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187865468Firmin-Didot 1878 1 vol. relié fort gr. in-8, reliure demi-chagrin vert à coins bordés d'un filet doré, dos à nerfs, caissons décorés de motifs dorés, tête dorée, X-563 pp., 75 reproductions gravées in et hors-texte. De petits frottements aux coins et aux coiffes, sinon bel exemplaire, bien relié à l'époque.
21547Antwerpen, De Lacroix / Stad Antwerpen, 1840 / 1985 Gebonden, blauw linnen band, 23,5x15cm, 89pp, geillustreerd z/w.
1971R200129492Rowohlt. 1971. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Coiffe en pied abîmée, Papier jauni. 157 pages, nombreuses illustrations et reproductions en noir et blanc hors texte - Livre en allemand - coins frottés.. . . . Classification Dewey : 430-Langues germaniques. Allemand
1817201930<p>London: R. Ackermann's Lithographic Press 1817. 1st Edition. Hardcover. Very Good. Folio. Durer Albrecht. Leather spine and corners over marbled paper-covered boards five raised bands to spine compartments stamped in gilt top edge gilt marbled endpapers 14.5" x 10.5" 45 plates including title page & text facsimile. Very strong binding pleasant exterior; some foxing to plates--mostly quite minor larger but still light in color on the margins of the last several plates. The first book printed by lithography in England; each plate of design is one color--black green purple red brown etc. Text page and title page are in red & black. A nice copy of a beautiful book which also has its place in the history of printing.</p> R. Ackermann's Lithographic Press hardcover
A9781169716186New. unknown
0483247812.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
B9781169716186New. unknown
0483216151.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1018084703.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1169716180.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
181719583<p>London: R. Ackermann 1817. First edition. Hardcover. Recased in quarter brown morocco and maroon boards. Very good. Durer Albrecht. 8 pages in text. Folio 38 x 28 cm. Portrait title in red and black forty-three lithographic plates of borders printed in various colors. An important printing milestone the first book printed by lithography in England. ABBEY LIFE 202. "Attempts had been made earlier at lithography as witness Forbes's Oriental Memoirs' which contain a few specimens engraved in 1811 but this book is the first serious attempt to popularize the new method. Books from Ackermann's Lithographic Press' are scanty." Bookplate contents fresh and clean light dampstain to a few leaves at hinge head slight rubbing to joints front cover rehinged. Orig. front cover laid-in at rear.</p> R. Ackermann hardcover
186673009Paris, Renouard, 1866. 144 S., Halbpergament. 4to
Ramerding, Berghaus Verlag, 1980. In-4 relié toile bleue ornée d'un bois gravé, jaquette, 244 pp. Quelques rousseurs sur la tranche supérieure, sinon TB état.
181719583London: R. Ackermann 1817. First edition. Hardcover. Recased in quarter brown morocco and maroon boards. Very good. Durer Albrecht. 8 pages in text. Folio 38 x 28 cm. Portrait title in red and black forty-three lithographic plates of borders printed in various colors. An important printing milestone the first book printed by lithography in England. ABBEY LIFE 202. "Attempts had been made earlier at lithography as witness Forbes's Oriental Memoirs' which contain a few specimens engraved in 1811 but this book is the first serious attempt to popularize the new method. Books from Ackermann's Lithographic Press' are scanty." Bookplate contents fresh and clean light dampstain to a few leaves at hinge head slight rubbing to joints front cover rehinged. R. Ackermann hardcover books
1013362748.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
xliv + 56pp. + 2O planches hors-texte, Edition originale de 1937, 27cm., brochure originale, bon état, S101781
In 8° pp. 128 con 24 tvv. n/t. br. edit.(Les grands artistes)
153271508first volume 2 Ai-Oiii 179 leaves including folded second volume a1-j5 55 leaves including folded 268 pages across the 2 books 12 leaves in facsimilie illustrated throughout with black and white line drawings 96 full page illustrations 4 folded plus 24 within the text also various tables within the text text in Latin Published by Hieronymus Andreae [In aedib viduae Durerianae] hardcover
0267045387.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332288935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332288609.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331440989.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
153266816Norimbergae Nürimberg Nuremberg: In aedib. viduae Durerianae Hieronymus Andreae 1532. Fine. In aedib. viduae Durerianae Hieronymus Andreae Norimbergae Nürimberg Nuremberg 1532 20.50 x 32 cm relié Alberti Dureri clarissimi pictoris et geometræ. De symmetria partium in rectis formis humanorum corporum In aedibviduae Durerianae Hieronymus Andreae Norimbergae Nuremberg 1532 folio 20.5 x 32 cm 80 f. A-E6 F4 G-N6 O4 full parchment First edition of the Latin translation created by Joachim Camerarius the work appeared in German in 1528 under the title Vier Bücher von menschlicher Proportion. Our edition contains the first two books the following two will be published in 1534 under the title De varietate figurarum et flexuris partium ac gestibus imaginum. We will have to wait until 1557 for Louis Meigret's French translation to be published. Our edition is illustrated with 85 large wooden insert illustrations and many other smaller in-text illustrations the same as those used in the original German edition. The title page shows Dürer's well-known monogram. Gothic text. The last white leaf missing in most copies is present here. Large greatly fresh margined copy. Full parchment with preserved laces. Very beautiful copy of the most sought-after of Albrecht Dürer's technical works. The illustrations required the examination of several hundred male and female models and something rarer for the time children. These extremely precise analyses resulted in anthropometrical impressionist drawings showing the human body as a whole and also in detail hands feet heads etc. Each drawing squared or scaled in the margin allows the models to be easily reproduced the book being intended to avoid errors of proportion for young artists. Joachim Camerarius' Latin translation humanist and close friend of the author had at the time an essential role: it gave Dürer's work until then written in archaic German a significant audience; without Camerarius Michelangelo would never for example have known of Dürer's theory of proportions. Dürer whose godfather Anton Koberger published La Chronique de Nuremberg in 1493 frequented the world of printing and engraving very early on and unlike his contemporary Florentine Leonardo da Vinci who published nothing he produced several theoretical treatises. It was during a trip to Italy in 1494 that he met Jacopo de' Barbri 1445-1516 who introduced him to the role of mathematics in perspective and the study of the proportions of the human body. On returning to Germany he opened a workshop became the painter of Maximillian I of Habsbourg and joined the Great Council of the City of Nuremberg. Recognition is complete and Dürer becomes an internationally known artist with the knowledge and ability for well-received thought. In the last years of his life not abandoning the pictorial arts Dürer encouraged by his humanist friends spends most of his time writing. Determined to leave the results of his long theoretical thoughts for posterity he publishes several treatises: Instruction sur la manière de mesurer 1525 Instruction relative aux fortifications des bourgs villes et châteaux 1527 and finally Traité des proportions du corps humain 1528. In keeping with the artistic considerations of the Renaissance the intention of this last treaty is to establish a scientific basis geometrical and arithmetical applied to aesthetics and thus to provide practical guidelines aimed at achieving anatomical perfection. A true artistic testament this emblematic work will have a considerable influence on the history of Western art. In aedib. viduae Durerianae[ Hieronymus Andreae] unknown
0332417360.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332650669.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
