CHAM (pseudonym of Amedee de Noe)Biblio.com
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05541Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste<br /> <br /> CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. <br /> <br /> First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes.<br /> <br /> Publisher's pictorial glazed green boards. Original glassine wrapper. A superb example.<br /> <br /> OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder.<br /> <br /> The Plates:<br /> 1. Tout ça c'est bel et bon!<br /> It's all well and good!<br /> 2. L'éducation es tune bonne chose!<br /> Education is a good thing!<br /> 3. Hardi! Conscrit la patrie a les yeux sur toi!.<br /> Daring! Conscript the fatherland has its eyes on you!.<br /> 4. Je veux que mon fils ait un prix!<br /> I want my son to have a prize!<br /> 5. Mes papiers.mes papiers!<br /> My papers.my papers!<br /> 6. Tiens tiens elle était pressée c'tte lettre<br /> Well well she was in a hurry that letter<br /> 7. De de quoi.de de quoi!.<br /> From what.from what!.<br /> 8. Malheureux! Tu me feras blancher avant l'âge.<br /> Unfortunate! You will make me white before my age.<br /> 9. Enfin j'en tiens un!.<br /> Finally I got one!.<br /> 10. Non vous ne vous trompez pas!<br /> No you are not mistaken!<br /> 11. Je risqué tout tant pis pour moi!<br /> I risked everything too bad for me!<br /> 12. Ah! Vous êtes ambitieux!<br /> Ah! You are ambitious!<br /> 13. Qué bonheur m'ssieu!<br /> What happiness sir!<br /> 14. Cré coquin mes chemises neuves.<br /> Naughty creation my new shirts.<br /> 15. Y sont drôles les maitres!<br /> The masters are funny there!<br /> <br /> Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
05993Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste<br /> <br /> CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. <br /> <br /> First edition. Folio 13 1/16 x 9 3/4 inches; 331 x 249 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Publisher's original yellow cloth over yellow boards printed in black and bronze. A very fine copy.<br /> <br /> OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder.<br /> <br /> The Plates:<br /> 1. Tout ça c'est bel et bon!<br /> It's all well and good!<br /> 2. L'éducation es tune bonne chose!<br /> Education is a good thing!<br /> 3. Hardi! Conscrit la patrie a les yeux sur toi!.<br /> Daring! Conscript the fatherland has its eyes on you!.<br /> 4. Je veux que mon fils ait un prix!<br /> I want my son to have a prize!<br /> 5. Mes papiers.mes papiers!<br /> My papers.my papers!<br /> 6. Tiens tiens elle était pressée c'tte lettre<br /> Well well she was in a hurry that letter<br /> 7. De de quoi.de de quoi!.<br /> From what.from what!.<br /> 8. Malheureux! Tu me feras blancher avant l'âge.<br /> Unfortunate! You will make me white before my age.<br /> 9. Enfin j'en tiens un!.<br /> Finally I got one!.<br /> 10. Non vous ne vous trompez pas!<br /> No you are not mistaken!<br /> 11. Je risqué tout tant pis pour moi!<br /> I risked everything too bad for me!<br /> 12. Ah! Vous êtes ambitieux!<br /> Ah! You are ambitious!<br /> 13. Qué bonheur m'ssieu!<br /> What happiness sir!<br /> 14. Cré coquin mes chemises neuves.<br /> Naughty creation my new shirts.<br /> 15. Y sont drôles les maitres!<br /> The masters are funny there!<br /> <br /> Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
05330Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste<br /> <br /> CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. <br /> <br /> First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes.<br /> <br /> Publisher's pictorial glazed green boards lower portion of spine renewed inner front hinge cracked some light wear to corners. An excellent copy.<br /> <br /> OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder.<br /> <br /> The Plates:<br /> 1. Tout ça c'est bel et bon!<br /> It's all well and good!<br /> 2. L'éducation es tune bonne chose!<br /> Education is a good thing!<br /> 3. Hardi! Conscrit la patrie a les yeux sur toi!.<br /> Daring! Conscript the fatherland has its eyes on you!.<br /> 4. Je veux que mon fils ait un prix!<br /> I want my son to have a prize!<br /> 5. Mes papiers.mes papiers!<br /> My papers.my papers!