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200690625Museum; Et Al. New. 2006. Paperback. 0932325831 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 56 pp. ; 32 color illustrations. -- with a bonus offer-- . Museum; Et Al paperback
199657760Ewing New Jersey U.S.A.: Univ of California Pr. New. 1996. Hardcover. 0520086104 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer-- . Univ of California Pr hardcover
199657761Ewing New Jersey U.S.A.: Univ of California Pr. New. 1996. Paperback. 0520086112 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer-- . Univ of California Pr paperback
199468163Independent Curators International New York. New. 1994. Paperback. 0916365425 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0916365425. 96 pp. With 84 ills. 30 x 22 cm. Description: "Accompanying an exhibition of irreverent and fantastic proposals for transforming Communist-era monuments in Russia that were submitted by more than 100 international artists in response to a 1992 invitation by Russian expatriate painters Vitaly Komar and Alexander Melamid this catalogue presents illustrations of a selection of the drawings altered photographs collages and other works created for the show documentary photographs of Soviet monuments and seven essays broadly exploring the political sociological and artistic character of propagandistic sculpture." -- with a bonus offer--; 0.5 x 11.3 x 8.3 Inches . Independent Curators International, New York paperback
196137180New York: The Museum of Modern Art. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE Mild cover foxing; else flawless. ASIN: B000ANGEE8. Book Description: Essays by John Rewald Harold Joachim Dore Ashton. Bibliographies lenders Catalog of 257 pieces 184 pgs color & black and white illus. -- with a bonus offer-- . The Museum of Modern Art paperback
198934641Univ. New. 1989. Paperback. 0916724719 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - 171 pages 8 x 10" 32 halftones 70 color plates. -- with a bonus offer-- . Univ paperback
2012105677D. A. P. Distribution. New. 2012. Hardcover. 8415118392 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 252 pages; many illustrations most in color. -- with a bonus offer-- . D. A. P. (Distribution) hardcover
198884185Hudson Hills Press. New. 1988. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 121 pages; 103 illustrations 4to. -- with a bonus offer-- . Hudson Hills Press hardcover
200384245Poligrafa. New. 2003. Hardcover. 8434310147 .IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 8434310147. 288 pages. Poligrafa hardcover
2013105935Galleries. New. 2013. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- -- with a bonus offer-- . Galleries hardcover
2014107772Collection. New. 2014. Hardcover. 0300204132 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Collection hardcover
200784959Yale University Press. New. 2007. Hardcover. 0300107374 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 224 pages 40 black & whitee and 120 color illustrations. -- with a bonus offer-- . Yale University Press hardcover
57953Aux Bureaux du Journal Amusant du Musee Francais-Anglais et des Modes Parisiennes 1856 4 volumes In-4 3200pp. illustr. nombreuses gravures couvertures colorisees reliures demi-cuir de l'époque dos plats ornes usures d'usage sur les reliures tete de collection complete des 400 premiers numeros details et photos sur demande Nb-0271 unknown
186739565Paris: Garnier 1867. Gustave Doré. A LARGE-PAPER COPY ON CHINESE PAPER OF THE FIRST EDITION WITH THE PLATES PRINTED FROM THE ORIGINAL WOODBLOCKS. XXXII 665 pp. Balzac's "Contes drolatiques" which the author considered his masterpiece first appeared between 1832 and 1837. In 1855 appeared the first illustrated edition with 425 wood-engravings after Gustave Doré which Doré considered his masterpiece but the images were printed from electrotypes plate rather than from the actual blocks so the impressions are somewhat dull. A second edition with Doré illustrations appeared in 1861 again printed from the electrotype plates except 25 copies. This third edition with the Doré illustrations published in 1867 is THE FIRST EDITION PRINTED ENTIRELY FROM THE ORIGINAL BLOCKS. This is furthermore ONE OF ONLY 25 COPIES PRINTED ON FINE CHINESE PAPER RENDERING THE IMPRESSIONS EVEN SHARPER. 8vo. Attractively bound in three-quarters morocco and marbled boards c. 1900. Top edge gilt other edges uncut. Light wear to extremities of binding. INTERNALLY FINE AND BRIGHT. Béraldi VI p. 35; Leblanc p. 43 n1. <br/><br/> Garnier hardcover
