2 119 résultats
200620185Paris, Denoel, 1984 ; petit in-4, 62 pp., broché, couverture illustr.
114998Moscow Izobrazitel'noe iskusstvo 1972. . First edition presentation copy signed by A. Sokolov on the verso of the upper portfolio board folio 38 x 28.5 cm; complete with 34 plates of which 16 are double page each with descriptive text on the verso 36pp. of text by Denisov and Alimov in a separate booklet also with an introduction by Yuriy Gagarin; housed together in the original blue leatherette portfolio enamel and metal USSR medallion to upper cover and title in silver a very good copy.<br /> Presentation copy of the first edition inscribed by the space fantasy artist Andrei Sokolov to Fuad Borisovich Yakubovskiy Soviet minister for 'special construction projects'.<br /><br />A striking portfolio of Soviet space art with thirty four plates depicting imaginary spacewalks satellite constructions curious spacecraft dreamy constellations and unexplored planets and moons. One of the artists A. Leonov was the pioneering cosmonaut who made the first spacewalk exiting the capsule during the Voskhod 2 mission. Art however was his first love and he was the first person to sketch earth from space. He often collaborated with his close friend Andrei Sokolov who unlike Leonov did not have first hand experience of space and instead chose to paint a more fantastical picture. <br /><br />The album was published to mark the 15th anniversary of the launch of Sputnik and is a glorious example of ambitious propaganda. It was clearly designed to make an impact with the elaborate portfolio case and wonderful illustrations which are often highlighted with silver. The inclusion of real life space missions alongside imagined realities of the future is an assertion of the potential for Soviet cosmonauts.<br /> Moscow, Izobrazitel'noe iskusstvo, 1972. hardcover
1991DESSIN7979790426Mulhouse, Editions du Rhin, 1991, 19,7 x 33,4, non paginé, percaline éditeur illustrée. Iconographie en couleurs.
18601086London: Ward & Lock. c.1860. First edition thus. Publisher's original colour-printed pictorial yellow card wrappers. Octavo 25 x 16.5cm. 8pp. printed on one side only and mounted on linen. Each page illustrated with a hand-coloured wood engraving by the Dalziel Brothers. Publisher's adverts to the rear cover verso. A very good copy the binding secure with a little separation to the covers at the foot of the spine a small chip to the head of the rear cover and minor wear to the extremities. The contents with scattered foxing are otherwise in very good order. A scarce mid-nineteenth-century edition of Sleeping Beauty the pages linen-backed and the illustrations hand-coloured. The title forms No. 11 in Ward and Lock's 'The National Nursey Tales' series which according to the publisher's advertisement are "handsomely printed with Coloured Illustrations price 6d. each or on Cloth indestructible 1s. as in the present copy. The attention of the Public is particularly called to this beautiful Series of Children's Books which are in every respect of a superior character. The drawings are by eminent Artists and the Engravings by Dalziel Brothers".</p><p>Only one institutional copy recorded in Britain according to Library Hub V&A. London: Ward & Lock. hardcover
1907CAR100MParis, Juven, 1907, In-8° avec reliure en demi chagrin aux coins. Non paginé, autour de 150pp. largement illustrées avec des gravures d'époque.
Paris, Garnier frères, 1867. 2 volumes in/4 reliures demi-chagrin à coins, dos à nerfs à titres dorés, fleurons et titres dorés, doré sur tête, planches par Grandville aquarellées à la main : tome 1 : 29 planches hors-texte dont un frontispice, 339 pages ; tome 2 : 25 planches dont un frontispice et deux en noir (botanique), 324 pages. Textes par A. Karr, Taxile Delord, Cte Foelix. Dos insolés et rousseurs éparses sur les pages de texte. Première édition de cet ouvrage en 1847. Biblio Carteret p. 286.
Librairie Hachette, Paris, 1889. Grand in-4 (31 x 23 cm) broché, couverture illustrée d'une vignette sous une chemise de velours (soie façonnée sur les gardes), 11 planches hors-texte et un portrait gravés par différents artistes (illustrations hors-texte de Myrbach ; ornements typographiques de A. Giraldon ; le portrait en frontispice d'après P. Baudry), 224 p. Exemplaire numéroté sur vélin du Marais avec une suite sous serpente légendée. Usures sur les coiffes et les coins de la couverture de velours. Biblio : Monod 12.