<br /> 6. Tiens tiens elle était pressée c'tte lettre<br /> Well well she was in a hurry that letter<br /> 7. De de quoi.de de quoi!.<br /> From what.from what!.<br /> 8. Malheureux! Tu me feras blancher avant l'âge.<br /> Unfortunate! You will make me white before my age.<br /> 9. Enfin j'en tiens un!.<br /> Finally I got one!.<br /> 10. Non vous ne vous trompez pas!<br /> No you are not mistaken!<br /> 11. Je risqué tout tant pis pour moi!<br /> I risked everything too bad for me!<br /> 12. Ah! Vous êtes ambitieux!<br /> Ah! You are ambitious!<br /> 13. Qué bonheur m'ssieu!<br /> What happiness sir!<br /> 14. Cré coquin mes chemises neuves.<br /> Naughty creation my new shirts.<br /> 15. Y sont drôles les maitres!<br /> The masters are funny there!<br /> <br /> Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria <br /> <br /> CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. <br /> <br /> First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears.<br /> <br /> Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example.<br /> <br /> The plates:<br /> <br /> 2. Au diable les chevaux arabes!<br /> 3. Quelle chance!!<br /> 4. Pour faire un bon pot-au-feu.<br /> 5. V'là soixante lieues d'avalées!<br /> 6. Ces gueux d'arabes.<br /> 7. Dites donc caporal.<br /> 8. Une visite sous la tente.<br /> 9. Encore quinze lieues à faire.<br /> 10. Une razzia.<br /> 11. C'est fort drôle conscrit!.<br /> 12. Un héritage flambé.<br /> 13. Allons bon!.<br /> 14. Gueux de sauvages!<br /> 15. Y a des gens qui ont du bonheur!<br /> 16. Il est bon d'avoir des amis.<br /> 17. C'est une flêche empoisonnée.<br /> 18. En toute chose il ne faut jamais considérer la faim.<br /> 19. Qué beau pays!!!<br /> 20. Est-ce que tu attends l'omnibus.<br /> 21. Pauvres camarades!<br /> 22. Cristi! V'la mon paletot qui se déchire!<br /> 23. Y a pas de bon sens!<br /> 24. Cher papa et chère maman.<br /> 25. Mon Général.<br /> 26. C'est un coup superbe!<br /> 27. Un petit homme a grandes passions.<br /> 28. Marche de nuit.<br /> <br /> <br /> CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" <br /> Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown
In 12°; 27 cc. Brossura editoriale con il piatto anteriore riccamente illustrato, qualche mancanza di carta al dorso. Una piccolissima mancanza di carta al margine superiore bianco dell'ultima carta, ininfluente. Prima edizione di questa raccolta di opere satiriche e caricaturali del celebre illustratore, caricaturista e fumettista francese, Charles Amédée de Noé, noto con lo pseudonimo di Cham (Parigi, 26 gennaio 1818 Parigi, 6 settembre 1879). Di nobili origini, suo padre era Conte di Noé e Pari di Francia, nonostante una naturale predisposizione per la matematica, preferì fin da giovane di frequentare le botteghe dei due celebri pittori, Nicolas Toussaint Charlet e Paul Delaroche. La sua opera "Histoire de Mr. Lajaunisse", pubblicata per la prima volta nel 1839, una storia ideata come un susseguirsi di immagini sequenziali sulla scorta dell opera dello svizzero Rodolphe Topffer, è considerato il primo albo a fumetti francese. L'opera qui presentata, facente parte delle Miroir Comiques, ne rappresenta il numero 2. Rarissimo. Very rare.
In 12°; 27 cc. Brossura editoriale con il piatto anteriore riccamente illustrato, qualche mancanza di carta al dorso. Una piccolissima mancanza di carta al margine superiore bianco dell'ultima carta, ininfluente. Prima edizione di questa raccolta di opere satiriche e caricaturali del celebre illustratore, caricaturista e fumettista francese, Charles Amédée de Noé, noto con lo pseudonimo di Cham (Parigi, 26 gennaio 1818 Parigi, 6 settembre 1879). Di nobili origini, suo padre era Conte di Noé e Pari di Francia, nonostante una naturale predisposizione per la matematica, preferì fin da giovane di frequentare le botteghe dei due celebri pittori, Nicolas Toussaint Charlet e Paul Delaroche. La sua opera "Histoire de Mr. Lajaunisse", pubblicata per la prima volta nel 1839, una storia ideata come un susseguirsi di immagini sequenziali sulla scorta dell opera dello svizzero Rodolphe Topffer, è considerato il primo albo a fumetti francese. L'opera qui presentata, facente parte delle Miroir Comiques, ne rappresenta il numero 6. Rarissimo. Very rare.
