Honore DaumierBiblio.com
598 résultats
1844P4917Paris: Bauger 1844. Very Good. Image Size : 242x182 mm 9.53x7.17 Inches Platemark Size : Paper Size : 317x253 mm 12.48x9.96 Inches Coloring: Black & White Medium: Lithograph Categories: Caricatures; Bauger unknown
1849255231849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:-1 feuillet (4 pages) numéro complet; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
1834251111834 Planche 420 de La Caricature N° 201.La Caricature, 28 aout 1834. Lithographie originale sur Velin blanc. . Delteil 85. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 82 ,
1847180<p>1847. Sur Blanc. Lithograph with contemporary hand-coloring. D. 1527iii/iii. From Les Bons Bourgeois. Plate 51. Image: 10½ x 8½. Margins: 13 x 10 .</p> Chez Aubert
18471801847. Sur Blanc. Lithograph with contemporary hand-coloring. D. 1527iii/iii. From Les Bons Bourgeois. Plate 51. Image: 10½ x 8½. Margins: 13 x 10 . Chez Aubert books
1859134563Paris, Au Bureau du Charivari et Chez Martinet 1859 In-folio oblong 267 x 343 mm., cartonnage éditeur jaune illustré. Page de titre lithographiée et 18 planches en noir. Cartonnage ternie, coins émoussés. Rousseurs au titre, par ailleurs légères et marginales.
1832256121832 La Caricature politique, morale, littéraire Lithographie 1832 - Œuvre : Hauteur: 36.3cm x Largeur: 24.1cm,tache habituelle au milieu
184032073Paris, Chez Aubert - Galerie Vero-Daudat, 1840, Lithographie originale réhaussée à l'aquarelle. 22x24 cm plus marges. Coloris d'époque. Bel état. Caricaturama n°38
1833250781833 Planche 244 de La Caricature N° 118.La Caricature, 7 fevrier, 1833. Lithographie originale sur Velin blanc. . Delteil 50. Belle épreuve en noir et pli horizontal,plis;lithographie en noir sur velin blanc,Delteil 50 ,tirage bien noir malgré l'image jaunie
1835557561 vol. in-4 reliure de l'époque demi-basane marron, Chronique de Paris. Tome III du n° 53 du 2 août 1835 au n° 74 du 27 décembre 1835. Politique, Littérature, Sciences et Arts, Tribunaux, Modes, Musique, Gravures, caricatures, 1835, 356 pp. avec 9 planches hors texte (dont 6 en couleurs), dont machine infernale de Fieschi et 6 gravures de mode (dont une du Follet Courrier des Salons, d'autres notamment du Lady's Magazine and Museum, pour la Chronique de Paris)
1871260331871 Le Charivari 1871- Lithographie originale, Gillotage paper- Image: 23.50 x 19.40; Sheet: 25.90 x 20.80 cm
1823B6599Honore Daumier incl. Chez Aubert and Cie; mostly 18230-1860's. Plates in very good condition; mostly crisp and clean; some minor reinforcements and tear repairs mainly marginal. Binding: Contemporary marbled boards; rebacked expertly saving the contemporary spine; flat spine with gilt lettered title on two and four; marbled endpapers. Marbled endpaper pasted to contemporary free endpaper. Notes: Honoré-Victorin Daumier 1808 – 1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life of 19th century France. ‘Daumier produced more than 4000 lithographs 1000 wood engravings 1000 drawings . . perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen. <br>‘During the reign of Louis Philippe Charles Philipon launched the comic journal 'La Caricature'. Daumier joined its staff which included such powerful artists as Devéria Raffet and Grandville and started upon his pictorial campaign of satire targeting the foibles of the bourgeoisie the corruption of the law and the incompetence of a blundering government. His caricature of the king as Gargantua led to Daumier's imprisonment for six months at Ste Pelagie in 1832. Soon after the publication of 'La Caricature' was discontinued but Philipon provided a new field for Daumier's activity when he founded the 'Le Charivari'.