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196328988Les éditions Roger Dacosta, 1963. Grand in-8 relié (27,5 x 20 cm), cartonnage pleine toile rouge, ornement doré et titre en noir sur le premier plat, 50 pages de texte, 122 planches de dessins hors-texte, 16 pages de table des planches.- 910g.C.- Edition originale tirée à 3000 exemplaires numérotés, celui-ci le n° 2079 - Très bon état
ill., br. Un dossier dedicato ad Albrecht Dürer. In sommario: L'immagine di sé; Italia magistra: i soggiorni nella penisola e la loro influenza; Un artista al servizio del Sacro romano impero; Il maestro dell'incisione; Fu mai arte luterana? Come tutte le monografie della collana Dossier d'art, una pubblicazione ricca di riproduzioni a colori, completa di un quadro cronologico e di una bibliografia.
192395104Leipzig/Berlin, B.G. Teubner 1923. 1923. 4°, XV S., 160 S., 25 Bll. mit 68 s/w Abbildungen und dem Errata-Zettel, Orig.-Leinen.
Spanish translation of Panofsky's classic work on Durer. 325 illustrations. 4to, original wraps. Fine.
197734399München, Rogner & Bernhard Verlag, 1977. gr. 8°, 440 S. + 325 Bilder; Ins Deutsche übersetzt von Lise Lotte Möller; Bezahlung per PayPal möglich, we accept PayPal, OU. ger. beschabt u. angeknittert, Schnitte stockfleckig, altersbed. Bräunungen, ger. Gebr.sp., Leinen
199546510München: Rogner & Bernhard 1995. XXXI, 440 S., 325 Abb. auf Taf. Lit.verz. Reg. Br.
197722524(München), Rogner & Bernhard, (1977). 4to. Mit 325 Tafelabb. XXXI, 440 S. OLwd. m. blindgeprägt. Deckel- u. Rückentitel sowie Orig.-Schutzumschlag im OPp.-Schuber.
197748866München : Rogner und Bernhard, 1977. XXXI, 440, [148] S. : 325 Ill. ; 25 cm Leinen
Panofsky, Erwin: The Life and Art of Albrecht Dürer. Princeton University Press, 1971. 317 pages of text and 325 black and white illustrations. With tea stains on the front cover. Paperback. 26 x 18cms. First paperback printing of Panofsky's biography of Durer. First paperback printing of Panofsky's biography of Durer.
748Madrid: Alianza 1995. Spanish translation of Panofsky's classic work on Durer. 325 illustrations. 4to original wraps. Fine. <br/><br/> Madrid: Alianza, 1995 paperback
br. «Fu in Germania che, nel Quattrocento, l'invenzione della stampa, dell'incisione e della xilografia fornì al singolo la possibilità di diffondere le proprie idee in tutto il mondo. Proprio mediante le arti grafiche la Germania assurse al ruolo di grande potenza nel campo artistico, grazie principalmente all'attività di un artista che, benché famoso come pittore, divenne una figura internazionale solo per le sue doti di incisore e xilografo: Albrecht Dürer. Le sue stampe per più di un secolo costituirono il canone della perfezione grafica e servirono da modelli per infinite altre stampe, come pure per dipinti, sculture, smalti, arazzi, placche e porcellane, non solo in Germania, ma anche in Italia, in Francia, nei Paesi Bassi, in Russia, in Spagna e, indirettamente, persino in Persia. L'immagine di Dürer, come quella di quasi tutti i grandi, è cambiata secondo l'epoca e la mentalità in cui si è riflessa, ma sebbene le qualità distintive della sua innegabile grandezza furono variamente definite, questa grandezza fu riconosciuta subito e mai messa in dubbio».
13343Ed. Hazan, 1987. Fort volume in-4 br. Coll. " 35/37 ". Jaquette illustrée. Traduit par Dominique Le Bourg. Très importante iconographie en noir & blanc. E.O.
