Fouqueray, HenriBiblio.com
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1019615974.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
194622310Paris: Editions du Trefle. 1946. Softcover. No. 687 of 750 copies unbound signatures laid into wraps near fine with a tiny bit of waviness to the plates; in board chemise with barely sunned spine and very good box. 12 plates and 33 in-text illustrations by D Charles Fouqueray. ; Small 4to 9" - 11" tall . Editions du Trefle paperback
191057446Paris : Alphonse Picard 1910. 240x160mm. XXV- demi-percaline. Plats papier marbr. Etiquette de titre manuscrite au dos. Intrieur propre. Bon tat. 1430 Alphonse Picard unknown
0266823149.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266786278.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428337368.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
020131928 s.l. Ernest Flamarion. 1st Edition . Hardcover. Fine. E.O. - numéro XXVIII des 40 ex n I - XV hors commerce - 238 x 185 cm - 81 pgs justification - imprimé sur vélin des Papeteries de Rives - belle reliure demi-cuir à coins avec 5 faux nerfs titre et auteur estampés en or sur le dos mors supérieur un tout petit peu endommagé tout à fait en haut très minimal sauf cela en très bonne condition - lithographies de Fouqueray <br /> 1928 s.l. Ernest Flamarion hardcover
2026166894Nord-bruxelles 2026. Bon Etat coiffes assez frottés pages non-coupées. in4. 2026. Broché. 330300 pages. Nord-bruxelles unknown
1930g5074Paris: Ernest Flammarion. G : in Good condition. Paper cover rubbed with small tears to spine ends. 1930. First Edition Limited Edition 62/250. Cream stiff card covers with paper wrapper. 290mm x 230mm 11" x 9". 96pp. With original Lithographs by Ch Fouqueray. Text in French. . Ernest Flammarion unknown
192885840Paris: Flammarion 1928. Fine. Flammarion Paris 1928 18.50 x 24 cm broché First edition illustrated with lithographs by Charles Fouqueray one of 750 numbered copies on laid paper. Fine copy. Flammarion unknown
191344275Paris: Picard 1913. First edition. Two volumes Hardcovers original half leather and marbled boards. Ex-seminary library books. Old paper label on spine stamp on title page but otherwise in good condition. Text in French. The first two volumes only of a five volume set covering the years from 1528-1604. Picard unknown
194368223Bruxelles Brussels: Aux éditions du nord 1943. Fine. Aux éditions du nord Bruxelles Brussels 1943 15.50 x 21 cm broché Edition adorned with 26 original illustrations by Charles Fouqueray one of the numbered copies on vellum astra. Pleasant copy despite two small traces of sunstroke in the head and foot of the back. Signed autograph dedication of Vercel to Mr. and Mrs. Emile Ehrbar: "". these boreal images as a kind of sympathy ."" Aux éditions du nord hardcover
190775183Paris: A. Romagnol 1907. Fine. A. Romagnol Paris 1907 14 x 21.50 cm relié First edition one of 200 numbered copies on Arches paper. Work illustrated with a portrait of Léon Daudet as frontispiece 1 tailpiece as well as 14 original hors-texte by Charles Fouqueray reproduced in colors by Fortier-Marotte. Half burgundy morocco binding with corners smooth spine decorated with gilt floral motif enhanced with green and beige mosaic morocco pieces forming the petals light rubbing without significance to headcaps boards endpapers and pastedowns of marbled paper covers preserved top edge gilt corners slightly bumped elegant contemporary mosaic binding signed David. Copy handsomely bound in a contemporary mosaic binding signed David. A. Romagnol hardcover
