CHAM (pseudonym of Amedee de Noe)Biblio.com
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05286Paris: Au Bureau du Journal L'Eclipse 1871. Irony and Biting Satire on the 4th French Revolution<br /> <br /> CHAM pseud. of Amédée de Noé. Les Folies de la Commune. Paris: Au Bureau du Journal L'Eclipse n.d. 1871. <br /> <br /> First edition complete. Quarto 13 x 9 3/4 inches; 330 x 247 mm. Hand-colored lithographed title leaf and nineteen hand-colored lithographed plates. Plates 18 & 19 slightly shorter at lower and fore-edge.<br /> <br /> Modern green cloth front cover with dark green morocco label lettered in gilt. A near fine copy.<br /> <br /> Created and published in the immediate wake of high political drama in France - the Paris Commune aka the Fourth French Revolution when the French defeat in the Franco-Prussian War led to the fall of Emperor Louis Napoleon III's Second French Empire the establishment of the Third French Republic and near immediate popular workers' "communards" insurrection in concert with the citizen's National Guard against the forces of Versailles which though Republican held direct rule over Paris. The Communards established self-rule in the city and became in effect the local city council from March 18 1871 through May 28 1871 when Versailles government forces defeated the armed Communards and local National Guard in the streets during La Semaine Sanglante "the Bloody Week" and left sections of Paris in ruins. <br /> <br /> L'Eclipse publisher of this series by Cham was a weekly newspaper founded in 1868 and edited by François Polo a Republican who published pamphlets against the Emperor Napoleon III yet was no sympathizer of Republican socialists who were blamed for excess and the short-lived but no less deadly with an estimated 10000-50000 killed civil war. Repeatedly censored or banned L'Eclipse endured through 1876.<br /> <br /> Of Amédée de Noé 1819-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> 1. Sont-ils bêtes! ils n'aiment pas les Ruraux et ce sont les villes qu'ils brûlent!<br /> 2. Mais tun'as pas la croix d'honneur. -Je la mets pour protester contre son incendie.<br /> 3. Le conservateur des musés de la commune recevant l'insigne de ses atributions. <br /> 4. Va donc Berquin!<br /> 5. Comprenant la nécessité d'aller voter.<br /> 6. Je me porte aux élections. - Voulez-vous des affiches sur les murs - Elles masqueraient mon programme.<br /> 7. Le chatiment de Courbet. Le nommer gardien de la Colonne relevée.<br /> 8. Je faisais sortir les locataires avant. - Moi pas c'était plus animé.<br /> 9. Voleurs! m'avoir fait faire tout ça pour dix francs! Ça leur portera pas bonheur!<br /> 10. Criez donc contre la Commune! Elle allait la résoudre la question des loyers!<br /> 11. Tuy te présentes ainsi - C'est le meilleur costume maintenant pour ressurer les électeurs.<br /> 12. Y a pas que le bouchon qui l'a perdu y a la boutielle avec.<br /> 13. Saint Médard s'entetant a ne pas croire a la fin des incendies.<br /> 14. Enfin si vous aviez tout détruit qu'est-c que la peuple aurait mangé - Il aurait poussé de l'herbe!<br /> 15. Mes armes!!!<br /> 16. Uniforme contre l'incendie proposé pour les conseillers municipaux depuis qu'on brule les hotels de ville.<br /> 17. Mon mari m'a expliqué la Commune: suppose qu'il m'a dit que tu sois le gouvernement.Et là dessus vous voyez mon oeil.<br /> 18. M'sieu vous ne pourriez pas me céder un peu de pétrole. papa qu'etait gris a bu celui qu'on m'avait donné pour mettre le feu.<br /> 19. Des deux qui aurait dit que ce serait moi qui prendrais Paris Paris: Au Bureau du Journal L'Eclipse, [1871] unknown
05994Paris: Martinet 1850. The Art of Success in the World!<br /> An Ironic Satiric Burlesque by Cham<br /> <br /> CHAM pseudonym of Amédée de Noé. L'Art de Réussir dans le Monde. Procédé Simple et Facile pour se Faire Jeter a la Porte en Fort peu de Temps. Paris: Martinet n.d. c. 1850. <br /> <br /> First edition. Large quarto 13 1/8 x 10 in; 337 x 253 mm. Lithographed title with large hand-colored pictorial vignette twenty hand-colored lithographed plates by Fernique after Cham the plates containing three or more images a total of sixty-two each with droll captions.<br /> <br /> Publisher's illustrated pink boards. Spine expertly and almost invisibly repaired lightly scuffed at board extremities A clean and bright example with the plates in very fine and clean state. <br /> <br /> A fine copy of a very rare volume with OCLC/KVK locating only two copies in institutions worldwide at the Victoria & Albert Library and Bibliothèque Nationale et Universitaire Strasbourg.<br /> <br /> "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> Bobins IV 1348. Paris: Martinet, 1850 unknown
