Georges GUIERRE - Gus BOFABiblio.com
566 résultats
193972508Paris: Editions des presses modernes 1939. Fine. Editions des presses modernes Paris 1939 15.50 x 21.50 cm broché First edition one of 100 numbered copies on pure Lafuma paper deluxe copy. Handsome copy despite a slight angular bump to the head of the front cover and a pale stain in the margin of the back cover. Prefaces by Pierre Mac-Orlan and Roland Dorgelès. Illustrated work as frontispiece with a drawing by Gus Bofa. Editions des presses modernes unknown
1922172826Société littéraire de France Paris, Société littéraire de France 1922. In-8 relié demi-chagrin vert à coins. Dos à nerfs très ornés à motifs dorés. 199 pages ornées de bois gravées par Gus BOFA. Tirage limité numéroté, celui-ci n° 526/1220 sur vélin des papèteries Lafuma. Le dos est légèrement insolé sinon bel exemplaire
193972508Editions des presses modernes | Paris 1939 | 15.50 x 21.50 cm | broché
193881519Paris, La Tradition, 1938, in-4, en feuilles sous couverture rempliée, étui et chemise cartonnés, 101 pages. Un des 438 ex. sur vélin d'Arches numéroté et signé aux initiales par l'auteur, après 12 ex. sur Japon et 50 ex. sur vélin. Marques d'usage sur l'étui et la chemise. Légères rousseurs.
919Editions, La Tradition, 50, rue des Entrepreneurs, Paris, 1938. In-4 en feuilles de 160 pages au format 19,5 x 5 x 24,5 cm. Couverture rempliée, avec titre imprimé en vert. Livre glissé sous double emboitâge, avec titre doré au dos. L'emboitâge extérieur présente des frottis et des brunissures, mais il à remplit son office, en protégeant le livre, qui est resté en très bel état général. Exemplaire en partie non coupé; Préface de Pierre Mac Orlan. Frontispice et illustrations de Gus Bofa, pour un total de 5 eaux-fortes. Un des 438 exemplaires numérotés sur arches ( n° 144 ) et signé par l'auteur, après 12 japon et 50 arches avec état des eaux-fortes. Dédicace pleine page, certainement de la main de l'éditeur. Rare édition originale en superbe état général.155
191841717Reliure demi-chagrin caramel à coins. Dos à nerfs. Couverture conservée. Illustré de 70 dessins en noir de Gus BOFA dans et hors texte.
191813320Editions La Renaissance du livre 1918. In-12 broché de 239 pages au format 12 x 19 cm. Délirante couverture illustrée par Gus Bofa. Dos resté carré, mais soigneusement recollé sur la partie supérieure et sur le mors. Petites plissures au bord du 1er plat. Intérieur assez frais malgré un papier jaunissant. Belles illustrations de Pierre Mac Orlan en hors texte. Rare édition originale de ce roman écrit à 4 mains en assez bel état général. Exemplaire enrichi d'une belle dédicace autographe, signée de Francis Carco.
14645Paris, Mornay, 1923. In-8 carré, 161-(7) pp., demi-chagrin noir à coins, dos à nerfs, tête dorée, couverture et dos conservés.
22354COLLECTION COMPLÈTE. Chaque numéro consacré à un poète comprenant une préface et un portrait. Déc. 1933: Jean Follain, préface d’André Salmon. Janv. 1934: Max Jacob, portrait par Picasso. Fév. 1934: Gaston Bonheur. Mars 1934: Pierre Albert-Birot, préface de Guillaume Apollinaire. Avril 1934: Jean Le Louet, portrait par Metzinger. Mai 1934: Jean de Bosschère, préface de Follain, portrait par Balthus. Juin 1934: Jacques Dyssord, préface de Gus Bofa. Nov. 1934: Roger Lannes, préface de Max Jacob. Déc. 1934: André Salmon. Janv. 1935: Audiberti. Juil. 1935: Yanette Delétang-Tardif, préface d’Edmond Jaloux, etc.