1923156211923. Paris Editions du TrÂfle 1946. 2 fort vol. au format in-4 268 x 227 mm de 246 pp. en feuilles sous couverture titrÂŽe ˆ rabats rempliÂŽs 1 volume recelant la suite des illustrations sous couverture titrÂŽe ˆ rabats rempliÂŽs. Etui-chemise cartonnÂŽ commun d'ÂŽdition dos lisse titre frappÂŽ ˆ l'oser rouge. Un des exemplaires justifiÂŽs ''HC'' Hors-Commerce appartrenant aux 40 exemplaires plus quelques-uns de collaborateurs dont celui-ci du tirage sur papier filigranÂŽ vÂŽlin d'Arches pur-fil ; comportant une suite ˆ part dans l'ensemble des illustrations figurant dans l'ouvrage. Premier tirage des nombreuses tout autant que dÂŽlicates compositions in et hors-texte de Charles Fouqueray. ''Fouqueray ÂŽtudia ˆ l'Ecole des Beaux-Arts chez Cabanel et Cormon. Il restera pour la premiÂre moitiÂŽ du XXÂme siÂcle un des peintres officiels de la marine les plus marquants de la guerre et des colonies''. in Osterwalder. ''Il exposa dÂs 1890 au Salon des Artistes franÂais et obtint rapidement rÂŽcompenses et honneurs toutes les techniques lui ÂŽtant familiÂres. Il fut toujours attirÂŽ par les voyages et les colonies et en rapporta ses oeuvres les plus rÂŽputÂŽes. Sa carriÂre fÂŽconde a laissÂŽ des oeuvres dans de nombreux musÂŽes de France et de l'ÂŽtranger''. in BÂŽnÂŽzit. ''Fouqueray ÂŽtudia ˆ l'Ecole des Beaux-Arts chez Cabanel et Cormon. Il restera pour la premiÂre moitiÂŽ du XXÂme siÂcle un des peintres officiels de la marine les plus marquants de la guerre et des colonies''. in Osterwalder. ''Le chalutier Vulcain capitaine Jean Villemeur a mis le cap sur l'Islande pour la campagne de pÂche ˆ la morue avec un aide-radio de plus le fils du capitaine. Son embarquement ressemble ˆ un coup de tÂte dont ni son pÂre ni sa mÂre HÂŽlÂne ne discernent la raison.'' BÂŽnÂŽzit IV Dictionnaire des peintres p. 458 - Osterwalder I Dictionnaire des illustrateurs p. 384. DÂŽchirure sans manque affectant le dernier plat du volume de texte. TrÂs rares rousseurs dans le texte; Infime dÂŽchirure en marge d'un feuillet. Dos de la chemise lÂŽgÂrement passÂŽ. Une face de l'ÂŽtui fendue. Une autre dÂŽsolidarisÂŽe. b42961 unknown
19251571Paris Auguste Blaizot 1925. 1st Edition . Soft cover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Quarto. Pp. vi dedication leaf preface 274. Title-page printed in red and black. Hand-coloured lithograph to title and 106 other hand-coloured lithographs some of which are full-page. Initials printed in red. Footnotes. Uncut. Original card wrappers with integrated dust-jacket of heavy paper lithographed and hand-coloured. Handsome bookplate to prelim. In exceptionally fine condition. ~ FIRST EDITION. Printed in a limited edition of 350 copies on hand-made paper of which this copy is number 330. Text printed in 1922 by Jacoub et Aulard Paris. The fine illustrations were lithographed by Maurice Potin three years later. In this edition they are hand-coloured in aquarelle. I-3 <br/> <br/> Paris, Auguste Blaizot paperback
1931001619Paris: Librairie des Amateurs. A. Ferroud.-- F. Ferroud Successeur 1931. First Edition. Wraps. Very Good Plus. Exemplair 33 of 400 on Velin D'Arches. Exotic tale of Burma. Small closed tear on upper spine extremity. A little finger soiling but mostly clean. Librairie des Amateurs. A. Ferroud.-- F. Ferroud, Successeur unknown
51-3655Paris: Lapina Imp. 1916. Original color lithograph. Unmounted. Very good. Normal fold marks. Clean marginal tear along folds. 120 x 79.4 cmImage of Belgian Cardinal Désiré-Joseph Mercier in full regalia standing with a wounded man at his feet and praying people in the background as a symbol of Belgium's resistance to German occupation in World War I.Notes Date supplied from Hardie M. War Posters issued by belligerent and neutral nations 1914-1919 Item 22. "Lapina. Imp. Paris."--text bottom center margin. "D. / Charles / Fouqueray"--text artist's signature in stone bottom right of image. "Tout possesseur / de cet / exemplaire / pourra s'exposer / a des poursuites / judiciaires."--text in circular frame bottom center of image. Paris: Lapina Imp., [1916] unknown
