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189974837Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 41 x 56 cm une feuille Cover of L'Estampe Moderne n°224 April 1899 L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H.Piazza Paris April 1899 41 x 56 cm one leaf Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil. A magnificent monthly French publication published between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as is stipulated on the protective tissue were specially made for the magazine by each artist. There are thus 100 prints that appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Epoque. Each delivery of four prints was printed with 2000 copies and sold for 3.50F with 100 on Japan offered for 10F. Henri Piazza also planned a high-luxury confidential print: 50 copies with wide margins on Japan and 50 in black and white at the considerable price of 30F. French collector's interest in artistic posters grew from the beginning of the 1890s. Octave Uzanne invented the term affichomanie poster-mania for this growing interest. The poster originally common-place and plastered across the streets of the capital then became an object of art and its ephemeral medium precious and dedicated to conservation. Piazza decided to remove the poster from its advertising role and elevate it to the rank of a work of art in its own right in the same way as the luxury illustrated book. Thus he composed a prestigious collection of entirely original works by the most well-known European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also included in his project a Czech artist newly arrived in Paris Alfons Mucha qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. who has recently emerged in France and who has straightaway conquered a significant place in the public's favour. As in his posters that everyone knows and desires he shows us here the varied resources of his multiple and sure talent as an artist decorator and colourist. caption printed on the Salomé protective tissue. Incidentally it is also to him that the first premium of the magazine will be entrusted offered à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne to all the subscriber of the twelve annual deliveries of L'Estampe moderne as well as the famous illustration of the covers. A very beautiful copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874526Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juillet 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the celebrated monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art in the same way as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draughtsman decorator and colorist."" legend printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine will be entrusted offered ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the celebrated illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874598Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Novembre 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume gathering with wide margins of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" légende imprimée sur la serpente de Salomé ""caption printed on the tissue guard of Salomé"". It was moreover to him that the first premium of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous cover illustrations. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974814Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 41 x 56 cm une feuille Cover of L'Estampe Moderne n°22 February 1899 L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H.Piazza Paris February 1899 41 x 56 cm one leaf Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil. A magnificent monthly French publication published between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as is stipulated on the protective tissue were specially made for the magazine by each artist. There are thus 100 prints that appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Epoque. Each delivery of four prints was printed with 2000 copies and sold for 3.50F with 100 on Japan offered for 10F. Henri Piazza also planned a high-luxury confidential print: 50 copies with wide margins on Japan and 50 in black and white at the considerable price of 30F. French collector's interest in artistic posters grew from the beginning of the 1890s. Octave Uzanne invented the term affichomanie poster-mania for this growing interest. The poster originally common-place and plastered across the streets of the capital then became an object of art and its ephemeral medium precious and dedicated to conservation. Piazza decided to remove the poster from its advertising role and elevate it to the rank of a work of art in its own right in the same way as the luxury illustrated book. Thus he composed a prestigious collection of entirely original works by the most well-known European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also included in his project a Czech artist newly arrived in Paris Alfons Mucha qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. who has recently emerged in France and who has straightaway conquered a significant place in the public's favour. As in his posters that everyone knows and desires he shows us here the varied resources of his multiple and sure talent as an artist decorator and colourist. caption printed on the Salomé protective tissue. Incidentally it is also to him that the first premium of the magazine will be entrusted offered à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne to all the subscriber of the twelve annual deliveries of L'Estampe moderne as well as the famous illustration of the covers. A very beautiful copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874390Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume reunion with wide margins of the first year of publication. Artist's signature in the plate and deluxe printing number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. The interest of French collectors in artistic posters amplified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous cover illustration. