48 résultats
2009835159Pinacotheque. New. 2009. Hardcover. 2358670014 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 356 pages; 336 illustrations. -- with a bonus offer-- . Pinacotheque hardcover
1983012348Beaume-les-Dames & Editions Frederic Birr 1983. This is a very good hardcover copy in a good dust jacket. The jacket is complete but has several tears now closed and a stain on the back panel lower edge not affecting the cloth cover. Completely clean inside. Signed in ink on the half title-page by the author and dated 1984. Not inscribed to a named person but a short inscription by the author. Text in French. Illustrated throughout in black & white and color. Biographical sketch. Exhibition history. Principal collections. Bibliography. Many black & white reproductions of vintage photographs of Maurice Utrillo and Lucie Valore and other friends and colleagues many from Jean Fabris' collection. Essays by Jean Fabris Catherine Banlin-Lacroix Claude Wiart Etude des signatures by Alain Buquet Jean-Pierre Thiollet and Jacques Birr. Also a Catalogue raisonné de l'oeuvre gravé. 12" high X 9" wide 184 pages. This book will be securely wrapped and packed in a sturdy box and sent with tracking. . Signed by Author. Hard Cover. Very Good/Good. Beaume-les-Dames & Editions Frederic Birr Hardcover
196466237Milan: Fratelli Fabbri 1964. First Edition; First Printing. Softcover. Very Good in wrappers. Hinge has started; glue is seperating. Owner bookplate verso front panel. ; I Maestri Del Colore; 4to - over 9¾" - 12" tall. Fratelli Fabbri unknown
2090502113711418Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
0841510202New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
1970Q-0841510202Fratellli Fabri Editore / McCa 1970-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Fratellli Fabri Editore / McCa hardcover
197065404Fratellli Fabri Editore / McCall Publishing Company. As New. 1970. Hardcover. 0841510202 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 91 pages; 78 illustrations many in color -- with a bonus offer-- . Fratellli Fabri Editore / McCall Publishing Company hardcover
7079416Short description: In Russian. Utrillo Maurice. Utrillo - Paris. Moscow: Fine Art 1969. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU7079416 unknown
1330New York: Hammer Galleries 1958. Soft cover. Good. Octavo. Wrappers. Illustrated. Signed by Madame Utrillo. <br/> <br/> New York: Hammer Galleries, 1958. paperback
68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
17-5090New York NY: Hammer Galleries 1985. 4to. 15 pp. Softcovers. Very Good. Color Plates. Extra sheet inside. New York, NY: Hammer Galleries, 1985. paperback
19-8417Zurich: Stehli Freres S.A. ca. 1940s. Large format color reproduction print poster 19†x 23â€. Very Good. Printed in Switzerland. Zurich: Stehli Freres S.A., [ca. 1940s?]. unknown
19-8192Geneva: Paris Et Cosmopress ca. 1950s. Large format color reproduction print poster 20†x 23â€. Very Good. Printed in Switzerland. Text in French. Geneva: Paris Et Cosmopress, [ca. 1950s?]. unknown
51-5609Paris: Galerie Gaveau 1964. Poster on paper with coating. Repairs and soling on left and lower margin. 78 x 58cm. Paris: Galerie Gaveau, 1964 unknown
25698Paris 1930. . Large 8vo. pp.112 printed paper wrappers 4 colour plates numerous b/w plates; light toning to page margins foxing to wrappers otherwise an unusually fine copy. Paris, 1930. unknown
194774125Paris: Editions Pétridès 1947. Fine. Editions Pétridès Paris 1947 28 x 38 cm relié First edition one of 240 numbered copies on vélin d'Arches with 22 color lithographs after gouaches including 12 full-page plates by Maurice Utrillo printed in the ateliers of Fernand Mourlot and Lucien Détruit. White aniline calf with gilt titanium joints ink-painted boards in green and grey decoration continuing edge-to-edge on the liners loose endpapers on papier japon dyed with Kakishibu by the binder title lengthwise on the spine decorated chemise titled on the spine and matching custom slipcase. Original wrappers and spine preserved. Binding signed by Julie Auzillon gilt title by Geneviève Quarré de Boiry and gilt top edge by Jean-Luc Bongrain 2022. This book presenting every style of the famed artist from Montmartre