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1996205453New York: Independent Curators 1996. Softcover. VG: Sticker on the last page. A matte softcover book with black and white text on a gray spine. Pages: 9 8-84. Illustrated with black-and-white images. Independent Curators paperback
189526748-GB 107Amsterdam: Uitgevers-Maatschappy Elsevier 1895. Hardcover folio gebonden in linnen. Tweede druk. Fraai gedecoreerde band. 869pp. Met vele ills. van Gustave Dore. het linnen is sleets met name in de hoekjes en in de uiteinden van de rug. Stukje uit schutblad voorin ex libris aantek. in inkt enkele vouwspoortjes zeer redelijk exemplaar. . Uitgevers-Maatschappy Elsevier hardcover
123125Leiden P van Santen 1876. Contemporary brown cloth spine cream coloured paper-covered boards pictorial frontcover one of the original frontcovers small folio: frontispiece viij 86pp. text and 39 other page-large wood-engraved illustrations. Exteriors rubbed and with some light foxing throughout one section of pages loose fron the binding. Leiden, P van Santen 1876 hardcover
1997C000034416Amsterdam: Athenaeum-Polak & Van Gennep 1997. Hardcover. Fine/fine. Complete in Two Volumes. Hardcover. Black cloth. 8vo. 1206pp. Illustrations by Gustave Dore. Text in Dutch. Fine in Fine dustjackets. Gift inscription on flyleaf of first volume. In lightly soiled original slipcase. Athenaeum-Polak & Van Gennep hardcover
MA09B-05160W. R. Vansant. Used - Acceptable. Chicago: W. R. Vansant 1889. 4to leather bound hardcover with metal clasps. Various paginations. Swedish. Illustrations. Binding Copy. Boards and spine worn leather spine heavily eroded. Hinges cracked. Front board nearly detached. Names written on the births and deaths pages. Bible Christianity Books in Swedish Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. W. R. Vansant hardcover
18891212310003Boston: W R. Vansant 1889-01-01. Leather Bound. Very Good. Boston: W R. Vansant. Folio. ill. ; 32 cm. Fully bound in contemporary embossed leather. Gilt lettering and decorative flourishes on boards and spine. Two embossed metal clasps. Tight binding and solid boards; Professionally rebacked. Minor bumping to corners. Rubbing to boards. Page ends gilt. Clean unmarked pages with minor foxing. Profusely illustrated with attractive copperplate engravings by Gustave Dore. Frontispiece illustration of Martin Luther protected with tissue guard. Dedication page and family record segment partially filled out. This is an oversized volume and may require additional postage for delivery outside of the United States. Boston: W R. Vansant hardcover
1877500048676Familj-Journalens 1877. 1st Edition . Hardcover. Fair. Gustave Dore . New Testament 4to rear board detached front board cracking brown boards gilt decorations. Volume 2 Old Testament slight loss to head of spine.Volume 1 spine & rear board detached though present <br/> <br/> Familj-Journalens hardcover
186084302Paris: Féchoz & Letouzey 1860. Fine. Before the golden age of comics the ""Age of Doré"" Féchoz & Letouzey Paris s. d. 1860 36 x 27.50 cm relié Album of lithographed plates in third state first cover printed in 3 tones black bistre with gradients and white highlights followed by 24 lithographs in black on 12 double-sided pages. Gray half calf binding smooth spine some foxing original soft cover preserved binding signed by Charles Septier. Created in 1851 this youthful work influenced by Rodolphe Töppfer's style is now considered an incunabulum of comic strips. Féchoz & Letouzey paperback
036520532X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1875153737London: Doré Gallery 1875. Softcover. G- Ex-art library with label on back cover and few marks; cover is moderately soiled; book was folded at least once; pages are clear. Light turquoise paper wraps 24 pp. no illus. Issued in conjunction with an exhibition of 21 pictures rendered by French artist Gustave Doré 1832-1883. This booklet lists the 21 titles. 12 have annotations: "Christ Leaving the Praetorium" which must have been a feature showing at 30 feet by 20 feet and is much written about it here; "Paolo and Francesca da Rimini;" "Andromeda Chained to the Rock;" "Evening in the Alps;" "The Massacre of the Innocents;" "The Soldiers of the Cross;" "The Triumph of Christianity over Paganism;" "Christian Martyrs: Reign of Diocletian;" "The Night of the Crucifixion Les Tenebres;" "The Neophyte First Experience of the Monastery;" "Le Tapis Vert Gambling at Baden-Baden;" and "The Dream of Pilate's Wife." Sadly no illustrations appear here.<br /> <br /> 12. Doré Gallery paperback
