Gustave DORE - Heliodore PISANBiblio.com
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186347292Paris: Hetzel 1863. Fine. Hetzel Paris 1863 21 x 43 cm une feuille First edition. Wood engraving signed in the plate by the artist. A small foxing spot in the upper margin not touching the engraving. Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863. Gustave Doré traveled to Spain first in 1855 in the company of Théophile Gautier and publisher Paul Dalloz. In 1861 responding to a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier a knowledgeable hispanophile who would recount their journey in his Voyage en Espagne. Doré went there mainly with a view to illustrating Don Quixote: ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through and filled with his exploits and thus create something that will have its local flavor"". Gustave Doré would thus conduct several working sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel is among the most illustrated narratives in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. Upon its publication in 1863 the work would be the subject of unanimous praise notably from Émile Zola: ""They call that illustrating a work: I maintain that it's remaking it. Instead of one masterpiece the human spirit counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition about Gustave Doré on the Gallica website Hetzel unknown
186347264Paris: Hetzel 1863. Fine. Hetzel Paris 1863 31 x 43 cm une feuille First edition. Wood engraving signed in the plate by the artist. Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition. Gustave Doré first traveled to Spain in 1855 in the company of Théophile Gautier and publisher Paul Dalloz. In 1861 responding to a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier an avid hispanophile who would recount their journey in his Voyage en Espagne. Doré went there primarily with a view to illustrating Don Quixote: ""Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a parcourus et remplis de ses exploits et faire ainsi une chose qui aura son parfum local"" ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through and filled with his exploits and thus create something that will have its local flavor"". Gustave Doré would thus hold several working sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel is among the most illustrated stories in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. Upon its publication in 1863 the work would be the object of unanimous praise notably from Emile Zola: ""On appelle ça illustrer un ouvrage : moi je prétends que c'est le refaire. Au lieu d'un chef-d'oeuvre l'esprit humain en compte deux"" ""They call that illustrating a work: I maintain that it's remaking it. Instead of one masterpiece the human spirit now counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition on Gustave Doré on the Gallica website Hetzel unknown
186347274Paris: Hetzel 1863. Fine. Hetzel Paris 1863 21 x 43 cm une feuille First edition. Wood engraving signed in the plate by the artist. Light foxing to lower right margin not touching the plate. Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863. Gustave Doré first travelled to Spain in 1855 accompanied by Théophile Gautier and the publisher Paul Dalloz. In 1861 fulfilling a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier an experienced hispanophile who would recount their journey in his Voyage en Espagne. Doré went there primarily with a view to illustrating Don Quixote: ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he travelled through and filled with his exploits and thus create something which will have its local flavour"". Gustave Doré would thus hold several working sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel is among the most illustrated stories in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. When it appeared in 1863 the work was the subject of unanimous praise notably from Emile Zola: ""They call that illustrating a work: I maintain that it's remaking it. Instead of one masterpiece the human spirit now counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition on Gustave Doré on the Gallica website Hetzel unknown
