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1801319639Philadelphia 1801. Small circular engraved broadside engraved by Draper. Approx. 3 1/2 inches in diameter. Inlaid into a larger sheet at a later date. Small circular engraved broadside engraved by Draper. Approx. 3 1/2 inches in diameter. America Looks to the Future: An Unusual Early American Perpetual Calendar. The Explanation running arount the outer border of the lower portion of the Calendar details its use: "Intersect the Column of the Month by the circle in which the Year stands & the Day you there find look for under October which day of the week with those on the right hand will stand over such Days of the Month as falls on them." The Explanation continues with how to determine days of the month using the calendar in the previous century and into the 20th century.<br/><br/>A January 14 1802 review in the Philadelphia Gazette extolls its virtues: ".I am induced to think that sufficient justice can hardly be done to the ingenuity of this little production: The Author has modestly called it a Calendar for the 19th Century while it is in fact a Calendar for twenty-one centuries . It will shew sic in what day of the week an event in history occurred . This Calendar is handsomely executed on copperplate . when framed its figure and beauty will entitle it to a station in the parlour as well as counting house." The review further reveals that the Calendar was being sold for $.25 and was also being marketed as a hat maker's label. <br/><br/>Just a few days prior to that review Mandeville had taken the liberty of sending his Calendar to President Thomas Jefferson writing to him on January 9 1802: "Permit me the honor to present to you . a Calendar for the Nineteenth Century to which I have recently given publicity -- Should I learn that in your estimation I have combined usefulness with originality and comeliness I shall be highly gratified.". According to Philadelphia Directories from the period David Mandeville lived at North Sixth Street in Philadelphia in 1801 and 1802 and worked as an "accomptant" and clerk in the Bank of the United States. The broadside is engraved by John Draper; a former apprentice to Robert Scot he engraved for Dobson's Encyclopedia and was an early American banknote engraver. <br/> <br/>Very rare with only three examples recorded by Shaw and Shoemaker American Antiquarian Society New York Public Library and Massachusetts Historical Society. The AAS example with a variant spelling of the word Calendar "Calender" and with the engraver's name below the outer circle suggesting two issues. Shaw-Shoemaker 269 unknown books
pp. 222, in 8°, bross.
br. Questo libro tenta un'interpretazione del pensiero di Bernard Mandevilie ponendo in dialogo fra loro le sue opere. Operazione non priva di difficoltà rappresentate sia dai diversi generi letterari adottati, sia dai differenti argomenti trattati. Confrontando gli scritti di Mandevilie, però, emergono alcuni nuclei tematici da cui è possibile delineare una struttura coerente. Per questa ragione la prima parte del libro è focalizzata sul metodo e su come questo metodo, applicato all'indagine della natura umana, porti all'individuazione di pochi semplici principi. Un approccio empirico che prelude e sostanzia la dimensione umoristica e la sua funzione oggettivante. Tenendo fermo questo apparato concettuale, la seconda parte muove dall'antropologia per tracciare il pensiero socio-economico di Mandevilie. Qui, mantenendo distinti il piano morale, etico e politico si può comprendere come i "vizi privati" diventino "pubblici benefici". Lontano dall'essere una dichiarazione utilitarista ante litteram, l'aforisma diventa il correlativo oggettivo di un pensiero che vede nel male minore una possibilità filosofica: possibilità non libera da problemi e contraddizioni.
197826828Danemark, Hjorring, I. Chr. Sorensen, éditeur 1978. In-4 broché de 72 pages au format 23 x 3,5 x 30 cm. Couverture, à rabats, illustrée par Ole & Anker Jensen. Dos bien carré. Plats et intérieur frais, malgré d'iInfimes frottis aux coins. Livre glissé sous étui cartonné noir. Textes de Luc Bérimont, Roger Caillois, Andrée Chedid, Julio Cortazar, Guillevic, Jean Joubert, Jean L'Anselme, Jean Laugier, Jean Orizet, Jean Piaubert, Gisèle Prassinos, Jean Rousselot, Salah Stétié, Alexandre Vialatte, André Verdet, etc. Listes des expositions de l'artiste en fin de livre. Tirage unique à 700 exemplaires numérotés et signés de la main de l'artiste sur papier à la main Scripta ( n° 521 ), ornés de huit lithographies originales en couleurs de Bernard Mandeville, signées. Il existe un tirage de tête à 42 exemplaires numérotés en chiffres romains, signés par l'artiste et réservés aux quarante-deux poètes. Etat superbe, exemplaire non coupé. Edition originale, enrichie d'une dédicace autographe signée de Bernard Mandeville.
19912-2711610888Librarie Philosophique J. Vrin 1991. Paperback. New. 185 pages. French language. 8.39x5.32x0.94 inches. Librarie Philosophique J. Vrin paperback
1978P33448Denmark: I. Chr. Sorensen 1978. Paperback Quarto unbound. Paperback. Very good. illustrated brown wraps 70 pp 8 signed lithographs ___ signed by 12 of the 42 poets on the front endpaper No. 180 of 700 printed signed by Mandeville in slipcase<br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. I. Chr. Sorensen paperback
2006x-1403971668Palgrave Macmillan 2006. Hardcover. New. 208 pages. 9.25x6.25x0.50 inches. Palgrave Macmillan hardcover
198516438La Jolla CA: University of California San Diego Mandeville Gallery 1985. Softcover. VG sticker on spine. Grey wraps. 64 pp. 11 color numerous bw plates. Exhibition held Nov. 8 to Dec. 15 1985. University of California, San Diego, Mandeville Gallery paperback books
75-4361San Diego: Mandeville Gallery University of California San Diego 1985. 4to. Soft Cover ca. 70 pp. Very Good B&W and Color Plates. Sunning AbrasionsProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. San Diego: Mandeville Gallery, University of California, San Diego, 1985 paperback
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16954<p>The Latin and Arabic Texts edited with an English Translation of the latter and with critical notes.</p> Paris, 1927 Geuthner 86 p., broché. 16,5 x 24,5
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