01079Paris: Le Rayon d'Or/Librairie Gallimard 1952. A Spectacular Copy in a Unique Artist's Binding<br /> Inscribed by Jules Romains with Inscriptions by Georges Duhamel and Gus Bofa <br /> With an Original Drawing Autograph Letter and Provenance Note<br /> A Singular Enriched Association Copy of Les Copains<br /> <br /> DUHAYON Henri binder. BOFA Gus illustrator. ROMAINS Jules. Les Copains. Avec douze aquarelles par Gus Bofa. N.p. Paris: Le Rayon d'Or 1952. <br /> <br /> First edition illustrated by Bofa limited to 3500 numbered copies sur vélin blanc des Papeteries de Lana this being copy 3152. <br /> <br /> Octavo 8 1/4 x 6 1/8 in; 208 x 153 mm. 200 1 1 blank 3 table 1 blank 1 colophon 1 blank pp. Twelve full-page aquarelle illustrations one of which has been inscribed by the artist to the owner.<br /> <br /> A striking abstract painted binding by Henri Duhayon of Nice signed in gilt on the inside front turn-in: "Relié H. Duhayon Nice." Full crushed cordovan morocco spine lettered in gilt with vividly hand-painted lacquered paper boards in a modernist all-over composition of black yellow orange blue and red brushstrokes and grid patterns reflecting the anarchic spirit of the text. Top edge gilt. Custom painted endpapers. A superb and very fine copy in a matching leather-edged slipcase.<br /> <br /> With the following additions:<br /> An original ink and watercolor drawing by Gus Bofa showing the riotous group of copains with their characteristic red cheeks - annotated and inscribed to the owner at foot: "Mr. Jean Francesche cordialement Gus Bofa."<br /> <br /> An autograph letter signed ALS by Bofa dated 24 November 1958 addressed to the owner Jean Francesche explaining the curious omission of a head in one of the illustrated characters: "Votre 'copain sans visage' n'a pas perdu la tête - il n'en a jamais eu. Jules Romains l'a voulu ainsi."<br /> <br /> A tipped-in typed letter signed TLS by the owner Jean Francesche explaining how he assembled this copy after reading Romains's Souvenirs et confidences d'un écrivain tracing the culinary reference to Duhamel contacting him for clarification and engaging Bofa in a whimsical debate over the incomplete drawing. Francesche's commentary includes typed quotes from Souvenirs and his note concludes: "Je pense que tout cela augmente l'intérêt de ce charmant volume." Francesche's signed ex-libris is blindstamped to the inside front cover turn-in.<br /> <br /> A remarkable object of literary friendship bibliophilic playfulness and aesthetic invention.<br /> <br /> First published in 1913 Les Copains is a comic and subversive novel about a group of friends - eccentric idealistic and absurd - who form a loosely anarchic brotherhood and perform theatrical stunts and pranks across provincial France. It stands as an early literary expression of unanimism a theory of collective consciousness developed by Romains in the 1900s. As the New Oxford Companion to French Literature notes: "Before the war in 1914 Romains published. two novels Mort de quelqu'un 1911 and the farcical Les Copains influenced by Unanimist theories of social groups and collective psychology." This edition published nearly 40 years later by Le Rayon d'Or Gallimard's deluxe illustrated imprint pairs Romains's youthful anti-establishment text with twelve brilliant plates by Gus Bofa one of France's most original illustrators and caricaturists. Bofa celebrated for his sardonic wit and visual improvisation was a regular contributor to Le Rire and Crapouillot and illustrated classic texts by Swift Cervantes and La Fontaine.<br /> <br /> Renowned artist Gus Bofa b. Gustave Blanchot 1883-1968 was an illustrator for Rire and Sourire a costume and set designer a celebrated poster artist and illustrator for the literary journal Crapouillot. He soon became one of the most in demand illustrators of editions of Swift La Fontaine Cervantes etc. ultimately with one hundred and seventeen volumes to his credit. <br /> <br /> French novelist poet dramatist and essayist Jules Romains pseud. of Louis Farigoule 1885-1972 was "early in his career.associated with a short-lived artistic community the Groupe de 'Abbaye which published his poems La Vie unanime in 1908. These poems and much of his later verse and prose were influenced by Unanimist theories of social groups and collective psychology. Before the war in 1914 he published more collections of poetry a verse play.and two novels Mort de quelqu'un 1911 and the farcial Les Copains The Pals" New Oxford Companion to Literature in French p. 707.