110 résultats
1905WRCAM46219Various places 1905. Approximately 1100 pieces both loose and in four albums. Most pieces pasted into albums. Albums are quarto and folio in size. Largest album lacking spine and front board spine deteriorated on second album leaves loose in both. Some light wear to leaves in all four albums some heavier than others. Overall the individual pieces are in very good condition. Large group of primarily American trade cards advertisements and other ephemeral printed items most printed in chromolithographic full color. The collection spans a variety of printing firms in various locales including Boston New York New Bedford Philadelphia and Buffalo among others. In addition to chromolithographs of flowers and other ornamental scenes there are trade cards advertising a wide variety of products: corsets soap thread medicines and remedies early appliances and household goods shoes furniture dry goods cigars and many more. Most of the advertisements and trade cards are aimed at a female audience relying on the desires of the burgeoning Victorian middle class. Some show African Americans in extreme caricatures notably a series of cards for cigars. A significant archive of ephemeral items neatly collected and grouped. unknown books
1905266241905. Approximately 1100 pieces both loose and in four albums. Most pieces pasted into albums. Albums are quarto and folio in size. Largest album lacking spine and front board; spine deteriorated on second album leaves loose in both. Some light wear to leaves in all four albums some heavier than others. Overall the individual pieces are in very good condition. A large collection of American chromolithographic ephemera.<br/> <br/>Large group of primarily American trade cards advertisements and other ephemeral printed items most printed in chromolithographic full color. The collection spans a variety of printing firms in various locales including Boston New York New Bedford Philadelphia Buffalo and others. In addition to chromos of flowers and other ornamental scenes there are trade cards advertising a wide variety of products: corsets soap thread medicines and remedies early appliances and household goods shoes furniture dry goods cigars and many more. Most of the advertisements and trade cards are aimed at a female audience relying on the desires of the burgeoning Victorian middle class. Some show African Americans in extreme caricatures notably a series of cards for cigars. A significant archive of ephemeral items neatly collected and grouped. unknown books
18896584Napoli, Raffaele Cardone, 1889-1893. In-folio, titre chomolithographié, [4] pages, 1 planche non numérotée, [8] pages suivies des 114 planches toutes précédées d'un feuillet de notice explicative et un plan de Naples dépliant (sur double page) avec au verso les prix reçus pour cette publication. Relié en demi-basane prune à coins, dos à nerfs orné de filets dorés, titre doré sur le premier plat. Reliure frottée, intérieur sans défaut.
188759523Philadelphia: Burk & McFetridge Lithographers U.S. Army 1887. Folio. 11.5 x 15.5 in. 87 leaves unnumbered. 87 chromolithograph plates for title and flags throughout all mounted on linen hinges as issued. Brown pebbled publisher’s cloth gilt lettering front cover decorated endpapers front inner hinge starting very faint tidemark & bubbling to cloth of fore-edges of front cover minor wear & bumping to corners still a VG bright copy w/ plates quite sharp. First edition of this lavish work reproducing the flags carried by U.S. Army infantry cavalry and artillery units during the Civil War featuring headquarters flags battle flags corps flags pennants and guidons. Following the Civil War both Sherman and Sheridan attempted to regularize unit flags and recommended that battle names be omitted from the flag and unit registers. This work compiled by US Army Brig. Gen. Holabird 1826-1907 was carried out towards the end of his service as Quartermaster which ended June 16 1890. William Burk ca. 1857-1905 and John McFetridge 1844-1903 launched their company in 1877 by purchasing William Harding’s printing house and specialized in chromolithographic trade cards advertising book illustrations calendars and other material until about 1900. Burk & McFetridge, Lithographers, U.S. Army, hardcover
14689Paris, J. Rotschild, 1867-1870 ; 2 tomes in-8 ; dmi-chagrin : tome 1 rouge, tome 2 chocolat au lait, plats de percaline avec décor à froid, toutes tranches dorées ; VIII, (2), 128 pp., 60 planches hors-texte en couleurs ; 8, 124 pp. et 60 planches hors-texte en couleurs ; soit 120 planches en tout et 120 petits bois gravés.
