Honore Daumier (1808-1879)Biblio.com
558 résultats
18482091848. Lithograph. 365mm by 245mm sheet. PROUDHON. Aputre du socialisme ennemi de la propriete et son destructeur brevete sans garantie du gouvernement.'<br /> 'PROUDHON. Apostle of socialism enemy of capitalism and it' patented destroyer without state guarantee.'Pierre-Joseph Prudhon 1809 - 1865 was a French politician the founder of Mutualist philosophy an economist and a socialist. He was the first person to declare himself an anarchist and is among its most influential theorists. He is considered by many to be the "father of anarchism". He became a member of the French Parliament after the revolution of 1848 whereafter he referred to himself as a federalist.Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. Faint foxing. unknown
18482141848. Lithograph. 365mm by 245mm sheet. ODILON BARROT. Plan coupe et Elevation du grand homme et de son pedestal.'<br /> 'ODILON BARROT. Drawing site and height of this important man and his pedestal.'Camille Hyacinthe Odilon Barrot was a French politician who was briefly head of the council of ministers under Prince Louis Napoleon in 1848-49.Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. unknown
1888287477Paris: Maison Quantin - Compagnie Generale d'Impression et d'Edition 1888. Hardcover. 109p. profuse b&w reproductions in a variety of media plus the promised five color lithos simple colorwork not layered as called for hardbound in 11x8 inch dark red morocco over marbled green boards beautifully tooled spine with raised bands devices and titling gilt abraded joints pervasive light foxing within terminal signature is detached but not damaged badly broken hinges with casing nearly detached from textblock. Professional attentions would benefit item and its readership otherwise just be cautious when going through. The V. Hugo singleton is a curiosity quite a ferocious style; the Daumier are splendid; all inclusions are worthwhile and unusual. As is. Maison Quantin - Compagnie Generale d'Impression et d'Edition hardcover
1830900903AGParis:, Aubert, um 1830. Lithographie, Blattmaß: 36,5 x 27,5 cm.
18444566Paris: D'Aubert & Cie / Chez Bauger 1844. Two black and white engraved lithographs by Daumier. 1 Actualités #110. The Grand Prince Muley sitting and looking rather sad smoking a pipe is being protected from the sun by a servant with a dishevelled and broken umbrella. Signed in the plate. imp. d'Aubert to the lower right corner with text in French below. The sheet is 35cm x 26cm on stiff card. Grand Prince Muley was Abd al-RahmÄn ibn HishÄm Sultan of Morocco. Together with 2 "Nouveau Parapluie" 1840. Published as part of the Émotions Parisiennes #33 series. A man emerges into a downpour with his new umbrella. Printed to stiff card. Signed in the plate by Daumier and below printed Chez Bauger to the left and imp. d'Aubert & Cie to to right. Text in French below about the improved umbrella. The title Émotions Parisiennes has not properly printed to the top edge and just a feint line is showing. 33cm x 24.5cm. Both prints are in sound condition with light foxing and darkening to the sheets. Still attractive. First edition. . Deux lithographies gravées en noir et blanc de Daumier. 1 Actualités #110. Le Grand Prince Muley assis et l'air plutôt triste fumant une pipe est protégé du soleil par un serviteur avec un parapluie ébouriffé et cassé. Signé dans la planche. imp. d'Aubert dans le coin inférieur droit avec un texte en français en dessous. La feuille mesure 35 cm x 26 cm sur carton rigide. Le Grand Prince Muley était Abd al-RahmÄn ibn HishÄm Sultan du Maroc. Avec 2 "Nouveau Parapluie" 1840. Publié dans la série Émotions Parisiennes #33. Un homme émerge dans une averse avec son nouveau parapluie. Imprimé sur carton rigide. Signé dans la planche par Daumier et en dessous imprimé Chez Bauger à gauche et imp. d'Aubert & Cie à droite. Texte en français ci-dessous sur le parapluie amélioré. Le titre Émotions Parisiennes n'a pas été correctement imprimé sur le bord supérieur et seule une petite ligne apparaît. 33 cm x 245 cm. Les deux tirages sont en bon état avec de légères rousseurs et un assombrissement des feuilles. Elles sont encore attrayantes. D'Aubert & Cie / Chez Bauger unknown
