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19732307647New York: William Morrow & Company 1973. First Edition. First Edition. Near Fine/Near Fine. First edition. Jacket faintly toned. 1973 Large Hardcover. 352 pp. Includes 64 color plates and approximately 270 black-and-white illustrations. CONTENTS: Colonial Art; The First Half of the 19th Century; The Second Half of the 19th Century; The Forming of the Avant-Garde 1900-1930; The 1930s and Abstract Expressionism; From the 1960 to the Present Day; Notes; Bibliography; Index. William Morrow & Company unknown books
1973Q-0688001939William Morrow & Company 1973-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! William Morrow & Company hardcover
71-4953New York: Hirschl & Adler Modern 1984. 4to. 48 pp. Soft Cover. Color and black and white plates throughout. Very Good minor edge wear.Provenance: From the collection of UC Berkeley art historian Peter Selz 1919 - 2019. New York: Hirschl & Adler Modern, 1984. paperback
71-0613NY NY.: Robert Miller Gallery 2003. 4to. 70 pp. Soft Cover. Color illustrations throughout. Very Good. Minor shelf wear.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. NY, NY.: Robert Miller Gallery, 2003. paperback
71-0606NY NY.: Hirschl & Adler Modern 1984. 4to. 48 pp. Soft Cover. Color and black and white illustrations throughout. Very Good. Minor shelf wear. Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. NY, NY.: Hirschl & Adler Modern, 1984. paperback
2003TK221345Robert Miller Gallery New York 2003. 1st Edition. SOFTCOVER. Extra Large 4to. in colour printed textured stiff card covers unpaginated approx. 72pp on thick art paper colour plates etc __CONDITION : NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Robert Miller Gallery, New York paperback
1860220425080Selmar Hess New York 1860-01-01. Hardcover. Acceptable. All pages are loose; needs to be bound please write for condition/picture Selmar Hess, New York hardcover
1997RO20255341BIBLIOTHEQUE LATTES. 1997. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 272 PAGES - quelques planches en noir/blanc. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
2014107772Collection. New. 2014. Hardcover. 0300204132 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Collection hardcover
44891Eds Sdt In-8 22 cm 751pp. illustr. hors-texte reliure skyvertex de l'éditeur dos orné avec pièce de titre titre orné sur le premier plat A21 unknown
2010Q-1932195858Tupelo Press 2010-09-15. Paperback. New. In shrink wrap. Looks like an interesting title! Tupelo Press paperback
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
0331393417.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0267853343.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1985B13NS1284Arts Council of Great Britain London 1985. 1st Edition. SOFTCOVER. Extra Large Quarto size 4to. in colour printed stiff glossy card covers 84pp colour plates etc __CONDITION : Ay well preserved AS NEW unmarked copy rear cover slightly tanned. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Arts Council of Great Britain, London paperback
1991157945Chicago IL: The Arts Club of Chicago 1991. First edition. Oblong softcover. Exhibition catalog for a show that ran November 13 1991 through January 11 1992. Essay by Dore Ashton. Includes 6 color illustrations list of selected public collections awards biographical chronology and checklist. A very near fine copy in stapled wrappers and with laid in errata slip. Uncommon. The Arts Club of Chicago unknown books
5613Paris : Dentu, 1876,In-12,Edition originale,reliure demi basane à coins,dos orné,couverture illustrée conservée,tete dorée,texte frais,receuil de textes sur les Peintres contemporains; Daubigny,Gustave Doré,de Nittis,Gerome,Bonnat,etc,bon état
Prefazione e traduzione di E. Panzacchi. 12 vignette nel testo e 30 tavole staccate.
1873BL-001115New York: Harper and Brothers 1870's. 7 x 10 1/2". Brown cloth over boards with beveled edges frontispiece etching of Victor Hugo is missing tissue guard 2 illustrations by Gustave Dore have tissue guards intact some stains and wear to covers corners bumped and frayed spine ends show wear minor foxing good condition. American version originally printed in 1867 but this is one of three possible later versions either 1873 1875 or 1878 according to their size. Malan p.279 Text in two columns. The book is dedicated by Hugo to the island of Guernsey where he spent 19 years in exile. The novel setting is just after the Napoleonic Wars and portrays the impact of the Industrial Revolution upon the island Harper and Brothers hardcover
1978106911978 cartonné entoilé éditeur sous jaquette illustrée en couleurs (editor hard-back percale with dustjacket illustrated in colours) grand in-octavo carré, tranches lisses (smooth edges), nombreuses illustrations photographiques en couleurs de Rosine Mazin - Gérard Sioën - Léo Pelissier - B. et C. Desjeux - Jean Daniel Sudres - Daniel Chenot - Michel Guillard - Jacques Fronval - B et J. Dupont - Loïc Jahan - Sappa - Jesson - Michel Peiny - Veiller - Lanaud et 1 carte in fine (many photographic illustrations in colours and a map at rear), 120 pages, 1978 à Paris Editions Sun,
1973015852Paris Tchou 1973 In-16 Reliure de l'éditeur
19030056451903 Paris, Hetzel, [1903-1904]. Grand in-8 percaline rouge de l'éditeur ornée de fers spéciaux, titre dans le cartouche, tranches dorées (Engel Rel., d'après une plaque de C. Blancheland). ; (2) ff. de faux-titre (avec frontispice au verso) et titre, 410 pages. Rousseurs au feuillet de titre.
189620138paris Hetzel et Cie 1896 in-8 cartonné illustré un volume, relié cartonnage polychrome rouge "au globe doré" grand in-octavo éditeur (275x180mm), toutes tranches dorées, relié par Engel, Cartonnage Hetzel "au globe doré", Dos au phare, Tranches dorées. Gouttière régulière. fines et trés rares rousseurs, orné de 80 illustrations par L. BENETT dont 12 grandes gravures en chromotypographie + 1 carte hors-texte en couleurs et 2 cartes en noir, 423 pages + 8 p. de catalogue "O" (1896) in-fine, sans date (1896) Paris Bibliothèque d'Education et de Récréation, J. Hetzel et Cie Editeur,
1874BOOKS344245New York NY: Francis Hart & Company. Good/NO DUSTJACKET. 1874-1877. . Hardcover. Includes illustrations by Gustave Doré in 1875 pages 22 and 24 see photos . 8vo. Inconsistent pagination text block measures approx. 0.5in. cover light shelf wear to edges and corners spine tips and corners lightly bumped light rubbing to edges and front and back otherwise good; pages slightly age-toned inside hinge cracked Former owner's name penned on front free-endpaper edges of text block foxed otherwise pages unmarked. . Francis Hart & Company hardcover
116866747X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
