15 résultats
71018Couverture rigide. Bon/1918. in-8. Paris 1918 in-8 152pp broché Edition décorée d'un portrait de bandeaux et de cul de lampe déssinés et gravés par Perrichon. Très bel exemplaire! unknown
193358330Paris: Henry Babou 1933. Fine. Henry Babou Paris 1933 20.50 x 26.50 cm en feuilles First edition one of 750 numbered copies on white laid paper the only deluxe copies after 50 Japan and 50 hors commerce. Work decorated with a self-portrait of the artist as well as illustrations hors-texte letter-preface by Claude Aveline. Endpapers lightly shadowed. Henry Babou unknown
1922mon0004077072Paris: Edouard Pelletan 1922. Hardcover. Very Good. . half-leather cover in red with marbled boards and gilt shows minimal wear. top edges gilt marbled endpapers. pages tanned and clean. Paris: Edouard Pelletan hardcover
192557050Paris: Le livre 1925. Fine. Le livre Paris 1925 16 x 23 cm broché First edition one of 700 numbered copies on handmade laid paper. Work illustrated with a frontispiece and vignettes engraved on wood by Jules Léon Perrichon. Two slight tears and a small stain of no consequence to spine. Le livre unknown
215154 études du Centre d'Études Foreziennes ainsi que deux publications Musée Dechelette & légendes reliés ensemble en un gros volume in-8 24 x 16 cm reliure demi-toile dos lisse à pièce de titre 201 p. 44 p. 182 p. 27 p. & 76 p.1970 19711974 1940 env. Soit 6 publications. unknown
20161-3639524535Éditions universitaires européennes 2016. Paperback. New. 132 pages. French language. 8.66x5.91x0.30 inches. Éditions universitaires européennes paperback
1920C000027106Paris: Editions d'Art Edouard Pelletan Helleu et Sergent Editeurs 1920. Hardcover. Very Good. 1920 edition no. 215 of 750 on chiffres arabes. Large 8vo handsomely bound in dark blue morocco and marbled boards raised bands handsomely gilt decorated spine Flammarian binder wraps bound in 219 pp. handsome frontispiece portrait by Perrichon. Very good plus with light foxing to outermost pages and sometimes to top margin. RARE. Editions d'Art Edouard Pelletan, Helleu et Sergent, Editeurs hardcover
59237Editions d'Art Edouard Pelletan 1913 In-8 338pp. illustr. portrait frontispice et vignettes gravees exemplaire numeroté sur verge Nb-0307 unknown
186279643Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Georges Perrichon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A faint marginal dampstain not affecting the design. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were called upon to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault as there never was before and as there will never be again. . I can only say that these drawings seem very beautiful to me rich and opulent in character that they have a grandiose quality that renews the aspect of these humble tales and restores to them their original wonder that preceded Perrault himself."" Hetzel unknown
192329515Paris: Chez Claude Aveline 1923. Very Good. Paris: Chez Claude Aveline 1923. First Thus One of 35 copies printed on papier du Japon of which this is no. 2. Octavo; publisher's stiff brown pictorial card wrappers printed in black and red; xii228pp.; one full-page woodcut illus. printed in black and grey half-tone vignettes at the head of each fairy tale. Very light wear to wrapper margins textblock a bit toned brief paper residue to upper cover verso from previously removed label else a Very Good or better quite lovely example of the rarest limitation. Chez Claude Aveline unknown
192551840Paris: Le livre 1925. Fine. Le livre Paris 1925 16 x 23 cm broché First edition one of 700 numbered copies on laid paper. Signed autograph inscription from Emile Henriot to Jérome and Jean Tharaud. Work illustrated with a frontispiece and vignettes engraved on wood by Jules Léon Perrichon. Light foxing affecting mainly the endpapers two minor tears of no consequence to the spine. Le livre unknown
189738952Paris: Floury 1897. A set of 38 relief prints executed for the December issue--the last of twelve published--of L'Image a groundbreaking artistic and literary journal. THIS IS A SET OF PROOFS ON CHINESE PAPER WITHOUT THE TEXT with dozens wood-engravings and woodcuts. Folio. Printed wraps adorned with a wood-engraving after Marcel Lenoir. Stitching loose and a few plates spotted else FINE AND BRIGHT. Ray 321 and 321A. <br/><br/> Floury paperback
192275242Paris: Editions d'art Edouard Pelletan 1922. Fine. Editions d'art Edouard Pelletan Paris 1922 16 x 21 cm relié Edition illustrated with 7 original wood engravings by Jules Léon Perrichon and a portrait of Denis Diderot by Bernard Naudin one of 20 numbered copies on Japan paper deluxe copy. Bradel binding in full boards with overlapping flaps in vellum style endpapers and pastedowns of gold and silver effect paper covers and spine preserved top edge gilt on deckled edges contemporary binding. Fine copy well complete at rear with its duplicate suite on China paper of the original woodcuts and the double state of the frontispiece portrait. Editions d'art Edouard Pelletan hardcover
2041Paris: Editions Edouard Pelletan / Helleu et Sergent Editeurs 1922. An edition of Diderot's subversive classic illustrated by Bernard Naudin one of the great book illustrators of the early 20th century. Includes a striking etched portrait of Diderot by Naudin here present in two states: the first state on Japanese paper and the final state on Chinese paper. Also includes seven wood-engravings by Perrichon after designs by Naudin. Edition limited to 750 numbered copies of which THIS IS ONE OF ONLY 25 COPIES BEAUITFULLY PRINTED IN BLACK AND RED ON FINE CHINESE PAPER. Squarish 8vo. Loose as issued in original wraps. Uncut largely unopened fine and bright. Original folding case a bit worn but still structurally sound. <br/><br/> Paris: Editions Edouard Pelletan / Helleu et Sergent Editeurs, 1922 paperback
16-4045Paris: Gonin frères1935 . Large 8vo. 20 x 29cm. Original boards chemise and slipcase. One of 50 copies on Maillol chanvre with: 2 suites of the hors texte; 2 signed erotic prints by Perrichon; signed wood engraved portrait of Rodin by Perrichon.Monod no. 8806.OVIDE. RODIN Auguste. Élégies amoureuses. Paris Gonin s.d. 1935. In-4 en feuilles chemise et étui de l'éditeur. Édition illustrée de 31 compositions d'Auguste Rodin interprétées en gravures sur bois par Jules Léon Perrichon. Tirage à 270 exemplaires signés par Perrichon celui-ci un des 50 de tête sur papier spécial pur chanvre nominatif pour le comte Jacques-Henri Bornecque comportant un portrait d'après nature gravé au canif signé par Perrichon. Exemplaire enrichi de deux planches libres signées Paris: Gonin frères,1935 hardcover