63-9881Paris France: 1870. Lithograph on paper. 23.4 x 16.8 cm. Good with sun-fading foxing.During the cold winter months rat-hunting became a fashionable sport. After the Seine had run out of fish the Paris Journal offered helpful hints on how to 'fish for sewer rats with a hook and line bated with tallow.’ 39 distinctions in price were made between brewery and sewer rats although the popularity of both breeds was confined to the rich on account of the extravagant sauces required to make them palatable. [Paris], France: 1870. unknown
04212Paris: Arnauld De Vresse 1850. Exceedingly Scarce<br /> Highly Amusing Hand-Colored Caricatures Showing "The Crazy's of the Day"<br /> <br /> CHAM illustrator pseud. of Charles Amédée de Noé. Les Toqués Du Jour. Paris: Arnauld De Vresse n.d. ca. 1847. <br /> <br /> First edition. Large folio 13 3/4 x 10 5/16 inches; 349 x 261 mm. Hand-colored lithographed title and thirty-six comical scenes on eighteen fine hand-colored lithographed plates heightened with gum arabic. Each scene with printed caption below. <br /> <br /> Publisher's brown ribbed cloth bordered in blind front cover lettered in gilt. Expertly rebacked to style at an early date. Inner hinges cracked but sound corners very slightly rubbed. A near fine copy of this exceedingly scarce album.<br /> <br /> A highly amusing collection of lithographs by Cham 1819-1879 satirizing the varieties of Les Toqués Du Jour<br /> The Crazy's of the Day. <br /> <br /> Of Charles Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> Exceedingly scarce. No copies found in WorldCat or KVK and apparently no copies have appeared at auction certainly during the past thirty-five years. Paris: Arnauld De Vresse, 1850 unknown
04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career<br /> <br /> CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. <br /> <br /> First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. <br /> <br /> Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown
05953Paris: Chez Aubert & Cie. 1840. Exceedingly Scarce<br /> Caricatures of Repentant Ladies of Easy Virtue<br /> <br /> CHAM pseudonym of Amédée de Noé. Les Madeleines. Varieté de L'Espece Lorettes. Paris: Chez Aubert & Cie n.d. ca. 1847. <br /> <br /> First edition. Large folio 13 1/4 x 9 7/8 inches; 336 x 251 mm. Hand-colored lithographed title and twenty fine hand-colored lithographed plates with captions all heightened with gum arabic. Lithographed advertisement leaf for Des Modes Parisiennes bound in at end. Title-page slightly foxed at inner blank margin some occasional very light staining on blank margins only otherwise very clean.<br /> <br /> Modern black cloth over limp boards brown morocco label lettered in gilt on front panel. A fine copy.<br /> <br /> A wonderful and highly amusing collection of lithographs by Cham 1819-1879 satirizing the varieties of the species of Les Madeleines Repentant Whores. <br /> <br /> Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah. it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> Only one copy in WorldCat and KVK at Columbia University. No auction records. Exceedingly scarce.<br /> <br /> The Plates:<br /> Title-page<br /> 1. Un Ruse De Guerre.<br /> 2. Pour Qui Me Prenez Vous.<br /> 3. Oh! C'Te Tiete!.<br /> 4. Un Moment Difficile.<br /> 5. Voice Ce M'est Arivee.<br /> 6. Encore Ta Fête<br /> 7. Un Gentil-Homme Artificiel.<br /> 8. Politesse.<br /> 9. Une Scéne.<br /> 10. Générosité.<br /> 11. Untitled<br /> 12. Untitled<br /> 13. Untitled<br /> 14. Untitled<br /> 15. Une Connaissance.<br /> 16. Untitled<br /> 17. Untitled<br /> 18. Ton Grigou De Pére!.<br /> 19. Un Gage D'Amour.<br /> 20. Crrrré Chien!!.<br /> <br /> Bobins V 1533. Paris: Chez Aubert & Cie., 1840 unknown
06041Paris: Maison Martinet 1856. Mr. Papillon's Highly Amusing Voyage Around the World <br /> Love and Romance in Various Countries<br /> <br /> CHAM pseudonym of Charles Amédée de Noé. Mr. Papillon par Cham. Mr. Papillon ou L'Amour Autour du Monde. Paris: Maison Martinet 1856. <br /> <br /> Large quarto 13 3/8 x 10 inches; 339 x 254 mm. Pictorial hand-colored lithograph title-page and twenty hand-colored lithograph plates heightened with gum Arabic and containing sixty-eight amusing images. The plates clean and fresh with superb hand coloring.<br /> <br /> Publisher's red cloth decorated in blind and lettered in gilt plain spine inner hinges expertly strengthened. <br /> An excellent copy.<br /> <br /> Mr. Papillon's highly amusing voyage around the world depicting love and romance in different countries.