193038771Paris: Les Éditions de France 1930. A livre d'artiste devoted to World War I naval battles illustrated with 87 ORIGINAL ETCHINGS with drypoint and aquatint including 27 hors texte BY CHARLES FOUQUERAY 1869-1956 official artist of the Ministère de la Marine during World War I and one of the outstanding maritime artists of his time. 3 317 pp. From a total edition of 200 numbered copies SIGNED by the author this is one of 99 printed on extremely fine Arches wove paper with an extra remarque suite of the etchings. Folio. Loose as issued in the original wraps. FINE AND BRIGHT with no defects. Housed in the original chemise quarter leather and marbled boards and matching slipcase some wear and damage to slipcase. <br/><br/> Les Éditions de France paperback
193047230Paris: Flammarion 1930. Fine. Flammarion Paris 1930 27 x 33 cm 1 volume broché et 1 en feuilles sous chemise First edition illustrated with 40 original lithographs including 12 hors-texte in colors by Charles Fouqueray one of 15 numbered copies on Japon impérial deluxe issue after 5 vieux Japon. Our copy is complete as stipulated in the justification of the issue for copies on Japon impérial with a progressive suite of the tints and a complete suite in colors for the 12 hors-texte and a suite in black for the 28 in-text lithographs. Finally our copy is enhanced with a progressive suite of the tints and a color suite of a rejected plate. Handsome copy. Flammarion unknown
84055Paris Devambez 1916. 115 x 80 cm La Journée serbe Plakat zur Unterstützung der Serben im Kriegsgebiet.- Der Serbienfeldzug im Ersten Weltkrieg wurde von den Mittelmächten nach zwei Monaten im Herbst 1915 erfolgreich beendet. Ein Jahr zuvor war der Serbienfeldzug 1914 der österreichisch-ungarischen Armee gegen das Königreich Serbien gescheitert. Am 6. Oktober 1915 begann mit massiver deutscher Hilfe der neue Feldzug am 14. Oktober griff auch das durch Geheimverhandlungen als Verbündeter gewonnene Zarentum Bulgarien in den Krieg gegen Serbien ein und bedrohte den Gegner von Osten her. Das strategische Kriegsziel der Angreifer war es die direkte Landverbindung zum verbündeten Osmanischen Reich zu öffnen Serbien zu besetzen und als Kriegsgegner auszuschalten. Den Serben stand eine erhebliche Übermacht gegenüber die auch durch die Landung von Entente-Truppen bei Saloniki nicht ausgeglichen werden konnte. Nach dem Fall von Belgrad 9. Oktober und Ni 5. November zogen sich die Reste der serbischen Armee in die albanischen und montenegrinischen Berge zurück; sie kam nach ihrer Neuformierung auf Korfu später an der neu entstandenen Front in Makedonien wieder zum Einsatz. Die Fortsetzung des Feldzuges über die Grenze Makedoniens hinweg wurde von der deutschen Heeresleitung unter General von Falkenhayn wegen der griechischen Neutralität Anfang Dezember 1915 untersagt. 010 Paris, Devambez, 1916 unknown
zCOD-03918Ren. Leather Bound. Very Good. Extremely rare leather bound edition. Very good condition. Number 88 of 300. Ren hardcover
B174662-1Paris LÉdition de Luxe n.d. 4pp. 29 of 30 fine color facsimile plates tipped onto 22 heavy mounts plus sepia-printed supplement plate. Contents loose as issued. Folio. Publishers portfolio finely gilt mottled leather over boards. Slipcase. Édition de tête: one of 15 copies on papier impérial du Japon accompanied by an original watercolor by the artist separately matted from the limited edition of 300 signed and numbered in the justification by the artist. Facsimiles printed by Léon Marotte. Watercolor sight: 185 x 128 mm. ca. 7 1/4 x 5 inches. The publishers ephemeral list of plates loosely inserted indicates a total of 30 facsimiles; we are aware of at least one other copy with only 29 as here. Paris (LÉdition de Luxe), n.d. hardcover
1947163564Paris: Laborey 1947. Vivacious watercolour impressions of Saudi Arabia First and limited edition number 148 of 450 copies. Escales d'Asie describes a sailing voyage round the coast of Arabia: beginning at Suez taking the Red Sea to Aden then Muscat and the Persian Gulf to Basra. Fouqueray's watercolours - in which he employs a broad and subtle palette - are impressionistic but with a fine eye for detail. Author and artist started their expedition at Al Wajh on the Red Sea coast which Fouqueray "found to be a thriving trading port: long caravans arriving from the desert sands; dhows laden with goods of