187534760London Paris and New York: Cassell Petter and Galpin c. 1875. 2 volumes bound in one. Early Issue. With 220 full-page engravings by Gustave Doré. Thick Folio handsomely bound in a binding of three-quarter black morocco the spine with raised bands ruled and stopped in gilt red morocco label lettered in gilt in one compartment. xvi 1004 ii 186 323 pp. A handsome and clean copy of this spectacular Bible. This book is prone to heavy foxing but this copy has none to speak of. VERY SCARCE AND A BEAUTIFULLY PRESERVED EARLY PRINTED COPY OF THIS FINE EDITION OF DORE'S GREAT BIBLE. One of the most magnificent of the Doré illustrated books. A huge testament to Doré’s talent and a most impressive set in size and scope. These books are not commonly found in such condition due to the stress caused by the bulk of the text but this is a very sturdy copy and remains in excellent condition.<br> Gustave Doré was one of the greatest illustrators of his day. His grand and magnificent style is a wonderful complement for the greatest of all books. Cassell, Petter, and Galpin hardcover
186582913Paris: Carjat et Cie 1865. Fine. Carjat et Cie Paris 1865 ca 6 x 10.70 cm une photographie Original albumen photograph carte-de-visite format mounted on card with photographer's stamp on verso and lower margin. Full-length standing portrait of Gustave Doré dressed in white around age 35 wearing moustache and goatee. Very rare photograph of the painter in his youth who was roughly the same age as Carjat. The painter with an absent and detached air almost melancholy in a very dandy pose holds a cigar in his right hand with his left hand slipped into his trouser pocket. Fine print. A copy held by the Musée Carnavalet in Paris but in a much darker tonality. Carjat et Cie unknown
1874163583Stuttgart: Eduard Hallberger 1874. Hardcover. Very Good in boards. Owner name on 2nd 3rd FEPs. Hinges starting. Rubbing along panel edges. Text block edges gilt. Illustrations by Gustav Dore. Text in German. Rare. Gorgeous illustrations by Gustave Dore.; Folio - over 12" - 15" tall. Eduard Hallberger hardcover
187027359London: Cassell Petter and Galpin N.D. circa 1870. A very early printing. With 86 magnificent full page illustrations many smaller illustrations and a portrait frontispiece all by Gustave Doré. Royal 4to 12.25 by 9.5 inches in a very handsome deluxe binding of three-quarter green morocco over matching pebbled cloth covered boards the spine with finely gilt stippled raised bands ruled in blind and with multiple rules in gilt the head and tail additionally gilt decorated two compartments boldly gilt lettered with fine marbled endleaves and page edges. lxiv 839 pp. A very fine and handsome copy very handsomely bound solid and fresh and clean with no sign of the typical foxing associated with these printings. Only very light evidence of age to the binding. A very well preserved and quite excellent copy. A BEAUTIFULLY BOUND AND WELL PRESERVED COPY OF THIS MASTERPIECE BY GUSTAVE DORé. An impressive tome of some of the best loved fables including ‘The Grasshopper and the Ant’ ‘The hen with the golden eggs’ and well over 150 more. With his full-page engravings Gustave Doré does his best work with great dramatic flare. The countless smaller illustrations round out the book and make it a truly outstanding publishing endeavor.<br> Many of the fables were in the main adapted from the classical fabulists Aesop Babrius and Phaedrus. In these La Fontaine adhered to the path of his predecessors with some closeness; but in others he allowed himself far more liberty and there is a wider range of sources. The Indian Bidpai is drawn upon for oriental fables that had come to the French through translations from Persian. So while the subject of each of the Fables is often common property of many ages and races what gives La Fontaine's Fables their rare distinction is the freshness in narration the deftness of touch the unconstrained suppleness of metrical structure and the unfailing humor. Keen insight into the foibles of human nature is also found throughout. Cassell, Petter and Galpin hardcover