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874609Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints is printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right like the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist recently arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a large place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that will be entrusted the first premium of the magazine offered ""to all subscribers of the twelve annual deliveries of L'Estampe Moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874362Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1898 41 x 56 cm une feuille Original black and white print with full margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume compilation with full margins of the first year of publication. Artist's signature in the plate and luxury edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other journals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the journal. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with full margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently emerged in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the journal was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974618Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1899 41 x 56 cm une feuille Cover of L'Estampe Moderne n°21 January 1899 L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H.Piazza Paris January 1899 41 x 56 cm one leaf Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil. A magnificent monthly French publication published between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as is stipulated on the protective tissue were specially made for the magazine by each artist. There are thus 100 prints that appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Epoque. Each delivery of four prints was printed with 2000 copies and sold for 3.50F with 100 on Japan offered for 10F. Henri Piazza also planned a high-luxury confidential print: 50 copies with wide margins on Japan and 50 in black and white at the considerable price of 30F. French collector's interest in artistic posters grew from the beginning of the 1890s. Octave Uzanne invented the term affichomanie poster-mania for this growing interest. The poster originally common-place and plastered across the streets of the capital then became an object of art and its ephemeral medium precious and dedicated to conservation. Piazza decided to remove the poster from its advertising role and elevate it to the rank of a work of art in its own right in the same way as the luxury illustrated book. Thus he composed a prestigious collection of entirely original works by the most well-known European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also included in his project a Czech artist newly arrived in Paris Alfons Mucha qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. who has recently emerged in France and who has straightaway conquered a significant place in the public's favour. As in his posters that everyone knows and desires he shows us here the varied resources of his multiple and sure talent as an artist decorator and colourist. caption printed on the Salomé protective tissue. Incidentally it is also to him that the first premium of the magazine will be entrusted offered à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne to all the subscriber of the twelve annual deliveries of L'Estampe moderne as well as the famous illustration of the covers. A very beautiful copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
18903834Paris: printed by F. Champenois 1890. Original chromolithograph menu template 14 x 9 cm. Unused menu card one of ten advertising champagne Moët et Chandon. Designed by Czech Art Nouveau painter and designer Alphonse Mucha. Fine. [printed by] F. Champenois unknown books
15678Paris, A. Arnould, [circa 1900]. Plaquette in-8 oblongue, (23) pl., couverture illustrée en noir (couverture légèrement salie).
190219104Par Alfons (Alphonse) Mucha (1860-1939). Affichiste, illustrateur, graphiste, peintre Tchèque, il est le fer de lance du style "Art nouveau". Il se rend à Paris en 1887 pour continuer ses études. En 1900 il reçoit la médaille d'argent à l'exposition universelle.Programme de 6 pages intérieures, annonçant diverses représentations théâtrales à la comédie française. Les Burgraves (mercredi 26 février 1902) avec Mounet Sully, Paul Mounet.Couverture gaufrée sur laquelle figure une jeune femme en blanc sur fond gris, en train d'écrire. Signée de Mucha en creux, en bas à gauche.Ce programme annonce également le prochain journal l'illustration dont le numéro est presque entièrement consacré au centenaire de Victor Hugo. Un buste de Victor Hugo est représenté sur la première page.Pas de rousseur. Très bon état. Format in-12°(20x11).
189785616Paris: La Plume 1897. Fine. La Plume Paris 1897 17.50 x 24 cm broché First edition of this issue entirely devoted to Alfons Mucha. Two tears and a lack to spine a light dampstain at head of first cover small stains at head of second. Numerous literary contributions including those by Léon Deschamps Frantz Jourdain Sarah Bernhardt Paul Redonnel Yvanoé Rambosson Charles Chincholle. Issue decorated with 127 illustrations by Alfons Mucha including the cover and a portrait of the latter by David Ossipovitch Whidhopff. La Plume unknown
37084Paris Calmann Lévy, Editeur. Ancienne Maison Michel Lévy Frères 1900 in 8 (20,5x15) 1 volume reliure demi maroquin bleu nuit à coins, dos à nerfs orné de caissons dorés, couverture illustrée en couleurs par Alphonse Mucha conservée (les 2 plats), 188 pages [2], avec 12 composition de Mucha reproduites en couleurs, dont 7 à pleine page (5 têtes-de-chapitre et 7 hors-texte). Anatole France, 1844-1924. Alfons Maria, Alphonse Mucha, 1860-1939. Edition originale et premier tirage. Très bel exemplaire, finement relié ( Photographies sur demande / We can send pictures of this book on simple request )
190031592Paris, Calmann-Lévy, 1900. Un volume In-8° (19,5 x 14 cm) ; (3) ff.(faux-titre, titre et dédicace) -188 pp.-(2) ff. Gravure en couleurs sur la couverture repêtée en noir et blanc sur la page de titre. Demi-maroquin poli rouge à coins, dos à 4 nerfs richement orné d'encadrements dorés et de pointillés dorés sur les nerfs, tête dorée, auteur titre en lettres dorées, (couvertures et dos conservés). Reliure signée.