1859SHL-19Paris, J.-B. Baillière et Fils, 1852-1859, un vol. in-4° (310 x 230 mm), atlas seul, reliure postérieure demi-box vert sapin, dos d'origine conservé, lisse à faux-nerfs avec titre doré ; 2 ff. n.c. (faux-titre, titre) - 80 pp. d’« Explication des planches » placées en regard des 80 planches H-T. gravées sur cuivre par Clergé, Oudet, Martin et Visto, d'après les dessins d'Émile Beau, pour la plupart imprimées en couleurs mais rehaussées au pinceau dans un souci de réalisme et de perfection. Cachet de bibliothèque sur la page de titre « Annulé », quelques rousseurs dans le texte, petites brunissures sans importance, les serpentes ont été en partie ôtées.Cet ouvrage, avec celui d’Ammon, est l’ouvrage de référence sur les connaissances pré-ophtalmoscopique des maladies des yeux et l’un des plus beaux atlas dans cette spécialité « This work and that of Ammmon remain the greatest preophthalmoscopic atlases of ophthalmology », in Source Book OF OPHTHLMOLOGY ; Daniel M. Albert , M.D. / Edward W.D. Norton, M.D., Reva Hurtes, 2135, 5868. Après avoir étudié l’ophtalmologie à Vienne auprès de Jaeger, Jules Sichel créa, en 1832, la première clinique ophtalmologique de Paris qui devint l’un des centres de recherche et d’enseignement le plus actif et réputé de l’époque. Il donna également des conférences à l’Hopital Saint Antoine, publia de nombreuses monographies, la plus importante étant l’Iconographie Ophthalmogique, et permit à cette spécialité d’être reconnue par la médecine générale.
187316523Paris, J. Rothschild, 1873. In-4 de [8]-IV-267 pages, demi-chagrin vert, dos à nerfs orné de filets et fleurons dorés, tranches dorées. Etiquette de la librairie George, à Genève.
18481604Paris, Administration, 1848-1851. 5 volumes in-4 non paginés, demi-chagrin bordeaux, dos à nerfs ornés. Dos passés, garde et faux-titre déboîtés sur vol. 2,, accrocs aux coiffes sup. vol. 3, 4 et 5.
190443755Stuttgart.: Julius Hoffmann. Volume 15. 1904. 57 of 60 color plates mostly chromolithographic with some process prints loose in 14 x 10 inch color decorative cloth covered board folder. Folder soiled with light wear to extremities and dampstaining to two edges; 3 MISSING PLATES 4 21 and 37 plates in very good bright condition with faint damp stain to upper right edge of many plates not affecting image and occasional faint soiling outside image area. A gorgeous collection of Art Nouveau decorative patterns graphics and illustrations including plants figures and animals. For draftsman painters graphic artists decorators sculptors and architects. Text in German. . Julius Hoffmann. hardcover books
188563673London: Society for Promoting Christian Knowledge Einrik & Binger Chromolithographers 15 Holborn Viaduct 1885. Folio. 12 x 15.5 in. 38 pp unpaginated. With 15 chromolithograph colour plates each with facing text leaf. Olive-green pictorial publisher’s cloth gilt decorative lettering front cover British ferns depicted in green & black decorative endpapers minor edgewear minor bumping to corners head & foot of spine slight occasional foxing still a VG- bright copy. First edition of this wonderful production by the noted British botanist designed to depict all British fern varieties in nearly life-size formats through the chromolithography of Einrik & Binger. This was designed to serve as a key visual reference for the legions of specimen and herbarium collectors during the Victorian fern rage or Pteridomania where enthusiastic and often zealous during the last half of the 19th Century filled ferneries created fern cabinets and herbariums. Ferns varieties illustrated within encompass Royal Fern Broad Buckler Fern Harstongue Mountain Buckler Fern Holy Fern Brittle Bladder Fern and many others. Heath 1843-1913 was a noted British botanist civil servant editor of Gilpin’s “Forest Scenery†and a pioneering force in the Open space and Green Belt movements across Victorian England. Einrik & Binger produced chromolithographs & lithographs for very few British & European illustrated works and are not included in Twymann’s History of Chromolithography. Society for Promoting Christian Knowledge, [Einrik & Binger, Chromolithographers, 15, Holborn Viaduct], hardcover
4825Suite de 24 Chromolithographies(plus une)sous passe-partout cartonnés à biseaux dorés.1)Friedrichshafen 2)Rheinfall bei Schaffhausen 3)Schloss Chillon 4) Sschloss Marschlens 5) Das Metterhorn 6)Der untere Reichenbachfall 7) Der Eiger ; 8) Der Berninaffall 9)Die junfrau .10)Der Grosse Ruchen 11) Schlosss R häzüns 12)Staubbach 13)Misocco 14)Ruine Wartenstein bei Ragatz 15) Blümhsalp 16)Selisberg 17 Kirche Von Montreux (en double) 18)Schlosse V Brüche B St Maurice 19)Katzis im Damleschg-Thale 20)Thuner See 21)Am Walensee 22)Bräenzersee 23)Stanstad 24)Vierwaldstätter see. L’ensemble dans une chemise cartonnée à rabats,pleine toile rouge d’éditeur,titre doré sur premier plat.Sans mentions. Très bon état,proche de l’état de neuf