186347309Paris: Hetzel 1863. Fine. Hetzel Paris 1863 21 x 43 cm une feuille First edition. Wood engraving signed in the plate by the artist. Some light foxing. Plate specially created for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863. Gustave Doré first traveled to Spain in 1855 in the company of Théophile Gautier and publisher Paul Dalloz. In 1861 responding to a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier a knowledgeable hispanophile who would recount their journey in his Voyage en Espagne. Doré went there primarily with a view to illustrating Don Quixote: ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through and filled with his exploits and thus create something that will have its local flavor"". Gustave Doré would thus conduct several work sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel ranks among the most illustrated narratives in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. When it was published in 1863 the work would be the object of unanimous praise notably from Emile Zola: ""They call that illustrating a work: I maintain that it's recreating it. Instead of one masterpiece the human spirit now counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition on Gustave Doré on the Gallica website Hetzel unknown
186347278Paris: Hetzel 1863. Fine. Hetzel Paris 1863 43 x 21 cm une feuille First edition. Wood engraving signed on the plate by the artist. Light foxing not affecting the engraving. Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863. Gustave Doré first traveled to Spain in 1855 in the company of Théophile Gautier and publisher Paul Dalloz. In 1861 responding to a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier a knowledgeable hispanophile who would recount their journey in his Voyage en Espagne. Doré went there primarily with a view to illustrating Don Quixote: ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through and filled with his exploits and thus create something that will have its local flavor"". Gustave Doré would thus conduct several working sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel is among the most illustrated stories in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. Upon its publication in 1863 the work would be the subject of unanimous praise notably from Emile Zola: ""They call that illustrating a work: I maintain that it is remaking it. Instead of one masterpiece the human spirit counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition about Gustave Doré on the Gallica website Hetzel unknown
186347281Paris: Hetzel 1863. Fine. Hetzel Paris 1863 43 x 21 cm une feuille First edition. Wood engraving signed on the plate by the artist. Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863. Gustave Doré first traveled to Spain in 1855 in the company of Théophile Gautier and publisher Paul Dalloz. In 1861 responding to a commission from the journal Le Tour du monde he returned there with Baron Jean Charles Davillier a knowledgeable hispanophile who would recount their journey in his Voyage en Espagne. Doré went there primarily with a view to illustrating Don Quixote: ""I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through and filled with his exploits and thus create something that will have its local flavor"". Gustave Doré would thus conduct several working sessions with Louis Viardot translator of Cervantes' text. Cervantes' novel is among the most illustrated stories in European literature but Doré wanted to surpass his predecessors Tony Johannot Grandville Daumier. Upon its publication in 1863 the work would be the subject of unanimous praise notably from Emile Zola: ""They call that illustrating a work: I maintain that it is remaking it. Instead of one masterpiece the human spirit counts two"". See our other engravings by Gustave Doré Gustave Doré L'Imaginaire au pouvoir Musée d'Orsay 2014 Virtual exhibition about Gustave Doré on the Gallica website Hetzel unknown
1870020629New York: Cassell Petter & Galpin 1870. First American Edition. Hardcover. Mostly light soiling internally with mild dampstaining to the margins only of two plates. Covers stained and worn a little loose with chip to the base of the spine. Binding Good at best plates Very Good. Gustav Dore. Tall folio 12" x 16" in publisher's red cloth stamped in gilt and black. Complete with 9 full-page steel engravings by Gustav Dore. <br/><br/> Cassell, Petter, & Galpin hardcover