was published on the occasion of his exhibition in 1947 at the Paul Pétridès gallery. This book presenting every aesthetic period of Montmartre artist Maurice Utrillo was published for his 1947 exhibition at the Paul Pétridès gallery. Mounted at the front of the book an autograph sonnet entitled ""L'Art pictural"" signed by Maurice Utrillo and addressed to Francisque Poulbot; two quatrains and two tercets written in black ink on lined paper. Before the poem Utrillo specified: ""Sonnet par Maurice Utrillo V < dédié à son ami et confrère < Georges Kars."" Sonnet by Maurice Utrillo V < dedicated to his friend and colleague < Georges Kars Signed and inscribed by Utrillo a second time at the top of the sheet: ""Amicalement à Francisque Poulbot"". A few stains to the margins not affecting reading. The sonnet was published in ART vol. 2 October 1934-July 1935 p. 9. This beautiful poem a true poetic manifest of pictorial independence twice signed by Utrillo is dedicated to cartoonist Francisque Poulbot a key figure in Montmartre society. It brings together iconic figures of the Butte famous for their bohemian life and eternal drunkenness: Utrillo Poulbot and Georges Kars a Cubist artist of Czech origin living in Montmartre whose paintings are celebrated by Utrillo in the sonnet. Utrillo wrote this manuscript in 1928 to Francisque Poulbot former classmate of the Lycée Rollin who had become a renowned draughtsman goguettier and founder of the République de Montmartre. Poulbot sketched the painter many times in his beloved Montmartre streets brush in one hand and bottle in the other the silhouette of the Sacré-Coeur church looming in the distance. Utrillo and Poulbot both stayed at some point in their lives at 12 rue Cortot where the Musée de Montmartre is now located. The year he wrote this poem Utrillo painted a superb gouache of Poulbot's house on avenue Junot. Although known for his paintings Utrillo also found in poetry a form of redemption for his bouts of alcohol-induced hysteria. Considered by his friends as a ""builder of sonnets or dithyrambic quatrains"" his verses were praised by famed critic Félix Fénéon. Utrillo also used poetry to celebrate his Montmartre artist neighbors. He wrote this poem in honor of Czech painter Georges Kars thanking him for a striking portrait of him exhibited at the Berthe Weill gallery: « Qu'il me soit donc ici permis en compagnon Sincère et noble et pur en non troubleur en rond Sur cet Art pictural d'émettre un trait austère Georges Kars en ce lieu de digne réunion Rue Laffitte chez Weill de l'art porte-fanion S'affirme en ses tableaux inventif et sincère. » Kars had settled in Montmartre in 1908 and spent many summers in Cadaquès with his wife Utrillo and his mother Suzanne Valadon. In these verses dedicated to the lines of ""his friend and colleague"" Kars Utrillo celebrates the independence and aesthetic personality emancipated from any artistic movement which also characterized Utrillo's own style. Utrillo being a self-taught painter he states his difference from academism and even the avant-gardes of yesteryear citing the Impressionist revolution embodied by the Cormon s Editions Pétridès hardcover
198065076Gallery. As New. 1980. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Japanese. 158 pp. With 20 text ills. And 81 pls. 24 col. . 24 x 26 cm. -- with a bonus offer-- . Gallery paperback
198170590Gallery. New. 1981. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --35 pp. 7 color 23 black & white illustrations. -- with a bonus offer-- . Gallery paperback
1983110657Norwalk Connecticut: Easton Press 1983. First Edition; First Printing. Hardcover. Fine Accented in 22kt gold printed on archival paper with gilded edges smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Illustrated in color. Easton Press Great Art and Artists. ; First Easton Press Edition.; 4to 11" - 13" tall. Easton Press hardcover
1978DYTWW10028Yomiuri Shimbun Company 1978. Soft Cover. Fine. Number of books£º1 Yomiuri Shimbun Company paperback
1985DYTWW10027Utrillo Executive Committee 1985. Soft Cover. Fine. Number of books£º1 Utrillo Executive Committee paperback
1985KFZZQ100422Yomiuri Shimbun 1985. Soft Cover. Fine. KFZZQ100422 Yomiuri Shimbun paperback