187620202Berne: Buri & Jeker; Libraire J. Dalp 1876. Chromolithograph title 39 of 40 fine chromolithograph plates after the original costumes by Jauslin and Roux and printed by C. Knusli of Zurich. 1 vols. Oblong folio. Original brown cloth with cloth lithograph on upper cover hinges cracked occasional marginal foxing else near fine and attractive. Chromolithograph title 39 of 40 fine chromolithograph plates after the original costumes by Jauslin and Roux and printed by C. Knusli of Zurich. 1 vols. Oblong folio. Buri & Jeker; Libraire J. Dalp unknown
187620202Berne: Buri & Jeker; Libraire J. Dalp 1876. Chromolithograph title 39 of 40 fine chromolithograph plates after the original costumes by Jauslin and Roux and printed by C. Knusli of Zurich. 1 vols. Oblong folio. Original brown cloth with cloth lithograph on upper cover hinges cracked occasional marginal foxing else near fine and attractive. Chromolithograph title 39 of 40 fine chromolithograph plates after the original costumes by Jauslin and Roux and printed by C. Knusli of Zurich. 1 vols. Oblong folio. Buri & Jeker; Libraire J. Dalp unknown books
187014678Bâle, C.F. Spittler, s.d. (1870) ; in-8 ; cartonnage d'éditeur vert-or-noir à décor orientaliste sur plats biseautés, titre doré dans un grand cartouche, toutes tranches dorées ; (3) ff. de titre, préface par Félix Bovet et table des matières (liste des plantes en latin, français, anglais et allemand), 54 planches chromolithographiées protégées par des serpentes blanches de papier fin.
188754443Leipzig: Verlag von J.G. Bach 1887. Thick 4to. 12.5 x 10 in. 166 pp. Ornamental decorated title in red & gilt 90 colour chromolithograph plates. Recent half-cloth binding over marbled boards gilt lettering on spine very minor chipping to corner of illustrated title former ownership initials at foot of title page still a VG copy. Second edition revised & expanded over the original containing stunning chromolithograph plates of Germanic folk costumes executed by this costume designer during his travels through the territories of the Reichsland from 1864 throught 1870. He has included samples of Bavarian Bohemian Brandenburg Tyrolian and many other regions of Germany and the Austro-Hungarian Empire during the Victorian Age. Kretschmer 1825-1891 studied art at the Prussian Academy of Art was renowned for his detailed drawings and watercolour paintings of traditional German costumes and was the costume designer for the Konzerthaus Berlin. Verlag von J.G. Bach, hardcover
189558200Hervest-Dorsten in Westphalia: Stevens & Schurholz ca. 1895. Oblong 4to. 10.5 x 8.25 in. 24 pp. With colour chromolithograph illustrations throughout including 12 plates half- and full-page & colour chromolith text sample illustrations in colour. Colour-printed softcovers lettering in red & black birds-eye view of factory on front cover minor rubbing minor soiling edgewear 1 small closed tear at foot of spine still a VG bright copy. First edition of this particularly rare chromolithograph sample catalogue for the noted German Coir Rug weaving firm Stevens & Schurholz. The company’s rugs were woven from the husks of coconut shells and proved to be an exceptionally durable fiber for heavily trafficked areas with several depicted in this catalogue. These include churches hotel entrance rugs restaurants dining room mats and rugs outdoor portico and veranda rugs -- exceptional image here showing not only the sample rugs but also an Aquarium fountain side table along with machine factories trains gymnasiums pools and stables. The brilliantly coloured and displayed patterns incorporate geometric pictorial and simple solid colour patterns. These Coir rugs were often used in pools bath houses and onboard ships as they were mold resistant and could be repeatedly cleaned. The company was founded in 1887 by Stevens & Schurholz as the Open Trading Company later changed to Schurholz & Sohne after the Stevens family left the business and continues to operate as the Linea Naturale company. Dating was arrived at not only through the particular sleeves for the women’s fashions as well as one image of German infantry soldiers wearing Chevaulegers Waffenrock uniforms with the model of officer’s caps used until about 1897. No copies in Worldcat; See: Linea Naturale We Are a Family Business 2021. Stevens & Schurholz, paperback
185811572Londres, Hurst and Blackett ; 1858 ; in-8, cartonnage de l’éditeur en percaline verte décorée et dorée, titre doré ; VIII, (4), 611, (1) pp., 20 planches hors-texte en chromolithographie, 32 gravures sur bois in-texte, 1 grande carte dépliante hors-texte.