1900186798Calmann Levy Pairs, Calmann-Levy, 1900. In-8 relié pleine basane maroquinée bleue à coins, dos à nerfs soulignés se pointillés dorés, tiire doré, date en queue, fleurs stylisées rouges et dorées. Filet doré sur les plats, tête dorée. Couverture illustrée entièrement conservée. 188 pages ornées de 12 compositions de Mucha reproduites en couleurs, dont 7 à pleine page, 5 têtes-de-chapitre et 7 hors-texte. Superbe édition illustrée avec art par Alphonse Mucha (18601939), figure emblématique du style Art Nouveau. Louvrage témoigne de la rencontre entre deux grands noms du tournant du siècle : Anatole France, écrivain académicien, fin analyste de la société et de la pensée de son temps, prix Nobel de littérature en 1921 ; Alphonse Mucha, affichiste de génie dont le travail avec Sarah Bernhardt et ses compositions décoratives ont marqué limaginaire de la Belle Époque. Bel exemplaire.
ORD-18241Paris. Champenois. Oblitérations au dos de 1901. Cartes postales de 90 x 140 mm, taille de l'image 32 x 134 mm, entièrement mais proprement écrites. Traces des onglets d'accrochage sur album, 1 carte tachée d'encre dans la marge inférieure, cachet rouge d'un agent marseillais de Moët et Chandon dans le coin supérieur d'une autre carte sans atteinte à l'illustration, sinon bon état, images de toute fraîcheur. Photo sur demande.
ORD-9339Évangile en trois tableaux, en vers. Représenté pour la première fois, à Paris, sur le Théâtre de La Renaissance le Mercredi saint (14 Avril 1897). Paris. Charpentier et Fasquelle. 1897. Petit in-4 (190 x 237mm) bradel dos et coins percaline bleue, pièce de titre rouge, fleuron et date or en pied, couverture illustrée couleurs conservée, (4ff), 120 pages. Petits défauts à la reliure mais bon exemplaire. Edition originale, couverture ornée en couleurs de la reproduction de l'affiche de MUCHA pour la Samaritaine avec un envoi de l'auteur à René Benoist. Rare.
19001904112 Illustrations en couleurs de Alphonse Mucha, dont 5 têtes-de-chapitre, et 7 hors-texte.Édition originalesur beau papier. Paris, Calmann Lévy, éditeur - 1900 -188 pages.Très belle reliure demi maroquin vert à coins. Dos à 4 nerfs, avec titre et auteur dorés. Tête dorée sur témoins, non rogné. Date en pied. Couverture illustrée et dos conservés. Pas de rousseur. Parfait état. Format in-8°(21x15).
77936Paris Librairie Central des Beaux Arts 1901. Folio 46 x 33 cm. Original monochrome print. = A fine print from Alphonse Mucha's quintessential Art Nouveau book Documents décoratifs. Alfons Alphonse Maria Mucha 1860-1939 was a Czech decorative artist who wanted to bring aesthetic values into arts and crafts. He invented the Mucha Style which soon became known as Art Nouveau. His work immediately became immensely popular and has remained very sought after. This plate shows examples of horizontal bands with repeating patterns: the top one showing stag beetles and flowers the second showing turtles and flowers the third fish bubbles and "waves" and the fourth consisting of female portraits in circular frames and narrow ornamental bands suggesting a corniche frieze and architrave. Lower edge with a short tear; a few minute marginal spots; otherwise fine. Very rare especially in this excellent state. unknown
4157The artwork's title is translated as "Concord of Slovakian Nation." Mucha has signed in his fine hand "Mucha" above and perpendicular to his printed name. Mucha's printed name appears to the left under the image and the Czech title to the right.A note on provenance: the signed postcard originally came from Mucha's daughter. Ideal for display and exceptionally attractive. unknown