<br /> <br /> We have handled this title once before - the plates were identical but the title was Mr. Papillon ou L'Amour Autour du Monde. Also the binding was identical with the exception that there was no lettering on the front cover.<br /> <br /> Rare. OCLC locates just one copy in libraries and institutions worldwide: Bibliotheque Nationale de France.<br /> <br /> The plates:<br /> <br /> 1. - Mr. Papillon commence à croire qu'il finira par s'ennuyer dans la société de Mme. De St. Folichette.<br /> - Plusieurs fois déja il a trouve chez lui des chapeaux qui ne lui allaient pas du tout.<br /> - .et des cannes qu'il ne se connaissait point.<br /> 2. - Ne trouvant même plus de place dans ses armoires pour serrer ses effets.<br /> - Mr. Papillon demande une explication qui n'amene rien de bon.<br /> - Lui prouve qu'il n'est qu'un vilain jaloux que tous les torts sont de son côté et qu'il n'a qu'à se retirer.<br /> 3. - Mais pourquoi diable aussi s'être amourache d'une Francaise! Ce peuple est si léger!. une Anglaise c'est plus calme.<br /> - Lady Brighton qu'il a tres souvent recontrée dans les promenades voilà une passion qui doit être tranquille!<br /> - Malheureusement toutes ses affections paraissent portées sur son chien.<br /> - Comment entrer en conversation. Mr. Papillon y ayant bien réfléchi achète une chienne.<br /> 4. -Mr. Papillon se rend à la promenade suivi de sa chienne.<br /> - Le chien de Mylady arrive immédiatement.<br /> - Mr. Papillon prend sa chienne sous son bras et se retire.<br /> - Rentré chez lui le chien de Lylady devient rêveur et refuse de manger.<br /> 5. - My lady remarque avec douleur le changement qui s'opere depuis quelques jours chez son chien.<br /> - et ne voit qu'un moyen engager Mr. Papillon à venir prendre le thé chez elle accompagné de sa chienne.<br /> - Croyant le moment favorable Mr. Papillon se jette aux pieds de Mylady lui déclare qu'il ne peut désormais vivre sans elle et que si on le repousse il en finira avec la vie. de sa chienne!<br /> 6. - My lady pense à son chien Mr. Papillon triomphe.<br /> - A dater de ce moment Mr. Papillon obtient l'autorisation de suivre tous les jours Mylady à la chasse au renard.<br /> 7. - Au bout de quelques jours Mylady est prise d'un accès de spleen.<br /> - Et conduisant Mr. Papillon au fond de son parc elle le prie de vouloir la suivre et lui donner ainsi une dernière marque d'affection.<br /> - Mr. Papillon croit poli de faire au moins semblant.<br /> - Apres quoi il décampe de l'Angleterre sur le premier bateau vapeur venu et débarque a Cadix.<br /> 8. - Et tombe foudroyé d'amour devant dona Prunella qui se rend a la course de taureaux.<br /> - Profite de cet incident pour acheler immédiatement un costume de picador.<br /> - Mr. Papillon se présent dans l'arène avec l'aisance d'un homme qui a fait autre chose toute sa vie.<br /> 9. - Mr. Papillon commence à croire que le véritable picadore n'est pas lui.<br /> - Et pense que son costume a du perdre de sa rigidité.<br /> - Mr. Papillon est de nouveau tiré de ses réflexions.<br /> 10. Heureusement il est une providence pour les amoureux; Mr. Papillon va tomber aux pieds de dona Prunella<br /> - qui par ses soins touchants et pas mal de cataplasmes apporte un adoucissement à sa mésaventure.<br /> - Et autorise Mr. Papillon qui a repris son costume ordinaire a venir tous les soirs de 8 à 10 donner une sérénade sous son balcon.<br /> 11. - Ayant un soir dépassé la dixieme heure Mr. Papillon se trouve nez à nez avec un rival qui a l'autorisation de 10 à 11 heures de nuit.<br /> - Beaucoup moins fort que son rival sur la guitare Mr. Papillon en recoit un fort coup sur la tête.<br /> - Dona Prunella soupçonnant qu'elle pourrait fort bien être pour quelque chose dans le nouvel accident arrivé a Mr. Papillon croit de son devoir de le recouvrir de nouveau de cataplasmes.<br /> - Rappelé à la vie Mr. Papillon veut témoigner sa reconnaissance compliquée de pas mal d'amour Dona Prunella réplique Cachucha et lui casse deux dents.<br /> 12. Mr. Papillon soupire après une femme qui ferait moins facilement ce qu'elle veut de ses pieds;. une Chinoise! Voilà son affaire.<br /> - Ne connaissant pas d'obstacles quand il s'agit peut-être de son bonheur Mr. Papillon débarque en Chine.<br /> - Mr. Papillon jetant ses regards autour de lui tombe éperdument amoureux de la belle Péko femme de Mandarin.<br /> 13. - S'habille en Chinois et entre comme enseigne chez le marchand de thé dont la boutique fait face aux fenêtres de la belle Péko.<br /> - Rentrant chez lui le mandarin remarque le magot Papillon et le trouve cocasse.