1926501013Leipzig: Dieterich'sche Verlagsbuchhandlung 1926. 358 S., mit 33 Lichtdrucktafeln, 24cm x 17cm
439Verona: Officina Bodoni 1971. Limited Edition. Fine. Albrecht Dürer. 8vo; 9 x 6 in. 230 x 153 mm; 222 pp. One of 135 copies on Magnani paper Dante type. 37 woodcut illustrations after Dürer with accompanying poetic text by Fra' Benedictus Chelidonius. Original russet morocco-backed boards gilt fillets and titlling t.e.g. others uncut plastic dust-jacket leather-tipped board slip-case. <br /> <br /> Mardersteig 171. In the years 1508 to 1511 Albrecht Dürer created three famous sets of engravings two Passion of Christ and the Life of Mary. Among them the Passio Christi known as the "Small Passion" to distunguished it from the one with bigger format is considered DÜRER'S MASTERPIECE. <br /> This edition was issued to mark the 500th anniversary of Albrech Dürer's birth. It includes 37 images including the engraving on the frontispiece and is notable for the artist's focus on the essence of depiction. The works were cut in wood by the Italian master-engraver Leonardo Farina. As in the first and very rare 1511 edition this volume's verses are in latin commissioned by Dürer for this work from the monk Benedictus Chelidonius / Benedikt Schwalbe. The Italian translation by the poet Enzio Cetrangolo is included in the book as well as an essay by the publisher Giovanni Mardersteig on the work of Dürer and the verses of Benedikt Schwalbe. Officina Bodoni unknown
192825923Leipzig, Fr. Seyhold's Verlagsbuchhandlung, 1928. 76.-100. tausend und 101.-110. tausend 101 Seiten , 36 cm, kart.
1522606091522. Nuremberg 1522. First edition. Nuremberg 1522. First edition. With a Full-Page Allegorical Frontispiece by Albrecht Durer Featuring Lady Justice Her First Appearance in a Book Nuremberg. Durer Albrecht 1471-1528. Reformacion der Stat Nuremberg. Nuremberg: Fridrichen Peypus 1522. xxxvi 30 208 ff. Folio 12" x 8" 30.5 x 20 cm. Contemporary panel-stamped reversed calf with traces of gilt stamping early repairs to spine ends clasps present and intact endpapers renewed at some point. Some rubbing to extremities chipping to head of spine a few scuffs and stains to boards small crack to front joint rear hinge cracked due to worming minor worming to fol. 208. Allegorical frontispiece by Durer featuring Lady Justice and a female figure representing charity attractive woodcut decorated initials throughout. Light toning to text some leaves lightly browned faint stains and foxing to a few leaves wide margins. "1522/ jahre" to title page in near-contemporary hand interior otherwise clean. $12500. First edition and only edition with Durer's frontispiece which includes an image of Lady Justice. This was the first time her image appeared in a book. Nuremberg was the center of the Renaissance in Germany and was its leading cultural and intellectual center until the end of the sixteenth century. These qualities are reflected in the contents and design of this volume. Enacted in 1479 the Reformacion or Reformed Civic Legal Code of Nuremberg is known for its humanistic orientation straightforward language and elegant production. It is also notable as the collection of German city laws to be issued in print. The 1522 issue by Peypus is notable for its splendid full-page frontispiece by the great Nuremberg artist Albrecht Durer which was originally issued as an independent print in 1521. The bottom half depicts two putti displaying the arms of the city and empire. The upper half depicts Lady Justice holding scales and a sword and a female figure representing charity who is pouring coins from a purse and opening her bodice to bear her heart which is represented by a flame. The woodcut initials are finely carved and possibly the work of Durer or his workshop. OCLC locates 4 copies in North America 1 in a law library Harvard. Verzeichnis der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts N2027. Meder Dure. unknown books
Paris, Braun, 1946, 16mo brossura originale con copertina illustrata, pp. (12) con 12 illustrazioni + 60 tavole (Les Maitres) .
1876S84491Liége, J. Gothier 1876 266pp., 17cm., br.orig. avec qqs. petits manques, non coupé, ex dono sur fausse page de titre, bon état, S84491
266pp., 17cm., br.orig. avec qqs. petits manques, non coupé, ex dono sur fausse page de titre, bon état, S84491
193527666Freiburg : Herder, 1935. S. 199 8° , Leinen , Gutes Exemplar
1959V14917München (AWA) 1959 (= Zeit und Bildnis Band I Maler, Erste Ausgabe). 8°, Originalkarton mit illustriertem Originalumschlag (Hardcover), 64 s., 24 Farbtafeln
A clean, unmarked book with a tight binding. Edge wear and a bit of curl to cover. Peeling laminate on cover. 8 3/8"w x 11 1/4"h. 222 pages.
196810169Leipzig : VEB E.A. Seemann Buch und Kunstverlag, 1968. 14 S.; 8 farb. Abb. auf Tafeln u. / Textabb. geh.; Broschiert
186673009Paris, Renouard, 1866. 144 S., Halbpergament. 4to
10465, Brussel, Paleis voor Schone Kunsten, 1977., Originele geillustreerde uitgeversomslag in kleur, 20,5x20,5cm, 219pp, geillustreerd z/w.