(BÜRGER, Gottfried August)Antiquariat.de
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199782907Augsburg: Bechtermünz Vlg. 1997. 160 Ss. Gr.8°. Blaues HLn. mit goldgeprägt. Rückentitel, farb. Deckelillustration, Deckeltitel u. goldgeprägt. Linienrahmen a.d. Deckeln.
1857114871857 Paris, Libraire nouvelle, 1857; grand in-8 de XV - 179pp. -(2)ff. demi -chagrin violine,dos à nerfs, caissons de filets gras et maigres à froid au dos, plats de papier violine à décor floral japonisant doré, grade et intérieur des plats de papier jaune pâle, tranches dorées. Illustré de 12 planches hors texte gravées sur bois par W. Meason d'après les dessins de Gustave Doré. Premier tirage ( cf. Vicaire IV - 885) L' ouvrage se termine par un petit glossaire des vieux mots.
in-12, VI-271 pages, cartonnage ed. richement decore, ttes tranches dorees.— Tres bel exemplaire. [CA33]
14711P., Éditions Rieder, Maîtres de l’Art Moderne, 1932, in-8, br., n.c., 56 p. et 60 planches hors texte en héliogravure.
1848261972Paris: Chez Aubert & Cie Place de la Bourse 29 1848. Many Lithographs some by Gustave Doré. Oblong folio 17-1/2 x 13 inches. Quarter calf and green boards with original front yellow pictorial printed wrapper bound in. VG some wear. Many Lithographs some by Gustave Doré. Oblong folio 17-1/2 x 13 inches. Chez Aubert & Cie Place de la Bourse, 29 unknown
189298686New York: Selmar Hess: 1892-1896. 1892-1896. Very good. - Quarto 11-1/2 inches high by 9 inches wide. Four hardcover volumes bound in pictorial olive green cloth with gilt decorations and an art nouveau illustration stamped on the front covers with moire pastedowns and endpapers. Titled in gilt on the spines. All edges are gilt. The corners and head & tail of the spines are lightly bumped and the bottom edges of the covers are slightly rubbed. Volume 1 1892: viii & 408 pages. Volume 2 1896: vi & 408 pages. Volume 3: 1896: vi & 408 pages. Volume 4 1892: vi & 384 pages. Each volume is illustrated with a color frontispiece and 84 plates with printed tissue guards a total of 340 plates in all including works by Gustave Dore Sir Edwin Landseer Holman Hunt Sir Frederick Leighton E.A. Abbey and G. Moreau. The front hinge of the second volume is cracked opposite the front blank leaf. An attractive set. <p>Volume 4 contains an "English and American bibliography" pages 285-336 and "Authors and dates of dramas and operas" pages 342-384. New York: Selmar Hess: 1892-1896. hardcover
61180London: Edward Moxon. 1868. FIRST EDITION THUS. Folio. 42 x 31 cm. pp.107. plus plates. Original gilt decorated rust bevelled cloth spine with large gilt lettering violet endpapers a.e.g. 9 full page plates. Presentation inscription to "Miss Rosina S. Ridington / from/ John Ellis Griffith/ July 12th 1894" to verso of frontispiece. Extremities slightly rubbed generally a very good copy. London: Edward Moxon. 1868. hardcover
65821Paris: Librairie de L. Hachette 1868. Folio 35 x 26 cm. pp.lx864. Contemporary richly gilt brown morocco title in gilt within broad gilt decorated borders raised bands marbled endpapers all edges gilt. 84 full page wood-engraved plates. Old ownership inscription to front blank and title. Intermittent light foxing generally a very good copy in a handsome binding. La Fontaine's fables with illustrations from "one of the most popular" and "greatest of all illustrators" Ray 327-28. During the period of this book's publication Doré went from being "virtually unknown in England to being the most famous illustrator in the world" Malan 67 with books such as this bringing Doré to an international audience. Paris: Librairie de L. Hachette, 1868. hardcover
1856302070Paris: Michel Lévy frères 1856. First Edition. 12 plates on wood after the designs of Gustave Doré. 1 vols. Folio. Quarter publisher's black morocco and pebbled cloth small loss at bottom of spine. Doré Gustave. First Edition. 12 plates on wood after the designs of Gustave Doré. 1 vols. Folio. "Le chef-d'oeuvre de Doré dans le genre fantastique.et puis le format est formdable!" Beraldi. Renonciat p. 92; Leblanc 217 Michel Lévy frères unknown