<br /> - L'achète au marchand de the pour en garnir la cheminée de sa femme.<br /> 14. - L'ayant fait placer sur la cheminee le mandarin sort faire administrer cent coups de baton au professeur de tam-tam de Mme. Peko le soupconnant tres fort de faire la cour a son eleve.<br /> - Mr. Papillon profite de la circonstance pour sauter de la cheminee et expliquer la purete de ses intentions a Madame.<br /> - Regardant par la fenetre et voyant assommer le professeur de tam-tam la mandarine suppose qu'il ne sera plus bon a grand chose<br /> - et qu'elle ferait aussi bien de suivre Mr. Papillon qui lui en fait l'offre et parait un galant homme.<br /> 15. - Malheureusement ses pieds trop petits pour la porter la font tomber sur le nez au moment ou elle veut executer son projet.<br /> - Mr. Papillon tombe également au bruit de la sonnette qui annonce le retour du mandarin.<br /> - Le mandarin ramasse sa femme et considérant son magot s'étonne de ce qu'il soit tombé de la cheminée sans se casser.<br /> - Il lui campe un fort coup de baton sur la tête afin de se rendre bien compte de la dureté de sa pâte.<br /> 16. - Etonnement du mandarin qui reçoit une réplique à laquelle il était loin de s'attendre de la part d'un magot de cheminée.<br /> - Venant à avoir des soupçons le mandarin obtient jugement et condamnation contre son magot qui subit aussitôt la peine.<br /> - Le bourreau s'étant heureusement endormi au milieu de la cérémonie Mr. Papillon décampe avec le morceau de bois instrument de son supplice.<br /> - et parvient à le vendre à un peintre comme cadre pour un de ses tableaux.<br /> 17. - Poursuive et sur le point de tomber entre les mains des soldats du mandarin Mr. Papillon supplie un bourgeois Chinois de vouloir bien le chacher dans sa maison.<br /> - Le bourgeois y consent à la condition que Mr. Papillon lui donnera une marque de confiance à laquelle on tient beaucoup en Chine.<br /> - Le Chinois manque un bêau jour on bût; Mr. Papillon lui retire sa confiance et sa personne.<br /> - Ayant repris ses anciens effets et s'embarquant comme de coutume sur le premier bateau a vapeur venu Mr. Papillon débarque en Laponie.<br /> 18. - Mr. Papillon n'en est pas fache car il n'aura rien a craindre de maris aussi petits dans le cas ou ils viendraient à entrer en fureur.<br /> - Aussi se donne-t-il un affreux tour de reins en adressant ses hommages à une Lapone.<br /> - Ayant obtenu un rendez-vous le mari Lapon venant à rentrer Madame fait chacher Mr. Papillon dans son armoire.<br /> - Mr. Papillon a beau faire le mari Lapon aperçoit quelque chose.<br /> 19. - Mr.Papillon prend la fuite mais le mari Lapon monte en voiture et lui donne la chasse.<br /> - Mr Papillon est saisi par l'équipage.<br /> - Heureusement pour lui son tailleur lui fournissait de mauvaises étoffes.<br /> 20. - Mr. Papillon gagne le port le plus voisin s'embarque comme d'habitude sur le premier vaisseau venu et débarque en Corse<br /> - où il parvient a nouer une intrigue dont il se dégoûte vite en voyant le couteau de la vendetta piqué dans sa porte comme avertissement.<br /> - Rentré en France Mr. Papillon éprouve le besoin de faire une fin Malheureusement ses aventures ayant fait du bruit il épouse sa femme de ménage qui seule voulut bien accepter sa main. Paris: Maison Martinet, 1856 unknown
05954Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British<br /> <br /> CHAM pseudonym of Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850.<br /> <br /> Large folio 13 1/4 x 10 inches; 336 x 252 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic.<br /> <br /> Publisher's cream-colored glazed lithographed boards neatly rebacked with cream-colored cloth backstrip. A little bit of marginal soiling. Otherwise a near fine copy.<br /> <br /> Of Charles Amédée de Noé 1818-1879 "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> The Plates: <br /> 1. Une femme bien attachée<br /> 2. Le Quaker<br /> 3. Le Recruteur<br /> 4. Visite au Musée<br /> 5. Mariage d'inclination<br /> 6. Les Hauts grades <br /> 7. Philanthropie. Bien entendue<br /> 8. Les Boxeurs<br /> 9. L'Écossais<br /> 10 Un Costume national<br /> 11. Baragouin Britannique <br /> 12. In the Stocks <br /> 13. Le Péage du turn-pike<br /> 14. L'Invalide de Chelsea<br /> 15. Smithfied Market<br /> <br /> Bobins III 842. Paris: Chez Aubert & Cie., 1850 unknown