every description from Egypt Ethiopia Djibouti Yemen the Sultanate of Zanzibar and the rest of East Africa were tied up on the inlet" Billecocq p. 62. Next stop was Yanbu al-Bahr the port serving Medina before they moved on to their last port of call Jeddah - through which pilgrims pass to Mecca. Billecocq notes that "prior to the end of the First World War French artists had produced no major work depicting the country that was to become Saudi Arabia. But 1917 saw the appearance of Charles Fouqueray who was to become one of the most eminent official French artists an undisputed master of the Orientalist movement of the beginning of the century. He was in fact the very first to do what had never been attempted before". Dominique Charles Fouqueray 1869-1956 studied at the Ecole des Beaux-Arts in Paris and specialized in marine painting becoming in 1908 Peintre de la Marine Painter to the Fleet an official title awarded by the French government entitling the holder to embark on French navy vessels. In 1914 he was the first recipient of the Prix de l'Indochine. Claude Farrère 1876-1957 was a prolific author of novels with an exotic setting. In 1905 he won the Prix Goncourt for Les civilisés The Civilized set in French Indochina. The preface is by the French naval officer Auguste Thomazi 1873-1959 who wrote a number of naval histories. Farrère and Fouqueray had previously collaborated on Jonques et sampans 1945 about their journey to China. Fouqueray's watercolour sketches for the present work date from between 1918 and 1922. Quarto. Vignette title page printed in green and black 45 colour illustrations some full-page one double page by Fouqueray coloured map. Loose as issued in original cream-coloured pictorial wrappers with the original glassine and marbled solander box pale green label to lid. Box professionally refurbished slight bump at head of a few leaves. An excellent copy. Xavier Beguin Billecocq Impressions and Colours: Charles Fouqueray a French Painter in Saudi Arabia 1998. unknown
51828Paris: Laborey 1947. FIRST EDITION. LIMITED EDITION 450. This being no. 246 of 430 on "velin du Marais". 4to. 28 x 23 cm. pp.135ll.4. As issued loose in original pictorial wrappers contained within original marbled paper covered solander box. Full page map and 45 illustrations in colour by Fouqueray including 6 full page and 1 double page. Escales d'Asie describes a sailing voyage round the coast of Arabia: beginning at Suez taking the Red Sea to Aden then Muscat and the Persian Gulf to Basra. Fouqueray's watercolours - in which he employs a broad and subtle palette - are impressionistic but with a fine eye for detail. Author and artist started their expedition at Al Wajh on the Red Sea coast which Fouqueray "found to be a thriving trading port: long caravans arriving from the desert sands; dhows laden with goods of every description from Egypt Ethiopia Djibouti Yemen the Sultanate of Zanzibar and the rest of East Africa were tied up on the inlet" Billecocq p. 62. Next stop was Yanbu al-Bahr the port serving Medina before they moved on to their last port of call Jeddah - through which pilgrims pass to Mecca. Billecocq notes that "prior to the end of the First World War French artists had produced no major work depicting the country that was to become Saudi Arabia. But 1917 saw the appearance of Charles Fouqueray who was to become one of the most eminent official French artists an undisputed master of the Orientalist movement of the beginning of the century. He was in fact the very first to do what had never been attempted before". Dominique Charles Fouqueray 1869-1956 studied at the Ecole des Beaux-Arts in Paris and specialised in marine painting becoming in 1908 Peintre de la Marine Painter to the Fleet an official title awarded by the French government entitling the holder to embark on French navy vessels. In 1914 he was the first recipient of the Prix de l'Indochine. Claude Farrère 1876-1957 was a prolific author of novels with an exotic setting. In 1905 