4156Signed Color Art Reproduction title translated as "Blessed Are the Poor Spirit." Under the title Mucha has signed in his fine hand "Mucha." Mucha's printed name appears to the left under the image and in Czech title to the right. A note on provenance: the signed postcard originally came from Mucha's daughter. The card measures 3.5 x 5.5. Ideal for display and exceptionally attractive. unknown
2647Krakow. Covers slightly dirty some foxing otherwise in good conditon. 52 p. with photos. The photo-booklet “Oświęcim-Brzezinka. K.L. Auschwitz-Birkenau. Krakow 1948 wherein it is attributed to Stanisław Kolowca a prominent architecture photographer from Kraków. This is probably the first post-war album devoted to the Nazi Auschwitz-Birkenau extermination camp. In Polish English French Russian. unknown
1896271901896 Paris, Floury, 1896-1897. In-4 broché, couv.generale illustrée et gravée par PEYAT et ANGST, conservée. Collection complète des 12 numéros (décembre 1896 à novembre 1897) de cette belle revue consacrée à l'illustration gravée sur bois avec de nombreuses figures gravées dans et hors texte, certaines originales, par Degas, M. Denis, Van Dongen, Rodin, Pissaro, Mucha, Toulouse-Lautrec, Steinlen, Laboureur, Jongkind, Helleu, Bonnard, Vallotton, etc. Les 12 couvertures illustrées (par MUCHA, DE FEURE, DARBOUR, VERNEUIL, DROGUE, BELLERY DESFONTAINES,BERTON, PROUVÉ, BELLEVILLE, TOULOUSE-LAUTREC, LENOIR) sont presentes. Revue fondée par la corporation française des graveurs sur bois, publiée sous la direction littéraire de Roger Marx et Jules Rais et sous la direction artistique de Tony Beltrand, Auguste Lepère et Léon Ruffe. Textes d'Arsène Alexandre, Barrès, Debussy, R. de Gourmont, P. Louÿs, Mauclair, Mellerio, Rodenbach et Verhaeren, illustrés par Auriol, Cheret, Degas, Denis, Doudelet, Van Dongen, De Feure, Grasset, Lepère, Maillol, Millet, Mucha, Lucien Pissaro, Steinlen, Toulouse-Lautrec, Valloton. Exemplaire complet de cette revue fondée par la jeune corporation française des graveurs sur bois, et publiée par l'éditeur des lithographies de Toulouse-Lautrec (Au pied du Sinaï, Histoires naturelles, Café-Concert). L'Image compte parmi les plus belles réalisations de l'édition d'art ""Fin de Siècle"". Les directeurs de la revue, et notamment le célèbre graveur Auguste Lepère, fondateur de la corporation, tentèrent d'y rassembler et promouvoir, selon l'idée d'Arts and Crafts et de l'Art Nouveau, le savoir-faire des artisans de la gravure sur bois menacé par l'utilisation de procédés plus rapides et de moindre qualité. Cette collection complète réunit les oeuvres de 106 graveurs et de dizaines d'écrivains, faisant d'elle une oeuvre d'une qualité bibliophilique et artistique exceptionnelles..........The first "numéro spécimen" was published in 1896 to encourage people to subscribe to "L'I'mage". 8 pp + 5 hors-texte plates. It features wood-engraved illustrations after Lepère, Willette, De Feure (in color), Merson, Steinlen, Chéret, and others, and A FULL-PAGE HORS-TEXTE WOOD ENGRAVING BY LEPERE ("La prière", Lotz-Brissonneau 254) ?- THESE SPECIMEN ISSUES--ESPECIALLY THE FIRST--ARE VERY RARE, FAR MORE SO THAN THE 12 REGULARLY-PUBLISHED ISSUES.L'Image. Numéro spécimen. Préface d'Anatole France. G. d'Hostingue et R. Blum éditeurs. in-8, en feuilles, 8 pages illustrations in texte et 5 feuilles d'illustrations pleines pages imprimées au recto.Ont collaboré à ce numéro-spécimen.Dessinateurs : Bellery-Desfontaines. Cappiello. Ch. Cottet. G. de Feure. Degas. G. Jeanniot. P. Jouve. B. Naudin. Rodin. D. Vierge. Graveurs : Aubert. Beaujan. E. d'Eté. V. Dutertre. Ch. Guillaume. A. Hoffmann. Jeoffroy. Labat. C. Marx. Mathieu. C. Maylander. L. Perrichon. Revel. L. Ruffe. Vibert.manque au bas de la couverture ,exemplaire défraichi avec les 5 ht .