188498772Paris: Librairie Garnier Freres circa 1884. 1884. Very good. - Octavo 8 inches high by 5-1/4 inches wide. Hardcover the original wrappers are bound into three quarter red morocco and marbled boards titled and decorated in gilt between raised bands on the spine. The book is further enhanced with marbled endpapers. The top edge is gilt. The covers are slightly rubbed. xxxi 1 & 615 deckle-edged pages. Profusely illustrated with 425 full-page and textual drawings including a frontispiece by Gustave Dore. There is some occasional minor soiling. Very good. <p>From the library of Lincoln MacVeagh and his wife Margaret with their "Arcades Ambo" bookplate on the front paste down. Lincoln MacVeagh 1890-1972 a Renaissance man graduated from Harvard magna cum laude in 1913. He went on to study languages at the Sorbonne and became fluent in German French Spanish Latin Greek and Classical Greek. After World War I he became a director of the Henry Holt and Company publishing firm where he became friendly with the poet Robert Frost. In 1923 he left the firm and founded the Dial Press. His name appears on the imprint of many of their publications. In 1933 President Roosevelt appointed him Minister to Greece. He followed presentation of his credentials with a speech in Classical Greek. While in Greece he conducted excavations beneath the Acropolis and made archeological contributions to the National Museum in Athens. He left Greece in 1941 when the German army over ran the country. From there he was appointed the first US Minister to Iceland where he negotiated agreements for the construction of the Keflavik airfield. In late 1942 he became Minister to the Union of South Africa and coordinated American wartime agencies there. In 1943 he was sent to Cairo as Ambassador so that he could assist the governments in exile of Greece and Yugoslavia. He returned to Athens as Ambassador in 1944. MacVeagh gave secret testimony before Congress concerning the Balkans in 1947 testimony that was an important factor in the formation of the Truman Doctrine. In 1948 as Ambassador to Portugal MacVeagh was influential in admitting her into NATO. In 1952 President Truman named him Ambassador to Spain. President Truman wrote to him on March 9 1948: "On the occasion of your appointment as Ambassador to Portugal I would like to make some personal expression of appreciation for the high services you have already rendered your country. During the past fifteen critical years you have served with distinction as Chief of the United states Missions to Iceland the Union of South Africa Yugoslavia and Greece. In this last post especially - as Minister from 1933 to 1941 and as Ambassador since 1943 - your scholarly statesmanship and diplomatic judgment have been of the utmost value." Paris: Librairie Garnier Freres, circa [1884]. hardcover
022808London Paris New York & Melbourne: Cassell and Company Limited. No Binding. Near Fine. London: Cassell 1904. Six volumes. Folio 11 by 14 inches publisher's 1/2 blue cloth over illustrated blue paper bds. 6 volumes all numbered 967 printed at: La Belle Sauvage Press London 1904. 1/1000 sets thus numbered. Well illustrated with many full-page tissue-guarded plates on thicker semi-gloss stock. Good spine ends worn somewhat on 2 volumes contents are routinely in near fine to fine condition. Volumes I & II Visions of Hell have been reinforced along the interior gutters/spine areas new spine cloth and end papers as well were added in 1943 according to the still present reciept from the bookbinder in Minneapolis. quite long ago he charged $1 per book for all that repair! Original spine cloth/title strip has been laid-down on the new one hence the pealing of spine ends as mentioned in a previous statement of condition. A nice set and quite uncommon thus. <br/> <br/> Cassell and Company Limited unknown
1862115111862 Paris, Hachette et Cie, 1862 ; in-4 de (4) - 78pp. - (1) f. ; demi-percaline bleu nuit, titre doré en long au dos sur étiquette de maroquin rouge, couverture illustrée sur les deux plats conservée. 2 illustrations pour la couverture et Illustrations dans et hors le texte (compris dans la pagination) par Gustave Doré. Première édition illustrée. (Vicaire V-214).
117688aafGenève, Le Tricorne, Galerie Arts Anciens, Pierre-Yves Gabus, Bevaix, 1985, in-4°, X + 104 p., abondamment illustré de 128 figures n/b ou couleurs, brochure originale illustrée.
1866113791866 Paris, Aux buraux du Journal Amusant, des Modes parisiennes…( Typographie Henri Plon), 1866 - 1867; 1 volume in-4°, demi-basane rouge époque, dos à faux-netrfs plats, filets dorés et à froid titre doré “Album comique" et date dorée . Chaque numéro de 8 pages, comporte un dessins de Grévin mis en couleurs à la 1ère page et de nombreux dessins à plaine page ou dans le texte en noir.Ensemble de 70 numéros regroupant les numéros 463 à 472 ( 10), 504 à 512 ( 9), 514 (1) 518 à 535 ( 18),537-538 (2), 540 à 543 (4), 546 à 552 (7), 568 à 569 ( 2), 562 à 564 (3),566 à 567 (2), 570 à 571 (2), 573 à 579 (7), 545 (1), 580 à 581 (2) et reliés dans cet ordre. Plusieurs numéros consacrés à la photographie ( pour et contre).