1876B-2022-0845London Doré Gallery Hamilton Adams & Cie English edition 1876. Rare edition of Samuel Coleridge work illustrated by Gustave Doré by 38 xylography plates bands and vignettes. <br />Very good but stains and traces of humidity. Please ask for complete conditions report. London, Doré Gallery, Hamilton Adams & Cie hardcover
51-5466London: Doré Gallery Hamilton Adams & Co. 1876 . Large folio 50 x 41 cm. Half title Title Frontispiece iv 5 - 12 pp texts 39 full-page plates by Doré including frontispiece. The pages are mounted on hinges and some are slightly detached. French publisher's red cloth binding. Blindstamped border and bronze lettering. Some soiling to the binding. On the front cover the title in French: "La Chanson du Vieux Marin" and the text: "Offert par le XIXe Siècle à ses abonnées".Samuel Taylor Coleridge 1772 -1834 was a founder of the Romantic Movement in England and a member of the Lake Poets. The Rime of the Ancient Mariner first published 1798 is his longest major poem and in the present edition is accompanied by thirty-eight magnificent plates by renowned French artist and illustrator Gustave Doré. The poem describes the experiences of a sailor whose ship is forced by a storm into Antarctic waters. Along the way the mariner encounters an albatross who guides the ship and its crew out of the ice and into calmer waters. To the crew's initial dismay the mariner kills the albatross a mistake for which they will all dearly pay. Gustave Dore 1832 - 1883 illustrated works of major poets including John Milton Dante and Lord Byron. Word of his talent spread quickly throughout Europe and he was asked to illustrated a version of the English Bible which was extremely popular allowing for the foundation of his own gallery the Doré Gallery. In-folio percaline rouge décor estampé à froid titre doré en français sur le premier plat. Première édition illustrée par Gustave Doré donnant le texte anglais et sa traduction française par A. Barbier. L’illustration comprend un frontispice et 38 compositions hors texte gravés sur bois. cartonnage frotté quelques rousseurs.London Doré Gallery - Hamilton Adams & Co. 1876. Second edition the first is dated 1875 but first bilingual. . The first four pages contain a translation in French by A. Barbier of this famous poem. Pages 5-12 contain the original text in English. London: Doré Gallery, Hamilton, Adams & Co., 1876 hardcover
1860123441860. Image approximately 5 1/2 x 8 11/4 inches. 1 vols. Executed in pencil on beige wove paper in a recessed French mat glazed and framed in an antiqued gilt wood frame: overall dimensions are 12 3/4 x 15 1/2 inches. Two tiny scratches to the margin of the drawing a few small chips to the frame's gilding else fine. Image approximately 5 1/2 x 8 11/4 inches. 1 vols. An attractive delicate sketch of a adult figure hands raised in surprise coming upon an infant wrapped in cloth most likely a preliminary study for Doré's illustration of the discovery of Moses in the bullrushes from the Old Testament of the Bible 1866. unknown
18846903<p>New York: Harper & Brothers 1884. First American edition with Doré's illustrations. Binding and text very good; shipping box severely damaged but present. Oversized 47 x 37 cm; Wood-engraved title vignette after Elihu Vedder and 26 wood-engraved plates after Gustave Doré. Original gray cloth over beveled boards pictorially stamped in gold and black. Remarkably well-preserved copy in strong bright binding free of fraying or wear apart from insiginifcant rubbing at corners and minor soiling on lower board. Light waterstain at lower edge of initial leaves and at lower right corner of few interior leaves more noticeable toward last leaves. Few spots on text pages. "Nevermore" plate loose but present. Plates effectlvely clear and unmarred. ORIGINAL DEDICATED SHIPPING BOX virtually unobtainable blue paper over cardboard printed with "Poe's Raven Illustrated by Doré" in a fantastical font. Box is in deplorable condition broken and repaired with 20th-century masking tape some flaps missing stained and dusty but present <br /><br />The first American printing of Doré's last work and a signal edition of Poe's signature poem with original box.</p> Harper & Brothers hardcover
