Jules Léon PERRICHON - Bernard NAUDIN - Denis DIDEROTLivre Rare Book
Annuaire du journal pour tous.
186477775Couverture rigide. Broché. 296 pages. Couverture défraîchie. Dos factice. Rousseurs.
Librairie et Cætera · Belin-Beliet, France27,00 €
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192275242Editions d'art Edouard Pelletan | Paris 1922 | 16 x 21 cm | relié
186477775Couverture rigide. Broché. 296 pages. Couverture défraîchie. Dos factice. Rousseurs.
500288553Sans date.
1896RO10029305Bureau de la revue. 9 février 1896. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages illustrées d'une gravure portrait en première page.. . . . Classification Dewey : 920-Biographie générale et généalogie
1875178181875 18 volumes, reliure d'époque demi-veau vert fonçé in-octavo (binding half calfskin in-octavo), dos à faux nerfs (spine with raised band) décoré or (gilt decoration) ,filets et roulettes or et à froid (fillets and gilt line and blind stamping decoration), titre et tomaison frappés or (gilt title), filets et roulettes or en tête et en pied, papier marbré aux plats (cover with marbled paper), tête lisse (top edge smooth), toutes tranches lisses (all smooth edges), orné de nombreuses figures sur bois in-texte et de gravures sur bois ou sur acier hors-texte hors-texte en noir par BRUGNOT, PERRICHON, GEOFFROY, BAYALOS, COLIN, STEINHEL, BEAUCE, LANGLOIS, SISCO, LANCELOT, POUGET, GAVARNI, GERARD, JOHANNOT Alfred, JOHANNOT Tony, BOULANGER, ROGIER, RAFFET, DAVID Jules, Petites rousseurs sporadiques essentiellement marginales, 1875 Paris Vve André Houssiaux, Hébert et Cie Successeurs Editeurs,
8462Paris, Le Livre (impr. Coulouma), 1925. In-8, (10)-IV-362-(6) pp., demi-maroquin à bande mosaïqué (André Ballet), tête dorée, étui (dos un peu frotté).
186279643Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Georges Perrichon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A faint marginal dampstain not affecting the design. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were called upon to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault as there never was before and as there will never be again. . I can only say that these drawings seem very beautiful to me rich and opulent in character that they have a grandiose quality that renews the aspect of these humble tales and restores to them their original wonder that preceded Perrault himself."" Hetzel unknown
186279643Hetzel | Paris 1862 | 29.90 x 42.10 cm | une feuille
BOTH OF THE RARE "NUM…ROS SP…CIMEN", IN PRISTINE CONDITION, of this important bibliophile periodical designed to celebrate wood engraving. ***** The first "numÈro spÈcimen" was published in 1896 to encourage people to subscribe to "L'I'mage". 8 pp + 5 hors-texte plates. It features wood-engraved illustrations after LepËre, Willette, De Feure (in color), Merson, Steinlen, ChÈret, and others, and A FULL-PAGE HORS-TEXTE WOOD ENGRAVING BY LEPERE ("La priËre", Lotz-Brissonneau 254) PRINTED ON EXTREMELY FINE ARCHES LAID PAPER. ***** The second "numÈro spÈcimen" was published in 1904 and advertises the revival of the publication, which never took place. 8 pp. + 5 loosely-inserted hors-texte plates, each with an original wood engraving: DÈtÈ after Cottet, Ruffe after Degas, Labat after De Feure, Maylander after Vierge, and Perrichon after Rodin. Both issues printed on five wove paper. Large 4to. Bound in publisher's gorgeous color-printed wraps, the second adorned with a color wood engraving by Vibert after Bellery-Desfonatines. THESE SPECIMEN ISSUES--ESPECIALLY THE FIRST--ARE VERY RARE, FAR MORE SO THAN THE 12 REGULARLY-PUBLISHED ISSUES.
19233905Paris Claude Aveline 1923 petit in-4 reliure signée Paris, Claude Aveline, 1923. 25,5 x 19 cm (R), petit in-4, 209 (1) pp., 2 portraits gravés hors texte dont l'un d'après un dessin original de Bourdelle, 17 bandeaux et une vignette de titre, reliure de plein maroquin bordeaux, dos à 5 nerfs, armes frappées au centre de chaque plat, cimier frappé au dos, filets sur les coupes et intérieurs, tête dorée, couvertures et dos conservés (reliure signée Creuzevault).
191121846Paris, Édouard Pelletan, 1911. Fort in-4, maroquin bleu turquoise, dos lisse et plats entièrement recouverts d’un décor géométrique de losanges dorés et à froid avec points dorés, doublures et gardes de box mastic ornées d’un semé de rectangles dorés, tranches dorées sur témoins, couvertures et dos conservés, chemise, étui. Reliure signée G. Cretté succ. de Marius Michel.
43595Paris Chez Claude Aveline, Editeur 1924 in 12 (17,5x10,5) 1 volume broché, couverture rempliée, 252 pages [3]. Ouvrage orné, en frontispice, d'un buste inédit de l'auteur par Antoine Bourdelle et illustré de compositions originales gravées sur bois par Jean-Louis Perrichon, petites rousseurs éparses sur les premières et les dernières pages. Edition revue et corrigée par l'auteur. Celui-ci un des 600 exemplaires numérotés sur papier vélin d'Arches. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
135108aafBerne, Librairie J. Dalp. (G. Schmid), Imprimerie C. Grumbach. Leipzig s.d. (1868), in-4°, 28 ff. (56 p.), richement ill., reliure en d.-toile, pièce de titre sur cuir au dos, couv. de la brochure orig. devant cons. Bel exemplaire.