1020226935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1161777881.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018086544.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1857178579London.: Illustrated Times. March 211857. Full-page engraving 23.5 x 33.6 cm including caption on a single newspaper leaf relevant text on the verso edge tears no loss and creasing in very good condition. Dramatic and scarce engraving depicting the destruction of the Canton Factories principal site of Western trade with China at the onset of the Second Opium War 1856-1860 by a 25 year old Gustave Doré. He contributed to the "Illustrated Times" a chief rival to the monopoly of "The Illustrated London News". Whilst the self-taught Doré did not enjoy initial success in France for Victorian Britons Doré's art was celebrated producing with Blanchard Jerrold his landmark account of mid Victorian London "London: a pilgrimage" over four years 1869-1872. <br> <br>From the Estate of the late collector and scholar Arthur Hacker. . Illustrated Times. unknown
2091502133537080Iwanamishoten N.A. Soft Cover. Fine. Number of books: 1 Iwanamishoten paperback
196228037Caracas & New York: Museo de Bellas Artes de Caracas and the Museum of Modern Art 1962. 1962. Very good. - Small quarto 8 inches high by 8-7/8 inches wide. Softcover bound in black wraps titled in black white and red. The covers are slightly rubbed and creased with a small piece rubbed away from the top corner of the front cover. 24 pages on creamy white stock with text in English and Spanish. Illustrated with reproductions of artwork by major modern artists. Additionally there are 12 inserted half-pages printed on glossy stock as issued with text in Spanish and illustrated with portraits of the artists. Very good. <p>Together with a 12-page catalog bound in matching black self-wraps listing 80 works on exhibit at the Museo de Bellas Artes de Caracas. The exhibition under the direction of Miguel Arroyo C. contained several works by James Brooks Charles Cajori Nicholas Carone Edward Corbett Burgoyne Diller Helen Frankenthaler Sonia Gechtoff Fritz Glarner Arshile Gorky Stephen Greene Philip Guston Hans Hofmann Jasper Johns John Kacere Franz Kline Willem de Kooning Nicholas Marsicano Robert Motherwell Jackson Pollock Robert Rauschenberg William Ronald Ludwig Sander Miriam Schapiro Mark Tobey Jack Tworkov Esteban Vicente Jean Xceron and Adja Yunkers.<p>SCARCE. Caracas & New York: Museo de Bellas Artes de Caracas and the Museum of Modern Art, [1962]. paperback
192555729München 1925. Mit Einleitung und begleitenden Texten von A.E. Mader Guter Zustand Josef Müller 4°. Ln. Bibel unknown
19304BislCg0032Berlin Germany/ Deutschland: Verlag von Th. Knaur Nachf. 1930. Book. Very Good. Decorative Canvas Hardcover. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 540 pp. Solidly bound copy with moderate external wear. CNo publishing year given. Publishing year gleaned from other sources therefore it is an approximation. No dj. Text in German. Verlag von Th. Knaur Nachf. Hardcover
1877ST20670Stuttgart: Edward Hallberger ca. 1877. Fourth Edition. 430 x 315 mm. 16 3/4 x 12 1/4". Two volumes. Translated into German by Dr. Joseph Franz Allioli. <br/> PUBLISHER'S SPLENDID RED CLOTH VERY ELABORATELY STAMPED IN GILT AND BLIND covers with bevelled edges thick and thin gilt-rule border enclosing ornate blind-stamped frame large central oval containing a lobed gilt frame with gilt lettering inside spine divided into blind-stamped panels by decorative and plain gilt rules two large panels with gilt lettering and volume number original cloth hinges white moiré paper endpapers all edges gilt. IN THE ORIGINAL PRINTED GRAY DUST JACKETS jacket of second volume with small very expert repairs at bottom and the original black cardboard clamshell boxes solidly reinforced with black tape. WITH 230 DRAMATIC PLATES BY GUSTAVE DORÉ. Volume I with four leaves for recording family members marriages births and deaths each with a decorative frame all unused. Malan "Doré" p. 85. Isolated spots of minor foxing due to paper content one cover of the very rarely seen dust jackets with red offsetting from the frame on the cover but AN UNSURPASSABLE COPY--clean fresh and bright internally the bindings and jackets IN SPARKLING CONDITION.