1890b29-23-04Philadelphia: Henry Altemus no date ca1890. 99p decorative cloth ill gilt no DW ill slight edgewear VG <br/><br/> Henry Altemus hardcover
18801656491880 LE CAPITAINE FRACASSE.Illustrations par Gustave Doré.Polo, sd (v 1880) , in4°(18x27) 1/2 chagrin rouge,396pp.Quelques rousseurs éparses, coins frottés.Très bon état général.
188440391ABKopenhagen, Pio, 1884. Folio. 3 Bll., 230 Tafeln. Orig.-Leinwand mit Goldprägung.
1858AUB-279Paris, libr. Nlle 1858. Bon ex. relié, rel. Demi veau, dos orné avec titres dorés, 19x12, 249 p. avec annexes + pl. Rousseurs.
1888127253London UK: William Mitchell 1888. Hardcover. Very Good. 8vo 7.75 - 9.75'' tall. Hardcover. Book Condition: Very Good. William Mitchell London UK 1888. 489 pages. Green cloth with marvellous gold and black decor. Nice Firm Clean copy ! Light general wear. Illustrations by Gustave Dore. Size: 8vo 7.75 - 9.75'' tall. Fiction Antique 6290 6290 William Mitchell hardcover
1890mon0003528711Cassell & Company Limited. ca. 1890. Hardcover. Acceptable. . Navy cloth cover with gilt and black decoration shows moderate wear tear and rubbing. Loose binding cover partially detached. All edges gilt pages tanned. Several pages of illustrations detached and chipped. Cassell & Company, Limited. hardcover
1875153737London: Doré Gallery 1875. Softcover. G- Ex-art library with label on back cover and few marks; cover is moderately soiled; book was folded at least once; pages are clear. Light turquoise paper wraps 24 pp. no illus. Issued in conjunction with an exhibition of 21 pictures rendered by French artist Gustave Doré 1832-1883. This booklet lists the 21 titles. 12 have annotations: "Christ Leaving the Praetorium" which must have been a feature showing at 30 feet by 20 feet and is much written about it here; "Paolo and Francesca da Rimini;" "Andromeda Chained to the Rock;" "Evening in the Alps;" "The Massacre of the Innocents;" "The Soldiers of the Cross;" "The Triumph of Christianity over Paganism;" "Christian Martyrs: Reign of Diocletian;" "The Night of the Crucifixion Les Tenebres;" "The Neophyte First Experience of the Monastery;" "Le Tapis Vert Gambling at Baden-Baden;" and "The Dream of Pilate's Wife." Sadly no illustrations appear here.<br /> <br /> 12. Doré Gallery paperback
1875153737London: Doré Gallery 1875. Softcover. G- Ex-art library with label on back cover and few marks; cover is moderately soiled; book was folded at least once; pages are clear. Light turquoise paper wraps 24 pp. no illus. Issued in conjunction with an exhibition of 21 pictures rendered by French artist Gustave Doré 1832-1883. This booklet lists the 21 titles. 12 have annotations: "Christ Leaving the Praetorium" which must have been a feature showing at 30 feet by 20 feet and is much written about it here; "Paolo and Francesca da Rimini;" "Andromeda Chained to the Rock;" "Evening in the Alps;" "The Massacre of the Innocents;" "The Soldiers of the Cross;" "The Triumph of Christianity over Paganism;" "Christian Martyrs: Reign of Diocletian;" "The Night of the Crucifixion Les Tenebres;" "The Neophyte First Experience of the Monastery;" "Le Tapis Vert Gambling at Baden-Baden;" and "The Dream of Pilate's Wife." Sadly no illustrations appear here.<br/><br/>12. Doré Gallery unknown books
1880mon0003773309Cassell Petter Galpin & Compan 1880T. hardcover. Acceptable. . decorative cloth cover shows moderate to heavy wear tear rubbing. loose/torn top hinge. pages tanned. Cassell, Petter, Galpin & Compan hardcover
1862RO30139710IMPRIMERIE DIVRY ET CIE. 1862. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. IX + 443 pages - ouvrage partiellement désolidarisé. . . . Classification Dewey : 944.01-Histoire de France de 486 à 987
1892RO80094186HACHETTE et cie. 1892. In-4. Cartonnage d'éditeurs. Etat passable, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 140 pages. Nombreuses illustrations en noir et blanc, dans le texte, e bandeaux, lettrines et culs-de-lampe, et en hors-texte. Ouvrage déboité. Coupes des plats frottées. Mors fendus. Accroc au centre du dos.. . . . Classification Dewey : 398.2-Conte populaire
