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50199Marcel Seheur, Paris, 09-04-1930.
306282Paris Garnier Freres ca. 1860. Sixth edition. Thick 8vo. Illustrated with 425 designs by Gustave Dore. Original gilt stamped red cloth covers detached; spine chipped. Good. A clean copy. Bookplate of George Cukor. Part of the book collection Cukor inherited from George Hoyningen-Huene. 615 pages. From the library of noted "Gone With The Wind" Hollywood director George Cukor with his Paul Landacre bookplate on the front pastedown. 5th or later Edition. Hardcover. Good. Paris, Garnier Freres, ca. 1860. hardcover
115963London and New York 1868. 4to. 308 x 235 cm. LXIII 1 839 1 s. Orig. rikt dekorert helsjirtingb. med helt gullsnitt. Ryggen litt falmet. Sprukket og noe løs i indre falser. Flybl. nedre høyre hjørne med en liten brett. Noen fingermerker. . unknown
186824255Paris: Librairie de L. Hachette et Cie 1868. A very early printing of the edition illustrated by Gustave Doré. Illustrated by Gustave Doré; portrait and 84 full-page illustrations; 248 finely engraved and fully decorative head and tailpiece pictorial designs throughout. Double plates at 35 65 93117 385 395 455 and 741. Folio in a French binding of crimson cloth signed Hachette at the foot of the spine the spine lettered in gilt within compartments separated by blind tooled banding. The upper cover decorated in all over pictorial designs and lettering gilt and the rear cover in blind. A very attractive bindings the book showing some slight cracking to the upper hinge running for approximately 2.5 inches. Internally there is some evidence of water staining to the edges of a some gatherings at the beginning of the volume and there is some intermittent but not terribly obtrusive foxing to a number of the pages. A RARE AND IMPORTANT BOOK AND ONE OF DORE’S BEST. With his full-page engravings Gustave Doré does his best work with great dramatic flare. The countless smaller illustrations round out the book and make it a truly outstanding publishing endeavor. <br> La Fontaine was famously known as one of the important literary group of the Rue du Vieux Colombier which included Racine Boileau and Moliere. By the 1680s he was known as one of the first men of letters in France. The FABLES were especially praised by well-known critics and it were well received by the general public. This issuance represents a very lovely printing of La Fontaine’s cherished fables in the original French. Along with the fables are a brief life of Fontaine and a life of Aesop. Librairie de L. Hachette et Cie hardcover
187027359London: Cassell Petter and Galpin N.D. circa 1870. A very early printing. With 86 magnificent full page illustrations many smaller illustrations and a portrait frontispiece all by Gustave Doré. Royal 4to 12.25 by 9.5 inches in a very handsome deluxe binding of three-quarter green morocco over matching pebbled cloth covered boards the spine with finely gilt stippled raised bands ruled in blind and with multiple rules in gilt the head and tail additionally gilt decorated two compartments boldly gilt lettered with fine marbled endleaves and page edges. lxiv 839 pp. A very fine and handsome copy very handsomely bound solid and fresh and clean with no sign of the typical foxing associated with these printings. Only very light evidence of age to the binding. A very well preserved and quite excellent copy. A BEAUTIFULLY BOUND AND WELL PRESERVED COPY OF THIS MASTERPIECE BY GUSTAVE DORé. An impressive tome of some of the best loved fables including ‘The Grasshopper and the Ant’ ‘The hen with the golden eggs’ and well over 150 more. With his full-page engravings Gustave Doré does his best work with great dramatic flare. The countless smaller illustrations round out the book and make it a truly outstanding publishing endeavor.<br> Many of the fables were in the main adapted from the classical fabulists Aesop Babrius and Phaedrus. In these La Fontaine adhered to the path of his predecessors with some closeness; but in others he allowed himself far more liberty and there is a wider range of sources. The Indian Bidpai is drawn upon for oriental fables that had come to the French through translations from Persian. So while the subject of each of the Fables is often common property of many ages and races what gives La Fontaine's Fables their rare distinction is the freshness in narration the deftness of touch the unconstrained suppleness of metrical structure and the unfailing humor. Keen insight into the foibles of human nature is also found throughout. Cassell, Petter and Galpin hardcover
187034143London: Cassell Petter and Galpin c. 1870. A very early issue of this wonderfully illustrated Cervantes. With 118 spectacular illustrations by by Gustave Doré. Folio 32 x 24 cm very handsomely bound in three-quarter dark tan morocco over marbled paper covered boards the spine with raised bands gilt ruled compartments of the spine decorated with gilt at the centers lettered in gilt in two compartment. xxviii 737 pp. A very handsome and sturdy copy the binding is very strong and well preserved with virtually no wear the text-block lightly mellowed the plates in fine condition half-title with some browning at the edges a very pleasing copy. A PLEASING AND HANDSOME COPY. SCARCE IN SUCH WELL PRESERVED CONDITION. Gustave Doré was one of the greatest illustrators of his day. He was born in Strassburg in 1832. In 1848 he moved to Paris where “his facility as a draughtsman was extraordinary.†He was a prolific worker and his subjects were usually religious or historical. He died in January of 1883. <br> His grand and magnificent style is a perfect complement for Cervantes heroic tale. This great tome presents one of our favorite printings of the Spanish classic and because of the weight of the text block is usually found broken and loose. This copy is as sturdy as one could hope for and is especially handsome as well. Cassell, Petter, and Galpin hardcover
35461Paris, Librairie de L. Hachette et Cie, 1862. Gr. in-8°, 403p. Reliure pleine basane havane, dos à nerfs, titre doré.
