and square, oversize format in bright orange heavy cloth with gilt letting at cover and spine. Covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows moderate wear with chipping at top spine, two very small tears and one 1" closed tear near spine. 244 illustrations, including 190 full page plates in full color, with descriptions/commentary at end of book. Plates are impressively large and from the collection of Italian paintings in the Leningrad Hermitage. Artists include Simone Martini, Campigli, Morandi, Guttuso, Leonardo da Vinci, Raphael, Giorgione, Tintoretto, Titian, Veronese, Carracci, Tiepolo, Guardi, Canaletto, 307 pp.
Mm 170x240 Brossura editoriale, pagine 64, ricco apparato iconografico a colori. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
24x16,5 cm; (4) pp. Brossura editoriale con titolo in rosso e nero al piatto anteriore. Al piatto anteriore una grande stella argentata. Opera stampata su carta di ottima qualità, ancora in barbe ed in ottime condizioni di conservazione. Rara lirica in vernacolo veronese, nessun esemplare censito in ICCU. L'autore, noto poeta vernacolare è il padre del noto pittore veronese Albano Vitturi. RARO.
ill., br. Nel 1915 usciva la prima edizione del monumentale repertorio di Paul Schubring, "Cassoni. Truhen und Truhenbilder der italienischen Frührenaissance. Ein Beitrag zur Profanmalerei im Quattrocento". Si trattava del più ampio censimento di «cassoni» istoriati dipinti, ovvero dei cofani nuziali, delle spalliere e dei pannelli da studiolo che decoravano le dimore italiane rinascimentali. Lo studioso tedesco sottolineava il ruolo giocato da Verona nella produzione di queste opere, caratterizzate da iconografie assai originali e insolite, tratte dalla storia romana e dalla mitologia greca. Il catalogo di Schubring, che per la parte veronese consta di circa settanta dipinti, viene qui riesaminato e notevolmente arricchito. Verona emerge così per la sua eccezionale importanza nel campo della pittura profana, che la vede seconda solo a Firenze e Siena. Pur priva di una corte, la città scaligera appare in questo modo non più centro minore e subalterno, ma luogo inaspettatamente innovativo in un genere pittorico poco praticato nel panorama padano rinascimentale.
9788584934904-11-69030Almedina. New. Almedina unknown
51-5595London: late 18th-early 19th Century. Sepia aquatint. 31.5 x 41.5cm. platemark. 37.5 x 51cm. Sheet size. London: late 18th-early 19th Century unknown
5735231like new. unknown
1147307571.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1164579983.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