05311Paris: Chez Aubert & Cie. 1850. Fifteen Hand-Colored Lithographed Plates Caricaturing the British<br /> <br /> CHAM illustrator. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850.<br /> <br /> Large folio 12 7/8 x 9 5/8 inches; 327 x 244 mm. Hand-colored lithographed title and fifteen numbered hand-colored lithographed plates heightened with gum arabic. Publisher's advertisement leaf at end. Small neat 1 1/8 inch repair to top margin of plate 12 not affecting image some minor and mainly marginal scattered foxing otherwise an excellent example.<br /> <br /> Contemporary quarter dark brown ribbed cloth over marbled boards. Some wear to corners and edges of boards.<br /> <br /> Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156.<br /> <br /> The Plates: <br /> 1. Une femme bien attachée<br /> 2. Le Quaker<br /> 3. Le Recruteur<br /> 4. Visite au Musée<br /> 5. Mariage d'inclination<br /> 6. Les Hauts grades <br /> 7. Philanthropie. Bien entendue<br /> 8. Les Boxeurs<br /> 9. L'Écossais<br /> 10 Un Costume national<br /> 11. Baragouin Britannique <br /> 12. In the Stocks <br /> 13. Le Péage du turn-pike<br /> 14. L'Invalide de Chelsea<br /> 15. Smithfied Market. Paris: Chez Aubert & Cie., 1850 unknown
05327Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth.<br /> Young Parisian Gentlemen At Play<br /> <br /> CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. <br /> <br /> First only edition complete. <br /> <br /> Folio 13 x 9 5/8 inches; 330 x 245 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates all heightened with gum arabic.<br /> <br /> Original pictorial lithographed green boards. Minimal rubbing to board edges and corners near fine.<br /> <br /> Rare with OCLC recording only six copies in institutional holdings worldwide and only one auction record since 1923.<br /> <br /> We have only seen one other copy of this title.<br /> <br /> A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth.<br /> <br /> Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> The Plates:<br /> 1. Ne vous effrayez pas!<br /> 2. Un objet de prix pour ne rien prendre<br /> 3. Fol de carrossier.<br /> 4. Un maitre dans une peau de domestique.<br /> 5. Des gages fabuleux.<br /> 6. Ton vicomte est un cuistre!<br /> 7. Pauvre créancier!<br /> 8. L'ami de coeur.<br /> 9. Tiens! C'est le m'sieu du château!<br /> 10. Palsambleu quél bon petit chic!!<br /> 11. L'etat d'heritier a bien ses charges!<br /> 12. Monsieur le baron après souper.<br /> 13. Prenez y garde John!<br /> 14. Un ci-devant.<br /> 15. Tachez donc de faire aller mes cheveux!<br /> 16 Le tir des pigeons.<br /> 17. Oh he! Ce cavalier! Ohe!<br /> 18. Bravo Marquis! Tu arrives le premier.<br /> 19. Dieu! La belle chasse.<br /> 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, 1846 unknown
03321Paris: Chez Aubert & Cie. 1846. The Pleasures of Youth.<br /> Young Parisian Gentlemen At Play<br /> <br /> CHAM pseudonym of Amédée de Noé. Nos Gentils Hommes a Gout. Tournure Elégance Moeurs et Plaisirs de la Jeunesse Dorée. Par Cham Paris: Chez Aubert & Cie. n.d. 1846. <br /> <br /> First only edition complete. <br /> <br /> Folio 13 1/4 x 9 7/8 inches; 336 x 250 mm. Hand-colored lithographed title page and twenty hand-colored lithographed plates. Pictorial lithographed advertisement and Aubert et Cie. catalogue 16 pp. at rear. <br /> <br /> Original pictorial lithographed green boards. Later dark green pebbled cloth spine and endpapers. Board edges and corners a little rubbed some light mainly marginal foxing. Small repaired tear to outer margin of lithographed advertisement leaf. An excellent example. With the bookplate of Joel Spitz on front paste-down. <br /> <br /> Provenance: purchased in Paris 1947.<br /> <br /> Rare with OCLC recording only six copies in institutional holdings worldwide and no auction records since 1923.<br /> <br /> We have only seen one other copy of this title.<br /> <br /> A satire of the bustle behavior customs and pleasures of young Parisian gentlemen - golden youth.<br /> <br /> Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> The Plates:<br /> 1. Ne vous effrayez pas!<br /> 2. Un objet de prix pour ne rien prendre<br /> 3. Fol de carrossier.<br /> 4. Un maitre dans une peau de domestique.<br /> 5. Des gages fabuleux.<br /> 6. Ton vicomte est un cuistre!<br /> 7. Pauvre créancier!<br /> 8. L'ami de coeur.<br /> 9. Tiens! C'est le m'sieu du château!<br /> 10. Palsambleu quél bon petit chic!!<br /> 11. L'etat d'heritier a bien ses charges!<br /> 12. Monsieur le baron après souper.<br /> 13. Prenez y garde John!<br /> 14. Un ci-devant.<br /> 15. Tachez donc de faire aller mes cheveux!<br /> 16 Le tir des pigeons.<br /> 17. Oh he! Ce cavalier! Ohe!<br /> 18. Bravo Marquis! Tu arrives le premier.<br /> 19. Dieu! La belle chasse.<br /> 20. Au diable les préjugés! Paris: Chez Aubert & Cie.,, [1846] unknown