18264572Paris: Chez Giraut et Martinet 1826. Two lithographs picturing Parisians with umbrellas ! 1 Edme Jean Pigal Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella whilst waiting for a carriage driver. Nice bright colours. The sheet is a little foxed but still presentable. Image is 19cm x 19cm. The sheet is 34cm x 24.5cm. Together with 2 Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie." This was produced in 1835 in Le Chariviari. Here it is produced and numbered as an individual lithograph on stiff card. This copy is uncoloured. Attractive engraving of two men battling with the wind and rain and carried by their umbrellas. Published by Chez Aubert. Illustration is 21cm x 18cm. The sheet is 31cm x 23cm. A little darkening and marking only. Together both are attractive caricatures. First edition. . Two lithographs of Parisians with umbrellas! 1 Edme Jean Pigal Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella while waiting for a carriage driver. Beautiful bright colors. The sheet is a little scorched but still presentable. The image measures 19 cm x 19 cm. The sheet measures 34cm x 24.5cm. Together 2 Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie". This illustration was produced in 1835 in Le Chariviari. It is produced and numbered here as an individual lithograph on stiff card. This copy is not colored. Attractive engraving of two men struggling against the wind and rain and carried by their umbrellas. Published by Chez Aubert. The illustration measures 21cm x 18cm. The sheet measures 31cm x 23cm. Some darkening and marks only. Both are attractive caricatures. Chez Giraut et Martinet unknown
18444566Paris D'Aubert & Cie / Chez Bauger 1844 Deux lithographies gravées en noir et blanc de Daumier. (1) Actualités #110. Le Grand Prince Muley, assis et l'air plutôt triste, fumant une pipe, est protégé du soleil par un serviteur avec un parapluie ébouriffé et cassé. Signé dans la planche. imp. d'Aubert dans le coin inférieur droit avec un texte en français en dessous. La feuille mesure 35 cm x 26 cm sur carton rigide. Le Grand Prince Muley était Abd al-Rahman ibn Hisham, Sultan du Maroc. [Avec] (2) "Nouveau Parapluie" 1840. Publié dans la série Émotions Parisiennes (#33). Un homme émerge dans une averse avec son nouveau parapluie. Imprimé sur carton rigide. Signé dans la planche par Daumier, et en dessous imprimé Chez Bauger à gauche et imp. d'Aubert & Cie à droite. Texte en français ci-dessous sur le parapluie amélioré. Le titre (Émotions Parisiennes) n'a pas été correctement imprimé sur le bord supérieur, et seule une petite ligne apparaît. 33 cm x 24,5 cm. Les deux tirages sont en bon état, avec de légères rousseurs et un assombrissement des feuilles. Elles sont encore attrayantes.
184774666Paris: Chez Aubert 1847. Fine. Chez Aubert Paris s. d. 1847 26.50 x 35.20 cm une feuille Original black and white lithograph second state created for Le Charivari and printed on heavy paper. Signed on the plate. Delteil 916 Some foxing. Chez Aubert unknown
18264572Paris Chez Giraut et Martinet 1826 Two lithographs of Parisians with umbrellas! (1) Edme Jean Pigal, Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella while waiting for a carriage driver. Beautiful bright colors. The sheet is a little scorched, but still presentable. The image measures 19 cm x 19 cm. The sheet measures 34cm x 24.5cm. [Together] (2) Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie". This illustration was produced in 1835 in Le Chariviari. It is produced and numbered here as an individual lithograph on stiff card. This copy is not colored. Attractive engraving of two men struggling against the wind and rain and carried by their umbrellas. Published by Chez Aubert. The illustration measures 21cm x 18cm. The sheet measures 31cm x 23cm. Some darkening and marks only. Both are attractive caricatures.
1841253731841 Paris, Aubert-Lavigne, s.d. (1841) in 16 reliure posterieure demi basane tabac ,dos lisse titré., 112 p., 1 f. table, 7 ff. d'annonces, bel ex. Ed. orig. ill. de 56 vignettes, dont 2 répétées en couverture(s) et sur le titre, par Trimolet, Daumier et Maurisset, edition originale;
184274698Chez Aubert | Paris s. d. [1842] | 24.80 x 32.90 cm | une feuille
18419338Paris, Aubert et Cie, Lavigne, s. d. (1841). In-32, 124 pp. dont faux titre et titre, titre orné d'une vignette, (2) ff. table, annonces de librairie, vignettes in-texte de Gavarni et Daumier, joint : (1) feuillet publicité, illustré et imprimé recto-verso. Broché, première de couverture illustrée, non-coupé, dos insolé, première de couverture légèrement insolée, rares rousseurs aux bords de quelques feuillets.