18858454New York. Cassell Petter Galpin & Co. n.d. c. 1885 . Bound in elaborate pictorial gilt decorated cloth with gilt and embossed vignettes to covers and spine. Decorated endsheets. a.e.g. 4to. New Edition. Illustrated with engravings after drawings by Gustave Dore. Old spine crack professionally repaired with all signatures tight and firm. Front free endsheet creased. Small ink signature to flyleaf. One plate slightly trimmed. Minor foxing and soiling to prelims else a Fine crisp copy of this classic work. The brightest cover we've ever encountered. Cassell, Petter, Galpin & Co. hardcover
192580925Munich:: Verlag Josef Muller. Good. 1925. Hardcover. Text is in German. Fifty illustrations. First edition thus. Large piece about four inches missing from the lower corner of the title page library stamp on three pages thus only good in brown cloth with illustration on front board. No dust jacket. . Verlag Josef Muller, hardcover
190192437London:: William Mitchell & Company. Very Good. 1901. Hardcover. B000J5YK70 . Translated from the French complete and unabridged. No indication of printing. Octavo bound in red cloth with elaborate gilt and black lettering and design top edge gilt. Moderate shelf wear and aging short closed tear to the fore edge of the last page else very good. No dust jacket.; 490 pages . William Mitchell & Company, hardcover
186771239Paris: Nadar 1867. Fine. Nadar Paris s. d. 1867 6.60 x 10.40 cm une photographie Nadar Paris N.D. but 1867 66x10.4 cm photograph Original photograph on albumin paper in a visiting card format laid down on card by Nadar initialed and with a red border. Doré poses with his arm on a fringed chair the same as in the portraits of Théophile Gautier Edouard Manet and Alexandre Dumas. Manuscript annotation to verso. We have not been able to find any copies of this photograph in any of the international public collections. Nadar unknown
43175Paris, Michel de l'Ormeraie, 1973, complet en 5 volumes In-4 (290X245mm) pleine reliure skyvertex rouge-marron, dos lisse richement orné, plats ornés d'un triple encadrement doré, tranches dorées, signet. Environ 230 pp par volume. Edition réalisée sur la traduction parue à Tours aux éditions Mame en 1874. Illustrations de Gustave Doré. Exemplaire numéroté sur le dernier volume. Belle édition, la qualité des reproductions de Doré est d'un très bon niveau. Edition limitée et numéroté n°188. TRES BON ETAT
196228037Caracas & New York: Museo de Bellas Artes de Caracas and the Museum of Modern Art 1962. 1962. Very good. - Small quarto 8 inches high by 8-7/8 inches wide. Softcover bound in black wraps titled in black white and red. The covers are slightly rubbed and creased with a small piece rubbed away from the top corner of the front cover. 24 pages on creamy white stock with text in English and Spanish. Illustrated with reproductions of artwork by major modern artists. Additionally there are 12 inserted half-pages printed on glossy stock as issued with text in Spanish and illustrated with portraits of the artists. Very good. <p>Together with a 12-page catalog bound in matching black self-wraps listing 80 works on exhibit at the Museo de Bellas Artes de Caracas. The exhibition under the direction of Miguel Arroyo C. contained several works by James Brooks Charles Cajori Nicholas Carone Edward Corbett Burgoyne Diller Helen Frankenthaler Sonia Gechtoff Fritz Glarner Arshile Gorky Stephen Greene Philip Guston Hans Hofmann Jasper Johns John Kacere Franz Kline Willem de Kooning Nicholas Marsicano Robert Motherwell Jackson Pollock Robert Rauschenberg William Ronald Ludwig Sander Miriam Schapiro Mark Tobey Jack Tworkov Esteban Vicente Jean Xceron and Adja Yunkers.<p>SCARCE. Caracas & New York: Museo de Bellas Artes de Caracas and the Museum of Modern Art, [1962]. paperback
Milano, Treves, 1873, 26 gennaio, articolo e due illustrazioni a piena pagina di Dorè, stralcio de "L'Universo Illustrato". - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, Treves, 1874, 23 agosto, due illustrazioni di Dorè, stralcio de "L'Illustrazione popolare". - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, Treves, 1874, 12 luglio, illustrazione a piena pagina di Dorè, stralcio de "L'Illustrazione popolare". - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, Treves, 1873, 6 aprile, articolo e una illustrazione a piena pagina di Dorè, stralcio de "L'Illustrazione popolare". - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, Treves, 1873, 27 aprile, illustrazione di Dorè, stralcio de "L'Universo Illustrato". - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