05630Paris: Lange Lévy et Comp. 1850. First Edition Bound from the Original Parts<br /> Complete with all six of the original front wrappers and the five leaves of advertisements at the end<br /> From the Bibliothèque Antoine Vautier<br /> <br /> CHAM pseudonym of Amédée de Noé. HUART Louis. CHAMPS Victor binder. Punch à Paris par Cham. Revue Drolatique du Mois. Paris: Lange Lévy et Comp. February - June 1850.<br /> <br /> Complete with all six of the original front wrappers and the five leaves of advertisements at the end.<br /> <br /> First edition bound from the original parts. Small folio 11 x 7 7/8 inches; 280 x 200 mm. 1-192 pp. Six full page engraved plates and numerous engravings throughout the text. The six original pictorial front wrappers dated from January thru July 1850 bound in at front. Five leaves of advertisements and one blank bound in at end.<br /> <br /> Bound by Victor Champs ca. 1900 stamp-signed in black on verso of front free-endpaper. Three quarter red crushed levant morocco over marbled boards ruled in gilt spine with five raised bands elaborately decorated and lettered in gilt in compartments cockerel-style endpapers. With the small octagonal bookplate of the celebrated collection of Bibliothèque Antoine Vautier on front paste-down. <br /> <br /> The commencement of Punch à Paris was in February 1850 and was intended to be a monthly published magazine however in June 1850 after just six issues Punch à Paris had to cease publication "The excessive rigors of the new press law oblige us to suspend our publication".<br /> <br /> Cham pseudonym of Charles Amédée de Noé 1818-1879 has collaborated in many satirical newspapers and has also published a number of albums of lithographs or woodcuts. Very comfortable in political and moral caricatures he is one of the first to give stories in drawings that will soon be called comics and as such occupies a key place in the history of comics in France and among the pioneers of the genre.<br /> <br /> Louis Adrien Huart 1813-1865 was a French journalist writer and theater director. From 1835 he wrote for Le Charivari France's main opposition satirical daily of which he was to become the most assiduous editor. In his literary and theatrical chronicles as well as in his satires of daily political news he constantly approached the legal limit set by censorship without ever exceeding it. Many legends of lithographs by Honoré Daumier came from his pen. Editor-in-chief of Charivari from 1848 he later became its editor until his death. He had the merit of discovering and promoting young talents from the new generation such as Henri Rochefort who without him would have remained a simple employee of the administration. He also wrote the text for several books illustrated by Grandville and Cham.<br /> <br /> Victor Champs 1844-1912 was one of the most prolific and renowned bookbinders of the late nineteenth century. "His bindings for bibliophiles are sought after by collectors for the good performance of their body of work and the finish of the work. Together with Carayon they were the bookbinders who in relatively simple works summed up the highest degree of perfection of execution." Fléty p.41.<br /> <br /> Provenance: Bibliothèque Antoine Vautier. One of the great French bibliophiles whose superb collection "Catalogue de Vente aux Encheres" was sold in Paris at Hotel Drouot on April 21st 1971 and on May 11th 1977.<br /> <br /> Hatin 521. Paris: Lange Lévy et Comp., 1850 unknown
05541Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste<br /> <br /> CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. <br /> <br /> First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes.<br /> <br /> Publisher's pictorial glazed green boards. Original glassine wrapper. A superb example.<br /> <br /> OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder.<br /> <br /> The Plates:<br /> 1. Tout ça c'est bel et bon!<br /> It's all well and good!<br /> 2. L'éducation es tune bonne chose!<br /> Education is a good thing!<br /> 3. Hardi! Conscrit la patrie a les yeux sur toi!.<br /> Daring! Conscript the fatherland has its eyes on you!.<br /> 4. Je veux que mon fils ait un prix!<br /> I want my son to have a prize!<br /> 5. Mes papiers.mes papiers!<br /> My papers.my papers!<br /> 6. Tiens tiens elle était pressée c'tte lettre<br /> Well well she was in a hurry that letter<br /> 7. De de quoi.de de quoi!.<br /> From what.from what!.<br /> 8. Malheureux! Tu me feras blancher avant l'âge.<br /> Unfortunate! You will make me white before my age.<br /> 9. Enfin j'en tiens un!.<br /> Finally I got one!.<br /> 10. Non vous ne vous trompez pas!<br /> No you are not mistaken!<br /> 11. Je risqué tout tant pis pour moi!<br /> I risked everything too bad for me!<br /> 12. Ah! Vous êtes ambitieux!<br /> Ah! You are ambitious!<br /> 13. Qué bonheur m'ssieu!<br /> What happiness sir!<br /> 14. Cré coquin mes chemises neuves.<br /> Naughty creation my new shirts.<br /> 15. Y sont drôles les maitres!<br /> The masters are funny there!<br /> <br /> Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