37874Paris, Librairie de L. Hachette et Cie, 1861. Gr. in-8°, 634p. Reliure pleine percaline rouge.
224915Paris, Bosse, 1931 fort gr. in-8, 558 pp., portrait-frontispice, ill. in-t., 4 planches, demi-chagrin bleu, dos à nerfs orné de filets dorés, couverture et dos conservés (Honnelaître). Traces blanches sur la reliure.
29959Contenant la vie de Gargantua et celle de Pantagruel .Précédées d'une notice historique sur la vie et les ouvrages de Rabelais par P.L. Jacob . 1854 . Bry , Grand in 8° relié 1/2 veau havane .Dos à nerfs orné de caissons dorés .Tête dorée .Couvertures conservées .Non rogné .340 pp.Reliure fin XIXème .(Mors frottés ,rousseurs)
18398S.l., s.n., s.d. In-4, non paginé, en feuilles, couverture originale imprimée, chemise cartonnée et étui de toile bleu de l'éditeur (taches à l'étui, petites rousseurs à la couverture et aux premiers et derniers feuillets).
19652069Э. Распэ. с иллюстрациями Густава Дорэ ; для детеи пересказал Корнеи Чуковскии. Detskaïa Literatura. Leningrad. 1965. Album in-4 de 88 pp. : dos de toile noire, plats illustrés en couleurs sur fond noir, gardes illustrées
21884sans lieu, sans nom, sans date. Plaquette broché in-8 13-[3] pages.
185712959Paris, Librairie nouvelle, 1857. 1 vol petit in-4. Demi-maroquin rouge à coins à longs grains, filet doré sur les plats, dos à nerfs orné, titre doré, date en queue, couvertures illustrées sur papier bleu conservées. [STROOBANTS].
185612960Paris, Librairie nouvelle, 1856. 1 vol. grand in-8. Demi-maroquin rouge vermillon à coins, filet doré, dos à nerfs orné, titre et auteur dorés, date en queue, tête dorée, couvertures illustrées et dos conservés. [STROOBANTS].
19793239Jacques Damase, 1979. In-8 broché à l'italienne, couverture illustrée à rabats. Ouvrage composé essentiellement de reproductions en noir souvent à plein page. Bords de la couverture très légèrement frottés.
192811651Garnier (1928) 1928 2 vol. grand in-8 brochés, en grande partie non coupé, XLVI- 431- 527 pp. Illustrations in & hors-texte. Bon exemplaire
35502240, Paris, Hachette, 1878; in-12, percaline rouge et or décorée de l’éditeur, tranches dorée. 24 gravures de Gustave Doré. Un des plus célèbres titre de la «ßibliothèque rose illustrée» Qq. rouss.
201137074Norwalk CT: Easton Press 2011. Hardcover. Fine. Hardcover. Number 339 of 400 copies of this deluxe limited edition from the press. It is a facsimile of the original edition published in 1872 by Grant & Co. in London. This reproduction includes all 180 original illustrations by Doré. It was originally published in 13 parts with 191 pages and illustrations and then serialized in Harper's Weekly. It has been described as a populist picture book. Doré's 1866 illustrations for the Bible had been a success and a Dore Gallery had opened on Bond Street. In 1868 Jerrold proposed the work as a portrait of London inspired by Thomas Rowlandson's Microcosm of London and work began in 1869. Doré was commissioned to create the illustrations by the publisher Grant and Company receiving an advance of £10000 for each of the four projected years of work. His contract required the Paris-based artist to visit London for 3 months each year and make 250 drawings. The author and artist spent days touring the city together often accompanied by plain clothes policemen. Jerrold led his friend Doré through the "shadows and sunlight of the great world of London/" The book focused on the deprivation and squalor of the poorest residents of London. It has been considered an early work of social journalism documenting the high and low society of Victorian London in the mid to late 19th century Wikipedia. <br /> <br /> Bound by BindTech of Nashville in brown cowhide leather imported from Italy. With gilt titling and ornament to cover and spine. Marbled endpapers. All edges gilt. Printed on archival quality paper especially milled by Glatfelter Paper in Pennsylvania. Lithography by Falcon Press of Nashville. Housed in a red cloth slipcase also made by BindTech. Accompanied by a certificate of authenticity. In fine condition. Measures 11.75 x 14.5 inches. 191 pages. PRI/012624. Easton Press hardcover
1928578211928 Paris, Fayard, 1928, in 12 broché, VI-319 pages ; non coupé.
200905176Paris, Edition odé, 1951 ; in-12, 414 pp., cartonnage d'éditeur .
1909661271909 P., Hachette, 1909, in 8° broché, 249 pages.
18682003[Paris], [Libraire Hachette], [1868]. Mit über 80 gestochenen Tafel und zahlreichen Textillustrationen von Gustave Doré, 37 x 27,5 cm (Groß-Quart), Halbleder der Zeit mit marmoriertem Bezugpapier, Rückentitel und Rückenzierleisten in Gold, (5), (XLIV -) LX, 864 S
201323798Paris, ODÉ, 1960 ; petit in-4, 240 pp., cartonnage de l'éditeur (. Très bon état - 280 illustrations en couleurs dont 8 hors texte de A. BRENET -avant propors de Jean Cocteau et Georges Duhamel Pleine toile rouge sans jaquettte.
201103966Paris, ODÉ, 1960 ; petit in-4, 240 pp., cartonnage de l'éditeur (joint une jaquette abimée) Pleine toile rouge. Très bon état - ex-libris renaissance française (de A. Selig) 280 illustrations en couleurs dont 8 hors texte de A. BRENET -avant propors de JeanCocteau et Georges Duhamel.