EPA1JB34 chromolithographies, ESTOPPEY (David), áL'Arme suisseá,ábel exemplaire, Gen¿ve, Ch. Eggimann & Cie, diteurs, 1894, in-folio (43,5 x 32 cm), demi-percaline lie-de-vin, plats de percaline cr¿me, au premier plat polychrome, un soldat suisse sonnant du clairon (trompette de carabinier, grande tenue, planche 7) dans un paysage montagneux, au second plat, vignette en noir : trophe d'armes croises (drapeau, fusil, afft de canon), rouleau portant un sceau, branche de ch¬ne avec blason suisse coiff d'un shako (Hug fr¿res & Co, relieurs, Zurich), couverture chromolithographie conserve, 73 pp., non rognes. Lettre-prface par le colonel Frey, 8 chapitres par divers auteurs sur les corps et services de l'arme (illustrs de 8 t¬tes de chapitres et 7 culs-de-lampe en noir) et 34 chromolithographies par D. Estoppey, montes sur onglets, lgendes bilingues allemand-franºais (lith. Artistique Zurich, c.d. Frey et Conrad). Traces d'usures aux coiffes et en queue, menues raflures sur le premier plat.
In 1935, Chocolates Amatller, a Catalan company based in San Sadurni d'Anoia, issued 80 different trading cards depicting scenes from Don Quixote by Jose Segrelles. One of these brightly-colored chromolithograph cards was included in each box of chocolates sold by the company. I offer two proof sheets, ENTIRELY UNCUT, JUST AS THEY CAME OFF THE PRESS, with the complete collection of these 80 cards. The first sheet comprises 81 cards representing scenes from the first part of Don Quijote, the second sheet has 81 cards with scenes from the second part (so 162 scenes in all). 79 of the cards are in duplicate, and two are in triplicate, so TWO COMPLETE SETS COULD BE FORMED BY CUTTING THE SHEETS. Each sheet measures 100 x 70 cm. In excellent condition, with the colors very bright. An extraordinarily rare survival.
189049955London & New York: Ernest Nister ca. 1890. Six vols. 12mo. 144 pp unpaginated. Each vol. w/ 4 colour chromolith plates. Colour chromolith boards green linen backs minor edgewear slight scuffing to fore-edges very minor wear to corners slight pulling at staples still a VG bright set. First editions of this charming and popular series of miniature books produced with the wonderful chromolith illustrations expected of Victorian Nister books printed in Nuremberg Bavaria. The stories vividly portray the usual rosy cheeked children playing with kittens puppies rabbits and other pets. Ernest Nister, hardcover
1861AUB-5334Neuchâtel, Imp. de Ch. Leidecker 1861. Bon exemplaire relié, reliure demi-toile d'époque, dos avec titres dorés, pet. in-4 carré, 55 pages avec table + planches.
2631Alfred Mame et fils, Tours, 1878.
a97049Paris 1868 Librairie Agricole de la Maison Rustique. Hardcover. Sm.4to. 9.75 x 7 inches 480p. 47 stunning botanical chromolithograph plates - 2 moths fruit mostly flowers - each with tissue. Brown and yellow marbled boards with vellum spine and mounted gilt printed black leather spine label. Good plus. All plates have some light foxing. Binding secure; hinges not cracked; no owner marks. . hardcover
21056MAME TOURS 1898 - EDITION NATIONALE - 2 volumes In-Folio. Cartonnage d'éditeurs,gd.IN4 cartonnage rouge decoré editeur - ill.in et ht en chromolithographies de J.J.TISSOT- 365 illustrations dont deux titres-frontispices, 14 gravures en taille-douce et 22 lithographies en couleur,un feuillet derelié,Deuxième édition plus accesible que la première "de luxe", tiré à 1000 exemplaires.Edition nationale. La Sainte Enfance. La Prédication. La Semaine Sainte. La Passion. La Résurrection. Illustrations: lithographies en couleur, et fac-similés sur cuivre et sur bois, dessins explicatifs.
1890018489Rochester NY: James Vick Seedsman 1890 & 1891. First Edition. Hardcover. Slight fraying of outer edges of three plates in the second volume which lacks its title page. Bright clean copies inside and out. Fine. Two octavo 5-1/4" x 8-1/4" volumes bound in dark green publisher's blindstamped cloth. Illustrated with 22 bright chromolithographs of flowers. The 1891 volume ends with the October issue and contains the final chromolithograph of the series. The October 1891 issue announced that beginning with the next issue Vick's Magazine would be enlarged to three columns a page and its price reduced to fifty cents a year. Henceforth it would be published by the Vick Publishing Company with the seed business to be conducted by James Vick's Sons. The new magazine would not be as "pretentious" as CENTURY HARPER'S or SCRIBNER'S "but in proportion to the price will contain fully as much matter." Two hundred thousand copies of the first issue were printed. The new magazine contained more literature on general topics than before and gone were the beautiful color frontispieces. <br/><br/> James Vick Seedsman hardcover