<br /> <br /> Georges Duhamel's 1884-1966 experience as a surgeon during World War I produced Vie des martyrs 1917 tr. The New Book of Martyrs 1918 and Civilisation 1918 tr. 1919. These collections of sketches are noted for their compassionate accounts of human suffering. He was successful as a dramatist; his Dans l'ombre des statues was performed in 1912 tr. In the Shadow of Statues 1914 and L'oeuvre des athlètes in 1920. His fiction includes two cycles of novels-Cycle de Salavin 1920-32 tr. 1936 about a sensitive eccentric and Chronique des Pasquiers 1933-45 tr. 1937-46 about a bourgeois Parisian family. Essays in Scènes de la vie future 1930 tr. America: the Menace 1931 and other collections reflect Duhamel's aversion to overindustrialization" Columbia Enclyclopedia. He wrote passionately against war and its atrocities and against the rise of Naziism. He was elected to the Académie Français in 1935. Though now largely forgotten he is perhaps best remembered for his timeless epigram: "It is always brave to say what everyone thinks"<br /> <br /> Monod 9851. Paris: Le Rayon d'Or/Librairie Gallimard, 1952 unknown
01079Paris: Le Rayon d'Or/Librairie Gallimard 1952. A Spectacular Copy in a Stunning Binding<br/>Signed by the Author with an ALs by the Artist<br/><br/><br/>DUHAYON Henri binder. BOFA Gus illustrator. ROMAINS Jules. Les Coupains. Avec douze aquarelles par Gus Bofa. N.p. Paris: Le Rayon d'Or 1952. <br/><br/>First edition illustrated by Bofa limited to 3500 numbered copies sur vélin blanc des Papeteries de Lana this being copy 3152. Octavo 8 1/4 x 6 1/8 in; 208 x 153 mm. 200 1 1 blank 3 table 1 blank 1 colophon 1 blank pp. Twelve aquarelle plates one of which has been inscribed by the artist to the owner.<br/><br/>In a stunning contemporary binding by Henri Duhayon of Nice stamp signed in gilt to inside front turn in in full crushed cordovan morocco with large hand painted panel to upper and lower sides. Gilt lettered spine. Top edge gilt. Custom endpapers. A flawless copy in binder's leather edged slipcase.<br/><br/>Signed and dated Nov. 1958 by the author with a tipped in ALs by the artist an inscription by French novelist and playwright Georges Duhamel dated Septembre 1958 and a TLs by the owner Jean Francesche with his blindstamped signed ex libris on inside front cover turn in.<br/><br/>The eighth volume in Librairie Galimard's illustrated collection Le Rayon d'or a reissue of Romain's celebrated novel of 1913.<br/><br/>Renowned artist Gus Bofa b. Gustave Blanchot 1883-1968 was an illustrator for Rire and Sourire a costume and set designer a celebrated poster artist and illustrator for the literary journal Crapouillot. He soon became one of the most in demand illustrators of editions of Swift La Fontaine Cervantes etc. ultimately with one hundred and seventeen volumes to his credit. Ref. gusbofa.com.<br/><br/>French novelist poet dramatist and essayist Jules Romains pseud. of Louis Farigoule 1885-1972 was "early in his career.associated with a short-lived artistic community the Groupe de 'Abbaye which published his poems La Vie unanime in 1908. These poems wnad much of his later verse and prose were influence by Unanimist theories of social groups and collective psychology. Before the war in 1914 he published more collections of poetry a verse play.and two novels Mort de quelqu'un 1911 and the farcial Les Copains The Pals" New Oxford Companion to Literature in French p. 707.<br/><br/>Georges Duhamel's 1884-1966 experience as a surgeon during World War I produced Vie des martyrs 1917 tr. The New Book of Martyrs 1918 and Civilisation 1918 tr. 1919. These collections of sketches are noted for their compassionate accounts of human suffering. He was successful as a dramatist; his Dans l'ombre des statues was performed in 1912 tr. In the Shadow of Statues 1914 and L'oeuvre des athlètes in 1920. His fiction includes two cycles of novels—Cycle de Salavin 1920-32 tr. 1936 about a sensitive eccentric and Chronique des Pasquiers 1933-45 tr. 1937-46 about a bourgeois Parisian family. Essays in Scènes de la vie future 1930 tr. America: the Menace 1931 and other collections reflect Duhamel's aversion to overindustrialization" Columbia Enclyclopedia. He wrote passionately against war and its atrocities and against the rise of Naziism. He was elected to the Académie Français in 1935. Though now largely forgotten he is perhaps best remembered for his timeless