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189874390Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume reunion with wide margins of the first year of publication. Artist's signature in the plate and deluxe printing number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. The interest of French collectors in artistic posters amplified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently revealed himself in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that the first premium of the magazine was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual deliveries of L'Estampe moderne"" as well as the famous cover illustration. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874609Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 41 x 56 cm une feuille Original black and white print with wide margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe wide-margined volume gathering of the first year of publication. Artist's signature in the plate and deluxe edition number added in pencil. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created especially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints is printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential deluxe printing: 50 copies on Japan with wide margins and 50 in black on China at the considerable price of 30F. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right like the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist recently arrived in Paris Alfons Mucha ""who has recently revealed himself in France and who has immediately conquered such a large place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It is moreover to him that will be entrusted the first premium of the magazine offered ""to all subscribers of the twelve annual deliveries of L'Estampe Moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874362Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1898 41 x 56 cm une feuille Original black and white print with full margins serving as cover for the famous monthly publication L'Estampe Moderne. Entirely printed in black our print is the cover of the rare deluxe volume compilation with full margins of the first year of publication. Artist's signature in the plate and luxury edition number added in pencil. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other journals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the journal. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with full margins and 50 in black on China paper at the considerable price of 30F. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also integrated into his project a Czech artist freshly arrived in Paris Alfons Mucha ""qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste."" ""who has recently emerged in France and who has immediately conquered such a great place in public favor. As in his posters which everyone knows and seeks he shows us here the varied resources of his multiple and sure talent as draftsman decorator and colorist."" caption printed on the tissue guard of Salomé. It was moreover to him that the first premium of the journal was entrusted offered ""à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne"" ""to all subscribers of the twelve annual issues of L'Estampe moderne"" as well as the famous illustration of the covers. Very handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974618Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1899 41 x 56 cm une feuille Cover of L'Estampe Moderne n°21 January 1899 L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H.Piazza Paris January 1899 41 x 56 cm one leaf Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil. A magnificent monthly French publication published between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as is stipulated on the protective tissue were specially made for the magazine by each artist. There are thus 100 prints that appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Epoque. Each delivery of four prints was printed with 2000 copies and sold for 3.50F with 100 on Japan offered for 10F. Henri Piazza also planned a high-luxury confidential print: 50 copies with wide margins on Japan and 50 in black and white at the considerable price of 30F. French collector's interest in artistic posters grew from the beginning of the 1890s. Octave Uzanne invented the term affichomanie poster-mania for this growing interest. The poster originally common-place and plastered across the streets of the capital then became an object of art and its ephemeral medium precious and dedicated to conservation. Piazza decided to remove the poster from its advertising role and elevate it to the rank of a work of art in its own right in the same way as the luxury illustrated book. Thus he composed a prestigious collection of entirely original works by the most well-known European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. The publisher also included in his project a Czech artist newly arrived in Paris Alfons Mucha qui s'est révélé depuis peu en France et qui a conquis d'emblée une si grande place dans la faveur du public. Comme dans ses affiches que tout le monde connaît et recherche il nous montre ici les ressources variées de son talent multiple et sûr de dessinateur de décorateur et de coloriste. who has recently emerged in France and who has straightaway conquered a significant place in the public's favour. As in his posters that everyone knows and desires he shows us here the varied resources of his multiple and sure talent as an artist decorator and colourist. caption printed on the Salomé protective tissue. Incidentally it is also to him that the first premium of the magazine will be entrusted offered à tous les souscripteurs des douze livraisons annuelles de L'Estampe moderne to all the subscriber of the twelve annual deliveries of L'Estampe moderne as well as the famous illustration of the covers. A very beautiful copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
18903834Paris: printed by F. Champenois 1890. Original chromolithograph menu template 14 x 9 cm. Unused menu card one of ten advertising champagne Moët et Chandon. Designed by Czech Art Nouveau painter and designer Alphonse Mucha. Fine. [printed by] F. Champenois unknown books
189785616Paris: La Plume 1897. Fine. La Plume Paris 1897 17.50 x 24 cm broché First edition of this issue entirely devoted to Alfons Mucha. Two tears and a lack to spine a light dampstain at head of first cover small stains at head of second. Numerous literary contributions including those by Léon Deschamps Frantz Jourdain Sarah Bernhardt Paul Redonnel Yvanoé Rambosson Charles Chincholle. Issue decorated with 127 illustrations by Alfons Mucha including the cover and a portrait of the latter by David Ossipovitch Whidhopff. La Plume unknown
190031592Paris, Calmann-Lévy, 1900. Un volume In-8° (19,5 x 14 cm) ; (3) ff.(faux-titre, titre et dédicace) -188 pp.-(2) ff. Gravure en couleurs sur la couverture repêtée en noir et blanc sur la page de titre. Demi-maroquin poli rouge à coins, dos à 4 nerfs richement orné d'encadrements dorés et de pointillés dorés sur les nerfs, tête dorée, auteur titre en lettres dorées, (couvertures et dos conservés). Reliure signée.