<br> <br>‘Daumier produced his social caricatures for 'Le Charivari' in which he held bourgeois society up to ridicule in the figure of Robert Macaire hero of a popular melodrama. In another series 'L'histoire ancienne' he took aim at the constraining pseudo-classicism of the art of the period. In 1848 Daumier embarked again on his political campaign still in the service of 'Le Charivari' which he left in 1863 and rejoined in 1864.<br> ‘Around the mid-1840s Daumier started publishing his famous caricatures depicting members of the legal profession known as 'Les Gens de Justice' a scathing satire about judges defendants attorneys and corrupt greedy lawyers in general. A number of extremely rare albums appeared on white paper covering 39 different legal themes of which 37 had previously been published in the 'Charivari'. It is said that Daumier's own experience as an employee in a bailiff's office during his youth may have influenced his rather negative attitude towards the legal profession.<br> <br>‘In 1834 he produced the lithograph 'Rue Transnonain 15 April 1834' depicting the massacre in the rue transnoin which was part of the April 1834 riots in Paris. It was designed for the subscription publication 'L’Association Mensuelle'. The profits were to promote freedom of the press and defrayed legal costs of a lawsuit against the satirical politically progressive journal 'Le Charivari' to which Daumier contributed regularly. The police discovered the print hanging in the window of printseller Ernest Jean Aubert in the Galerie Véro-Dodat passageway in 1st arrondissement and subsequently tracked down and confiscated as many of the prints they could find along with the original lithographic stone on which the image was drawn. Existing prints of Rue Transnonain are survivors of this effort.<br> <br>The present collection is from series published in the Charivari: ACTUALITES CARICATURES DU JOUR. Celebrites de la Caricature CES BONS PARISIENS CROQUIS AQUATIQUES CROQUIS D’EXPRESSONS EN CHINE HISTOIRE ANCIENNE. La Caricature LA PECHE. LES BAIGNEURS. LES BANQUETEURS. LES BAS-BLEUS. LES BEAUX JOURS DE LA VIE. LES BONS BOURGEOIS LES PAPAS LES PHILANTROPES DU JOUR. LOCATAIRES ET PROPRIETAIRES. MOEURS CONJUGALES. PASTORALES. SILHOUETTES. TOUT CE QU’ON VOUDRA.<br> <br><br> Size: folio 350x258mm; plates Illustration: Illustrated with Charivari’s publication title ‘Les Bohemiens’; and a collection of onehundred 100 leaves with lithographs by Honore Daumier most signed within the plate in black 73 or contemporary hand-colour 27; plates from various series listed below of varying sizes printed in the publication ‘Le Charivari’. Two plates are repeated 52 & 63 and 45 & 65 respectively. Provenance: The thirty-seventh 37th bound plate has a marginal round ink stamp: Transation: Titles and captions Pages: Ll: bl. title 100 engraved leaves bl. Category: Book Caricatures; Book Europe France; Book Plate Books Colour; Honore Daumier, incl. Chez Aubert and Cie; hardcover
1833199011833 Planche double 299-300 de La Caricature. 1833. Lithographie originale sur Velin blanc. 515 x 338. Delteil 65. Belle épreuve en beau coloris du temps, avec pli vertical médian normal,et pli horizontal,legere decharge sur une moitié de la double feuille,plis;lithographie coloriée sur velin blanc,Delteil 65
1853206108Paris: Le Charivari 1853. Small tape remnants in two corners of verso where the print was once matted and framed; very good. Tear-sheet approx. 10 X 14 in. with cartoon printed on one side partial article text and advertisements on the other. Original publication of this Daumier lithographic cartoon the fifth in his series of "Croquis Aquatiques." A delicate piece on newsprint remarkably well maintained. Hazard & Delteil Catalogue Raisonné 1226 V. Le Charivari unknown
1849255201849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:-1 feuillet (4 pages) numéro complet; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
1860125744Couverture souple. 22 x 32 cm. Broché. 64 pages. Sans couverture. Rousseurs. Légèrement défraîchi.