05993Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste<br /> <br /> CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. <br /> <br /> First edition. Folio 13 1/16 x 9 3/4 inches; 331 x 249 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Publisher's original yellow cloth over yellow boards printed in black and bronze. A very fine copy.<br /> <br /> OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder.<br /> <br /> The Plates:<br /> 1. Tout ça c'est bel et bon!<br /> It's all well and good!<br /> 2. L'éducation es tune bonne chose!<br /> Education is a good thing!<br /> 3. Hardi! Conscrit la patrie a les yeux sur toi!.<br /> Daring! Conscript the fatherland has its eyes on you!.<br /> 4. Je veux que mon fils ait un prix!<br /> I want my son to have a prize!<br /> 5. Mes papiers.mes papiers!<br /> My papers.my papers!<br /> 6. Tiens tiens elle était pressée c'tte lettre<br /> Well well she was in a hurry that letter<br /> 7. De de quoi.de de quoi!.<br /> From what.from what!.<br /> 8. Malheureux! Tu me feras blancher avant l'âge.<br /> Unfortunate! You will make me white before my age.<br /> 9. Enfin j'en tiens un!.<br /> Finally I got one!.<br /> 10. Non vous ne vous trompez pas!<br /> No you are not mistaken!<br /> 11. Je risqué tout tant pis pour moi!<br /> I risked everything too bad for me!<br /> 12. Ah! Vous êtes ambitieux!<br /> Ah! You are ambitious!<br /> 13. Qué bonheur m'ssieu!<br /> What happiness sir!<br /> 14. Cré coquin mes chemises neuves.<br /> Naughty creation my new shirts.<br /> 15. Y sont drôles les maitres!<br /> The masters are funny there!<br /> <br /> Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
05330Paris: Chez Aubert & Cie. 1850. Jokes in Poor Taste<br /> <br /> CHAM pseudonym of Amédée de Noé. Turlupinades Contrariétés et Autres Amusemens Négatifs Jokes in Poor Taste Par Cham. Paris: Chez Aubert & Cie. ca. 1850. <br /> <br /> First edition. Folio 13 1/4 x 9 7/8 inches; 337 x 251 mm. Hand-colored lithographed title and fifteen full-page hand-colored lithographed plates with captions. Advertisement leaf at end Maison de Commission. Des Modes Parisiennes.<br /> <br /> Publisher's pictorial glazed green boards lower portion of spine renewed inner front hinge cracked some light wear to corners. An excellent copy.<br /> <br /> OCLC locates just four copies worldwide: Morgan Library & Museum; New York Public Library; Getty Institute; University of Illinois.<br /> <br /> CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.'<br /> <br /> Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156.<br /> <br /> Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder.<br /> <br /> The Plates:<br /> 1. Tout ça c'est bel et bon!<br /> It's all well and good!<br /> 2. L'éducation es tune bonne chose!<br /> Education is a good thing!<br /> 3. Hardi! Conscrit la patrie a les yeux sur toi!.<br /> Daring! Conscript the fatherland has its eyes on you!.<br /> 4. Je veux que mon fils ait un prix!<br /> I want my son to have a prize!<br /> 5. Mes papiers.mes papiers!<br /> My papers.my papers!<br /> 6. Tiens tiens elle était pressée c'tte lettre<br /> Well well she was in a hurry that letter<br /> 7. De de quoi.de de quoi!.<br /> From what.from what!.<br /> 8. Malheureux! Tu me feras blancher avant l'âge.<br /> Unfortunate! You will make me white before my age.<br /> 9. Enfin j'en tiens un!.<br /> Finally I got one!.<br /> 10. Non vous ne vous trompez pas!<br /> No you are not mistaken!<br /> 11. Je risqué tout tant pis pour moi!<br /> I risked everything too bad for me!<br /> 12. Ah! Vous êtes ambitieux!<br /> Ah! You are ambitious!<br /> 13. Qué bonheur m'ssieu!<br /> What happiness sir!<br /> 14. Cré coquin mes chemises neuves.<br /> Naughty creation my new shirts.<br /> 15. Y sont drôles les maitres!<br /> The masters are funny there!<br /> <br /> Bobins IV 1349. Paris: Chez Aubert & Cie., 1850 unknown