epigram: "It is always brave to say what everyone thinks"<br/><br/>The TLs by owner Jean Francesche reads:<br/><br/> "The owner of this copy had read a book by Jules Romains edited in 1958 by the Fayard Publishing House. It was the fourth book from the collection 'The Forty: MEMORIES AND SECRETS OF A WRITER.' <br/><br/> "Page 128: 'In THE PALS what part of the book is autobiographical and contains actual events'<br/><br/> "Page 129: 'It is not impossible to find a resemblance between the cheeks and glasses of Huchon with those of Duhamel just as it is not impossible to find a certain pretentiousness in the future author of DESERT OF BIEVRES when Huchon prepares the veal stew as no one else can to be more precise it was more like something between a stew and a roast'<br/><br/> "This revelation has led me to question the author's childhood friend on this detail and Georges Duhamel who like the author has been made a member of the French Academy was kind enough to write his answer on the half-title of this edition which is illustrated by Gus Bofa.<br/><br/> "I was also intrigued by the drawing where the artist had brought together 'THE PALS' and in which I told him it appeared that one of the characters had lost his head or at least his cranium.<br/><br/> "I asked him to please complete the drawing with a skillful stroke of his pencil.<br/> <br/> "He returned the drawing to me with an inscription as well as a curious letter which follows:.<br/> "I think that all of this adds to the interest of this charming volume<br/><br/> signed Jean Franceche"<br/>Bofa's ALs response reads:<br/><br/>Mr. N.D. des Champs<br/> Lundi 24 Novembre 88<br/><br/>Cher Monsieur<br/>Votre lettre soulève un cas de conscience ! Votre «copain sans visage » n'a pas perdu la tête - il n'en a jamais eu - Jules Romain l'a voulu ainsi - lui dans le même temps mettait hors des soins a une grande tendresse a portraiturer les autres copains. <br/>Bien loin de vouloir ajouter a ce bonhomme le coup de crayon que vous me demandez je devrais plutôt regretter de lui déjà supposé un peu de menton de bouche et de crâne sans y être autorisé par le contexte.<br/> <br/> Avec mes deux mains bien sympatiques<br/><br/> signature Gus Bofa<br/><br/>Mr. N.D. des Champs<br/> Monday November 24 ‘88<br/><br/>Dear Sir<br/>Your letter stirs up a question of conscience! Your "pal without a face" has not lost his head - he never had one - Jules Romain wanted it like this and at the same time he got a lot of tenderness into the process of drawing the other friends. Far from wanting to add the stroke of pencil to this man that you have asked me to I regret that I cannot give him the supposed bit of chin mouth and head not being authorized to do so in this context.<br/><br/> "With my two sympathetic hands<br/><br/> signature Gus Bofa<br/><br/>Duhamel's inscription reads:<br/><br/>LES COPAINS<br/><br/>Je n'ai aucune qualité pour poser ma signature sur le livre d'un ami de ma jeunesse; mais je dois dire que ma spécialité culinaire était alors le ragoût de moutons & non le ragoût de veau.<br/><br/> -signature G Duhamel<br/><br/> Septembre 1958<br/>THE PALS<br/><br/>I have no authority to put my signature on the book of my childhood friend; but I must say that my culinary specialty was lamb stew not veal stew. <br/> <br/> -signature G. Duhamel<br/> <br/> September 1958<br/>Monod 9851. Paris: Le Rayon d'Or/Librairie Gallimard, 1952 unknown books
1931137901931. Paris Librairie de France 1931 ex. sur velin d'Arches au filigrane de Courteline (3ème papier) num. (n°659) tirés à 500 ex. - 10 volumes reliés demi-bradel coins renforcés couv. couleur conservées 19 cm x 24 cm 276+ 297+ 272+ 310+ 332+ 302+ 294+ 339+ 330+ 243 pages (2875 pages) 78 planches hors-texte dont 28 en noir et blanc ( 24 pour Bofa) - Textes de Georges Courteline ; chaque volume est illustré par un artiste différent : Dunoyer de Segonzac Forain Pierre Devaux Dignimont Boussingault Pierre Falké Gus Bofa Jean Marchand Jean Oberlé et André Villeboeuf bien complet des suites annoncées ills en couleur et leurs suites aquarellées à la main au pochoir; introduction de Gaston Chéreau - Ex-libris sur chaque volume de Noël Cordon ; on joint le bordereau d'achat en salle des ventes de 1939 ; reliures de Bruel-Legal en état d'usage (un petit problème sur le troisième volume) sinon très bon état
202425062Paris Éditions Michel Lagarde. 2024 1 in-4 Paris, Éditions Michel Lagarde, 2024, petit in-4, broché, couverture illustrée, 360 pages.