119876London R. Ackermann 1808-10. . First edition early issue with ALS loosely tipped to first blank; 3 vols large 4to 34 x 28 cm; letter from Augustus Welby Pugin to T. Bury dated 1839 restored and laid on linen wood-engraved titles engraved dedications 104 hand-coloured aquatint plates by Bluck Stadler and others after Pugin and Rowlandson watermarks 1806-1808 bookplate to pastedown; twentieth-century half crushed morocco by Zaehnsdorf gilt ruled cloth boards spine lettered in gilt in six gilt compartments all edges gilt marbled endpapers a fine set.<br /> This is a splendid work with the preferred pre-publication watermarks exhibiting a depth and richness of colouring. The Microcosm offers an incomparable panorama of Regency London both high and low from sedate drawing rooms to the brawling and boozing street life of the metropolis captured in matchless hand-coloured aquatint by the inspired pairing of Pugin and Rowlandson. Most of the plates are in their first or second state with plate 12 and 39 in the rare first state.<br /><br />With an autograph letter by Augustus Welby Pugin 1812-1852 pioneer of the Gothic Revival architecture movement to probably Thomas Talbot Bury 1809-1877 his long time friend and collaborator dated 1839. The letter describes a drawing Pugin made of Macclesfield Church St Michael and All Angels including directions to Bury for his engraving of the image and is adorned with small sketches of the altar candles and statues. It was Augustus Welby's father Augustus Charles who produced the architectural drawings of this work and was the reason Augustus Welby and Bury were so intimate having apprenticed his son and Bury together.<br /><br />'Ackermann's The Microcosm of London. is a book of major importance. The architectural drawings were by Augustus Charles Pugin a French refugee who came to London in about 1798 "driven from his country either by the horrors of the French Revolution or by private reasons connected with a duel" . His lasting fame rests on his consummate ability as an architectural draughtsman. By a stroke of genius Ackermann engaged Thomas Rowlandson to add human figures to the drawings that Pugin made for The Microcosm so that the stately accurate and dignified qualities of that artist are enlivened by the vitality and charm of Regency life as depicted by one of the most vigorous draughtsmen of all time. To turn the leaves of The Microcosm is to take a walk though London at a singularly fortunate moment observing as we never can in real life the scenes of many celebrated incidents in English literature and history: the India House of Charles Lamb the King's Bench Prison of Dickens the Foundling Hospital of Captain Coram and Hogarth the Guildhall bombed by the Luftwaffe the Newgate of Harrison Ainsworth the Carlton House of the Prince Regent and so forth.' Thomas Great Books and Book Collectors 1975 p. 155<br /> Abbey Scenery 212; Tooley 7; Prideaux pp121-4. Franklin 49-54. London, R. Ackermann, [1808-10]. hardcover
2011Q-1609800877Seven Stories Press 2011-05-03. Paperback. New. In shrink wrap. Looks like an interesting title! Seven Stories Press paperback
4679Rouen, Imp. Léon Deshays, 1881. In-8 broché, 28 p. "Tiré à petit nombre". Dédicace de l'auteur à M. Paul Allard. Frontispice à l'eau-forte. Bon état : manque plats. Discours de réception à l'Académie des Sciences, Belles-Lettres et Arts de Rouen (Séance du 17 Décembre 1880).
1926149211926 maroquin blond, p. de t. vertes, tête dor., couv. et dos conservés, emboitage. (A.T.G.) 2 vol. in-12, 2 front., (4ff.), VI-402pp. (pagination continue), 42 pl. h.t. Paris, La Connaissance, 1926
194538405Angers: Editions Jacques-Petit 1945. WITH TWO IMPRESSIONS IN FIRST AND SECOND STATES OF ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. Etched half-title 16 pp. plus 12 loose engravings. A monograph on engraving followed by short biographies of each of the six artists accompanied by a suite of large engravings by Cami Cottet Decaris Jeannisson Hasegawa and Lemagny. From a total edition of 320 copies all printed on fine Marais wove paper this is ONE OF ONLY 60 SETS WITH THE ENGRAVINGS IN TWO STATES: THE FIRST STATE ON RIVES WOVE PAPER SIGNED IN PENCIL AND THE SECOND STATE ON MARAIS WOVE PAPER. Hasegawa's engraving "Anemones et fleurs de champs dans un verre a facettes" Kyoto 368 also known as "Bouquet sur fond de dentelle" is considered one of his masterpieces. Folio 38 x 28 cm. Loose as issued in the original folding case. Folding case lightly worn and spotted. CONTENTS FINE AND BRIGHT. ALL OF THE PRINTS IN BRILLIANT CONDITION. <br/><br/> Editions Jacques-Petit unknown
3086Angers: Editions Jacques-Petit 1945. WITH ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. 12 pp. plus 6 loose engravings. A monograph on engraving followed by short biographies of each of the six artists accompanied by a suite of six large engravings one each by Cami Cottet Decaris Jeannisson Hasegawa and Lemagny. From a total edition of 320 copies all printed on fine Marais wove paper. Hasegawa's engraving "Anemones et fleurs de champs dans un verre a facettes" Kyoto 368 also known as "Bouquet sur fond de dentelle" is considered one of his masterpieces. Folio 38 x 28 cm. Loose as issued. Missing title-page and justification but with complete text and all prints. The Cami and Jeannisson prints have a bit of mat burn on the recto and the Lemagny a bit on the verso. The other three prints including the Hasegawa are FINE AND BRIGHT. <br/><br/> Angers: Editions Jacques-Petit, 1945 unknown
33558Société d'Edition Artistique, 1900, in folio, reliure éditeur en pleine percaline verte, 158 pages. Une légère mouillure sur le haut des pages. Illustrations en noir et blanc pour les 7 artistes.