<br/> <br/> This is a time-capsule copy of perhaps the most popular illustrated Bible ever issued and one of the very few Bibles which has always been known by the name of its illustrator. According to his biographer the artist was excited by the "almost endless series of intensely dramatic events" he would get to portray; the results originally created for the 1866 Grand Bible of Tours are so evocative that the critic Bouchot called them "the terror of frail readers." Doré 1832-83 makes remarkable use of light shadow and composition to convey the full range of splendor horror pathos and ecstasy contained in the Scriptures. Because he was so prolific it is estimated that he made more than 100000 designs in his lifetime Doré inevitably had his detractors but Ray says simply that he was "one of the greatest of all illustrators." Taine says that "every imagination appeared languid in comparison with his. For energy force superabundance originality sparkle and gloomy grandeur I know of only one equal to his--that of Tintoretto." The Doré Bible was translated into at least 24 languages; ours is the German version by Catholic theologian Joseph Franz Allioli 1793-1873. According to Malan "The Roman Catholic Church has never diminished its praise of these illustrations." And these illustrations endured in many Catholic and Protestant Bibles especially during the last third of the 19th century but actually until the present. The Bible was such a cultural phenomenon that Mark Twain even mentioned it in “Tom Sawyer†as a motivating prize for students to learn Scripture. The Bible’s success prompted Doré to reinterpret his illustrations in huge paintings that were displayed at Doré Gallery in London. Malan says that the exhibition “was considered the greatest collection of religious paintings in the world." The boxes that were issued with our set have clearly weathered some blows over the years but they did their job perfectly as the volumes they protected hardly seem to have been opened in their lifetime and their dust jackets even considering the minor repair are also in a breathtaking state of preservation. Edward Hallberger unknown
BN86856Darmstadt Lambert Schneider. Die Heilige Schrift des Alten Testaments. Illustriert von Gustave Doré. Nach der Übersetzung von Martin Luther. Mit einer kunsthistorischen Einleitung von Anja Grebe. <br/><br/> Darmstadt, Lambert Schneider unknown
186812937AB1868. 5th edition. 2 volumes. Stuttgart Hallberger n.d.ca. 1868. 43 : 33 cm. With 230 full-page woodcats by Gustave Doré. Publisher'soriginal red calf binding gilt and blind stamped edges gilt Early German edition and at the time the largest of all Doré Bibles in any language. With the thought-after original woodcuts by Doré. A beautiful example of German book production in the late 19th century. Dorés Bible was published in many languages. - Binding partly rubbed specially at the edges inside fine. unknown
187010430Stuttgart ca.1870. Illustriert von Gustave Doré. 2 Bde. Halbleder-Einband mit Seidenüberzug. Gering stockfl. insegesamt guter Zustand 4. Aufl. Eduard Hallberger 2°. Hldr. Varia unknown
187475620Stuttgart: : Druck und Verlag von Eduard Hallberger 1874. publisher's gilt beveled red cloth expertly rebacked in matching red cloth with the original backstrip laid down; all edges gilt. A few 1" or less chips to the edges of the cloth; some light rubbing; tight and sound; contents very nice. Folio. Illustrated throughout from engravings after Gustave Dore. . Additional postage applicable for this very large and heavy Bible. Druck und Verlag von Eduard Hallberger, hardcover
18703212<p>Hardcover. Condition: Very Good. Two volumes. Circa 1870 undated Elephant Folio. Text in German. Hundreds of woodcut plates by Gustave Dore. Original black full calf. Spine and boards decorated in gilt and blind stamped. Edge gilt. Wear to the tips edges and spine. Some cloth tears to head and foot of spine. Tightly bound and internally clean. Large volumes. Additional postage may be required.</p> Eduard Hallberger hardcover
55136Eduard Hallberger Stuttgart circ 1900 Folio Hb. Red Decorative Cloth Gilt. Spine Detached with Loss. Boards Detached. Some Page Creases Prelims. Internally clean. With 103 illustrations. pp798. For photograph see manorhousebooks.co.uk. Very Heavy and will require extra postage Eduard Hallberger, Stuttgart circ 1900 hardcover