1870260261870 Le Charivari 1870 -trente-neuvième année, mardi 29 mars 1870,Au dessus de l'image, centré : "ACTUALITES" ; et à droite : "53" ; signature en bas de l'image à gauche : "h.D." ; en dessous de l'image, à gauche : "A. de Vresse, r. Rivoli, 55" ; en dessous de l'image à droite : "Lith. Walter Fres r. Paradis Pre 28" ; et en dessous, centré : "- Le cheval de Troie"
18365481AGParis, Aubert, 1836. Lithographie aus "Le charivari", Darst=Bll. 23,1 x 33 (H); Blatt geknickt, Tintenfleck (oben links) alt. Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.
18401121840. Lithograph. 225mm by 300mm sheet. The French text below the image translates to : <br /> GOOD! NEVER MIND!. WE WILL PLEAD. I PREFER THAT ANYWAY !!Folds as issued text on the reverse.Original lithograph by Honore Daumier published in Paris circa 1840. Initialled 'HD' in the image. From his series titled Types Parisiens.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. Sheet slightly trimmed. unknown
18482121848. Lithograph. 365mm by 245mm sheet. PIERRE LEROUX. Ce grand philosophe se dirigeant vers la tribune de l'assembl_e nationale avec sa collection d'aphorismes sociaux.'<br /> 'PIERRE LEROUX. We see this great philosopher and specialist in social aphorisms aiming for the rostrum at the National Assembly.'Pierre-Henri Leroux 1797 - 1871 was a deputy and philosopher writer and a friend of George Sand. He was a director and founding member of the following papers: "Globe" "Revue encyclopedique" and "La Republique". He lived in exile in England between 1851 and 1869. During 1848 he was the official theorist of the socialist school. Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. unknown
18471701847. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1847. Initialled 'HD' in the image. From a series titled 'Les Bons Bourgeois' which was published in the French magazine 'Le Charivari'.<br /> Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18491581849. Lithograph. 250mm by 350mm sheet. The French text below the image translates to : <br /> Victor Hugo in a discourse of three points shows the worthlessness of military glory and proves by example that the crown of laurels can be advantageously replaced by the rosary! That gives him the advantage of creating a new affect of the forehead.Text on the reverse as issued.Original lithograph by Honore Daumier published in Paris in 1849. Initialled 'HD' in the image. From his series titled Souvenirs Du Congres de La Paix.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. One small spot in the image and closely cut to title at top of the sheet. unknown
18482091848. Lithograph. 365mm by 245mm sheet. PROUDHON. Aputre du socialisme ennemi de la propriete et son destructeur brevete sans garantie du gouvernement.'<br /> 'PROUDHON. Apostle of socialism enemy of capitalism and it' patented destroyer without state guarantee.'Pierre-Joseph Prudhon 1809 - 1865 was a French politician the founder of Mutualist philosophy an economist and a socialist. He was the first person to declare himself an anarchist and is among its most influential theorists. He is considered by many to be the "father of anarchism". He became a member of the French Parliament after the revolution of 1848 whereafter he referred to himself as a federalist.Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. Faint foxing. unknown
18472331847. Lithograph. 300mm by 225mm sheet. 'An indispensable New Year's visit at Aunt Rabourdin's'<br /> Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From the series 'Les Bons Bourgeois' The Petty Bourgeois from the Parisian magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
18441741844. Lithograph. 300mm by 225mm sheet. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' The best days in life which was published in the French magazine 'Le Charivari'. Each issue would contain one lithographic caricature.<br /> 'UN JOUR DE 1ère REPRÉSENTATION.Comment jusqu'à mon portier qui m'offre un bouquet!. Saperlotte voilà un vaudeville qui va me coûter cher. je commence à regretter qu'il n'ait pas été complètement sifflé!.'THE OPENING NIGHT!What! Even my porter offers me flowers!. Bless my soul this comedy will cost me a fortune. I begin to regret that it hasn't been hissed off the stage altogether.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. unknown