196831 3 numéros de la revue "Le Crapouillot", avril 1923, juin 1929 et juin 1930.
Paris, Nouvelle Librairie de France, Librairie Gründ, 1948. Petit in-4, (19 x 24 cm), broché, couverture rempliée illustrée en couleurs, 360 pp. Bel exemplaire, hors-texte coloriées au pochoir. Un des 1150 exemplaire imprimé sur Alfa Navarre.
24046Paris, Nouvelle Librairie de France, Librairie Gründ, 1948. Petit in-4, (19 x 24 cm), broché, couverture rempliée illustrée en couleurs, 360 pp.
1922222391922 Paris, Société Littéraire de France, 1922, in-8, reliure demi maroquin rouge à coins,couvertures et dos conservés, tete dorée, dos à faux nerfs,, 200 pp., table, achevé d'imprimer. Tirage limité à 1200 exemplaires. Un des 1180 exemplaires sur vélin des papeteries Lafuma, N°394
192218204Paris Société Littéraire de France 1922 Orné de bois gravés par Gus Bofa. Paris, Société Littéraire de France, 1922, in-12, couverture cartonnée à bradel, plats jaspés bleu et or, dos lisse, pièce de titre en maroquin noir, 200 pp., table, achevé d'imprimer.
192220377Paris Société Littéraire de France 1922 in-8 demi-basane un volume, reliure demi-basane marron-clair in-octavo à coins (half binding sheepskin in-8 with corners), dos à nerfs (spine with raised band) décoré or et à froid (gilt and blind-stamping decoration), titre et auteur frappés or (gilt title), entre-nerfs à fleurons or, filet mat de part et d'autre des nerfs, plats décorés à froid, mors et coins ornés d'un filet à froid, papier peigné aux plats (cover with painting paper), tête dorée (top edge gilt), gouttière et tranche de queue non rognées (fore-edge no smooth), orné de bois (engraving-wood) couleurs et noirs in et hors-texte (in text and full page engraving) gravés par Gus Bofa, , édition numérotée, un des 1180 exemplaire sur vélin (aprés les 20 exemplaires de tête sur japon) (N°498), 201 pages, 1922 Paris Société Littéraire de France Editeurs,
1912999592Société Littéraire de France Paris, Société Littéraire de France, 1912. In-8 relié demi-chagrin vert à coins, dos à nerfs et caissons très orné, couverture et dos conservés. 199 pages. Exemplaire N° sur Lafuma. Bois gravés par Gus BOFA. Bel exemplaire joliment relié.
192292771922 Paris, Société littéraire de France, 1922; in-8 broché, couverture rempliée crème imprimée en noir et ocre; (4), 199,(4)pp. Frontispice en 2 tons et vignettes en noir dans le texte. Tiré à 1220 exemplaires numérotés, 1 des 1180 exemplaires sur velin Lafuma.
192070718Paris société littéraire de France 1920 1 In huit broché 240 pp, "tableaux-romans de la vie de bureau "
14737Paris, Société Littéraire de France, 1920 ; in-8, broché. 239 pp. - 2 ff. Exemplaire en parfait état, non coupé, non rogné.
16457Paris, Librairie de France, 1930-1931 ; 10 tomes in-8 carré ; plein chagrin maroquiné prune, dos à nerfs, caissons et plats avec un triple filet doré d’encadrement, dentelle intérieure, tête dorée, couverture et dos conservés, non rogné (Albert Guétant).
17808 Paris, Librairie de France, 1930-1931, in-8, demi-chagrin, 10 vol.