04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria <br /> <br /> CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. <br /> <br /> First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears.<br /> <br /> Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example.<br /> <br /> The plates:<br /> <br /> 2. Au diable les chevaux arabes!<br /> 3. Quelle chance!!<br /> 4. Pour faire un bon pot-au-feu.<br /> 5. V'là soixante lieues d'avalées!<br /> 6. Ces gueux d'arabes.<br /> 7. Dites donc caporal.<br /> 8. Une visite sous la tente.<br /> 9. Encore quinze lieues à faire.<br /> 10. Une razzia.<br /> 11. C'est fort drôle conscrit!.<br /> 12. Un héritage flambé.<br /> 13. Allons bon!.<br /> 14. Gueux de sauvages!<br /> 15. Y a des gens qui ont du bonheur!<br /> 16. Il est bon d'avoir des amis.<br /> 17. C'est une flêche empoisonnée.<br /> 18. En toute chose il ne faut jamais considérer la faim.<br /> 19. Qué beau pays!!!<br /> 20. Est-ce que tu attends l'omnibus.<br /> 21. Pauvres camarades!<br /> 22. Cristi! V'la mon paletot qui se déchire!<br /> 23. Y a pas de bon sens!<br /> 24. Cher papa et chère maman.<br /> 25. Mon Général.<br /> 26. C'est un coup superbe!<br /> 27. Un petit homme a grandes passions.<br /> 28. Marche de nuit.<br /> <br /> <br /> CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" <br /> Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown
76-0066Paris: Martinet circa 1865. Hand-colored lithograph with gum arabic. 36 x 28 cm sheet. Very Good light foxing in the margin areas toning along sheet edges colors fresh. Paris: Martinet, [circa 1865]. unknown
76-0065Paris: Martinet circa 1865. Hand-colored lithograph with gum arabic. 36 x 28 cm sheet. Very Good light foxing in the margin areas toning along sheet edges colors fresh. Paris: Martinet, [circa 1865]. unknown
188015669Paris: Calmann Levy 1880. Hardcover. fair. This copy has an ex-libris stamp inside of front board by Robert Florey: Robert Florey 1900-1979 was a French screenwriter director of short films and actor who moved to Hollywood in 1921. Florey worked as assistant director to Josef von Sternberg Frank Borzage and Victor Fleming before making his feature directing debut in 1926. He turned out more than 50 movies over the next 23 years from the first Marx Brothers movie "The Cocoanuts" 1929 to horror movies such as "Murders in the Rue Morgue" 1932 starring Bela Lugosi to skillful low-budget crime programmers like "The Crooked Way" 1949. Scarce. 4to. 349pp. Original contemporary illustrated paper covered boards with gold lettering and illustration to cover and spine. Blue endpapers. Ex libris Robert Florey see above. Great collection of 3b/w caricatures by the acclaimed French artist Cham a.k.a. Amedée Charles Henry de Noé. With a short biography. Head and tail of spine rubbed and worn with tear to top spine. Corners worn. Scuffing rubbing staining to boards. Minor browning to pages. In French. In overall good- condition. Calmann Levy hardcover
71-5302Paris: Aubert & Cie. circa 1877. Hand-colored lithograph. 25 x 33.5 cm sheet. Very Good a few light specks of foxing in the margins. Paris: Aubert & Cie., circa 1877. unknown
46041 April no year. French cartoonist. - caricaturist. One page 8vo laid down sl. damaged but text clear and complete. He says that Madame de Noe avec accent is fully recovered from illness and wonders if his correspondent can dine next sunday. "Un mot de reponse s.v.p." He concludes with formal best wishes. The conjoint blank leaf is laid down - on the recto of this blank is a draft acceptance signed Paggi. 1 April [no year]. unknown
76-0699Paris: Le Charivari 1862. Lithograph on newsprint. 28 x 21 cm sheet. Text on verso. Good sheet aged. Paris: Le Charivari, 1862. unknown
76-0700Paris: Le Charivari circa 1874. Lithograph on newsprint. 28 x 21 cm sheet. Text on verso. Good sheet aged. Paris: Le Charivari, circa 1874. unknown
19-7741Paris: Maison Martinet 1848. . 4to. Folded Wraps. 9pp. Very good. En Francais. Paris: Maison Martinet, 1848. paperback
1850041568Paris: Bureau De Punch 1850. 1st Edition . Hardcover. Very Good. Ii 192 Ii Pp. Quarter Grey Cloth Morocco Spine Label Gilt Marbled Boards. Begins With Title Page Dated April 1850 No Other Title Pages Or Rear Covers. Light Wear Beginning To Fray At Corners Light Foxing. Charles Amédée De Noé Known As Cham 1818 - 1879 Was A French Caricaturist And Lithographer. Raised By A Family Who Wished Him To Attend A Polytechnic School He Instead Attended Painting Workshops By Nicolas Charlet And Paul Delaroche And Began Work As A Cartoonist Taking On The Pseudonym "Cham". In 1839 He Published His First Book Monsieur Lajaunisse Which Began A Career That Would Span 40000 Drawings. In 1843 He Began To Be Published In Newspapers Like Le Charivari Whose Staff He Was On For Thirty Years. Later Works Included Proudhon En Voyage And Histoire Comique De L'assemblée Nationale. He Wrote A Number Of Comic Plays Towards The End Of His Life. <br/> <br/> Bureau De Punch hardcover