186622464Paris Au Bureau Du Journal 1866 Petit In-folio Du 7 janvier 1866 au 6 janvier 1867 ; 415 pp ; un numéro légèrement dérelisé en début d'ouvrage
1862ABE-1714606236079VENISE, PAR M ADALBERT DE BEAUMONT, 59 PAGES-VOYAGE A L'ILE DE RHODES, TEXTE ET DESSINS INEDITS PAR EUGENE FLANDIN 1844, 26 PAGES-VOYAGES DE M.HENRI LAMBERT, AGENT CONSULAIRE DE FRANCE A ADEN, ASSASSINE PRES DES ILES MOUSSAH (AFRIQUE) LE 4 JUIN 1859, 16 PAGES-VOYAGE DE L'OCEAN ATLANTIQUE A L'OCEAN PACIFIQUE A TRAVERS L'AMERIQUE DU SUD, PAR PAUL MARCOY 1846-1860, 32 PAGES-LES CHASSES EN PERSE, PAR LE COMMANDANT EMILE DUHOUSSET 1860, 16 PAGES-VOYAGES DANS LES ETATS SCANDINAVES, TEXTE ET DESSINS PAR M DE SAINT-BLAIZE 1856, 16 PAGES-VOYAGE A L'ILE DE LA REUNION (ILE BOURBON), PAR M. L. SIMONIN 1860, 32 PAGES-DE PARIS A BUCHAREST CAUSERIES GEOGRAPHIQUES, PAR M.V. DURUY, 32 PAGES-DE KIEW A BEREZOV, SOUVENIR D'UNE EXILEE EN SIBERIE, PAR MME EVE FELINSKA, 32 PAGES-VOYAGE DE L'OCEAN ATLANTIQUE A L'OCEAN PACIFIQUE, A TRAVERS L'AMERIQUE DU SUD, PAR PAUL MARCOY, 48 PAGES-VOYAGE EN ESPAGNE, PAR MM GUSTAVE DORE ET CH. DAVILLIER, 64 PAGES-VOYAGE A LA CITE DES SAINTS, CAPITALE DU PAYS DES MORMONS, PAR LE CAPITAINE RICHARD BURTON, 48 PAGES-L'ANNEE GEOGRAPHIQUE 1862, 16 PAGES-RELIURE ADOS CUIR AVEC FILETS ET TITRES DORES-PLATS CARTONNES-(EM1223)
1871ABE-1709416899844434 PAGES-FORMAT IN 4-VOYAGE D'EXPLORATION EN INDO-CHINE, TEXTE INEDIT PAR M.FRANCIS GARNIER, LIEUTENANT DE VAISSEAU, 96 PAGES-VOYAGE DANS LES VALLEES DE QUINQUINAS (BAS-PEROU), PAR M.PAUL MARCOY, 48 PAGES-L'ARCHIPEL MALAISIEN, PATRIE DE L'ORANG-OUTANG ET DE L'OISEAU DE PARADIS, RECITS DE VOYAGE ET ETUDE DE L'HOMME ET DE LA NATURE, PAR AFRED RUSSELL WALLACE, 32 PAGES-VOYAGE EN ESPAGNE, PAR MM GUSTAVE DORE ET CH. DAVILLIER, MADRID (SUITE), 32 PAGES-L'INDE DES RAJAHS, VOYAGE DANS LES ROYAUMES DE L'INDE CENTRALE ET DANS LA PRESIDENCE DU BENGALE, PAR LOUIS ROUSSELET, 80 PAGES-MADEMOISELLE TINNE, PAR MM ZURCHER ET MARGOLLE, 16 PAGES-VOYAGE D'EXPLORATION EN INDO-CHINE, PAR FRANCIS GARNIER, LIEUTENANT DE VAISSEAU, 112 PAGES-RELIURE DOS CUIR ET PLATS PERCALINE-TITRES DORES EN DOS-(EM1223)
1868ABE-1721944768485VOYAGE A LA NOUVELLE-CALEDONIE, PAR JULES GARNIER, 1863-1866, 64 PAGES-LE JAPON, PAR AIME HUMBERT, MINISTRE PLENIPOTENTIAIRE DE LA CONFEDERATION SUISSE, 1863-1864, 48 PAGES-VOYAGE DANS L'INTERIEUR DE L'ISLANDE, PAR M. NOEL NOUGARET, 1866, 48 PAGES-LES ILES CHINCHA, PAR M.L.SIMONIN, 1860, CHILI, 16 PAGES-LE PANDJAB ET LE CACHEMIR, PAR M.GUILLAUME LEJEAN, 1866, 48 PAGES-VOYAGE AU BRESIL, PAR M. ET MME AGASSIZ, 1865-1866, 64 PAGES-VOYAGE EN ESPAGNE, PAR MM GUSTAVE DORE ET LE BARON CH. DAVILLIER, 1862, 64 PAGES-ROME, PAR M.FRANCIS WEY, 1864-1868, 64 PAGES-436 PAGES-23 CM X 31 CM-DOS CUIR-4 FAUX NERFS-TITRES ET LISERETS DORES-PLATS PERCALINE-SIGNET
1885034744<p>Paris: Cercle de la Librairie de l'Imprimerie et de la Papeterie 1885. E.O. Un volume 14x21 cm di 218 pagine con ritratto di Dorè inciso da Lalauze in antiporta. In barbe. In lingua francese. Legatura in mezza pelle rossa qualche usura al dorso con copertina della brossura originale conservata all'interno. Condizioni molto buone.</p> Cercle de la Librairie, de l'Imprimerie et de la Papeterie
18992234PARIS. LIBRAIRIE BOREL. (DE LA COLLECTION «NYMPHEE»). 1899. FORT IN-8 ETROIT (11 X 20 X 4 CENTIMETRES ENVIRON) DE (8) + 520 PAGES, RELIURE DE L'EDITEUR PLEIN CHAGRIN MAROQUINE VERT, DOS A CINQ NERFS, PLATS BISEAUTES, PLAT SUPERIEUR ORNE D'UNE COMPOSITION FLORALE A LA LIBELLULE DOREE SIGNEE DU MONOGRAMME «EG», TITRE ET TETE DORES, INSCRIPTION DOREE «NYMPHEE» EN TETE, ET DATE D'EDITION DOREE EN PIED, LARGE DENTELLE INTERIEURE DOREE, COUVERTURE ILLUSTREE CONSERVEE. ROMAN «D'AVENTURES MONDAINES» QUI A POUR AMBITION DE METTRE A NU LES «FACADES» DE LA HAUTE SOCIETE PARISIENNE ET QUI SE TERMINE PAR UNE DESCRIPTION DU TERRIBLE INCENDIE DU BAZAR DE LA CHARITE. PETITES TRACES DE FROTTEMENT SANS AUCUNE GRAVITE, SINON BEL EXEMPLAIRE.
187721094New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Water stain on the left barely affecting the image. A very good copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
