Francois PIERDON - Gustave DOREBiblio.com
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186279638Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pierdon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image as well as some worming in the margin. These illustrations for the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is essential; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent style that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that preceded even Perrault."" Hetzel unknown
186279632Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A light marginal dampstain not affecting the design. These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and like there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent manner that they have a grandiose character which renews the aspect of these humble tales and restores to them their original marvel that preceded Perrault himself."" Hetzel unknown
186279636Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image as well as a discreet black spot in the center of the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven finest engravers of the period were enlisted to engrave with burin the forty wood blocks: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in the context of illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis 23 December 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was until now and such as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
186279667Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Fold in the lower right corner and very rare worming. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was before and such as will never be seen again. . I can only say that these drawings seem very beautiful to me richly and opulently executed that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
186279653Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jules Fagnion on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Excellent condition. These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique called ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were commissioned to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is essential; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there has never been until now and as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their first wonder prior to Perrault himself."" Hetzel unknown
1993ZB1272946Elsevier Science 1993. Price HAS BEEN REDUCED by 10% until Monday June 29 weekend SALE item 675 pp. Hardcover minor library markings else text clean and binding tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Elsevier Science hardcover
0804751870.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
A9780904531848Paperback / softback. New. paperback
23421961-nnew. unknown
1993DADAX0824790677CRC Press 1993-08-05. 1. paperback. New. 7.00x0.65x10.00. Buy with confidence. Excellent Customer Service & Return policy. CRC Press paperback
A9780231185226Hardback. New. Novel Sounds shows how Southern writers turned to rock music and its technologies-tape radio vinyl-to develop the "rock novel." Florence Dore considers the work of writers like William Faulkner Flannery O'Connor and William Styron alongside Bessie Smith Lead Belly and Bob Dylan to uncover deep historical links between rock and literature. hardcover
1840644982.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
57226197-75McGraw-Hill Education. Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. McGraw-Hill Education unknown
4218Dresden Verlag der Kunst 1963. 4° ca. 700 S. 321 Abb. OLwd. goldgepr. in Kart.-Schuber. Schuber berieben ansonsten tadellos. Umfangreiche Monographie. Mit einer Widmung des Kunsthistorikers und Kommunisten Konrad Farner. 010 Dresden, Verlag der Kunst, 1963 unknown
1988Q-0517462990Random House Value Publishing 1988-02-17. Hardcover. New. In shrink wrap. Looks like an interesting title! Random House Value Publishing hardcover
Z1-R-030-02771Institute of Education. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Institute of Education unknown
18703212<p>Hardcover. Condition: Very Good. Two volumes. Circa 1870 undated Elephant Folio. Text in German. Hundreds of woodcut plates by Gustave Dore. Original black full calf. Spine and boards decorated in gilt and blind stamped. Edge gilt. Wear to the tips edges and spine. Some cloth tears to head and foot of spine. Tightly bound and internally clean. Large volumes. Additional postage may be required.</p> Eduard Hallberger hardcover
50278594like new. unknown
1868ZB1331008London: John Camden Hotten 1868. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item oblong folio 20 plates however lacking the frontis. portrait of Dore and the text page for the first plate; original illustrated cloth-backed boards covers worn however internally clean. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. London: John Camden Hotten hardcover
0442002033.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1316513955-9-1Cambridge University Press. New. The item is brand new never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped. Cambridge University Press unknown
1316513955-9-1-NAUCambridge University Press. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Cambridge University Press unknown
1988Q-0874742080Smithsonian Inst Pr 1988-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Smithsonian Inst Pr hardcover
2006Q-0756618703DK 2006-07-31. Hardcover. New. New. In shrink wrap. Looks like an interesting title! DK hardcover
2000mon0004002878Cambria Press 5/5/2025 12:00:01 AM. hardcover. Very Good. 1.0000 9.0000 6.0000. Cambria Press hardcover