1900186798Calmann Levy Pairs, Calmann-Levy, 1900. In-8 relié pleine basane maroquinée bleue à coins, dos à nerfs soulignés se pointillés dorés, tiire doré, date en queue, fleurs stylisées rouges et dorées. Filet doré sur les plats, tête dorée. Couverture illustrée entièrement conservée. 188 pages ornées de 12 compositions de Mucha reproduites en couleurs, dont 7 à pleine page, 5 têtes-de-chapitre et 7 hors-texte. Superbe édition illustrée avec art par Alphonse Mucha (18601939), figure emblématique du style Art Nouveau. Louvrage témoigne de la rencontre entre deux grands noms du tournant du siècle : Anatole France, écrivain académicien, fin analyste de la société et de la pensée de son temps, prix Nobel de littérature en 1921 ; Alphonse Mucha, affichiste de génie dont le travail avec Sarah Bernhardt et ses compositions décoratives ont marqué limaginaire de la Belle Époque. Bel exemplaire.
19001904112 Illustrations en couleurs de Alphonse Mucha, dont 5 têtes-de-chapitre, et 7 hors-texte.Édition originalesur beau papier. Paris, Calmann Lévy, éditeur - 1900 -188 pages.Très belle reliure demi maroquin vert à coins. Dos à 4 nerfs, avec titre et auteur dorés. Tête dorée sur témoins, non rogné. Date en pied. Couverture illustrée et dos conservés. Pas de rousseur. Parfait état. Format in-8°(21x15).
1896271901896 Paris, Floury, 1896-1897. In-4 broché, couv.generale illustrée et gravée par PEYAT et ANGST, conservée. Collection complète des 12 numéros (décembre 1896 à novembre 1897) de cette belle revue consacrée à l'illustration gravée sur bois avec de nombreuses figures gravées dans et hors texte, certaines originales, par Degas, M. Denis, Van Dongen, Rodin, Pissaro, Mucha, Toulouse-Lautrec, Steinlen, Laboureur, Jongkind, Helleu, Bonnard, Vallotton, etc. Les 12 couvertures illustrées (par MUCHA, DE FEURE, DARBOUR, VERNEUIL, DROGUE, BELLERY DESFONTAINES,BERTON, PROUVÉ, BELLEVILLE, TOULOUSE-LAUTREC, LENOIR) sont presentes. Revue fondée par la corporation française des graveurs sur bois, publiée sous la direction littéraire de Roger Marx et Jules Rais et sous la direction artistique de Tony Beltrand, Auguste Lepère et Léon Ruffe. Textes d'Arsène Alexandre, Barrès, Debussy, R. de Gourmont, P. Louÿs, Mauclair, Mellerio, Rodenbach et Verhaeren, illustrés par Auriol, Cheret, Degas, Denis, Doudelet, Van Dongen, De Feure, Grasset, Lepère, Maillol, Millet, Mucha, Lucien Pissaro, Steinlen, Toulouse-Lautrec, Valloton. Exemplaire complet de cette revue fondée par la jeune corporation française des graveurs sur bois, et publiée par l'éditeur des lithographies de Toulouse-Lautrec (Au pied du Sinaï, Histoires naturelles, Café-Concert). L'Image compte parmi les plus belles réalisations de l'édition d'art ""Fin de Siècle"". Les directeurs de la revue, et notamment le célèbre graveur Auguste Lepère, fondateur de la corporation, tentèrent d'y rassembler et promouvoir, selon l'idée d'Arts and Crafts et de l'Art Nouveau, le savoir-faire des artisans de la gravure sur bois menacé par l'utilisation de procédés plus rapides et de moindre qualité. Cette collection complète réunit les oeuvres de 106 graveurs et de dizaines d'écrivains, faisant d'elle une oeuvre d'une qualité bibliophilique et artistique exceptionnelles..........The first "numéro spécimen" was published in 1896 to encourage people to subscribe to "L'I'mage". 8 pp + 5 hors-texte plates. It features wood-engraved illustrations after Lepère, Willette, De Feure (in color), Merson, Steinlen, Chéret, and others, and A FULL-PAGE HORS-TEXTE WOOD ENGRAVING BY LEPERE ("La prière", Lotz-Brissonneau 254) ?- THESE SPECIMEN ISSUES--ESPECIALLY THE FIRST--ARE VERY RARE, FAR MORE SO THAN THE 12 REGULARLY-PUBLISHED ISSUES.L'Image. Numéro spécimen. Préface d'Anatole France. G. d'Hostingue et R. Blum éditeurs. in-8, en feuilles, 8 pages illustrations in texte et 5 feuilles d'illustrations pleines pages imprimées au recto.Ont collaboré à ce numéro-spécimen.Dessinateurs : Bellery-Desfontaines. Cappiello. Ch. Cottet. G. de Feure. Degas. G. Jeanniot. P. Jouve. B. Naudin. Rodin. D. Vierge. Graveurs : Aubert. Beaujan. E. d'Eté. V. Dutertre. Ch. Guillaume. A. Hoffmann. Jeoffroy. Labat. C. Marx. Mathieu. C. Maylander. L. Perrichon. Revel. L. Ruffe. Vibert.manque au bas de la couverture ,exemplaire défraichi avec les 5 ht .