60019Paris: Librairie Hachette et Cie 1876. FIRST FRENCH EDITION. Large folio 37 x 27 cm. pp.434. Original publisher's binding of red morocco backed cloth boards signed by Engel of Paris sides elaborately decorated in black and gilt spine decorated and lettered in gilt marbled endpapers all edges gilt. Title-page printed in black and red. 174 wood-engraving after Doré of which 52 are full-page. Occasional scattered foxing generally a very good copy. "Doré's greatest achievement" Ray. "In 1869 the journalist Blanchard Jerrold 1826–1884 joined forces with the famous French artist Gustave Doré 1832–1883 to produce an illustrated record of the 'shadows and sunlight' of London. As Jerrold later recalled they spent many days and nights exploring the capital often protected by plain-clothes policemen. They visited night refuges cheap lodging houses and the opium den described by Charles Dickens in the sinister opening chapter of The Mystery of Edwin Drood; they travelled up and down the river and attended fashionable events at Lambeth Palace the boat race and the Derby. The ambitious project which took four years to complete was eventually published as London: a pilgrimage with 180 engravings" British Library. Doré's striking chiaroscuro drawings faithfully rendered by a team of the finest French wood-engravers reflects the closeness and contrast of London's social classes. Ray describes it as simply "one of the great illustrated books of the world". First published in English in 1872. Paris: Librairie Hachette et Cie, 1876. hardcover
63585London: E. Moxon Son & Co. 1878. FIRST EDITION THUS. Large 4to. 33.5 x 24.5 cm. 16pp. of introductory text followed by the plates. Contemporary full maroon morocco spines ruled with gilt fillets spine with raised bands and gilt-decorated compartments broad inner dentelles gilt marbled endpapers all edges gilt. 37 steel-engraved plates after Gustave Doré including frontispiece. The plates bring together all of Doré's illustrations from Tennyson's 'Idylls of the King' namely Enid Elaine Vivien and Guinivere. These were each published separately by Moxon about a decade earlier. Old presentation dated Christmas 1910 to flyleaf. An excellent copy. "One of the finest lyrists of the English tongue" Kunitz & Haycraft 612 Tennyson reawakened the general reading public's interest in Arthurian legend with his Idylls of the King. The first four of the cycle's eventual 12 poems were first published in 1859. Tennyson's retelling of the old tales placed them "on a new plateau of respect and significance for writers and artists" Lacy 446. "No other foreign illustrator and few native ones of the period so completely captured the English fancy as Doré…Tennyson and his publisher Moxon greatly favored Doré as an illustrator" Muir Victorian Illustrated Books 227 244. Moxon was in fact "the only publisher ever to commission steel engravings from Doré.the steel engravings give much more of a speckled look to the scenes different from the grainy look of Doré's usual wood engravings. It produces a dreamy mystical serene feeling that is quite different for Doré" Malan 97. London: E. Moxon, Son, & Co., [1878]. hardcover
186771239Paris: Nadar 1867. Fine. Nadar Paris s. d. 1867 6.60 x 10.40 cm une photographie Nadar Paris N.D. but 1867 66x10.4 cm photograph Original photograph on albumin paper in a visiting card format laid down on card by Nadar initialed and with a red border. Doré poses with his arm on a fringed chair the same as in the portraits of Théophile Gautier Edouard Manet and Alexandre Dumas. Manuscript annotation to verso. We have not been able to find any copies of this photograph in any of the international public collections. Nadar unknown