192557050Paris: Le livre 1925. Fine. Le livre Paris 1925 16 x 23 cm broché First edition one of 700 numbered copies on handmade laid paper. Work illustrated with a frontispiece and vignettes engraved on wood by Jules Léon Perrichon. Two slight tears and a small stain of no consequence to spine. Le livre unknown
192551840Paris: Le livre 1925. Fine. Le livre Paris 1925 16 x 23 cm broché First edition one of 700 numbered copies on laid paper. Signed autograph inscription from Emile Henriot to Jérome and Jean Tharaud. Work illustrated with a frontispiece and vignettes engraved on wood by Jules Léon Perrichon. Light foxing affecting mainly the endpapers two minor tears of no consequence to the spine. Le livre unknown
1978R100062721Le livre de poche. 1978. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 606 pages - tranches oranges - nombreuses figures en noir et blanc dans le texte - étiquette collée sur le 1er plat.. . . . Classification Dewey : 635-Horticulture
An edition of Diderot's subversive classic illustrated by Bernard Naudin, one of the great book illustrators of the early 20th century. Includes a striking etched portrait of Diderot by Naudin, here present in two states: the first state on Japanese paper and the final state on Chinese paper. Also includes seven wood-engravings by Perrichon after designs by Naudin. Edition limited to 750 numbered copies, of which THIS IS ONE OF ONLY 25 COPIES BEAUITFULLY PRINTED IN BLACK AND RED ON FINE CHINESE PAPER. Squarish 8vo. Loose as issued in original wraps. Uncut, largely unopened, fine, and bright. Original folding case a bit worn but still structurally sound.
2041Paris: Editions Edouard Pelletan / Helleu et Sergent Editeurs 1922. An edition of Diderot's subversive classic illustrated by Bernard Naudin one of the great book illustrators of the early 20th century. Includes a striking etched portrait of Diderot by Naudin here present in two states: the first state on Japanese paper and the final state on Chinese paper. Also includes seven wood-engravings by Perrichon after designs by Naudin. Edition limited to 750 numbered copies of which THIS IS ONE OF ONLY 25 COPIES BEAUITFULLY PRINTED IN BLACK AND RED ON FINE CHINESE PAPER. Squarish 8vo. Loose as issued in original wraps. Uncut largely unopened fine and bright. Original folding case a bit worn but still structurally sound. <br/><br/> Paris: Editions Edouard Pelletan / Helleu et Sergent Editeurs, 1922 paperback
192298860Edouard Pelltan Helleu Sergent 1922 Editions d'Art Edouard Pelletant, Helleu et Sergent Editeurs, 1922, 172 p., broché, exemplaire numéroté, couverture insolée, deux petites taches sur la page de garde, bon état.
1922mon0004077072Paris: Edouard Pelletan 1922. Hardcover. Very Good. . half-leather cover in red with marbled boards and gilt shows minimal wear. top edges gilt marbled endpapers. pages tanned and clean. Paris: Edouard Pelletan hardcover
A COMPLETE PROOF SET ON CHINESE PAPER, before all letters, of all of the relief prints executed for the July issue--the ninth of twelve published--of L'Image, a groundbreaking artistic and literary journal. Numerous wood-engravings and woodcuts including A FINE PROOF ON CHINE OF LABOUREUR'S "AU LUXEMBOURG" (Laboureur I, 572), his first important print. Laboureur was 19 when this issue came out, and its publication marked his being recognized as a consequential artist. This copy, exceptionally, includes A "FUME" (early proof) OF THE WOOD-ENGRAVING AFTER THOMAS LAWRENCE, SIGNED IN PENCIL BY BELTRAND AND JUSTIFIED "FumÈ n∫ 1". Folio. Printed wraps illustrated iwth art nouveau wood engravings after Berthon and De Feure. Stitching loose, else FINE AND BRIGHT. Ray 321 and 321A.
215154 études du Centre d'Études Foreziennes ainsi que deux publications Musée Dechelette & légendes reliés ensemble en un gros volume in-8 24 x 16 cm reliure demi-toile dos lisse à pièce de titre 201 p. 44 p. 182 p. 27 p. & 76 p.1970 19711974 1940 env. Soit 6 publications. unknown
215154 études du Centre d'Études Foreziennes ainsi que deux publications (Musée Dechelette & légendes) reliés ensemble en un gros volume in-8 (24 x 16 cm) reliure demi-toile, dos lisse à pièce de titre, 201 p., 44 p., 182 p., 27 p. & 76 p.1970, 19711974, 1940 (env.). Soit 6 publications.
19294007Paris, Lib. Plon, 1929. 1 vol. in-4 en feuilles de 156-[6] pages, couverture sable à larges rabats, sous étui carton. Belle condition.
192329515Paris: Chez Claude Aveline 1923. Very Good. Paris: Chez Claude Aveline 1923. First Thus One of 35 copies printed on papier du Japon of which this is no. 2. Octavo; publisher's stiff brown pictorial card wrappers printed in black and red; xii228pp.; one full-page woodcut illus. printed in black and grey half-tone vignettes at the head of each fairy tale. Very light wear to wrapper margins textblock a bit toned brief paper residue to upper cover verso from previously removed label else a Very Good or better quite lovely example of the rarest limitation. Chez Claude Aveline unknown