189824116La Plume | Paris 1er janvier au 15 décembre 1898 | 19 x 25 cm | relié
189860151898 Prague, Jos. R. Vilimek, sans date (1898), grand album in 8 à l'italienne de 500 photographies, cartonnage polychrome de l'éditeur, dos lég. frotté, quelques feuillets réenmargés en début de vol., sinon bel ex.
1900MUCHAALP002009Printed by F. Champedois Paris. c 1900. Four colour and gilt lithographs each depicting along the left-hand edge a different full-length female figure holding a champagne glass. According to the Victoria and Albert Museum this is a complete set. The spaces for the menu listing are blank. It should be pointed out that these are the originals measuring 22 x 15 cm and not the smaller postcard-sized versions.Faint darkening to two of the cards. Bottom left corners creased at the very tips. Fine. Printed by F. Champedois, Paris. unknown
1896144071896 P., Chez Floury, 1896-1897, 1 fort vol. in-4° (305 x 225 mm), reliure 1/2 veau couleur chair à coins, tête dorée, plats de papier marbré, couverture générale illustrée par Angst et dos conservés, (reliure postérieure), de (2) ff. (faux-titre illustré par De Feure et titre illustré par Bellery-Desfontaines) - 384 pp. (24) ff. (première et dernière couverture de chaque numéro reliées in-fine).Bel exemplaire.
189824116Paris: La Plume 1898. Fine. La Plume Paris 1er janvier au 15 décembre 1898 19 x 25 cm relié First edition of the final year edited by Léon Deschamps founder of this magazine which gave a predominant place to the visual arts. 24 issues gathered here including the exceptional number devoted to Alexandre Falguière. Publisher's binding in full fir green cloth smooth spine red shagreen title label gilt floral motif blind fillets on boards. The cover of the first issue illustrated by Mucha is bound at the head of the volume. Contributions by Théophile Gautier Jules Barbey d'Aurevilly Karl Boès Adolphe Retté Francis Jammes Victor Margueritte Ernest Raynaud Stuart Merrill etc. Numerous illustrations including a watercolored frontispiece by Eugène Grasset and drawings by Henri de Toulouse-Lautrec Alfons Mucha Alexandre Falguière Vivant-Denon Willette Jossot André des Gachons Ferdinand Cazals Henri Detouche James Ensor. The frontispiece by Emile Berchmans announced on the title page is not present in our copy. Table and index at end of volume. Manuscript dedication by a former owner on the endpaper. Tiny tear on the front board otherwise a rare and handsome copy. La Plume hardcover
1898287Invitations - Billets de fairepart - Cartes d'adresse -Petites estampes du XVII ième siècle jusqu'à nos jours ouvrage orné de 460 reproductions d'après les documents originaux des meilleurs artistes à Paris - Librairie artistique G. Boudet éditeur - vente exclusive : Librairie Charles Tallandier 1898 grand format : 23.5 32 cm, 404 pages, reliure demi-maroquin à coins d'époque, dos lisse, date en queue, tête dorée, couverture et dos conservés, tirage limité à 1050 exemplaires, un des 1000 sur papier vélin. Couverture illustrée par Alphonse MUCHA. traces d'usure sur les mors et sur les angles de la reliure (voir photo), une restauration ancienne sur le second plat (invisible) photos supplémentaires sur demande pour cet ouvrage devenu fort rare
189773919Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Juin 1897) | 23.50 x 33 cm | une feuille
189773919Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1897 23.50 x 33 cm une feuille ""Salomé"" - Original lithograph on China paper - L'Estampe Moderne L'Estampe Moderne Imprimerie Champenois for C H Masson & H Piazza Paris june 1897 subject: 23.5 x 33 cm plate: 40.8 x 55 cm one leaf and one guard Rare original black and white lithograph by Alphonse Mucha for L'Estampe Moderne series number 2 published in June 1897. One of the 50 grand luxe proofs printed on China paper with wide margins signed and dated by the artist in the plate. Embossed stamp of the publisher showing a child in profile to lower margin laid down on a leaf of vélin paper with the numbered stamp of the tirage de luxe to verso occasional spotting to margins not touching image blank guard. A magnificent monthly French publication that appeared between May 1897 and April 1899 L'Estampe moderne comprised unpublished chromolithographs that unlike those in other magazines like Les Maîtres de l'Affiche and as is stipulated on the guard sheets were specially made by each artist for the magazine. There are thus 100 prints that appeared in total covering the major artistic currents of the late 19th Century: Symbolism Art Nouveau the