he won the Prix Goncourt for Les civilisés The Civilized set in French Indochina. The preface is by the French naval officer Auguste Thomazi 1873-1959 who wrote a number of naval histories. Farrère and Fouqueray had previously collaborated on Jonques et sampans 1945 about their journey to China. Fouqueray's watercolour sketches for the present work date from between 1918 and 1922. During the First World War Fouqueray was sent by the French combined forces to the Middle East and particularly Saudi-Arabia. Bahrein Kuwait and Oman followed soon after. Stopping off in each country he made hundreds of watercolour sketches of local life and colour some of which were later worked up into oil paintings in his studio in Paris. Escales d'Asie Asian Stopovers his book has a strange publishing history. Originally published in a limited edition of 450 copies in France in 1947 the colour lithographed illustrations come from these earlier trips to illustrate the text of Claude Farrere also an account of a yacht voyage round the coasts of Saudi Arabia and the Gulf coast. Fouqueray's wonderfully evocative sketches had been waiting some twenty five years to find a home. His pictures of dhows Arab falconers of Muscat Matra of Kuwait bazaar have never been bettered and are a unique portrait of life once lived today a distant memory. Paris: Laborey, 1947. unknown
1947163532Paris: Laborey 1947. Vivacious watercolour impressions of Saudi Arabia First and limited edition number 30 of 450 copies. Escales d'Asie describes a sailing voyage round the coast of Arabia: beginning at Suez taking the Red Sea to Aden then Muscat and the Persian Gulf to Basra. Fouqueray's watercolours - in which he employs a broad and subtle palette - are impressionistic but with a fine eye for detail. Author and artist started their expedition at Al Wajh on the Red Sea coast which Fouqueray "found to be a thriving trading port: long caravans arriving from the desert sands; dhows laden with goods of every description from Egypt Ethiopia Djibouti Yemen the Sultanate of Zanzibar and the rest of East Africa were tied up on the inlet" Billecocq p. 62. Next stop was Yanbu al-Bahr the port serving Medina before they moved on to their last port of call Jeddah - through which pilgrims pass to Mecca. Billecocq notes that "prior to the end of the First World War French artists had produced no major work depicting the country that was to become Saudi Arabia. But 1917 saw the appearance of Charles Fouqueray who was to become one of the most eminent official French artists an undisputed master of the Orientalist movement of the beginning of the century. He was in fact the very first to do what had never been attempted before". Dominique Charles Fouqueray 1869-1956 studied at the Ecole des Beaux-Arts in Paris and specialized in marine painting becoming in 1908 Peintre de la Marine Painter to the Fleet an official title awarded by the French government entitling the holder to embark on French navy vessels. In 1914 he was the first recipient of the Prix de l'Indochine. Claude Farrère 1876-1957 was a prolific author of novels with an exotic setting. In 1905 he won the Prix Goncourt for Les civilisés The Civilized set in French Indochina. The preface is by the French naval officer Auguste Thomazi 1873-1959 who wrote a number of naval histories. Farrère and Fouqueray had previously collaborated on Jonques et sampans 1945 about their journey to China. Fouqueray's watercolour sketches for the present work date from between 1918 and 1922. Quarto 275 x 221 mm. Vignette title page printed in green and black 45 colour illustrations some full-page one double page by Fouqueray coloured map. Contemporary three half dark blue morocco-grain skiver spine gilt lettered within a decorative cartouche gilt marbled sides top edge gilt with the original wrappers bound in. Spine sunned. A very good copy handsomely bound. Xavier Beguin Billecocq Impressions and Colours: Charles Fouqueray a French Painter in Saudi Arabia 1998. unknown