18652221865. Lithograph. 200mm by 260mm image. L Americain Jonathan filant un mauvais colon.'<br /> Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
18652381865. Lithograph. 225mm by 180mm image. -Tiens ! Messieurs les Americains vous ne prenez donc pas de Vacances '<br /> Lithograph from the from the series "Actualites" published in 'Le Charivari'. The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
18652361865. Lithograph. 180mm by 245mm image. -Tiens ! Messieurs les Americains vous ne prenez donc pas de Vacances '<br /> Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. Faint waterstain to right hand margin. unknown
18652181865. Lithograph. 210mm by 200mm image. Le Federal' & 'Le Confedere'<br /> Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
18652271865. Lithograph. 235mm by 190mm image. Blanc devenir marron ! negre oblige maintenant de courir apres ! . contraire d'autrefois !.'<br /> Lithograph from the from the series "En Amerique" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
18652401865. Lithograph. 235mm by 205mm image. - Negre li devenu homme libre ! . cependant li pas encore blanchir ! . mais toujours attendre !.''<br /> Lithograph from the from the series "Actualites" published in 'Le Charivari'. The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. Small faint waterstain outside image area. unknown
18652201865. Lithograph. 200mm by 250mm image. Le Bourgeois'<br /> Lithograph from the from the series "En amerique" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. unknown
18652371865. Lithograph. 210mm by 260mm image. -Tiens ! Messieurs les Americains vous ne prenez donc pas de Vacances '<br /> Lithograph from the series "Actualities" published in 'Le Charivari'.The American Civil War 1861-1865 was a civil war fought over the secession of the Confederate States. Eleven southern slave states declared their secession from the United States and formed the Confederate States of America "the Confederacy"; the other 25 states supported the federal government "the Union". After four years of warfare mostly within the Southern states the Confederacy surrendered and slavery was abolished everywhere in the nation.Part-page illustration. Text on reverse as issued. Faint horizontal crease as issued. A few spots at top of the sheet. unknown
184726021847. Lithograph. 240mm by 340mm sheet. 'Voyeux mon domestique meeieurs avec mes Rateliers Osanores il brise du fer !.'<br /> Depicts Dr Fattet the famous French dentist.Original lithograph published in Paris 1847. Signed 'CHAM' in the image. From a series titled 'Celebrites Charivariques' which was published in the French magazine 'Le Charivari'. Text on reverse folds as issued. Light overall toning. Trimmed at an angle at top of the sheet. unknown
18672941867. Lithograph. 255mm by 210mm image 395mm by 275mm sheet. Original lithograph published in Paris 1867. Signed 'CHAM' in the image. From a series titled _Actualites_ which was published in the French magazine satirical _Le Charivari'. Text below and on reverse folds as issued. unknown
187047091870. Lithograph. 275mm by 210mm sheet. Signed 'CHAM' in the image. From a series titled 'Actualities' which was published in the French magazine 'Le Charivari'. Text on reverse as issued. CONDITION : Very light folds as issued. Sheet trimmed. Text on reverse shows through slightly. unknown
185350251853. Lithograph. 240mm by 333mm sheet. Original lithograph published in Paris 1853. Signed 'CHAM' in the image. <br /> Originally published in the French magazine 'Le Charivari'. Text on the reverse. Dentistry interest. CONDITION : light folds. Sheet slightly trimmed. small nick top right corner. Light crease in right margin. Overall toning. unknown
18568161856. Lithograph. 240mm by 360mm sheet. 'Les locataires des Pyramides expropries pour cause d'utilite publique'<br /> Original lithograph published in Paris 1856. Signed 'CHAM' in the image. From a series titled 'Celebrites Charivariques' which was published in the French magazine 'Le Charivari'. Text on reverse folds as issued. unknown
18451201845. Lithograph. 370mm by 240mm sheet. Lithograph published in 'Le Charivari'.<br /> Text on reverse as issued. Faint vertical crease as issued. unknown
184847291848. Lithograph. 305mm by 235mm sheet. Lithograph from 'Le Charivari' 1848. Scenes from the life of Georges Fattet dentist: To the left Napoleon's statue has been replaced by one of Fattet; Top right a satisfied client with two sets of dentures asks for a third; bottom right Fattet is greeted by assistant. CONDITION : faint horizontal crease as issued. Margins slightly trimmed. A couple of foxing spots in the margins. unknown
18486651848. Lithograph. 285mm by 235mm sheet. Lithograph from 'Le Charivari' 1848.<br /> Scenes from the life of Georges Fattet dentist: Top he bows before a queen; bottom in a street procession a woman places a crown on his head and children throw flower petals along his path.Margins slightly trimmed. unknown
Paris, Michel Levy frère 1850. In-4 relié demi-basane noire, dos lisse avec titre doré. 1 feuillet blanc, faux titre, titre, 625 pages illustrées par CHAM, 1 feuillet blanc. Mouillure angulaire.
185085595Paris: Michel Lévy frères 1850. Fine. Michel Lévy frères Paris 1850 17.50 x 26.50 cm relié Illustrated edition with 20 hors-texte plates as well as numerous drawings in the text by Cham. Half-green morocco-grained shagreen binding smooth spine decorated with gilt romantic arabesques six gilt fillets at head and tail of spine spine with some rubbing green cardboard boards with epidermures endpapers and pastedowns of marbled paper corners slightly bumped contemporary romantic binding. Foxing. Michel Lévy frères hardcover
18501278863Paris: Au Bureau du Journal le Charivari 1850's. 8vo.; VG; 3/4 bound in brown leather spine paneled with burgundy label and gilt lettering; repaired with original spine rebacked new label new endpapers; marbled boards; wear to corners rubbing to boards spine; some age-toning to pages; three of the images have been cut out of the Revue Du Salon De 1853.<br /> <br /> <p>NOTE: Shelved in Locked Annex Area ND-HV Column. 1278863. FP New Rockville Stock. Au Bureau du Journal le Charivari unknown