Pre-Raphaelites Orientalists and the Belle époque. Each fascicule of four prints was printed in 2000 copies and sold for 3.50F with 100 on Japan paper sold at 10F. Henri Piazza also planned a very luxurious secret printing of 50 copies on Japan paper with wide margins and 50 in black and white on China paper at the considerable price of 30F. This well-sized print is superbly printed in colors on the most prestigious of papers: Japan. Thick creamy satin and with a nice sheen it contributes to making each page a work of art in itself. Its absorptive qualities for ink and its affinity for colors make it the ideal support for these lovely lithographs. The interest of French collectors for artistic posters grew from the beginning of the 1890s. Octave Uzanne invented a term for this growing interest: affichomanie or poster mania. The poster originally not rare and posted up in the streets of the capital thus became a work of art and its ephemeral background became precious and essential for conservation. Piazza decided to extract the poster from its advertising role and to elevate it to a form of art similarly to luxury illustrated artists' books. He thus put together a prestigious collection of entirely original works by the most fashionable European artists of the age: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. He also included in this project a Czech artist freshly arrived in Paris Alfonse Mucha who has only recently become active in France but who has immediately carved out for himself the affection of the public. Like in his posters which everyone knows and covets he shows us here the varied resources of his multifaceted talents as accomplished draughstman decorator and colorist from the notes printed on the guard for Salomé. The two first special numbers of the review were in fact dedicated to him and were given to all the subscribers for all twelve annual numbers of L'Estampe moderne as well as the famous illustration of the covers. A fine signed plate by the master of Art nouveau. Imprimerie Champenoispour CH. MassonH. Piazza unknown
188619141886 Editions H. Launette et Cie, Paris, 1886; Editions G. Boudet et Charles Tallandier, 1896.2 volumes in-4, demi-chagrin, couvertures illustrées en couleurs conservées. (x),160, 250 pages. 1er volume: 24 chromolithographies de Jules Chéret, et 62 illustrations in-texte et hors texte, plus un tirage en couleurs de la couverture. 2ème volume (1886-1895): 64 lithographies et 92 illustrations in-texte et hors-texte
189879250Cartonnage d'éditeur pleine percaline verte. Titre à la chinoise doré sur le dos. Plat supérieur illustré d'un dessin signé de Steinlen représentant un coq chantant en noir et rouge devant le titre"Cocorico" écrit en doré. Le présent exemplaire est ici en deux volumes : numéros 1 à 24 pour 1898-1899 ; numéros 25 à 44 pour 1900. (Les couvertures en couleurs et les annonces sont reliées in-fine pour le premier volume).
190081385Calmann Lévy | Paris 1900 | 14.50 x 21 cm | relié
1897AMO-4526Paris, Librairie Charpentier et Fasquelle, 1897 1 volume in-4 (27,2 x 19 cm) broché de (6)-120 pages. Couverture illustrée d'une lithographie par Mucha (réduction de l'affiche originale de la pièce) tirée par l'imprimerie F. Champenois. Parfait exemplaire non coupé, jamais lu, très peu manipulé. Léger empoussiérage de la tranche inférieure. Exemplaire en grande partie non coupé. Edition originale. Un des rares 25 exemplaires imprimés sur papier du Japon avec double état de la couverture (également imprimée sur Japon) dont un premier état avant la lettre (également imprimé sur Japon).
190081385Paris: Calmann Lévy 1900. Fine. Calmann Lévy Paris 1900 14.50 x 21 cm relié Calmann Lévy Paris 1900 145 x 21 cm half morocco First edition with 13 original illustrations by Alfons Mucha the cover 7 hors-text and 5 banners one of 50 numbered copies on China paper the tirage de tête deluxe copies. Binding in half orange morocco gilt date at the foot of the spine frame of black fillets on the marbled paper boards endpapers in the same marbled paper illustrated covers and spine preserved contemporary binding signed Champs-Stroobants. Pleasant attractively set copy including as stipulated in the print justification its double series of engravings: in colour and line drawings. Calmann Lévy hardcover
189773887Imprimerie Champenois pour CH. Masson H. Piazza | Paris s. d. [Mai 1897] | 22 x 38 cm | une feuille et une serpente
189773918Imprimerie Champenois pour CH. Masson H. Piazza | Paris s. d. [Juin 1897] | 23.50 x 33 cm | une feuille et une serpente