18472331847. Lithograph. 300mm by 225mm sheet. 'An indispensable New Year's visit at Aunt Rabourdin's'<br /> Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From the series 'Les Bons Bourgeois' The Petty Bourgeois from the Parisian magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18441741844. Lithograph. 300mm by 225mm sheet. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' The best days in life which was published in the French magazine 'Le Charivari'. Each issue would contain one lithographic caricature.<br /> 'UN JOUR DE 1ère REPRÉSENTATION.Comment jusqu'à mon portier qui m'offre un bouquet!. Saperlotte voilà un vaudeville qui va me coûter cher. je commence à regretter qu'il n'ait pas été complètement sifflé!.'THE OPENING NIGHT!What! Even my porter offers me flowers!. Bless my soul this comedy will cost me a fortune. I begin to regret that it hasn't been hissed off the stage altogether.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. unknown
18471701847. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1847. Initialled 'HD' in the image. From a series titled 'Les Bons Bourgeois' which was published in the French magazine 'Le Charivari'.<br /> Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18491581849. Lithograph. 250mm by 350mm sheet. The French text below the image translates to : <br /> Victor Hugo in a discourse of three points shows the worthlessness of military glory and proves by example that the crown of laurels can be advantageously replaced by the rosary! That gives him the advantage of creating a new affect of the forehead.Text on the reverse as issued.Original lithograph by Honore Daumier published in Paris in 1849. Initialled 'HD' in the image. From his series titled Souvenirs Du Congres de La Paix.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. One small spot in the image and closely cut to title at top of the sheet. unknown
18391571839. Lithograph. 245mm by 325mm sheet. The French text below the image translates to : Get out of here this is my place!<br /> Original lithograph by Honore Daumier published in Paris in 1839. Initialled 'HD' in the image. From a series titled Actualities News of the Day. Text on the reverse as issued folds as issued.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. unknown
184726201847. Lithograph. 350mm by 240mm sheet. 'Un bon mari qui pour distraire son Epouse la conduit regulierement au cafe chaque dimanche soir.' <br /> To entertain his wife a good husband takes her regularly to the cafe every Sunday evening.From the series 'Les Bons Bourgeois' The petty bourgeois from the Parisien magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Faint horizontal crease as issued. unknown
18441601844. Lithograph. 300mm by 225mm sheet. Text below the image reads : Look at that ! Instead of milk she is pouring shoe polish into my hot chocolate! enough with that damned novel!<br /> Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From a series titled 'Les Bas Bleus' The Blue Stockings which was published in the French magazine 'Le Charivari'.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18442051844. Lithograph. 300mm by 225mm sheet. The Illustrated Rebus- Singular! I cannot guess the rebus in today's Charivari ! - I think I have one word - I have several words - I have it all! I must run and tell my wife'<br /> Original lithograph by Honore Daumier published in Paris in 1844. From a series titled 'Les Beaux Jours de la Vie' The Best Days in Life which was published in the French magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18552301855. Lithograph. 240mm by 305mm sheet. AUX CHAMPS ELYSEES. Degustation des produits de l'industrie des differents brasseurs.'<br /> ON THE CHAMPS-ELYSEES. Tasting of the industrial products of different brewers.Original lithograph by Honore Daumier published in Paris in 1855. Initialed 'HD' in the image. From a series titled 'L'Exposition Universelle' which was published in the French magazine 'Le Charivari'.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed slightly. Faint folds as issued text on the reverse as issued. One crease. Faint off-setting. Worm hole in upper title.Beer interest. unknown
18441731844. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' which was published in the French magazine 'Le Charivari'.<br /> The text beneath the image reads 'Un Diner Chez Very -Enfin ! je viens donc de diner en garcon !.oui ! mais ma femme m'a confie un louis et il me reste.soixante centimes !' A Dinner at Very's - So what! I am having dinner by myself today. alright! But my wife gave me one Louis d'or and I still have. 60 centimes left.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18482151848. Lithograph. 365mm by 245mm sheet. M.M. Victor Hugo et Emile Girardin cherchent _ _lever le prince Louis sur un pavois ca n'est pas tres solide!'<br /> 'Victor Hugo and Emile Girardin trying to raise Prince Louis on a shield. a somewhat shaky affair.'Depcits Hugo and Girardin supporting the election of Prince Louis to the Legislative. This way Hugo facilitated the upcoming seizure of power and proclamation of Louis-Napoleon Bonaparte as president on December 10 1848. A month before on November 4 1848 a section in the Constitution had been changed guaranteeing freedom of the press. Original lithograph by Honore Daumier published in Paris in December 1848. From a series titled 'Actualities' News of the Day which was published in the French magazine 'Le Charivari'.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Faint folds as issued text on the reverse as issued. One foxing spot faint ink off-setting on left hand side. unknown
18451721845. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1845. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' which was published in the French magazine 'Le Charivari'.<br /> Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18419333Paris, Aubert et Cie, Lavigne, s. d. (1841). In-32 112 pp. dont faux titre et titre, titre orné d'une vignette, (1) f. table, (7) ff. annonces Physiologies, illustré de vignettes par Daumier, Trimolet et Maurisset. Broché, première de couverture illustrée, dos insolé et empoussiéré, dos choqué en pied, bords ext. des couvertures et coins choqués (sans déchirures), couvertures empoussiérées, rares feuillets avec rousseurs dans la marge ext.