189824116La Plume | Paris 1er janvier au 15 décembre 1898 | 19 x 25 cm | relié
9208année 1896 complète en un volume in folio demi-chagrin marron à nerfs et à coins, titre doré, filet à froid sur les plats. Non rogné, tête dorée. Année complète 12 numéros sur papier couché, couverture illustrée en couleurs. Comme pour les autres volumes, proposés, le deuxième plat de couverture n’est pas conservé. Publication mensuelle in folio, nombreuses illustrations en noir et en couleurs, complet des suppléments hors-texte en couleurs. Une page de faux-titre, une page de Titre. JANVIER : La campagne de Russie extraits des mémoires inédits du lieutenant général Baron Van Eerens (une déchirure page 1) illustrations en couleurs de Maurice ORANGE. DALILA souvenirs de théâtre par H de LAFONTAINE. Illustrations de ROBAUDI. –XANROF sans rime ni raison 17 illustrations en couleurs de Ferdinand BAC. Boney l’éléphant par Léo CLARETIE 15 illustrations en noir de VIMAR. FEVRIER : La campagne de Russie (suite) illustrations en couleurs- Léonard de VINCI et l’esthétique du portrait par robert de SIZERONNE- Le lac d’amour par Georges RODENBACH- le caviar par Tancrède Martel, 9 illustrations d’Albert GUILLAUME.MARS : numéro spécial La cavalerie française –Au quartier- au champ de manœuvre – la journée d’un traineur de sabre- les remontes – le service en campagne. Illustrations en noir et en couleurs. AVRIL : souvenirs d’Afrique par le général de division vicomte de BERNIS illustrations en couleurs d’Alfred PARIS. Hans HOLBEIN et sa vie en Angleterre par Arsène ALEXANDRE. Paul FOUCHER la rose Ida-Lia, illustrations en couleurs de SAHIB. LA harpe à travers les âges par G de DUBOR. MAI : la belle histoire d’une écharpe couleur de cheveux d’or par Charles BUET, illustrations en couleurs de Jacques WAGREZ. Romain COOLUS les deux soeurs légendaires 4 illustrations en couleurs de TOULOUSE LAUTREC. –Frédéric MASSON Le major général BERTHIER- souvenirs d’Afrique par le général de division Vicomte de BERNIS 4 illustrations en couleurs d’Alfred PARIS. Fernand MAZADE le nègre de PETAVIN 12 illustrations en noir de VIMAR. JUIN : superbe couverture en couleurs de MUCHA. Les concerts- les cafés-concerts par Gaston JOLLIVET. Illustrations en couleurs. Le monde et les étoiles des cafés-concerts par Victorin JONCIERE illustrations photos couleur. Cabarets de Montmartre par XANROF. Illustrations sur double page de METIVET La légende du monde Blanc. Les cafés concerts d’autrefois par Tancrède Martel. Illustrations photos. JUILLET : Une rencontre par Edouard ROD. Illustrations en couleurs de Madame Consuelo FOULD. Georges LAFENSTRE Rembrandt Van Ryn portraits intimes. Souvenirs d’Afrique par le général Vicomte de BERNIS ( suite). Les Champs Elysées par Antonin PROUST. AOUT : Déchirures réparées à la couverture en couleurs. Eugène GIRARDIN une Idylle à Mahé (une déchirure page 143. Ainsi qu’à la double page couleur) La céramique française par Edouard GARNIER illustrations couleurs. QUELLIER N. Le pénitent, illustrations de BOURGAIN. Les Champs Elysées (suite) déchirures en marge inférieure page 160. SEPTEMBRE : Jeanne MAIRET nos bons mateurs 5 illustrations en couleurs de Louis ABBEMA. André LEMOYNE la tourterelle poignardée. Illustrations en couleurs de LAURENT-DESROUSSEAUX. Hippolyte BUFFENOIR Napoléon, Goethe et Wieland. Edouard GARNIER La céramique française, illustrations en couleurs. Charles DIGUET, après la bataille 16 illustrations en noir de VIMAR. (Deux déchirures en marge, page 180) OCTOBRE : numéro spécial Lycéens et Lycéennes. Les lycées de garçons la Montagne Sainte Geneviève. Début de professeur - L’éducation physique dans les lycées. La journée du lycéen – les lycées de jeunes filles (hors-texte en couleurs de Madeleine LEMAIRE) l’architecture des lycées de jeunes filles- illustrations en noir et en couleurs. NOVEMBRE : Un volontaire de 1792 souvenir de DUVIQUET (de CLAMECY) illustrations en couleurs d’Alfred PARIS (un petit manque angle inférieur droit page 207. – Antonin PROUST l’hôtel des invalides illustrations. Goulâb-soûbi illustrations en couleurs de WENGEL. WILLY les œufs, 11 illustrations en noir de JOB. DECEMBRE : pas de couverture en couleurs (qui a été découpée) Le noël de frère LEON illustrations en couleurs de METIVET Un bon coup de couteau par le vicomte Melchior de VOGUE illustrations en couleurs de BOURGAT. La journée d’un monsieur qui veut maigrir une page illustrée en couleur d’Albert GUILLAUME. Souvenir de la campagne de Rome. Nuit de Noel 1864. Jules MASSENET. Recherché pour la couverture de MUCHA et les illustrations de TOULOUSE LAUTREC