20102091202132802756elementary school 2010. Soft Cover. Fine. Number of pages: 207 15p Size: 25cm Number of books: 1 elementary school paperback
184327567London: Henry Colburn 1843. New Edition. Hardcover. vg. Octavo. x324pp. Bound in red morocco with gold border and spine tooled in gold. Expertly rebacked retaining original spine. Raised bands. Floral Dentelles. Top edge gilt. Marbled endpapers. Frontispiece engraving of author. Ornamental title-page border. Superb mid-nineteenth century publication on Windsor Castle. The former medieval castle now royal palace in Windsor in the English county of Berkshire is notable for its long royal history and its architecture. The original castle was built after the Norman invasion by William the Conqueror and since the time of Henry I it has been used by a succession of monarchs; it is the longest-occupied palace in Europe. Contents: Anne Boleyn. Herne the Hunter. The History of the Castle. Cardinal Wolsey. Mabel Lyndwood. Jane Seymor. Illustrated with etchings by George Cruikshank & Tony Johannot and wood-engravings by W. Alfred Delamotte. Two-inch split on joint at rear board along head of spine three-inch split along lower joints of front board firmly holding. Offsetting from inside of binding at edges of front- and rear endpaper. Slight age toning to outer edges of interior pages. Tight copy in very good condition. Tipped-in at blank page in front is an original handwritten 2 page signed letter dated May 10th 1880 by the author W. H. Ainsworth complaining to his binder about his work on "Now Monthly" . Letter in very good condition. Henry Colburn hardcover
0267900198.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
12682publication mensuelle, paraissant le premier de chaque mois, 20 pages, illustrées en noir et en couleurs, y compris la couverture in 4 broché, couverture illustré en couleurs. Chaque numéro est consacré entièrement à un artiste. Texte de Lucien PUECH. Montgrédien éditeur, Tallandier. Volume II Ferdinand Bac (petits frottements sur le premier plat). Volume III : Charles HUARD (une petite déchirure). chaque volume
197647504Charpentier / Lecture et Loisir 1976 185 pages poche. 1976. cartonné. 185 pages.
Paris, Hachette et cie, s.d. (années 20). In/4 cartonnage éditeur illustré en couleur, illustrations : planches - 11 modèles différents dont 10 en double (album de coloriage) Petits défauts à la couverture. Certaines planches ont été coloriées (les planches modèles sont intactes).
Paris, Hachette et cie, s.d. (années 20). In/4 cartonnage éditeur illustré en couleur, illustrations : planches - 9 modèles différents dont 8 en double (album de coloriage) Certaines planches ont été coloriées (les 4 planches modèles sont intactes).
190817419London, Nutt, 1908. XVii, 233 (1) pages, heliograph frontispice from a drawing by the author (Marianna and her Vision by the Fire). 8°, blue original cloth with gilt-stamped title and vignette on top, top edge gilt.
Edition d'Art H. Piazza Paris, 1932, 3 volumes in/8, couvertures rempliées illustrées d’une vignette, sous emboîtage. Illustrations au pochoir en couleurs de A. E. Marty, Tirage à 2250 exemplaires, un des 2000 sur papier vélin. Chaque volume comporte un certain nombre d’illustrations et des ornements décoratifs de Marty : vignettes de titres, frises fleuries et culs de lampe...le dessin en a été gravé sur bois par E. Gaspérini.
R100038420Non Renseigné. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Un peu tachée, bon état. . . . Classification : 270-Cartes Postales Illustrateurs
R100038419Non Renseigné. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Bon état. . . . Classification : 270-Cartes Postales Illustrateurs